Susan Gordon

Susan Gordon (July 27, 1949 – December 11, 2011) was an American child actress renowned for her appearances in B-movies and television episodes during the late 1950s and early 1960s.^[1]^[2] Born in St. Paul, Minnesota, Gordon was the daughter of filmmaker Bert I. Gordon, a prominent director of low-budget science fiction and horror films, and his wife, Flora Lang Gordon.^[2] She began her acting career at age eight, making her film debut in her father's production Attack of the Puppet People (1958), a sci-fi horror film where she played one of the shrunken characters.^[1] Over the next decade, she featured in six motion pictures, often in supporting roles that highlighted her youthful charm and blonde-haired innocence, including appearances alongside established stars such as Danny Kaye in the biographical musical The Five Pennies (1959), where she portrayed his on-screen daughter, and Ed Wynn in The Boy and the Pirates (1960).^[1]^[3] Other notable films include Tormented (1960), a supernatural thriller, and Picture Mommy Dead (1966), a psychological horror film in which she had a prominent role as Susan Shelley and performed the song "The Hearse Song."^[2]^[4] Gordon's television work was equally prolific, with guest spots in nearly 30 popular series that showcased her versatility in dramatic and lighthearted roles.^[5] She earned acclaim for her lead performance as Jenny in the Twilight Zone episode "The Fugitive" (1962), a story about an alien boy on the run, and appeared in episodes of Gunsmoke ("Little Girl," 1960), Alfred Hitchcock Presents ("Summer Shade," 1961), The Alfred Hitchcock Hour, Make Room for Daddy, and four installments of My Three Sons across different characters.^[2]^[1] Additionally, she starred in NBC's live television adaptation of Miracle on 34th Street (1959) and shared the screen with Ronald Reagan in an episode of Death Valley Days.^[1]^[3] Her stage career extended into adulthood, including an Off-Broadway production of A Magic Place in a New Time (2002) and understudy work in Nunsense!.^[2] After retiring from acting in the late 1960s following a 43-year span that transitioned from child roles to young adult parts in musicals and comedies, Gordon shifted to a career in information technology, working for 21 years as a chief information officer.^[5]^[3] She earned a master's degree in computer graphics and lived in Japan for nearly 13 years while raising her family, eventually traveling to approximately 50 countries.^[5] Married to Avraham Aviner, she was survived by her husband, six children, five grandchildren, her parents, and two sisters, Carol and Patricia.^[2]^[4] Gordon passed away from cancer in Teaneck, New Jersey, at the age of 62.^[2]^[1] In 2005, she produced a 30-minute documentary reflecting on her career, and she remained engaged with film communities until her final years.^[5]

Early life

Birth and upbringing

Susan Lynn Gordon was born on July 27, 1949, in St. Paul, Minnesota, to Bert I. Gordon, a filmmaker known for low-budget science fiction and fantasy movies, and Flora Lang, who later worked in film production.^[2]^[6]^[7] Gordon spent her early childhood in Minnesota, immersed in a family environment shaped by her parents' involvement in the arts and entertainment. At the age of two, she gained her initial exposure to performing by appearing in a commercial for a local candy company, which was directed by her father.^[2] This early experience highlighted the creative atmosphere of her household and foreshadowed her future in the industry. Around the age of eight, the Gordon family relocated from Minnesota to Hollywood, California, driven by Bert I. Gordon's burgeoning career in filmmaking, which required proximity to the industry's hub.^[3] The move positioned young Susan for her professional acting debut shortly thereafter, as opportunities in film and television became more accessible in the heart of the entertainment world.^[8]

Family background

Susan Gordon was born into a family deeply embedded in the entertainment industry. Her father, Bert I. Gordon, was a prolific filmmaker specializing in low-budget science fiction and horror movies, earning the nickname "Mr. B.I.G." from Famous Monsters of Filmland editor Forrest J. Ackerman due to his initials and the oversized creatures often featured in his work.^[9]^[10] Her mother, Flora Lang (later Flora Gordon), served as a unit production manager on television series such as Dynasty and worked as an assistant producer and special effects technician on several of her husband's films.^[11]^[7] Gordon had two sisters, Carol and Patricia, with whom she was raised in a household that prioritized creative pursuits amid her parents' professional commitments.^[2] The family's immersion in filmmaking provided a supportive environment for Gordon's early interests, as her parents' careers exposed her to the mechanics of production from a young age. This dynamic facilitated familial encouragement, with her mother often involved in on-set support during her initial endeavors.^[5] The professional influence of her family significantly shaped Gordon's entry into acting, as her father's directorial work offered initial opportunities through close connections, allowing her to participate in projects from an early age.^[2] This entertainment-oriented background not only provided practical exposure but also instilled a sense of normalcy around performance and production, bolstered by her parents' collaborative roles in the industry.^[11]

Career

Film roles

Susan Gordon made her film debut at the age of eight in Attack of the Puppet People (1958), a science fiction horror film directed by her father, Bert I. Gordon, in which she portrayed Agnes, one of the children shrunk by a mad scientist's invention.^[1]^[11] The role came about unexpectedly when the originally cast child actress fell ill on set, leading to Gordon's substitution and marking the beginning of her brief career as a child performer in low-budget genre pictures.^[1] Her next role was in the drama The Man in the Net (1959), directed by Michael Curtiz, where she played Angel Jones, a spirited child who befriends the wrongly accused protagonist portrayed by Alan Ladd.^[12] Later that year, Gordon achieved her most prominent film role in the musical biopic The Five Pennies (1959), directed by Melville Shavelson, as Dorothy "Dot" Nichols, the young daughter of jazz cornetist Red Nichols (played by Danny Kaye).^[1]^[11] In this dramatic turn, she shared scenes with Kaye and Louis Armstrong, singing and acting in a performance that showcased her versatility beyond horror tropes and established her as a capable young talent in mainstream cinema.^[1] Gordon continued with fantasy and horror fare in 1960, first in The Boy and the Pirates, another Bert I. Gordon production, where she took on a dual role as Kathy Mannering and the pirate girl Katrina Van Kaif, supporting child star Charles Herbert in a time-travel adventure.^[11]^[13] She followed this with Tormented, once again directed by her father, playing Sandy Hubbard, the innocent younger sister of the bride-to-be in a supernatural thriller starring Richard Carlson as a man haunted by his ex-lover's ghost.^[1] These collaborations highlighted Gordon's frequent casting in her father's B-movies, often as wide-eyed, vulnerable children navigating eerie or fantastical perils, which defined her on-screen persona during her pre-teen years.^[1]^[11] As a teenager, Gordon attempted to transition to more mature roles, appearing in Picture Mommy Dead (1966), her final feature film and yet another project helmed by Bert I. Gordon, in which she starred as the troubled Susan Shelley, a girl traumatized by her mother's fiery death and subsequent institutionalization.^[1]^[14] Co-starring Zsa Zsa Gabor and Don Ameche, the psychological horror emphasized her shift toward dramatic intensity, though it received mixed reviews and did little to extend her film career.^[1] Overall, Gordon appeared in approximately six feature films, predominantly B-movies in the science fiction and horror genres, with her work reflecting the low-budget, effects-driven style of her father's independent productions.^[11]^[1] Despite limited opportunities for further roles in her late teens, these performances captured her as a poised child actress in mid-20th-century genre cinema, leading to a gradual wind-down of her film work by the late 1960s.^[1]

Television appearances

Susan Gordon began her television career in 1959 as a child actress, debuting in anthology series such as Playhouse 90 in the episode "A Corner of the Garden," where she portrayed Lorraine, a young girl navigating family tensions.^[15] That same year, she starred as Susan Walker in the live NBC television adaptation of Miracle on 34th Street (November 27, 1959), opposite Ed Wynn as Kris Kringle.^[16] She also appeared in Goodyear Theatre's "Christabel" as Lydia, marking her entry into dramatic roles that highlighted her expressive performances.^[17] Throughout the 1960s, Gordon accumulated nearly 30 guest appearances across diverse genres, including sitcoms, Westerns, and suspense anthologies, underscoring her adaptability from child to teenage characters.^[1] She had multiple roles on the family sitcom My Three Sons, appearing in four episodes between 1962 and 1967, including as Kit in "Coincidence" (1962), Eloise in "The Teenagers" (1965), Shelly in "Kid Brother Blues" (1966), and Marcia in "Now, In My Day" (1967), often playing spirited young friends or romantic interests in lighthearted storylines. Her work in this series exemplified her comedic timing in family-oriented programming popular with mid-century audiences.^[1] Gordon's dramatic range shone in acclaimed anthology series; she played Kate, a vulnerable child in a suspenseful family mystery, in Alfred Hitchcock Presents' "Summer Shade" (1961), and appeared in The Alfred Hitchcock Hour (1963). Another standout was her role as Jenny in the Twilight Zone's "The Fugitive" (1962), a story about an alien boy on the run. She also ventured into Westerns with her guest spot as Charity Gill, an orphaned child, in Gunsmoke's "Little Girl" (1961), and appeared in adventure dramas like Route 66 as Rosie Corbello in "Shoulder the Sky My Lad" (1962) and 77 Sunset Strip as Netsie Phelps in "The Dark Wood" (1962). Her television activity peaked in the mid-1960s with roles in medical series such as Ben Casey, including Cathy Reed in "But Linda Only Smiled" (1961), before tapering off as she outgrew child parts. Gordon's last credited appearance was in 1967 on My Three Sons. These guest spots on prominent shows like The Donna Reed Show, Sam Benedict, and The Eleventh Hour enhanced her visibility beyond film, establishing her as a versatile performer in the era's episodic television landscape.^[1]

Personal life and death

Marriage and family

After retiring from acting in the 1960s, Susan Gordon married Avraham "Avi" Aviner, an Israeli businessman who had served as the leader of the Jewish community in Tokyo, on July 14, 1977.^[6]^[3] The couple had six children, and by the time of her death, they also had five grandchildren.^[11]^[6] Following her college years, Gordon lived in Japan for 13 years, where she and Aviner began raising their family; the couple later relocated to Israel and Los Angeles before settling in Teaneck, New Jersey, in 1987, embracing a suburban lifestyle focused on home and community.^[18] In Teaneck, Gordon worked as a businesswoman while prioritizing her role as a mother and wife, maintaining a stable marriage that lasted 34 years until her death; she earned a master's degree in computer graphics and served as Chief Information Officer for 21 years at COTE-L Industries, the company she co-founded with her husband specializing in slip-resistant and fire-retardant coatings; public details about their personal life remained limited as she stepped away from the entertainment spotlight.^[3]^[19]^[5] This transition reflected her rediscovery of her Jewish roots, which deepened through her marriage and family life in New Jersey.^[3]

Illness and death

After retiring from acting in the late 1960s to prioritize her family, Susan Gordon, who later became known as Susan Aviner, settled in Teaneck, New Jersey, in 1987, where she and her husband launched COTE-L Industries, a company specializing in slip-resistant and fire-retardant coatings.^[3] In adulthood, Aviner was diagnosed with thyroid cancer, engaging in a prolonged battle with the disease.^[11] She passed away on December 11, 2011, at the age of 62 in Teaneck, New Jersey.^[11] She was survived by her husband of 34 years, Avraham Aviner; their six children, Hana, Ariel, Shira, Eitan, Lilly, and Yair; five grandchildren; her parents, Bert I. Gordon and Flora Lang Gordon; and her two sisters, Carol and Patricia Gordon.^[20]^[21]^[2] A private memorial service was held the following day, December 12, 2011, attended by friends and family, after which Aviner was buried in Kedumim, an Israeli settlement.^[21] Her family emphasized her private life as a devoted wife, mother, and businesswoman in Teaneck, noting that most of her friends were unaware of her earlier career as a child actress.^[3] Obituaries across publications such as Variety and The Record highlighted her status as a former child star while celebrating her later accomplishments in family and business.^[11]^[3] In lieu of flowers, the family requested donations to Chai Lifeline, a nonprofit supporting children with cancer and their families.^[11]