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Sweep It Into Space

Sweep It Into Space is the twelfth studio by the American band Dinosaur Jr., released on April 23, 2021, through the independent record label . It marks the group's fifth full-length release since their 2007 reunion and features the classic trio lineup of on guitar and vocals, on bass and vocals, and Murph on drums. Co-produced by Mascis and Kurt Vile, the album was primarily recorded at Mascis's home studio, Bisquiteen in Amherst, Massachusetts, during the fall of 2019, with final touches completed in quarantine amid the COVID-19 pandemic in 2020. Vile contributes guitar to the track "I Ran Away" and additional vocals elsewhere, while mixing was handled by John Agnello. The 12-song collection, running 44 minutes and 53 seconds, predominantly features Mascis's songwriting, with Barlow penning two tracks: "Garden" and "You Wonder." Critically acclaimed for blending the band's signature noisy guitar riffs and melodic hooks with a breezier, more generous approach, Sweep It Into Space has been praised as a reliable return to form. awarded it a 7.3 out of 10, calling it "the breeziest and most melodically generous of the ’s reunion efforts," highlighting its punkish energy tempered by power-pop and country-rock elements. echoed this sentiment, describing it as the band "melding blissful memories with dynamite rock" while sticking to their established script. gave it 4 out of 5 stars, commending its consistent alternative/ style.

Background and production

Songwriting and development

Sweep It Into Space represents Dinosaur Jr.'s fifth studio album since the band's reunion in 2007, following Beyond (2007), Farm (2009), I Bet on Sky (2012), and Give a Glimpse of What Yer Not (2016). The original lineup of J Mascis, Lou Barlow, and Murph has maintained a consistent collaborative dynamic throughout this period, building on the creative interplay established in their post-reunion work. J Mascis served as the primary songwriter for the majority of the album's tracks, continuing his role as the band's chief creative force. Lou Barlow contributed two original songs, "Garden" and "You Wonder," which he also sang lead on, providing distinct moments within the record's structure. These contributions reflect Barlow's ongoing involvement in the songwriting process, a pattern seen across the band's recent albums. The development of Sweep It Into Space began in late , shortly after the group completed a and South East tour promoting their prior release. This timing allowed the band to draw from their established post-reunion momentum, emphasizing Mascis's melodic songcraft alongside Barlow's complementary input. later joined as co-producer during the sessions.

Recording sessions

The recording sessions for Sweep It Into Space took place primarily at Bisquiteen Studio in , beginning in late autumn 2019 following the band's and Southeast tour. The sessions emphasized a spontaneous, homespun approach, capturing live band interplay through iterative takes—often drilling arrangements for about a day per song—and experimenting freely to maintain an organic energy. Co-produced by and , the process incorporated Vile's contributions as both producer and musician; he played on "I Ran Away," adding a distinctive melodic layer while keeping the overall vibe upbeat and exploratory. Engineering duties were handled by Justin Pizzoferrato, with assistance from Marc Seedorf and Mark Miller, alongside Mascis who also took on technical roles such as mic placement. The COVID-19 pandemic disrupted the sessions in early 2020, prompting Vile's departure and leaving Mascis to complete the remaining tracks in isolation during quarantine; he finalized elements like keyboards without further band involvement, ensuring the album's cohesive "in-your-face" Dinosaur Jr. sound. This solitary phase wrapped up in 2020, preserving the record's raw, classic style amid the constraints.

Composition

Musical style

Sweep It Into Space embodies the core genre hallmarks of alternative rock and indie rock, characterized by Dinosaur Jr.'s signature noisy guitar textures, infectious melodic hooks, and abrupt dynamic shifts that create a sense of controlled chaos. J Mascis's layered guitar work dominates the sonic landscape, blending fuzz-laden riffs with ethereal, soaring solos that evoke the band's 1980s and 1990s heyday while maintaining a fresh immediacy. This approach aligns with their longstanding style, where propulsive rhythms underpin explosive bursts of energy, as heard in tracks that alternate between brooding introspection and high-octane drive. The exudes a breezy, spontaneous vibe, drawing subtle influences from and folk elements to infuse its sound with an airy, unforced quality. Critics have noted it as the band's most melodically generous reunion effort, prioritizing tuneful accessibility over raw abrasion while preserving their noisy ethos. Murph's propulsive drumming provides a steady backbone, locking in with Lou Barlow's melodic bass lines to foster an effortless interplay that feels both vintage and vital. This combination yields a relaxed yet vibrant energy, distinguishing it within their discography as a lighter, more harmonious outing. Co-production by introduces subtle folk-rock undertones, enhancing the album's textural depth without overshadowing the core rock framework. Vile's contributions, including guitar on "I Ran Away," lend a folksy warmth, while Barlow's features acoustic-electric blends and arrangements with English-folk that complement the trio's intensity. This amplifies the spontaneous feel, blending indie rock's grit with folk-inflected melody to create a cohesive, inviting sound.

Lyrics and themes

The lyrics on Sweep It Into Space predominantly explore themes of , , relationships, and fleeting moments, often delivered through J Mascis's hazy, mumbled vocals that lend an air of wistful detachment. Mascis's words frequently delve into personal yearning and emotional ambiguity, as seen in tracks like "I Ain't," where he sings of with lines such as "I ain’t good alone," capturing a raw need for connection amid . This introspective quality extends to reflections on mental instability and hope, with the album's vague yet poignant phrasing evoking stock-taking and subtle amends in the face of uncertainty. Lou Barlow's contributions provide a , emphasizing personal reflection laced with humor and direct emotional clarity that contrasts Mascis's more abstract, spacey narratives. On "You Wonder," Barlow offers a mawkish yet devoted plea, broadening the album's emotional range with angsty introspection about relational doubt and reassurance. Similarly, "" serves as a tender survival , urging a return to simplicity amid confusion, its wry optimism highlighting Barlow's knack for blending vulnerability with levity. Specific songs illustrate these motifs vividly: "I Ran Away" evokes evasion and a yearning for through its rolling, escapist narrative, while "I Met The Stones" nods to rock history with wistful , recounting excitement and in fleeting encounters with icons. The album maintains an overall tone blending melancholy with optimism, avoiding overt political commentary in favor of personal, relational musings that resonate with themes of and . This lyrical approach is subtly enhanced by the musical accompaniment's breezy melodies and guitar textures, which underscore the songs' reflective warmth.

Release and promotion

Singles and announcement

On February 23, 2021, announced their twelfth studio album, Sweep It Into Space, through their label , with a planned release date of April 23, 2021. The announcement coincided with the release of the lead single "I Ran Away," written and sung by frontman , which featured a video created by Mortis Studio. A separate animated for the track was released on March 3, 2021, also by Mortis Studio. The album's second single, "," written by bassist , was released on March 31, 2021, accompanied by an official music video co-directed by and Adelle Barlow. This track showcased the band's melodic tendencies, blending Barlow's emotive vocals with the group's signature guitar interplay. The third single, "Take It Back," written by , was released on April 21, 2021, accompanied by a stop-motion video directed by Tara Anderson. Originally slated for a mid-2020 release, Sweep It Into Space was delayed due to the , which disrupted recording completion and shifted the promotional rollout toward virtual formats such as online interviews and digital previews. These interviews often highlighted the enduring chemistry among Mascis, Barlow, and drummer Murph, crediting their long-standing collaboration for the album's cohesive sound.

Formats and artwork

The standard edition of Sweep It Into Space consists of 12 tracks and was issued on , digital download, and LP formats. The vinyl pressing was mastered at Sterling Sound, emphasizing high-fidelity audio to highlight the intricate guitar textures characteristic of 's sound. Limited vinyl variants included a translucent ripple edition, alongside other colored pressings such as clear yellow/ splatter and opaque light blast. Certain limited editions featured an expanded package with a bonus live CD containing four tracks recorded during a band performance: "Garden," "To Be Waiting," "Goin' Down," and "Knocked Around." These live recordings capture the band's energetic delivery of both new material and classics, adding a dynamic layer to the standard studio album. The album's artwork was designed by German artist Andy Hope 1930, presenting abstract, surreal imagery with cosmic and ethereal elements that evoke the theme of sweeping elements into space, as suggested by the title. This visual style aligns with the album's exploratory sonic palette, featuring swirling forms and vibrant colors in a non-representational composition.

Reception

Critical reception

Upon its release, Sweep It Into Space received widespread critical acclaim, earning a score of 80 out of 100 based on 20 reviews, indicating "universal acclaim." Reviewers praised the album for its breezy melodies and adherence to Dinosaur Jr.'s signature sound. described it as the band's "breeziest and most melodically generous yet," highlighting its effortless blend of noise and hooks. The Guardian lauded its "dynamite rock" and consistent execution of the trio's wistful melodies paired with aggressive instrumentation. While some critics noted the album's formulaic qualities compared to Dinosaur Jr.'s earlier work, they still appreciated its lively energy. A WBUR review called it "lively and homespun," acknowledging its reliance on the band's established template but celebrating its raw, DIY bombast reminiscent of their output. The deemed it the "best of their version 2.0 output," emphasizing the reunion-era consistency in delivering epic melodies, hooks, and noise.

Commercial performance

Sweep It Into Space debuted at number 115 on the US chart. In the , the album entered the Official Albums Chart at number 29 and spent one week in the top 75. It achieved its highest international peak at number 9 on the Albums Chart. The album also reached number 35 on the Austrian Albums Chart. Overall, Sweep It Into Space appeared on seven charts for a total of eight weeks. No major certifications have been reported for the release, though it maintained steady sales typical of albums distributed by . The strong performance in highlighted the band's enduring fanbase. Positive critical reception contributed to its visibility in these markets. In October 2025, a limited edition vinyl pressing on opaque light purple blast was released as part of National Album Day 2025.

Track listing and credits

Track listing

The standard edition of Sweep It Into Space contains twelve tracks, with a total runtime of 44:53. All tracks were written by , except "Garden" and "You Wonder", which were written by .
No.TitleWriter(s)Length
1"I Ain't"4:11
2"I Met the Stones"3:45
3"To Be Waiting"4:12
4"I Ran Away"3:30
5"Garden"3:02
6"Hide Another Round"3:58
7"And Me"3:35
8"I Expect It Always"3:39
9"Take It Back"4:02
10"N Say"3:16
11"Walking to You"4:41
12"You Wonder"3:03

Personnel

Dinosaur Jr.
  • – guitars and lead vocals (1–4, 6–11), bass (5, 12), production, engineering
  • – bass (1–4, 6–11), backing vocals, guitars and lead vocals (5, 12)
  • Murph – drums
Additional personnel
  • – production, guitars (2, 4, 10), backing vocals (1, 2, 4, 6, 8, 10)
  • John Agnello – mixing
  • – mastering
  • Justin Pizzoferrato – additional engineering
  • Marc Seedorf – additional engineering
  • Mark Miller – additional engineering
  • Brian Cohen, Russell Warby, Steve Kaul – booking
  • Andy Hope 1930 – cover artwork
All instruments were performed by the core trio, except for Vile's contributions.

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