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Talwar

The talwar (Hindi: तलवार, talavār), also known as talwaar or tulwar, is a traditional single-edged, curved sabre originating from the Indian subcontinent, renowned for its slashing capability in cavalry warfare and its distinctive broad blade with a disc-shaped pommel.^[1] The name derives from the Sanskrit term taravari, meaning "one-edged," reflecting its fundamental design as a backsword optimized for powerful, sweeping cuts rather than thrusting.^[2] Historically, the talwar emerged as the dominant curved sword during the Delhi Sultanate period (13th–16th centuries), evolving from earlier straight-bladed Indian weapons and incorporating influences from Persian shamshirs brought by Islamic invaders, while developing unique features like an integral reinforced block at the ricasso for hand protection.^[3] It became the standard sidearm for diverse warriors across South Asia, including Rajput kings, Mughal emperors, Sikh soldiers, and Maratha cavalry, symbolizing valor, honor, and nobility in battles that shaped empires from the medieval era through the 19th century.^[4] Variants such as the broader bikane talwar adapted to regional combat needs, with blades often forged from high-carbon wootz steel prized for its pattern-welded strength and sharpness.^[5] Beyond its martial role, the talwar holds profound cultural significance in Indian heritage, appearing in folklore, religious iconography, and royal regalia as an emblem of dharma (righteous duty) and heroism—exemplified by legendary weapons like Shivaji's Bhavani Talwar.^[6] In contemporary times, it persists in ceremonial parades, traditional martial arts like gatka and silambam, and as a collector's item, underscoring India's enduring blade-making artistry amid legal restrictions on edged weapons.^[7]

Etymology and Terminology

Origin of the Name

The term "talwar" derives from the Sanskrit word taravāri (तरवारि), meaning "one-edged sword," a designation that emphasizes the weapon's characteristic single-edged, curved blade design. This linguistic root is well-documented in etymological references tracing the word through Indo-Aryan languages into modern usage.^[8]^[9] The word entered broader South Asian nomenclature via Hindi and Urdu during the medieval period, influenced by the integration of curved sword forms from Central Asian and Persian traditions, though the core term remained rooted in Sanskrit. In regional languages such as Punjabi and Hindi, "talwar" specifically denotes the curved saber suited for cavalry, setting it apart from straight, double-edged swords like the khanda, which were more associated with infantry combat. Earliest known textual references to "talwar" appear in 16th-century Persian chronicles of the Mughal era, reflecting the term's adaptation in Indo-Persian administrative and military contexts, solidifying its association with the weapon's tactical role.^[10]

Classification Among Swords

The talwar belongs to the tulwar saber category within the Indo-Persian sword traditions, distinguished by its single-edged, moderately curved blade optimized for slashing and an integral all-metal hilt featuring a protective disc-shaped guard. This design contrasts sharply with the straight, double-edged European broadswords, such as the arming sword, which emphasized thrusting and cutting in infantry contexts, and the Japanese katana, a longer, sharper-curved blade with a simple circular tsuba and two-handed grip suited for samurai duels.^[11]^[1] The talwar's disc hilt, often with short quillons and langets securing the blade, reflects Persian influences adapted in the Indian subcontinent, prioritizing cavalry maneuverability over the heavier, more rigid forms of other global sword types. In 19th-century arms typologies compiled by British cataloguers, including Wilbraham Egerton's An Illustrated Handbook of Indian Arms, the talwar encompasses several subtypes based on regional variations and functional adaptations. The sosun pattah (or patta), meaning "lily leaf" in reference to its broad, leaf-shaped blade, represents a robust variant with a pronounced downward curve and sometimes an added knuckle-bow for enhanced hand protection, often associated with Sikh Akali warriors.^[12] Khanda-talwar hybrids merge the talwar's curved hilt with elements of the straight, double-edged khanda blade, creating versatile weapons for both chopping and piercing, as seen in transitional forms from Rajput armories.^[13] These subtypes underscore the talwar's adaptability within Indo-Persian classifications, where hilt and blade integration defined functional roles rather than rigid morphological categories. Typical talwar dimensions position it as a lightweight cavalry saber, with blade lengths averaging 80-90 cm, moderate curvature for efficient mounted slashes, and weights ranging from 0.8 to 1.2 kg to facilitate rapid handling on horseback. For instance, an 18th-century example in the Royal Armouries collection features a 91.5 cm blade and weighs 1.135 kg, exemplifying the balance for equestrian combat.^[14] A sosun pattah variant at the Worcester Art Museum measures 78.7 cm in blade length and 0.82 kg, highlighting the subtype's heavier build for close-quarters impact while remaining agile.^[15] These metrics differentiate the talwar from bulkier infantry swords, emphasizing its role in fluid, high-speed engagements across Indo-Persian martial traditions.

Historical Development

Origins and Early Use

The talwar, a curved saber emblematic of Indian martial traditions, traces its origins to the 13th and 14th centuries during the Delhi Sultanate, where it emerged as a fusion of indigenous sword-making with influences from Central Asian weaponry introduced through Turkic and Mongol invasions. These invasions, beginning with the establishment of the Sultanate by Qutb ud-Din Aibak in 1206, brought curved blades like the shamshir into northern India, prompting local smiths to adapt them for regional combat needs. By the mid-14th century, the talwar had developed into a distinct form suited to the subcontinent's cavalry tactics, marking a shift from earlier straight-edged khanda swords prevalent among Hindu warriors.^[16]^[3] Early adoption of the talwar was prominent among Rajput warriors in northern India, who employed it as a primary slashing weapon for horse-mounted warfare, leveraging its curve for powerful draw-cuts against armored foes. This use is evidenced in 16th-century Mughal manuscripts such as the Hamzanama, where illustrations depict heroes wielding curved sabers in dynamic cavalry engagements, reflecting pre-Mughal traditions from the Sultanate era. Rajputs integrated the talwar into their chivalric code, valuing its balance for both offensive strikes and defensive parries during raids and battles against Sultanate forces.^[17]^[18] By the 15th century, the talwar spread southward via overland and maritime trade routes connecting the Delhi Sultanate to the emerging Deccan Sultanates, such as those of Bijapur and Golconda, facilitating its adaptation to local metallurgical expertise. Deccani smiths enhanced the blade with high-carbon wootz steel, renowned for its damask-like patterns and superior edge retention, producing variants optimized for the region's humid climate and diverse terrains. This dissemination not only armed Deccan cavalry but also embedded the talwar in the cultural fabric of southern Islamic kingdoms, blending Persianate aesthetics with Indian craftsmanship.^[19]^[20]

Evolution During Mughal and Sikh Eras

During the 16th and 17th centuries, the talwar achieved widespread standardization within the Mughal Empire under emperors Akbar and Aurangzeb, evolving into the primary curved sword for cavalry and infantry units. Akbar's reforms emphasized the talwar's role in mobile warfare, with royal armories in Lahore—then a key imperial center—producing finely crafted blades often engraved with Persian motifs and Quranic inscriptions for elite troops.^[21] These armories utilized wootz steel techniques to create resilient, single-edged blades suited to slashing from horseback, reflecting the empire's fusion of Persian and Indian metallurgical traditions.^[22] Aurangzeb's extended reign further refined talwar production, scaling output in Lahore and other centers to equip vast armies during campaigns across the Deccan and beyond, where the sword's curved design proved effective against diverse foes. Engraved examples from this period, featuring gold inlays and floral patterns, highlight the weapon's status as both a battlefield tool and a symbol of imperial prestige.^[23] In the 18th century, the talwar found profound adoption among the Sikhs, particularly under Maharaja Ranjit Singh's Sikh Empire, where it was integrated into the Khalsa's martial ethos as a core element of the warrior-saint tradition established by Guru Gobind Singh. Ranjit Singh's Khalsa army, numbering over 80,000 by the 1830s, equipped its irregular cavalry and infantry with talwars, employing them decisively in expansions across Punjab and frontier battles leading up to the Anglo-Sikh Wars of the 1840s.^[24] Accounts from the First Anglo-Sikh War (1845–1846) describe Sikh forces wielding talwars alongside modern firearms, underscoring the sword's enduring tactical value in close-quarters engagements.^[25] A notable innovation in Sikh-era talwars was the broadening of blades toward the tip, enhancing their capacity to pierce chain mail and padded armor prevalent among regional adversaries, as documented in surviving examples from Punjabi workshops. These modifications, often paired with robust disc hilts for one-handed grip, are preserved in artifacts housed in Amritsar's gurudwaras, such as those at the Akal Takht, where talwars from Ranjit Singh's court bear inscriptions linking them to Khalsa vows of martial readiness.

Colonial and Modern Periods

Following the Indian Rebellion of 1857, British authorities enacted stringent disarmament policies to curb potential uprisings, targeting traditional Indian weaponry including the talwar. A general disarmament process in 1859 led to the widespread confiscation of arms from local populations, with many talwars seized and amassed as trophies by British forces.^[26] The Indian Arms Act of 1878, passed under Viceroy Lord Lytton, further restricted Indians from manufacturing, possessing, or carrying arms—encompassing swords like the talwar—without a license, while exempting Europeans; this law effectively halted large-scale talwar production and dismantled indigenous armories.^[27] Surviving 19th-century talwars from this period, often acquired through colonial seizures, are now housed in institutions such as the Victoria and Albert Museum, which holds examples like the Abbasi talwar with its watered steel blade and gold damascening.^[28] In the 20th century, the talwar transitioned from a combat weapon to a ceremonial emblem in the post-colonial militaries of India and Pakistan. Indian Army cavalry units retained talwar-pattern swords for troopers into the early 1900s, evolving them into parade accoutrements that symbolized regimental heritage during independence and beyond.^[29] Similarly, Pakistani cavalry regiments, inheriting British Indian traditions, use talwar-inspired swords in formal parades and ceremonies, underscoring the blade's enduring martial prestige.^[30] Since the 1980s, demand for talwar reproductions has grown for cultural and entertainment purposes, including training in Gatka—a traditional Sikh martial art that employs wooden or blunted metal talwars to teach sword techniques.^[31] These modern replicas, often crafted from high-carbon steel to mimic historical designs, also serve as props in Indian cinema, such as historical epics requiring authentic-looking weapons for battle scenes.^[32] To protect heritage, the Indian government's Antiquities and Art Treasures Act of 1972 imposes strict export controls on antique talwars—defined as artifacts over 100 years old—requiring certification and prohibiting unauthorized trade, thereby limiting international dispersal of originals.

Design and Construction

Blade Features

The talwar's blade is characteristically single-edged and curved, with the cutting edge sharpened along the concave side to optimize slashing motions. A distinctive feature is the sharpened false edge, termed the yelman, typically located on the distal third of the back edge, providing additional utility for backhand strikes or parrying. Blades average 33 to 36 inches (84 to 91 cm) in length and approximately 1.25 inches (3.2 cm) in width at the base, though dimensions vary by region and era.^[33]^[34] For balance and maneuverability, the blade employs a distal taper, gradually narrowing in thickness from base to tip while maintaining structural integrity. Fuller grooves—often one broad central fuller flanked by narrower ones—run along the blade to lighten the overall weight without compromising strength, enabling rapid, high-velocity swings.^[35] High-quality talwars frequently utilize wootz steel, a crucible-forged material renowned for its superior hardness and flexibility, often displaying intricate Damascus patterns such as the "ladder" motif, characterized by parallel bands resembling ladder rungs etched into the surface.^[36] Tip configurations vary historically, with rounded tips favoring pure slashing roles and more pointed tips accommodating occasional thrusting, as delineated in 18th-century Persian martial treatises on saber typology that influenced Indian blade design.^[37]

Hilt and Guard Variations

The talwar's hilt is characteristically an all-metal construction featuring a prominent disc-shaped guard and knucklebow that curves downward to shield the hand from blows during combat. This design includes a broad quillon block at the base, providing robust protection for the wielder's fingers and knuckles, while short quillons extend outward, typically ending in domed or fleuretted tips to deflect incoming strikes.^[38] The knucklebow and disc elements enhance ergonomics, allowing for a secure grip during swift, mounted maneuvers common in Indian cavalry warfare.^[9] Langets, metal strips projecting from the quillon block, extend along the blade's shoulders on one or both sides, reinforcing the hilt's attachment to the tang and distributing impact stress to prevent loosening or failure in prolonged use.^[9] Grip sections are ergonomically shaped, often with a bellied, oval cross-section for comfortable handling, sometimes bound with leather or wire wrapping to improve traction and reduce slippage under perspiration or in wet conditions.^[39] Regional variations in hilt design reflect cultural and functional adaptations. In Mughal-era examples, hilts frequently incorporate koftgari, a technique of gold damascening where fine gold wire is inlaid into engraved steel surfaces, often featuring intricate floral or foliate motifs for both aesthetic and status display while maintaining protective integrity.^[40] Sikh variations, influenced by martial traditions, sometimes feature reinforced guards and longer handles for two-handed use in combat, contrasting with the more compact Indo-Muslim forms.^[41] Pommel shapes vary for balance, with disc forms—often surmounted by a shallow dome or turned knob—providing counterweight for the curved blade's momentum in slashing strikes from horseback, while rounded variants emphasize simplicity and weight distribution.^[38]

Materials and Manufacturing Techniques

The talwar's blade was primarily crafted from high-carbon wootz steel, a crucible steel produced in southern India since around 300 BCE, with key production centers in regions like Golconda in present-day Telangana.^[42] This steel, characterized by its high carbon content (1.0–1.8%) and unique microstructure of cementite particles, provided exceptional hardness, flexibility, and edge retention, making it ideal for curved slashing blades.^[20] Wootz ingots were imported from southern crucibles to northern workshops, where they were forged into blades through repeated heating, folding, and hammer-welding with wrought iron to enhance strength and create layered patterns.^[42] Traditional manufacturing involved skilled swordsmiths, often referred to as lorhars in Punjabi contexts, who heated the wootz to around 800–1000°C and hammered it into shape on an anvil, incorporating techniques like pattern-welding to distribute carbon evenly and prevent brittleness. The forging process included hammer-quenching, where the hot blade was alternately hammered and quenched in oil or water to achieve a differential hardness—tough spine for flexibility and hard edge for sharpness.^[20] To reveal the characteristic watery Damascus patterns (known as mohur or i'timad in Indian terminology), the finished blade was etched with mild acids like vinegar or ferric chloride, highlighting the carbide bands formed during crucible melting.^[42] The scabbard was typically constructed from a wooden core—often teak or poplar—shaped to fit the blade precisely, then covered in leather or velvet and fitted with brass or silver chape and locket for protection and decoration.^[33] In the 19th century, British colonial influence led to a shift toward imported European steel blades for many talwars, particularly in military production, as traditional wootz supplies declined and European imports offered consistency, though this reduced the prevalence of indigenous techniques.^[26] Artisanal methods persisted in Punjab workshops, where local smiths continued folding and quenching wootz-derived steels for ceremonial and regional pieces.

Usage and Techniques

Combat Applications

The talwar served as a primary weapon in cavalry engagements across the Indian subcontinent, particularly valued for its curved blade that facilitated powerful slashing and draw-cuts from horseback. This design allowed riders to execute fluid, high-impact strikes against unarmored opponents while maintaining momentum during charges. In the 17th century, Maratha forces under leaders like Shivaji Maharaj employed the talwar in their renowned hit-and-run raids against Mughal armies, where the sword's agility proved decisive in close-quarters skirmishes on the battlefield.^[43]^[44]^[6] Defensive applications of the talwar emphasized the use of its robust disc-shaped guard to parry incoming blows, creating openings for counter-slash or draw-cuts with the blade's edge. Warriors could deflect attacks by sliding the opponent's weapon away, positioning the talwar for immediate ripostes that targeted vulnerable areas. These maneuvers were integral to Indian martial traditions, enabling sustained combat in dynamic scenarios where both offense and defense were required.^[45]^[46] By the 19th century, the proliferation of firearms in conflicts such as the Anglo-Maratha Wars prompted adaptations in the talwar's role, shifting it toward close-quarters infantry combat. In battles like Assaye (1803), where volleys gave way to melee, talwar-wielding fighters exploited the sword's versatility for slashing in hand-to-hand fighting, often after initial musket fire. This evolution highlighted the talwar's enduring utility as a secondary weapon in an era of gunpowder dominance.^[44]^[47]^[26]

Ceremonial and Symbolic Roles

In Sikhism, the talwar embodies the miri-piri principle of balanced temporal and spiritual authority established by Guru Hargobind Singh in the 17th century. This doctrine, represented by two kirpans—one for worldly power (miri) and one for spiritual sovereignty (piri)—is reflected in Sikh martial heritage, with the talwar serving as a symbol of the saint-soldier ethos of the Khalsa.^[48]^[49] Talwars are ritually carried by Nihang Sikhs in grand processions, particularly during the annual Hola Mohalla festival at Anandpur Sahib, Punjab, where warriors perform martial displays, horsemanship, and mock battles to honor Sikh martial heritage and communal unity. These processions, led by the Panj Pyare (five initiated Sikhs), feature talwars as emblems of valor and discipline, reinforcing the community's historical role as defenders of faith and justice.^[50]^[51] In the Mughal era, ornate talwars functioned as prestigious royal gifts, often presented during weddings and court ceremonies to signify alliances, honor, and patronage, with blades frequently inscribed with Quranic verses for spiritual protection and imperial legitimacy. Such swords, crafted with intricate gold koftgari inlays and curved blades, were bestowed by emperors like Aurangzeb to nobles or brides' families, blending martial symbolism with diplomatic tradition. For Sikh contexts, similar gifts might bear Gurbani inscriptions, adapting the practice to reflect spiritual devotion.^[21]^[6] In contemporary India, talwars continue in ceremonial military roles, such as parades by the Indian Army's cavalry regiments, evoking national heritage and resilience in events marking independence and Republic Day. Bollywood films further amplify this symbolism, portraying talwars wielded by Sikh warriors in epics like Kesari (2019), which dramatizes the Battle of Saragarhi to celebrate martial sacrifice and foster a unified sense of Indian identity rooted in historical valor.^[52]

Training and Handling Methods

Gatka, the traditional Sikh martial art, forms the core instructional tradition for wielding the talwar, integrating physical drills with spiritual discipline to develop proficiency in sword handling. Training begins with foundational exercises such as the Panthra, a repeating four-step sequence that synchronizes footwork with defensive blocks and offensive strikes, building balance and coordination essential for talwar maneuvers. These solo practice forms, often referred to in Gatka contexts as talwar khandha routines, emphasize fluid circular motions to simulate combat flow while honing precision.^[53] Central to talwar handling in Gatka is the cultivation of wrist flexibility, achieved through loose grips that allow the wrist to snap and generate centrifugal force for sweeping slashes, the talwar's primary technique. Footwork patterns, executed in a square or circular formation, enable practitioners to evade while positioning for counterattacks, maintaining a relaxed posture to facilitate rapid transitions between defense and offense. This approach prioritizes conceptual mastery of motion over brute strength, with sequences progressing from slow, deliberate repetitions to faster, integrated combinations.^[53] Practitioners adopt varied grip styles suited to the talwar's curved blade: an overhand grip for powerful downward and lateral slashes, and an underhand grip for closer-range parries, adapting to the weapon's ergonomics for optimal leverage. Initial training employs wooden replicas such as lathi (sticks mimicking the talwar's form)—to minimize injury risk while building endurance and technique, often in paired sparring or solo forms. These sessions typically occur in akharas, traditional open-air gyms combining wrestling and weapon practice, where ustads (masters) oversee progressive drills from basic stances to advanced weapon flows.^[54]^[55] The 18th-century Sikh text Sarbloh Granth, a voluminous scripture attributed to Guru Gobind Singh, underscores the martial ethos guiding talwar instruction, extolling iron weaponry as symbolic of spiritual resolve and warrior preparation, though practical stances and combinations are primarily transmitted through oral lineages within Nihang and Gatka communities.^[56]

Cultural and Regional Significance

Iconography in Art and Religion

In Mughal miniatures from Emperor Jahangir's court during the 1620s, the talwar appears as a prominent status symbol for nobility, often depicted in portraits and allegorical scenes to convey authority and martial prestige. Nobles and royals are shown wearing or holding elaborately decorated talwars, highlighting their rank and readiness for governance and warfare.^[57] These representations reflect the talwar's integration into courtly iconography, blending Persian influences with Indian motifs to elevate the weapon as an emblem of elite identity.^[58] In Sikh religious art, the talwar holds deep symbolic significance, particularly in depictions of Guru Gobind Singh, the tenth Sikh Guru, who is portrayed wielding it in illustrations of the Dasam Granth. These folios show the Guru with a sword alongside other weapons, embodying dharma yudh—the principle of righteous warfare against injustice.^[59] The talwar here transcends its martial function, representing divine protection, moral duty, and the Guru's role as both spiritual leader and defender of the faith, a motif reinforced in Sikh iconography to inspire devotion and resilience.^[60] The talwar recurs as a literary motif in Punjabi folklore, denoting heroism and unyielding spirit. Complementing these textual representations, carvings in Rajasthan forts feature talwars sculpted alongside deities and warrior figures, portraying the blade as a sacred emblem of protection and divine power in religious contexts. These intricate reliefs, often integrated into architectural friezes, link the talwar to Rajput martial devotion and spiritual guardianship.^[61]

Regional Variants and Adaptations

The talwar exhibited notable regional variations across South Asia, reflecting local combat needs, materials, and cultural influences. In Punjab, the talwar was a preferred weapon among Sikh warriors, often featuring heavier blades suited for infantry and cavalry engagements in the region's plains and battles. These robust forms, sometimes referred to as tegha talwars, emphasized destructive slashing power with broad, curved blades forged for durability.^[62]^[63] In contrast, Rajasthani variants, such as the Sirohi talwar from the town of Sirohi, were characterized by elegantly curved blades of hard temper, ideal for the lighter, agile tactics of desert cavalry forces navigating arid terrains. These designs prioritized speed and precision over sheer mass, with subtle curves enhancing maneuverability on horseback.^[9]^[64] In the Deccan region, Maratha warriors used talwars alongside the pata gauntlet-sword, with some blades refitted from European straight types introduced via 17th-century Portuguese trade onto local hilts, as seen in pieces like Shivaji's Bhavani sword. The resulting weapons optimized for the Marathas' guerrilla warfare style.^[43]^[65] In Pakistan, traditional sword craftsmanship has been preserved in historic workshops, adapting to ceremonial uses while maintaining heritage elements.^[66]^[67]

References

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Sword hilt ; Materials and techniques. Forged steel decorated with gold inlay ; Brief description. Sword hilt for a talwar, Panjab or Rajasthan, 19th century.
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https://kraftmart.shop/blogs/news/where-comfort-met-courage-the-cushioned-talwar-hilt-across-indian-kingdoms
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Sword Hilt | V&A Explore The Collections
Sword hilt. Brief description. Indian hilt with knucklebow; talwar, arabic inscription; Arms, steel, chiselled parcel gilt kuftkari, Lahore, c1883. Collection.
[41]
The Complete Guide To Talwar Swords: India's Legendary Curved ...
Sep 1, 2025 · The Indian talwar sword emerged during the medieval period as Indian weaponsmiths perfected the art of creating curved blades. Unlike straight ...
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[PDF] A Tale of Wootz Steel - Indian Academy of Sciences
They observed the manufacture of steel in south India by a crucible process at several locales including Mysore, Malabar and Golconda. By the late 1600's ...Missing: talwar | Show results with:talwar
[43]
Traditional Maratha Weapons: History and Craftsmanship
The Talwar is a curved sabre originating in the Indian subcontinent, characterized by a single-edged blade and a distinctive iron “disc hilt” (en.wikipedia.org) ...
[44]
Culture: Maratha - Forensic Fashion
The tulwar or sword, carried by Maratha horsemen was razor sharp and capable of decapitating a man, as happened to some of the picquets and 74th Foot at Assaye.<|separator|>
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Tulwar fencing techniques. - Ethnographic Arms & Armour
Jun 23, 2008 · The entire arm (and body) must move to create a shielding action, where the blade will slide off and away; this also puts you into position to ...
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Indian technique with a sword - Indianfight
Indian sword techniques use stick-based movements, a bent elbow, and a wrist-based "drawing cut" for clean, powerful strikes, often targeting limbs.
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Talwar - India, 19th century - Museums Victoria Collections
The weapons were also war booty, signifying the relief of Victorians that their fellow colonists in India were once more safe. Many Victorian colonists ( ...
[48]
What is Miri Piri? - Q&A - Basics Of Sikhi
Miri Piri are two swords; Miri represents temporal authority, and Piri represents spiritual authority, worn by Guru Hargobind Singh Ji.
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Miri Piri - SikhiWiki, free Sikh encyclopedia.
Sep 4, 2018 · At his succession ceremony the Guru donned one sword to symbolize Piri, [spiritual authority] and second to symbolize Miri, [temporal authority] ...
[50]
Hola Mahalla - SikhiWiki, free Sikh encyclopedia.
The Nihangs assemble in thousands at Anandpur Sahib in March every year to celebrate Hola Mahalla. On this occasion they hold tournaments of military skills, ...
[51]
The Sikh Festival of Hola Mohalla - Sikh Dharma International
Mar 29, 2021 · Together the words “Hola Mohalla” stand for “mock fight.” During this festival, processions are organized in the form of army type columns ...
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What Akshay Kumar's Kesari won't tell you: The real military account ...
Mar 28, 2019 · In this movie they try to show the traitor those who were(pathans) fight for freedom and try to show the hero those are real (sikhs army man) ...
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[PDF] ANCIENT MARTIAL ART OF INDIA: GATKA - IJCRT.org
Gatka technique starts with a simple four-step movement called the Panthra. This is a balance and co-ordination exercise and is to be practised repeatedly. The ...
[54]
Gatka – Godman's Alliance For Education Foundation
Gatka emphasizes fluid, circular movements with a 91-107cm wooden stick (lathi) and a 23cm round leather shield (phari). Training progresses from basic ...
[55]
Gatka: A Complete Guide to the Sikh Martial Art - History, Weapons ...
Jan 23, 2025 · Historically, Gatka was deeply tied to Sikh traditions and was taught in Gurudwaras and Akharas (traditional training grounds). During the time ...
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The Fighting Traditions and Fighting Arts of | PDF | Sikh - Scribd
This document provides the foreword to the second edition of a book about the fighting traditions and martial arts of the Akali Nihang Sikh warriors.
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Bichitr, Jahangir Preferring a Sufi Shaikh to Kings - Smarthistory
In this miniature painting, Jahangir Preferring a Sufi Shaikh to Kings ... sword. Thus, we can speculate that Bichitr deliberately altered the ...<|control11|><|separator|>
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The Art of the Mughals after 1600 - The Metropolitan Museum of Art
Oct 1, 2003 · Jahangir's claim that he could instantly recognize any painter's work is a reflection of the rise of the individual artist.
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The Formation of the Shastardhari Panth | by JungNihang - Medium
Aug 9, 2018 · The tenth Sikh Guru, Guru Gobind Singh, depicted with an arrow, sword, and dagger in a painting from folio of a historic Dasam Granth manuscript ...Missing: talwar | Show results with:talwar
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Dasam Granth - SikhiWiki, free Sikh encyclopedia.
The Dasam Granth contains 2820 pages and is the collection of the writings of the 10th Patshah, Sri Guru Gobind Singh Ji.Dasam Granth online · Guru Gobind Singh Ji and the... · Dasam Granth indexMissing: illustrations | Show results with:illustrations
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Heer Ranjha - SikhiWiki, free Sikh encyclopedia.
Aug 24, 2010 · It is the story of the youngman and a youngwomen, which did not receive the sanction of society in the shape of marriage, a major theme of literature, music, ...
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Mughal Daggers: Art in Weaponry | DailyArt Magazine
Oct 3, 2025 · Mughal miniatures often depicted armed Mughal royalty, shown with swords and daggers securely tucked within cummerbunds. mughal Daggers: Gem ...Symbol Of Prestige · Era Of Opulence · Evolution Of The...
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Sikh Swords - Anglo Sikh Museum
Sep 8, 2020 · General swords depicted. The sword named a Talwar a weapon choice for Sikhs and a Katti a traditional Indian sword.Missing: warriors | Show results with:warriors
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https://www.mandarinmansion.com/glossary/sirohi
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Sirōhī (सिरोही) | Mandarin Mansion Glossary
Jan 18, 2022 · 1. Lord Egerton of Tatton: Indian and Oriental Arms and Armour. Dover Publications; Revised edition, 2002. Page 105 .Missing: origins | Show results with:origins
[66]
https://www.mandarinmansion.com/item/lahore-talwar-hilted-shamshir
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Lahore talwar hilted shamshir - Mandarin Mansion
A peculiar style of katar that was produced in Bundi around the 1850s. €3200,-. Serpentine hilted pesh-kabz · Punjabi serpentine hilted ...
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The Artisans of the Walled City of Lahore - harryjohnstone
Jun 24, 2019 · Lahore's craftsmen face an uncertain future. Yet some initiatives are offering these artisans an opportunity to craft a profound transformation upon the city.