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The Man with Two Brains

The Man with Two Brains is a film directed by , written by Reiner, , and George Gipe, and starring Martin as neurosurgeon Dr. Michael Hfuhruhurr alongside as his gold-digging wife Dolores Benedict. The story follows Hfuhruhurr, a widowed who accidentally strikes Dolores with his car, saves her life through experimental , and impulsively marries her, only for their relationship to unravel amid her and his growing with a telepathic preserved in a by the Dr. Alfred Necessiter (David Warner). Blending madcap farce, romance, and satirical elements of medical thrillers and horror films like , the movie parodies the trope through absurd gags, including Hfuhruhurr's futile attempts to unite with the brain voiced by . Produced by Aspen Film Society and distributed by , the film was shot primarily in and , reflecting its plot's transatlantic journey, and features a supporting cast including and Richard Brestoff in roles that amplify the comedic chaos. With a runtime of 93 minutes and an for adult humor and language, it marked another collaboration between Martin and Reiner following their earlier success with (1982). Upon release on June 3, 1983, the film received mixed reviews, with critics praising standout scenes and Turner's sultry performance while critiquing its uneven pacing and overreliance on Martin's manic style. Critically, it holds a 79% approval rating on based on 24 reviews, with the consensus noting its zany inconsistencies but affirming it as an enjoyable, if not peak, vehicle. Audience reception has been more positive over time, earning a 64% score from over 25,000 users on the same platform (as of November 2025) and a 6.4/10 average from 29,060 IMDb voters (as of November 2025), often hailed as an underrated for its quotable lines and visual gags. The movie's legacy endures through releases and streaming availability, cementing its place in cinema as a bold, brainy romp.

Production

Development

The Man with Two Brains was conceived by Steve Martin as a science fiction black comedy parodying the 1953 film Donovan's Brain, in which a scientist keeps a severed brain alive, leading to the central premise of a neurosurgeon falling in love with a brain preserved in a jar. Martin, who also starred as the eccentric protagonist Dr. Michael Hfuhruhurr, developed the idea building on his successful collaborations with director Carl Reiner, including the 1982 genre spoof Dead Men Don't Wear Plaid, which had similarly blended absurd humor with classic film tropes. The screenplay was co-written by Martin, Reiner, and George Gipe, who had previously collaborated on , during 1981 and 1982, with the project formally announced on February 3, 1982. The writing process emphasized absurd humor centered on brain surgery, pseudoscientific experiments, and a romantic subplot, with Martin contributing key elements to the protagonist's quirky, bumbling character, such as his unpronounceable surname, which the team devised in a single afternoon. Initially, Reiner and Gipe resisted Martin's brain-in-a-jar concept but were ultimately persuaded by its potential for comedy. Production was handled by the Aspen Film Society, co-founded by Martin and producer William E. McEuen in 1976, in association with , with McEuen serving as producer alongside David V. Picker. The creative team decided to fuse elements with and verbal gags, drawing inspiration from 1950s B-movies like to satirize tropes while incorporating Martin's signature style of escalating absurdity. This approach positioned the film as a continuation of Reiner and Martin's exploration of vintage genres through modern comedic lenses.

Casting

Steve Martin starred as Dr. Michael Hfuhruhurr, the bumbling neurosurgeon protagonist, capitalizing on his signature physical comedy and deadpan delivery honed in prior collaborations with director , including (1979) and (1982). Kathleen Turner played Dolores Benedict, the manipulative gold-digging wife, in a role that represented an early shift to comedy for the actress following her sultry dramatic breakout in (1981). Reiner specifically cast Turner to subvert her established image by portraying a "terrible character" who poisons her husband and mistreats animals, creating ironic contrast in scenes like the one where Martin calls her an "angel." For the film's intimate scenes, Turner employed a , as she found the scripted requirements offensive. David Warner portrayed Dr. Alfred Necessiter, the eccentric mentor, selected for his commanding screen presence in science fiction and genres, as seen in films like (1979) and (1982). The supporting cast featured character actors to amplify the film's satirical edge, including as the butler, Richard Brestoff as Dr. Pasteur, and as the realtor. provided the uncredited voice for the sentient brain Anne Uumellmahaye, adding a distinctive ethereal quality to the role. appeared in a memorable as the Elevator Killer, a twist revealed late in the story.

Filming

Principal photography for The Man with Two Brains commenced in the summer of 1982 at Laird International Studios in , with filming beginning on July 6, 1982. The production spanned approximately eight weeks, capturing the film's blend of studio-based interiors and select exterior shots. Key sequences, including surgical and laboratory scenes, were shot on soundstages to facilitate the movie's comedic and fantastical elements. The film relied on practical effects for the brain-in-jar sequences, featuring custom-built props that depicted floating brains in jars, enhanced with simple lighting and voice modulation to simulate and . Steve Martin's performance incorporated improvised during the surgery scenes, where he performed exaggerated movements and reactions to heighten the absurdity, drawing on his stand-up background for spontaneous energy. Director fostered an environment conducive to , allowing Martin to ad-lib lines such as calling Kathleen Turner's character the "Scum Queen" during a heated exchange, which added unscripted layers to their on-screen tension. Filming faced logistical challenges in coordinating stunts for action-oriented sequences, including the Elevator Killer chase, where performers executed precise movements in confined spaces to convey pursuit and peril without compromising the comedic timing. To evoke a European setting for the portions of the story, exteriors were filmed using sites like Castle Green Apartments in Pasadena, supplemented by matte paintings and set designs to simulate ornate Austrian architecture. In , the editing process focused on tight pacing to preserve the rapid-fire humor, with minimal beyond basic for the practical props. composed the original score, utilizing instrumentation to deliver a manic, playful that complemented the film's zany tone.

Release

Theatrical Premiere and

The film premiered theatrically in the United States on June 3, 1983, under distribution, marking its without prior screenings. It debuted across 1,203 screens, generating $3,498,931 in opening weekend earnings, which accounted for approximately 33.8% of its total domestic gross. Over its full theatrical run, The Man with Two Brains earned $10,353,438 domestically, reflecting solid performance for a mid-budget comedy of the era. The film achieved profitability despite limited international distribution, with worldwide earnings of $10,353,438 as foreign markets contributed minimally. This outcome was bolstered by Steve Martin's established comedic appeal following hits like (1979), though the picture navigated a crowded summer slate dominated by blockbusters such as and . Marketing campaigns highlighted Martin's zany persona and the film's absurd premise, prominently featuring the tagline: "Steve Martin is a world famous . He invented screw top, zip lock brain . Trust him." Promotional efforts, including and print ads, leaned into the brain-transplant romance element to draw audiences seeking lighthearted amid the season's heavier fare.

Home Media and Availability

The Man with Two Brains was first released on formats shortly after its theatrical debut. Warner Home Video issued the film on in 1983, with subsequent re-releases in 1994 and 1998. A edition followed the same year, providing an early analog option for collectors. The DVD edition arrived on March 30, 1999, distributed by Warner Home Video in Region 1, featuring a full-screen presentation and basic supplements including the original trailer. A later Warner Archive DVD reissue came in 2014, maintaining similar minimal extras. The film's Blu-ray debut occurred on August 29, 2017, through the , offering a remastered transfer sourced from original elements for improved visual clarity and 2.0 Mono. Extras remained sparse, limited to the theatrical trailer in . As of November 2025, no 4K UHD release has been announced or produced. The title has been included in various comedy collections, such as the 2006 2-pack with and the 4 Film Favorites: Classic Comedies set featuring additional titles like . Streaming availability has expanded over time; the film was previously offered on HBO Max until at least 2023 and is currently accessible for rent or purchase on platforms including , , , and free with ads on . Internationally, Region 2 DVD editions have been available in since the early , often with PAL formatting and localized packaging, while the 2017 Blu-ray has seen limited worldwide distribution through Warner's archive line.

Reception

Critical Response

Upon its release, The Man with Two Brains received mixed reviews from critics, who appreciated its zany humor and Steve Martin's performance while noting inconsistencies in pacing and reliance on broad gags. On , the film holds a 79% approval rating based on 24 reviews, with the consensus describing it as "spastically uneven" yet enjoyable for its zany comedic elements. Similarly, assigns it a score of 61 out of 100 from 9 critics, reflecting a generally favorable but divided response. Roger awarded the film two out of four stars in his 1983 review, praising Martin's and the "teasing quality" of Kathleen Turner's performance, but criticizing the deliberate half-paced delivery of jokes and underdeveloped plot contrivances that undermined the . Variety's review highlighted positive aspects of Carl Reiner's direction in supporting Martin's return to broad lunacy, along with Turner's effective role as a comedic , though it faulted for a "frayed" structure and excessive frantic overkill in the humor. Some critics pointed to an over-reliance on gross-out gags as a weakness, contributing to the film's uneven tone. Janet Maslin of offered a contemporary perspective in her June 1983 review, commending the film's satirical take on romance tropes through its absurd premise of a neurosurgeon's with a disembodied , which she found whimsically hilarious despite the hit-or-miss execution and raunchy elements. Overall, reviewers from the era valued the movie's outrageous energy as a showcase for Martin's style, even if it fell short of his strongest works.

Audience Reaction

Upon its release, The Man with Two Brains garnered a dedicated but niche audience, evidenced by its user rating of 6.4 out of 10 based on over 29,000 votes, which underscores its appeal to comedy enthusiasts seeking absurd humor rather than mainstream acclaim. On , it holds an average rating of 3.3 out of 5 from more than 17,000 users, with many reviews highlighting its quotable lines and offbeat charm. The film has emerged as a cult favorite, with viewers particularly appreciating Steve Martin's deadpan delivery in the script's surreal scenarios. This has helped solidify its status among fans who value its blend of madcap and sharp wit. Audience discussions often emphasize memorable scenes, such as the interactions with the talking and the surprise cameo by , which users on platforms like cite as highlights of the film's inventive . These elements contribute to its enduring quotability, with lines like the brain surgeon's speech—"Ladies and gentlemen, I can envision a day when the brains of brilliant men can be kept alive in the bodies of dumb people"—frequently referenced in user feedback. The movie's demographic appeal remains strong among viewers nostalgic for 1980s cinema and dedicated fans, who value its representation of his eccentric comedic style from that era. While critical aggregates show mixed responses, such as a 79% approval on , audience metrics reflect a consistent appreciation for its unpretentious fun.

Legacy

Cultural Impact

The Man with Two Brains contributed to the 1980s wave of sci-fi parodies by lampooning tropes through absurd medical humor, such as a neurosurgeon's telepathic romance with a preserved and chaotic brain-transplant experiments. This approach echoed the rapid-fire gags of films like while amplifying non-sequitur elements, blending horror clichés with slapstick to create a benchmark for genre spoofs in the era. The film's collaboration between and director solidified their partnership as a cornerstone of , marking the third of four joint projects that showcased Martin's manic physicality alongside Reiner's precise timing for satirical effect. This creative helped transition Martin from stand-up to film stardom and influenced his subsequent comedic roles by emphasizing character-driven absurdity over conventional narratives. Central to its enduring appeal is the brain-in-a-jar romance, an iconic gag drawing from classics like while adding romantic whimsy to highlight pseudoscientific folly. Notable gags, including Griffin's uncredited as a confined to elevators, exemplified bold self-parody and inspired later instances of stars embracing villainous or ironic portrayals of themselves in comedies. Griffin's delivery of murderous underscored the film's willingness to subvert fame's gloss, paving the way for meta-humor in ensemble spoofs.

Retrospective Views

In retrospective analyses, The Man with Two Brains has solidified its position within 's oeuvre as a quirky entry blending madcap humor with sci-fi absurdity. places it at #15 in its ranking of all Steve Martin films, acknowledging the movie's "spastically uneven" execution while crediting it for allowing the comedian to showcase his distinctive, high-energy . Director offered fond reflections on the production in a 2017 interview, identifying the optometrist scene as a standout favorite; in this sequence, a four-year-old girl delivers a flawless recitation of intricate medical instructions and phone numbers in a single close-up take, a moment Reiner later described as magical and one he revisited when encountering the actress as an adult. While the film's 40th anniversary in 2023 prompted only modest online retrospectives rather than large-scale events, it continues to enjoy steady cult appeal, frequently appearing in user-curated lists of under-100-minute comedies for its tight runtime and irreverent wit. Over time, this has cultivated a dedicated following among fans of genre parodies.