The Wackness
The Wackness is a 2008 American coming-of-age comedy-drama film written and directed by Jonathan Levine, set in New York City during the summer of 1994.[1] The story follows Luke Shapiro, a lonely high school graduate and marijuana dealer portrayed by Josh Peck, who trades his product for psychotherapy sessions with the unconventional psychiatrist Dr. Jeffrey Squires, played by Ben Kingsley.[1] As Luke grapples with personal isolation, family tensions, and a budding romance with Squires' stepdaughter Stephanie (Olivia Thirlby), the film explores themes of mental health, adolescence, and the gritty urban landscape of pre-Giuliani New York, infused with '90s hip-hop culture.[1] Levine's semi-autobiographical script draws from his own experiences growing up in the city during that era.[2] The ensemble cast also features Famke Janssen as Luke's mother, and Mary-Kate Olsen as Union.[1] Premiering at the Sundance Film Festival in January 2008, where it won the Audience Award in the Dramatic category, The Wackness received a limited theatrical release on July 3, 2008, by Sony Pictures Classics.[3] It earned positive reviews for its sympathetic characters, witty dialogue, and nostalgic soundtrack, holding a 70% approval rating from critics on Rotten Tomatoes based on 134 reviews, with the consensus praising it as a "charming coming-of-age comedy" that overcomes a familiar plot through clever scripting.[4] Audiences similarly responded well, giving it a 72% score on the site's Popcornmeter from over 25,000 ratings.[4] Additional accolades include the Audience Award at the 2008 Los Angeles Film Festival.[5] The film holds an IMDb user rating of 6.9/10 from more than 31,000 votes, noted for its authentic portrayal of '90s youth culture and strong performances, particularly by Peck and Kingsley.[1]Synopsis and Characters
Plot
Set in the summer of 1994 in New York City, The Wackness follows Luke Shapiro, an 18-year-old high school graduate navigating the final weeks before college while dealing marijuana from an ice cream cart to support his family amid severe financial difficulties. His parents, Mr. and Mrs. Shapiro, argue constantly over money, facing imminent eviction from their Upper East Side apartment, which exacerbates the strain on their marriage and contributes to the family's overall dysfunction.[6][7] Without health insurance, Luke barters marijuana for therapy sessions with Dr. Jeffrey Squires, a depressed and substance-dependent psychiatrist who becomes both his counselor and an unlikely friend, offering eccentric advice on life and relationships. Dr. Squires grapples with his own personal turmoil, including a failing marriage to his wife Kristin marked by emotional distance, infidelity, and mutual drug use. Meanwhile, Luke develops a budding romance with Stephanie, Dr. Squires' stepdaughter and a classmate, as they bond over shared experiences in the city's vibrant hip-hop culture, exploring themes of first love and intimacy, including an awkward loss of virginity during a stay at the family's Fire Island cottage.[1][6][7] As the summer unfolds, Dr. Squires and Kristin attempt reconciliation through a vacation to Barbados, but it only highlights their irreconcilable differences, leading to further emotional unraveling. The story builds to climactic events at a rooftop party, where escalating tensions culminate in Dr. Squires' breakdown amid revelations of personal failures. Through these trials, Luke confronts his insecurities, achieves emotional growth, and resolves to pursue psychiatry himself, marking his coming-of-age amid explorations of mental health, parental divorce, and youthful rebellion in 1990s New York.[7][6]Cast
The cast of The Wackness comprises a diverse ensemble of actors who portray the film's array of quirky, introspective characters navigating 1990s New York City, blending comedic and dramatic elements to underscore themes of adolescence and personal growth.[1] Led by Josh Peck in a pivotal role marking his shift from child stardom on Nickelodeon series like Drake & Josh to more mature dramatic parts, the performers contribute to the movie's tone of awkward humor and emotional depth.[8] Veteran actor Ben Kingsley anchors the story with a standout dramatic performance as an unconventional therapist, drawing on his acclaimed history in serious roles.[1] The principal cast includes:| Actor | Character | Role Description |
|---|---|---|
| Josh Peck | Luke Shapiro | An awkward, introspective teenage drug dealer on a central coming-of-age journey, trading marijuana for therapy sessions while grappling with loneliness and first love.[1] |
| Ben Kingsley | Dr. Jeffrey Squires | An eccentric, depressed psychiatrist who barters therapy for drugs, forming an unlikely bond that highlights his own vulnerabilities.[1] |
| Famke Janssen | Kristin Squires | The supportive yet strained wife of Dr. Squires, adding layers to the family dynamics within the narrative.[9] |
| Olivia Thirlby | Stephanie | Luke's love interest and Dr. Squires' stepdaughter, a confident young woman who influences his emotional development.[1] |
| Mary-Kate Olsen | Union | A free-spirited party girl in Luke's social circle, embodying the film's vibrant, hedonistic summer atmosphere.[9] |
| Method Man | Percy | Luke's street-smart marijuana supplier, providing a grounded, no-nonsense perspective amid the teen drama.[9] |
Production
Development
The Wackness marked the feature film debut of writer-director Jonathan Levine, who had previously gained recognition through short films such as Shards. A graduate of Brown University and the American Film Institute Conservatory (class of 2004), Levine began developing the script in the mid-2000s while at AFI, infusing it with semi-autobiographical elements from his adolescence in 1990s New York City, including the city's cultural shifts under Mayor Rudy Giuliani and the pervasive influence of hip-hop.[2][10][11] The project secured a $6 million budget through production companies Occupant Films and SBK Pictures, with additional involvement from Shapiro Levine Productions. Key producers included Keith Calder, Felipe Marino, and Joe Neurauter, who helped assemble financing and prepare the film for production in the lead-up to principal photography.[6][12][13] Casting emphasized authentic performances reflective of the era's youth culture, with Josh Peck attached as the protagonist Luke Shapiro after auditioning and outperforming around 20 other actors. Ben Kingsley joined as the psychiatrist Dr. Jeffrey Squires following an audition meeting with Levine in Vancouver, bringing prestige to the ensemble. Supporting roles, such as Stephanie played by Olivia Thirlby, were filled through targeted auditions that prioritized chemistry among the younger cast.[13][14][15]Filming
Principal photography for The Wackness took place over a six-week period during the summer of 2007 in New York City, capturing the film's 1994 setting amid the city's vibrant hip-hop scene. Filming wrapped on August 24, 2007, allowing the production to leverage the warm weather for outdoor sequences that evoked the hazy, nostalgic summer atmosphere central to the story.[16][17] Key locations included iconic spots in Manhattan, such as The Mall and Bethesda Terrace in Central Park, where scenes highlighted the protagonist's introspective moments against the backdrop of urban greenery. Additional shooting occurred throughout the city, including rooftop sequences that underscored the intimate, elevated perspectives of the characters' relationships, all chosen to immerse the audience in the authentic 1990s New York vibe. Period-appropriate props, like vintage clothing and vehicles reflective of hip-hop culture, were integral to the visuals, sourced and placed meticulously to transport viewers to the pre-Giuliani era.[18][19][10] On-set challenges primarily revolved around maintaining period accuracy in a modern urban environment, requiring director Jonathan Levine and cinematographer Petra Korner to frame shots carefully to exclude contemporary elements such as cell phones, updated cars, and altered street signs. Logistical hurdles from filming on location in bustling New York added pressure, but Levine's approach emphasized improvisation to enhance the comedic tone, with actors like Josh Peck infusing personal touches into their performances for a more natural, lived-in feel. This improvisational style, combined with the production's tight schedule—where Levine often operated on minimal sleep—contributed to the film's raw, energetic authenticity.[10][20][17]Release
Premiere
The Wackness had its world premiere on January 18, 2008, at the Sundance Film Festival in Park City, Utah, where it competed in the U.S. Dramatic Competition.[21] The film received strong initial audience acclaim for its humorous take on 1990s New York City youth culture and nostalgic soundtrack, generating significant buzz among festivalgoers.[22][23] It ultimately won the Audience Award in the Dramatic category, highlighting its appeal as a crowd-pleasing coming-of-age story.[24][25] Following its Sundance debut, the film screened at the Los Angeles Film Festival in June 2008, earning the top audience award and further praise for its witty dialogue and relatable themes of adolescence and mental health.[5][26] International premieres included screenings at the Zurich Film Festival in September 2008 as part of the official selection and the Melbourne International Film Festival on July 29, 2008, where it was honored as the Most Popular Feature Film.[3][27] These early festival appearances underscored the film's growing reputation for blending comedy with poignant emotional depth, setting the stage for its wider theatrical release.[28]Distribution
The Wackness was distributed in the United States by Sony Pictures Classics, which acquired North American rights following its Sundance premiere. The film opened in limited release on July 3, 2008, playing in six theaters.[29] It expanded nationwide on August 1, 2008, eventually reaching a maximum of 142 screens during its theatrical run, buoyed by strong initial audience response.[30] Internationally, the film saw releases in key markets including Canada on July 4, 2008, the United Kingdom on August 22, 2008, and various European countries such as France on September 10, 2008, and Germany on October 16, 2008.[21] These rollouts, handled by local distributors, extended the film's reach beyond North America and contributed to its global theatrical presence. The marketing strategy focused on the film's evocation of 1990s nostalgia, its integration of hip-hop culture, and coming-of-age narrative, appealing to audiences interested in period-specific New York stories. Promotional materials, including posters and trailers, prominently featured leads Ben Kingsley and Josh Peck to highlight the intergenerational dynamic at the film's core.[31]Reception
Box office
The Wackness had a production budget of $6 million. The film grossed $2,077,116 domestically in the United States and Canada, contributing to a worldwide total of $3,175,469, which marked it as a box-office disappointment since it did not recoup its costs.[32] It opened on July 4, 2008, across 6 theaters, earning $138,401 during its debut weekend and reaching a cumulative gross of $172,179 by the end of that frame. The release expanded gradually, with its highest single-weekend gross of $232,940 during the fourth weekend (July 25–27) on 120 theaters, before expanding further to a peak of 142 theaters in the fifth weekend (August 1–3), earning $213,194. Subsequent weeks reflected a decline, with earnings dropping to $84,666 the following weekend (August 8–10) on 97 screens, before the expansion phase yielded diminishing returns as theater counts reduced and competition intensified. By its 17th and final week, the film earned just $2,364 across 3 theaters.[33][34] Employing a limited release strategy common for independent films in 2008, The Wackness began with exclusive engagements in key markets before broader rollout, a approach that constrained its visibility amid summer blockbusters. In comparison to other 2008 coming-of-age releases like Nick and Norah's Infinite Playlist, which achieved significantly higher earnings through wider distribution, The Wackness struggled to build momentum despite its Sundance premiere.Critical response
The Wackness received generally favorable reviews from critics, earning a 70% approval rating on Rotten Tomatoes based on 134 reviews, with an average rating of 6.3/10.[4] The site's consensus praised the film for its sympathetic characters and clever script, which help it transcend a familiar coming-of-age plot to deliver a charming comedy.[4] On Metacritic, it holds a score of 61 out of 100 from 30 critics, indicating mixed or average reviews, with 60% positive and 40% mixed assessments.[35] Critics frequently highlighted the strong performances, particularly Ben Kingsley's portrayal of the eccentric psychiatrist Dr. Jeffrey Squires, which was described as "giddily over-the-top" and a key draw that infuses the film with energy.[35] Josh Peck's lead role as the teenage pot dealer Luke Shapiro was also commended for bringing depth to a familiar archetype, with Variety noting his assurance in navigating the character's melancholy resignation.[6] Reviewers appreciated the nostalgic 1990s New York City setting, capturing a hazy summer atmosphere through desaturated visuals and period details like hip-hop culture, which evoked authentic urban grit without over-romanticizing it.[36] The blend of humor and drama was often cited as effective, with Roger Ebert awarding two out of four stars and praising the entertaining dynamic between the leads despite the film's drug-heavy focus.[7] However, some critiques pointed to the film's reliance on conventional coming-of-age tropes, such as the awkward teen's romantic pursuits and mentor friendship, which The New York Times described as succeeding and failing in equal measure to avoid clichés.[36] The tone was occasionally uneven, with clashes between comedic drug humor and serious emotional beats, leading to comments on pacing issues and underdeveloped subplots involving supporting characters.[35] Ebert noted the constant drug references risked boredom, while others felt the self-conscious period slang and diversions distracted from deeper narrative focus.[7] Thematically, reviewers analyzed the film's exploration of mental health through the protagonists' shared depression and unconventional therapy, portraying youth culture in 1990s Manhattan as a mix of escapism via drugs and hip-hop amid personal isolation.[6] As a semi-autobiographical work by writer-director Jonathan Levine, it draws on his experiences to authentically depict adolescent displacement and the search for connection in a changing city.[2] Despite its modest box office performance of $2.1 million domestically against a $6 million budget, the critical reception underscored its cult potential for blending nostalgia with introspective drama.[32]Accolades
The Wackness received recognition primarily within the independent film circuit, earning several audience awards at major festivals that highlighted its appeal to viewers despite limited mainstream commercial success. These honors underscored the film's resonance as a coming-of-age story, particularly at events like Sundance where it premiered.[37] At the 2008 Sundance Film Festival, the film won the Audience Award in the U.S. Dramatic category, reflecting strong viewer engagement during its world premiere. It was also nominated for the Grand Jury Prize in the same category.[38][39] The film continued its festival success by winning the Audience Award for Narrative Feature at the 2008 Los Angeles Film Festival, directed to Jonathan Levine for his work.[5] In industry awards, The Wackness earned a nomination for Best First Screenplay for writer-director Jonathan Levine at the 24th Independent Spirit Awards in 2009, competing against other notable independent entries like Frozen River and Ballast.[40] Additional festival nods included a nomination for the Golden Eye Award in the Best International Feature Film category at the 2008 Zurich Film Festival and selection for the 2008 Melbourne International Film Festival. Beyond these, the film had no major wins from larger awards bodies, emphasizing its niche acclaim in the indie landscape.[41][42]| Award | Category | Result | Year | Organization/Festival |
|---|---|---|---|---|
| Audience Award (U.S. Dramatic) | - | Won | 2008 | Sundance Film Festival |
| Grand Jury Prize (U.S. Dramatic) | Best Picture | Nominated | 2008 | Sundance Film Festival |
| Audience Award | Narrative Feature | Won | 2008 | Los Angeles Film Festival |
| Best First Screenplay | - | Nominated | 2009 | Independent Spirit Awards |
| Golden Eye Award | Best International Feature Film | Nominated | 2008 | Zurich Film Festival |
Music
Soundtrack
The official soundtrack album for The Wackness, titled The Wackness (Music from the Motion Picture), was released on June 24, 2008, by Sony Classical in conjunction with Jive and Zomba Label Group.[43][44] The compilation features 13 tracks primarily consisting of 1990s hip-hop and R&B selections, emphasizing East Coast rap from the early to mid-1990s to reflect the film's setting in 1994 New York City.[43][45] Director Jonathan Levine curated the album's selections to evoke the vibrant hip-hop scene of the era, drawing from influential artists and albums that defined the period's sound.[46] Tracks such as "Can I Kick It?" by A Tribe Called Quest, "The World Is Yours" by Nas, and "The What" by The Notorious B.I.G. exemplify the nostalgic, boom-bap style central to the film's atmosphere.[44] These songs tie briefly into key film scenes, underscoring themes of youth and urban life without original compositions dominating the mix.[47] The full track listing is as follows:| No. | Title | Artist(s) | Length |
|---|---|---|---|
| 1 | "The What" | The Notorious B.I.G. | 3:59 |
| 2 | "You Used to Love Me" | Faith Evans | 4:30 |
| 3 | "Flava in Ya Ear" | Craig Mack | 3:39 |
| 4 | "Summertime" | DJ Jazzy Jeff & The Fresh Prince | 4:31 |
| 5 | "Can't You See" | Total featuring The Notorious B.I.G. | 4:39 |
| 6 | "I Can't Wake Up" | KRS-One | 3:35 |
| 7 | "The World Is Yours" | Nas | 4:52 |
| 8 | "Can I Kick It?" | A Tribe Called Quest | 4:27 |
| 9 | "Heaven & Hell" | Raekwon featuring Ghostface Killah | 4:58 |
| 10 | "Bump n' Grind" | R. Kelly | 4:15 |
| 11 | "Just a Friend" | Biz Markie | 4:04 |
| 12 | "Tearz" | Wu-Tang Clan | 4:20 |
| 13 | "Long Shot Kick de Bucket '74" | The Pioneers | 2:50 |