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2000 Watts

2000 Watts is the second studio album by American R&B singer , released on May 22, 2001, by . The album's title pays homage to Gibson's childhood neighborhood in the Watts district of , as well as his nonprofit foundation supporting children from the area. Featuring production from collaborators like and , it blends with hip-hop influences across 15 tracks, including guest appearances by . The project marked Gibson's evolution from his self-titled debut, emphasizing mature themes of relationships, personal growth, and street life. The album was recorded at multiple studios, including Brandon's Way in Los Angeles and Darkchild Studios, reflecting Gibson's hands-on role as a co-writer and co-producer on several songs. Lead single "I Like Them Girls," released on April 20, 2001, served as a upbeat introduction to the record, peaking at number 48 on the and number 15 on the chart. Follow-up singles like "What Am I Gonna Do" further showcased the album's mix of smooth ballads and rhythmic cuts, with tracks such as "Just a Baby Boy" (featuring ) highlighting collaborations that bridged R&B and rap. Overall, 2000 Watts runs 58 minutes and 21 seconds, delivering a polished sound that positioned Gibson as a versatile artist in the early R&B scene. Commercially, 2000 Watts debuted at number 10 on the and number 4 on the Top R&B/ Albums chart, driven by strong urban radio play and Gibson's growing fanbase from his roles. By October 2003, it had sold 617,000 copies in the United States, earning gold certification from the RIAA; vinyl editions continue to trade actively on secondary markets as of November 2025, reflecting enduring collector interest. Critically, the received mixed reviews; AllMusic's Jon Azpiri praised its growth beyond superficial pop appeal but noted inconsistencies in the uptempo material, rating it 3 out of 5 stars. Despite not matching the debut's sales, 2000 Watts solidified Gibson's reputation as a multifaceted entertainer, influencing his later music and film career.

Background and recording

Album development

2000 Watts is the second studio album by American R&B singer , serving as a follow-up to his self-titled debut released in 1998, which achieved commercial success with hits like "Sweet Lady" and established him in the R&B genre. Following the debut's platinum certification and over one million units sold, Gibson sought to evolve his artistry while maintaining his core sound. The album's development began in the late , shortly after the debut's release, though the three-year gap until its completion was longer than Gibson preferred, influenced by his expanding career in modeling, , and hosting. During this period, Gibson aimed to build on his R&B foundations by incorporating greater maturity and broader appeal, targeting the evolving early landscape where R&B blended emotional storytelling with mainstream accessibility. He expressed a desire to "take it to another level," emphasizing a soulful essence that balanced personal emotional depth with commercial viability. The title 2000 Watts draws from the Watts neighborhood in Los Angeles, where Gibson was born and raised, symbolizing the energy and power of his roots amid the area's cultural and historical significance. It also honors the 2000 Watts Foundation, which he established around 2000 to support youth in Watts, with a portion of album proceeds dedicated to building a state-of-the-art there. This conception reflected Gibson's goals of artistic growth intertwined with community impact, positioning the project as both a musical progression and a personal tribute. The album was ultimately released on May 22, 2001.

Recording and production

The recording sessions for 2000 Watts occurred primarily between 2000 and early 2001 across multiple studios in the United States, including Brandon's Way Recording and Capitol Studios in ; Darkchild Studios; Dogghouse Recording Studios in ; in ; Soundtrack Studios in ; SouthSide Studios and Triangle Sound in Atlanta, Georgia; and Studio 17 in . The album's production was handled by a team of prominent R&B producers, including Babyface (on tracks like "There for Me (Baby)"), (on "Off the Heezy" and others), (on "I'm Sorry"), and The Underdogs (on tracks like "What It Is"). Tyrese co-wrote much of the material and served as a co-producer on several songs, contributing to the project's cohesive vision. Featured guests included and Mr. Tan on the track "Just a Baby Boy," produced by Battlecat, as well as on "Get Up On It," produced by and Tyrese. The production techniques focused on a polished aesthetic, incorporating live —such as guitars by Andy Haller and keyboards by Orenthal Harper—alongside electronic beats and synthesizers to achieve a smooth, radio-ready sound suitable for both ballads and uptempo tracks.

Music and lyrics

Musical style

2000 Watts is predominantly rooted in , blending uptempo grooves with introspective slow ballads to create a dynamic sonic landscape. The album's sound emphasizes smooth vocal deliveries and layered harmonies, drawing on early production techniques that prioritize emotional depth and . This approach allows for a balance between energetic rhythms and tender moments, showcasing Tyrese's versatile range as a vocalist. Incorporating pop sensibilities, the record appeals to mainstream audiences through catchy melodic hooks and rhythmic grooves that evoke a sense of effortless flow. Tracks often feature polished arrangements designed for radio play, with influences from adding subtle edge to select cuts via programmed beats and guest contributions. This fusion enhances the 's commercial viability while maintaining an R&B core. The instrumentation heavily relies on keyboards for atmospheric textures, robust patterns for propulsion, and prominent lines that underpin the grooves. Additional like guitars and orchestral touches appear sporadically, enriching the overall production without overpowering the vocal focus. Spanning 58:21 across 15 tracks, the weaves mid-tempo jams with soaring performances, resulting in a cohesive yet varied listening experience.

Lyrical themes

The lyrics of 2000 Watts center on themes of , relationships, and personal growth, conveyed through intimate and emotionally charged narratives that reflect Tyrese's maturation as an artist. Drawing from his own life experiences, the serves as a biographical snapshot, blending sensuality with raw vulnerability in line with R&B conventions. A key motif is the contrast between playful explorations of and deeper reflections on emotional challenges, highlighting the of dynamics. Upbeat tracks like "I Like Them Girls" capture the excitement of fleeting romances and sensual pursuits, while ballads such as "For Always" emphasize committed partnerships and the journey toward maturity amid heartbreak. This thematic depth underscores Tyrese's emphasis on emotional honesty, with recurring elements of and fostering a sense of personal evolution across the record. The lyrical approach prioritizes heartfelt connections over superficiality, reinforcing R&B's tradition of introspective storytelling.

Release and promotion

Singles

The from 2000 Watts, "I Like Them Girls", was released on April 20, 2001, and served as a bouncy, uptempo track designed as a potential with its catchy chorus emphasizing Tyrese's appreciation for confident women. The song was issued in standard and 12-inch formats, including radio edits and versions, and received strong initial radio play on R&B stations, debuting on the chart in early April. It peaked at number 48 on the after 19 weeks and number 15 on the chart. The accompanying , directed by Dave Meyers, featured vibrant, party-oriented visuals and premiered during MTV's programming in late March 2001 to build early buzz. Follow-up single "What Am I Gonna Do" arrived on May 22, 2001, shifting to a smoother, mid-tempo R&B vibe with introspective lyrics about relationship dilemmas, highlighted by its emotive hook questioning commitment. Released in format with clean and explicit versions, it gained traction through urban radio airplay, entering the Hot R&B/Hip-Hop Airplay chart in August. The track reached a peak of number 71 on the over 18 weeks and number 24 on the chart. Its music video adopted a focusing on romantic tension, emphasizing Tyrese's charismatic performance to connect with audiences seeking heartfelt ballads. The third single, "Just a Baby Boy" featuring Snoop Dogg, was released on June 19, 2001, blending West Coast hip-hop flair with R&B harmonies in a cautionary tale about young love and maturity, anchored by its repetitive, memorable chorus. Available as a radio edit on CD and promotional vinyl formats, it benefited from crossover radio exposure tied to the Baby Boy film soundtrack. The song charted at number 90 on the Billboard Hot 100 for four weeks and number 40 on the Hot R&B/Hip-Hop Songs chart. Directed by Dave Meyers, the video incorporated cinematic elements inspired by the film's urban drama, shot alongside director John Singleton and featuring streetwise aesthetics to amplify its promotional synergy with the movie.

Promotional activities

The promotion of 2000 Watts was spearheaded by the "I Like Them Girls," released in spring 2001, which was supported by a dedicated directed by Dave Meyers featuring and a radio campaign that propelled it to No. 15 on the chart. Tyrese engaged in numerous media appearances to boost the album's visibility, including live performances and interviews on television programs such as on June 26, 2001, where he performed the single, and on May 23, 2001, alongside RCA Records-organized promotional efforts. The album's packaging highlighted its thematic connection to Tyrese's hometown, with the front cover depicting him positioned between the historic in , symbolizing the "2000 Watts" title derived from the neighborhood. Cross-promotion with Tyrese's burgeoning career was a key strategy, particularly tying into his role in the film Baby Boy, released on June 27, 2001; collaborated with and for joint marketing initiatives around the movie's debut. Additional efforts included a spring promotional tour, a June trip to , and a giveaway of a model featured in the album's photoshoot and "I Like Them Girls" video. Tyrese also integrated community outreach into the campaign, using the album's release to fundraise for the inaugural 2000 Watts Boys & Girls in the Watts district, aligning the project's name with the record to emphasize his personal ties to the area.

Commercial performance

Chart performance

2000 Watts debuted at number 10 on the US chart on the week ending June 9, 2001, with 92,000 copies sold, marking Tyrese's first top 10 album on the ranking. The album marked a commercial improvement over his self-titled debut, which had peaked at number 17 two years prior. It spent a total of 12 weeks on the , gradually descending after its entry as it faced competition from other major releases in mid-2001. On the Top R&B/Hip-Hop Albums chart, 2000 Watts entered at number 4 in the same week, representing Tyrese's strongest performance on that tally to date. The album maintained momentum within the R&B genre, holding positions in the top 20 for several weeks before reaching number 41 by the week of November 10, 2001, after 23 weeks on the chart. The album's chart success was bolstered by the performance of its singles, such as "I Like Them Girls," which peaked at number 48 on the Hot 100.

Sales figures and certifications

In the United States, 2000 Watts was certified gold by the (RIAA) for shipments exceeding 500,000 units. By October 2003, the album had sold 617,000 copies in the US, according to Nielsen SoundScan data reported by . This performance marked a decline compared to Tyrese's debut album Tyrese (1998), which had sold 1.3 million units by the same period. International sales data for 2000 Watts remains limited, with no major certifications reported outside the US, underscoring its primary market success domestically.

Critical reception

Contemporary reviews

Entertainment Weekly awarded 2000 Watts a B+ rating, with critic Cheo Tyehimba praising Tyrese's vocal prowess and the album's broad pop appeal, stating that "what distinguishes 2000 Watts is its pure pop appeal" and noting how Tyrese avoided the typical sophomore slump through strong songwriting and delivery. AllMusic reviewer Jon Azpiri acknowledged Tyrese's potential beyond his image, writing, "It would be easy to dismiss Tyrese as just another pop pretty boy... But Tyrese has a powerful voice and a surprising amount of charisma," while describing the album as a polished collection of smooth R&B that highlighted his growth, though it occasionally felt lightweight and predictable in its sentimental ballads.

Critical consensus

Upon its release, 2000 Watts received a Metacritic score of 70 out of 100, based on five critic reviews, signifying generally favorable reception. Reviewers frequently highlighted Tyrese's charismatic, raspy vocals as a standout feature, delivering a finely wrought chronicle of joy and heartbreak with emotional depth. The album's strong production, courtesy of top-tier collaborators, was also praised for enhancing its tuneful quality and broad appeal. Additionally, critics noted the successful blend of contemporary R&B with accessible pop elements, contributing to its pure pop allure and commercial viability. Common criticisms centered on the occasional mushiness in the ballads, with some describing a "depressing quantity of mush and devotion" that clashed with Tyrese's more dynamic work. Others pointed to a lack of or distinctive sound, arguing that the caused Tyrese to get lost amid contemporaries despite its solid execution.

Track listing and credits

Track listing

The standard edition of 2000 Watts consists of 15 tracks with a total runtime of 58:21.
No.TitleLengthProducer(s)
1."I Like Them Girls"4:24The Underdogs (Harvey Mason Jr., Damon Thomas)
2."I Ain't the One"4:17Rodney Jerkins
3."Just a Baby Boy" (featuring Snoop Dogg and Mr. Tan)4:15DJ Battlecat
4."Make Up Your Mind"4:22Jake & Trev
5."There for Me (Baby)"3:45Babyface, Damon Thomas
6."Interlude: Lord You Control Me"1:29Tyrese
7."I'm Sorry"4:42Tim & Bob
8."What Am I Gonna Do"4:42Jake & Trev
9."Fling"4:07Jake & Trev
10."Off the Heezy" (featuring Jermaine Dupri)3:03Jermaine Dupri, co-producer Bryan-Michael Cox
11."Get Up On It" (featuring Solé)3:50Tricky Stewart
12."Housekeepin'"4:24Jake & Trev
13."Interlude: I Wrote a Song About It"1:24Tyrese
14."For Always"4:19The Underdogs, arranged by Bill Meyers
15."Bring You Back My Way"5:18The Underdogs
The Japanese edition includes two bonus tracks: "Happy" (4:04) and "So Alone" (4:25).

Personnel

Lead vocals
performed lead vocals on all tracks of 2000 Watts.
Guest vocalists
Guest appearances include and Mr. Tan on "Just a Baby Boy" (track 3), on "Off the Heezy" (track 10), and on "Get Up On It" (track 11).
Producers
The album features production from several notable figures, with track-specific credits as follows: on "I Ain't the One" (track 2); DJ Battlecat on "Just a Baby Boy" (track 3); Babyface and Damon Thomas (of The Underdogs) on "There for Me (Baby)" (track 5); on "I'm Sorry" (track 7); and co-producer on "Off the Heezy" (track 10); Christopher Stewart () on "Get Up On It" (track 11); and Tyrese on the interludes (tracks 6 and 13).
Background vocalists
Background vocals were provided by on "I Like Them Girls" (track 1), on "I Ain't the One" (track 2), Babyface on "There for Me (Baby)" (track 5), on "For Always" (track 14), and Sherree Ford-Payne on "For Always" (track 14) and "Bring You Back My Way" (track 15).
Instrumentation
Guitar contributions include George Evans on "I Like Them Girls" (track 1), Eric Jackson on "There for Me (Baby)" (track 5), Andy Haller on "I'm Sorry" (track 7), Joey Pafolla (solo) on "I'm Sorry" (track 7), and Michael Thompson on "For Always" (track 14) and "Bring You Back My Way" (track 15). Additional instrumentation features Orenthal Harper on keyboards for "Get Up On It" (track 11), on bass for "For Always" (track 14) and "Bring You Back My Way" (track 15), and orchestral arrangements by Bill Meyers on those same tracks.
Engineering and mixing
Mixing duties were handled by on "I Ain't the One" (track 2), DJ Battlecat and Mike Tocci on "Just a Baby Boy" (track 3), on "I'm Sorry" (track 7), Phil Tan on "Off the Heezy" (track 10), and Kevin "KD" Davis on "Get Up On It" (track 11).

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