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A Single Shot

A Single Shot is a neo-noir crime directed by David M. Rosenthal and adapted from the 1996 novel of the same name by Matthew F. Jones. The story centers on John Moon, a reclusive and down-on-his-luck hunter living in rural , whose life unravels after he accidentally shoots and kills a young woman while deer on what was once his family's land. The film features a strong led by as the tormented protagonist John Moon, alongside as a local criminal, as Moon's estranged wife, as a sleazy , as a sympathetic neighbor, as a ruthless enforcer, and in a supporting role. Produced by companies including A Single Shot Productions, , and Demarest Films, it was shot on location in the forests of to capture the isolated, atmospheric setting of the . After premiering at the 2013 , the movie received a in the United States on September 20, 2013, followed by availability on DVD and digital platforms in early 2014. Upon release, A Single Shot garnered mixed reviews from critics, who praised Rockwell's intense and the 's brooding atmosphere but criticized its predictable plot and deliberate pacing. On , it holds a 46% approval rating based on 52 reviews, with the consensus noting its "bleak sense of atmosphere and a terrific by " undermined by a "predictable story and slow pace." assigns it a score of 53 out of 100, indicating "mixed or average" reviews from 16 critics. Despite the critical response, the has been noted for its gritty exploration of themes like isolation, desperation, and moral ambiguity in rural America.

Synopsis and Cast

Plot

In the isolated backwoods of , John Moon, a down-on-his-luck poacher living in a dilapidated trailer after the of his family's dairy farm, struggles with and estrangement from his wife and their young son. Desperate to prove himself and win them back, John ventures out one foggy morning to illegally hunt deer out of season, relying on his expert marksmanship for survival. Mistaking rustling in the underbrush for his prey, he fires a single shot and mortally wounds a young woman fleeing through the woods. As she dies in his arms, she begs him to deliver a message; nearby, John discovers a box containing over $100,000 in cash at her . Fearing arrest for poaching and the accidental homicide, John hides the woman's body in a shipping container deep in the forest and takes the money, rationalizing it as a chance for redemption and financial stability. He begins spending portions of the cash to settle debts, purchase necessities, and woo Jess with gifts and promises of a better life, while consulting the eccentric local lawyer Daggard Pitt to expedite his divorce and custody hopes. John's old acquaintance, the alcoholic handyman Simon, notices his sudden windfall and offers cryptic warnings about local dangers, but John presses on, driven by guilt over the killing and hope for family reconciliation. Meanwhile, the cash belongs to a ruthless criminal syndicate, and the woman's associates launch a search for it. As suspicions mount, attempts to anonymously return the money to the criminals through intermediaries, but this only heightens the peril, drawing the attention of key syndicate members: the erratic ex-con and the sadistic Waylon, who embody the brutal underbelly of the rural . Confrontations escalate when the criminals track to his trailer, subjecting him to beatings and threats that endanger Jess and their son, including trashing his home and killing his dog; 's moral dilemmas intensify as he weighs confessing the truth against protecting his loved ones. Interactions with reveal his deepening and , as she grows wary of his unexplained and erratic . The syndicate's pursuit turns violent, with using his intimate of the to evade capture temporarily, but he loses fingers in an and kills one assailant in . Weakened by blood loss, John attempts to bury the woman's body properly in a remote hole, but collapses into the grave beside her, succumbing to his injuries as a deer watches impassively, marking the tragic end of his desperate bid for salvation. The film is adapted from Matthew F. Jones's 1996 of the same name.

Cast

The cast of A Single Shot features in the lead role of John Moon, a reclusive hunter and poacher grappling with personal loss and isolation in rural . portrays Simon, an enigmatic associate who aids Moon in his troubles. plays Jess, Moon's estranged ex-wife navigating her own challenges in the community. Supporting roles include as Pitt, a shrewd local attorney entangled in the town's underbelly; as Waylon, the ruthless leader of a criminal operation; and as Cecile, a stern authority figure in the area. Additional ensemble members comprise Joe Anderson as Obadiah, a young opportunist; as Abbie, a fleeting romantic interest; as Carla, a bar worker; and as Puffy, a rough-edged acquaintance. Sam Rockwell was attached to the project early in development, with principal photography beginning in March 2012 under director David M. Rosenthal. The ensemble was rounded out by notable character actors, enhancing the film's depiction of a tight-knit, morally ambiguous rural world.

Background and Development

Source Material

A Single Shot originated as a written by Matthew F. Jones, first published in 1996 by . The book was reissued in 2011 by Mulholland Books, coinciding with renewed interest ahead of its film adaptation. Jones, born in and raised on a horse and dairy farm in rural , drew from his personal experiences of rural life to shape the novel's depiction of isolated, economically strained communities in rural . The explores core themes of , guilt, and the grinding effects of , centering on a whose life unravels following a hunting accident that exposes him to moral and criminal dilemmas. These elements create a claustrophobic atmosphere, blending psychological tension with the harsh realities of backwoods existence, reminiscent of traditions. Jones personally adapted his into the for the 2013 film, a process that marked the culmination of a roughly 17-year journey from initial publication to cinematic release, during which rights were secured around 2006 after years of development efforts. The adaptation maintains fidelity to the source's central narrative of consequence and pursuit but condenses several subplots and refines character emphases to suit the film's tighter structure, eliminating some extraneous threads present in the book to heighten its thriller pace.

Pre-production

The adaptation of Matthew F. Jones's 1996 into a underwent a prolonged development process spanning approximately 15 years, marked by multiple stalled attempts and changes in key creative personnel. Producer Chris Coen acquired the film rights to the around 2006, setting the stage for initial efforts to bring the story to the screen. Jones himself penned the screenplay, a process that took nearly three years and involved significant revisions to adapt the source material's noir elements for cinematic tension. By 2011, director David M. Rosenthal became attached to the project, drawn to its undertones after collaborating with producer Keith Kjarval on prior work; this marked Rosenthal's first directorial effort based on an external script. Earlier iterations around 2010 and 2011 had faltered due to financing hurdles and scheduling conflicts, including planned involvement from actors like that ultimately did not materialize. Financing challenges persisted, but the low-budget independent production—estimated under $10 million—was secured through a consortium including , Unified Pictures, Unanimous Entertainment, Media House Capital, and Demarest Films, with Media House providing financing for up to 35% of the budget. Producers such as Coen, Kjarval, Aaron L. Gilbert, and Jeff Rice oversaw the effort, navigating a "false start" before stabilizing the package. Sam Rockwell was cast as the lead John Moon amid these delays, his attachment proving pivotal in assembling the ensemble, including —who had been involved the longest—and others like and . This configuration greenlit by March 2012, culminating in shortly thereafter.

Production

Filming

Principal photography for A Single Shot took place from April 16 to May 30, 2012, spanning approximately six weeks. Production had commenced earlier in February 2012. The film was primarily shot in and , , substituting for the isolated Appalachian forests and rural communities of . These and small-town settings were selected to evoke the story's themes of and desolation, with exterior scenes capturing the dense, unforgiving . The production operated on an independent scale with a under $10 million, prioritizing over elaborate sets to preserve authenticity and cost efficiency. The schedule was demanding, as lead actor appeared in nearly every scene, allowing limited downtime for the cast and crew. To prepare, Rockwell trained with a prize-winning deer from , focusing on authentic techniques and mindset, though actual hunting was restricted by season and regulations. This immersion contributed to the realistic portrayal of the character's survivalist lifestyle during on-location sequences.

Visual Style and Design

The visual style of A Single Shot is characterized by a subdued, low-key tone that underscores the film's thriller atmosphere, achieved through that emphasizes isolation and bleakness in the rural setting. Cinematographer Eduard Grau employed 35mm Fuji for exterior daylight scenes to capture the misty, cold environment of the , contrasting sharply with vibrant from his prior work and enhancing the story's tragic . Wide tracking shots and slow zooms were used to convey sadness and vastness, while moody, dark lighting with heightened tension during key sequences, contributing to the film's gritty backwoods aesthetic. Editing by Dan Robinson maintains the narrative's deliberate pace. Post-production relied minimally on CGI, favoring practical constructions for sets like the protagonist's rundown cabin to maintain authenticity in depicting rural decay. , integrated during , amplifies the sense of with subtle ambient layers that complement the visual sparsity, though avoids heavy effects to preserve its grounded, filmic texture. Production design by David Brisbin and art direction by Cheryl Marion evoke the poverty-stricken isolation of rural , with practical builds and in Vancouver's forests standing in for West Virginia's backwoods to create an immersive, timeless sense of desolation. Costume design by Wowchuk features worn, utilitarian clothing such as faded gear and threadbare workwear for the central character, reflecting economic hardship and the harsh demands of frontier life without anachronistic modern elements. These choices collectively reinforce the film's desaturated color palette and low-contrast visuals, prioritizing over stylization to immerse viewers in the characters' unforgiving world.

Release

Premiere and Distribution

A Single Shot had its world premiere at the on February 9, 2013, in the Forum section. The film also screened at other festivals, including the Festival du Film Policier de on April 4, 2013; the on April 25, 2013; the Tribeca Film Festival (North American premiere) on April 26, 2013; and the in September 2013. Festival screenings generated mixed responses, highlighting Sam Rockwell's performance amid critiques of pacing. In July 2013, Tribeca Film and co-acquired U.S. distribution rights to the film. The rollout began with a video-on-demand debut on August 20, 2013, followed by a on , 2013, in and . Internationally, the film was released in on , 2013, and in the on November 1, 2013, with distribution in select markets handled through production partners including . Marketing efforts for the independent thriller centered on Rockwell's intense portrayal of the protagonist and the film's atmospheric neo-noir elements, utilizing festival buzz, online trailers, and targeted digital campaigns to reach audiences interested in character-driven dramas.

Box Office Performance

A Single Shot achieved a modest domestic box office gross of $18,642 during its limited theatrical release. The film opened on September 20, 2013, earning $10,020 across 10 theaters on its debut weekend, reflecting its niche positioning in the independent thriller genre. With no notable international earnings, the worldwide total mirrored the domestic figure at $18,642. Distributed through TriBeca Films in a constrained rollout, the low-budget production—estimated under $10 million—underperformed relative to expectations for similar indies, such as Blue Ruin, which grossed $258,384 domestically despite comparable limited exposure. Home market performance provided additional revenue, with estimated domestic video sales (including DVD and digital) totaling $152,271, surpassing theatrical receipts and underscoring the film's greater accessibility via VOD platforms ahead of its cinema run. This outcome highlighted the modest attendance driven by its slow-burn narrative and atmospheric style, appealing primarily to specialized audiences rather than broad commercial success.

Reception

Critical Response

Upon its release, A Single Shot received mixed reviews from critics, earning a 46% approval rating on based on 52 reviews, with the consensus noting that while it features a bleak atmosphere and strong lead performance, the film is hampered by its predictable narrative and deliberate pacing. On , it holds a score of 53 out of 100 from 16 critics, indicating mixed or average reception. Critics frequently praised Sam Rockwell's portrayal of the isolated hunter John Moon, describing it as nuanced and anchoring the film's emotional core amid its sparse dialogue and rural desolation. The movie's atmospheric depiction of backwoods was also commended for evoking a tense, noirish through its and sense of dread, drawing comparisons to gritty rural thrillers. Reviewers highlighted how this visual style captures the harsh, unforgiving landscape, enhancing the story's themes of desperation and moral ambiguity. However, the film faced for its predictable plot developments and slow tempo, which some felt undermined the despite the strong setup. Supporting were often described as uneven, with characters coming across as caricatured or underdeveloped in the rural underclass milieu. Roger Ebert's review awarded it 2 out of 4 stars, critiquing the "hammily mannered" acting that clashed with the otherwise understated tone. Thematically, A Single Shot prompted discussions on guilt and in rural Americana, portraying a protagonist's downward spiral as a on personal failure and societal neglect. Critics compared its exploration of desperate hill-country life to films like , though noted it lacks the latter's deeper emotional resonance and character depth. As of November 2025, the film has an average user rating of 5.7 out of 10 on , based on approximately 12,200 ratings.

Accolades

A Single Shot garnered limited but notable recognition on the independent film circuit, primarily through festival awards highlighting its lead performance and direction. received the Jury Award for Best Actor at the 2013 Film Festival for his portrayal of John Moon, a role that showcased his ability to embody a desperate, isolated hunter in this backwoods . At the 2013 Newport Beach Film Festival, Rockwell again won the Jury Award for , further affirming his standout contribution to the film's tense narrative. The festival also nominated the film in an additional category, though specifics beyond Rockwell's win were not widely detailed in coverage. In the international arena, director David M. Rosenthal earned a nomination for the Grand Special Prize at the 2013 , where A Single Shot competed among American independent features. These honors, centered on Rockwell's performance and Rosenthal's vision, provided key visibility for the indie production following its festival debuts, despite the absence of broader guild or Academy Award contention.

Soundtrack

Original Score

The original score for A Single Shot was composed by Icelandic musician , who hails from and established himself in the local music scene before transitioning to international scoring. Örvarsson, known for his work on thrillers such as Hansel & Gretel: Witch Hunters, crafted a tense emphasizing minimalist, atmospheric strings and percussion to evoke and mounting dread, complementing the 's bleak rural cinematography. The score was recorded with the London Metropolitan Orchestra, conducted by Örvarsson himself, highlighting haunting motifs through violin leads and low-end instrumentation for a rural, introspective quality. It was released as a on September 17, 2013, by MovieScore Media and Kronos Records, featuring seven tracks with a total runtime of approximately 42 minutes. Key selections include "A Single Shot" (1:06), "The John Moon Variations: Movement 1 The Shot" (7:00), and "Remembering" (4:20), which underscore the narrative's psychological tension without overt plot cues. Critics noted the score's grim, slow-building string arrangements as enhancing the film's moody atmosphere. The featured songs in A Single Shot consist primarily of obscure and tracks from the 1960s and 1970s, selected to enhance the film's rural atmosphere without relying on mainstream hits. These pre-existing recordings were licensed to underscore scenes of everyday tension and isolation, such as those involving driving or gatherings in local bars, contributing to the story's sense of gritty, backwoods authenticity. The choices reflect the production's modest budget, favoring affordable, lesser-known selections over high-profile clearances that might strain resources. One prominent track is "A Shade of Difference," written by Don Bowman and Major Luper and performed by Bozo Darnell, a that plays during rural exterior sequences to evoke a twangy, down-home vibe. Released originally around , the song's lighthearted yet wistful tone aligns with the film's exploration of small-town life in , drawing from Southern musical traditions. Another key piece, "Silly Savage," written by Merlin Jones and Wayne Branham and performed by The Golden Toadstools, appears in atmospheric moments to heighten the rustic, unpolished feel; this rare garage-country single captures the era's raw, regional sound. Additional period-appropriate tunes, such as "Lies" by Halloween (written by Billy Gray), "My Tears Run Backwards" by The Features (written by Tommy Strange), "It Rained Temptation" by Clark Bentley (written by Jerri Clark), and "NYC '73" by , further integrate and country elements to immerse viewers in the setting. These tracks, mostly from independent labels of the time, were chosen for their evocative simplicity, blending seamlessly with Atli Örvarsson's original score to amplify the film's moody tension. No dedicated compiling these featured songs was released, unlike the separate score recording, underscoring the film's emphasis on atmospheric integration over commercial music tie-ins.

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