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Attack

Attack is an aggressive action or onset directed against a person, object, institution, or idea with the intent to inflict harm, damage, or criticism, encompassing physical assaults, verbal onslaughts, strategic offensives, and pathological episodes such as seizures or cardiac events.^[1] As both a noun and verb, it primarily signifies forceful engagement or belligerent initiation, with core senses including military operations to overpower adversaries, rhetorical assaults via hostile words, and the vigorous tackling of problems or tasks.^[1] The term originated in English circa 1600, borrowed from French attaquer and Italian attaccare ("to join or attach," as in attaching to battle via stakes or direct confrontation), tracing further to Frankish roots akin to "stake" or "stick," reflecting ancient tactics of fastening weapons or positions in combat.^[2]^[1] In broader contexts, attacks define pivotal dynamics in warfare, where they contrast with defensive postures; in medicine, they denote acute symptom flares in chronic conditions; and in sports or games, they represent offensive maneuvers to score or gain advantage, underscoring the concept's foundational role in competitive and survival-oriented human endeavors.^[1]

Etymology and Core Definition

Linguistic Origins

The English word "attack" entered the language in the late 16th century as a verb meaning "to join or unite," derived from French attaquer (attested around 1500), which itself stems from Italian attaccare ("to join, attach, or attack").^[2] This Italian form combines the prefix a- (from Latin ad-, meaning "to" or "toward") with a root related to attaching or sticking, ultimately tracing to Frankish stakka ("stake" or "stick") or a cognate Germanic term implying fixation or placement.^[3] The noun form "attack" appeared shortly after, around 1590–1600, initially retaining connotations of attachment before shifting to denote assault or onset by the 17th century.^[4] The semantic evolution reflects a broadening from literal "joining" (as in fastening objects) to metaphorical aggression, paralleling how related terms like "attach" retained adhesive senses while "attack" applied to hostile encounters, such as military charges or disease onsets.^[2] Early English usage displaced native Germanic terms like Old English onrǣsan ("to rush upon" or "assail"), favoring the Romance borrowing amid post-Norman Conquest linguistic influences that integrated French and Italian military vocabulary into English.^[5] By 1650, "attack" commonly signified initiating combat or criticism, as in George Gascoigne's writings circa 1576, marking its establishment in strategic and verbal contexts.^[6] Proto-Indo-European roots may underpin the Frankish stakka, potentially linking to steh₂g- ("to stick" or "pierce"), evident in cognates across Germanic languages, though direct attestation is sparse and relies on reconstructed linguistics.^[2] This etymological path underscores how "attack" embodies a causal progression from physical adhesion to oppositional force, aligning with first-principles derivations of aggression as an extension of binding or impaling actions in prehistoric tool use and conflict.^[3]

Primary Meanings and Conceptual Framework

The term attack primarily denotes an aggressive action intended to inflict harm, damage, or disruption upon a target, encompassing both physical and non-physical forms. As a noun, it refers to an act of physical aggression, such as a violent assault aiming to cause injury, death, or property damage.^[4] Similarly, the verb form describes setting upon or working against a target forcefully, as in military engagements or personal confrontations.^[1] These core usages trace to contexts of direct confrontation, where the initiator seeks advantage through coercion or violence, distinguishing attacks from passive or defensive responses.^[2] Beyond literal violence, attack extends to metaphorical applications, including verbal or rhetorical assaults that criticize or undermine through hostile words, such as political denunciations.^[1] It also applies to sudden onsets of illness, like a heart attack, framing physiological events as invasive afflictions akin to external aggression.^[4] In these senses, the concept retains an implication of unanticipated hostility disrupting normal function, whether biological or social. Empirical observations of human behavior, such as documented assault statistics from law enforcement data, underscore that attacks often involve premeditated intent to overpower, with global violent crime rates exceeding 400 per 100,000 people annually in many regions as of 2023. Conceptually, an attack requires three elements: agency (a deliberate actor), initiation (unprovoked onset rather than retaliation), and causality (direct link to harm via force or influence). This framework aligns with legal definitions of assault, which classify it as an intentional act creating apprehension of imminent harm, without necessitating contact—emphasizing the aggressor's volition over mere outcome.^[7] In philosophical terms, such as just war theory, attacks are evaluated for proportionality and legitimacy, but only defensive responses mitigate moral culpability, as offensive initiation inherently violates non-aggression principles rooted in causal accountability for foreseeable damage.^[8] Sources like peer-reviewed analyses of conflict causality reinforce that attacks propagate through chains of intentional escalation, often amplifying harm beyond the initial act due to retaliatory dynamics, as seen in historical escalations where unprovoked strikes led to disproportionate casualties.^[9] This distinguishes attacks from accidents or mutual combat, privileging evidence of unilateral aggression in assessments of responsibility.

Military and Combat Applications

Tactical and Strategic Elements

In military doctrine, tactical elements of an attack focus on the execution of battles and engagements through the ordered arrangement, maneuver, and application of combat forces to defeat enemy units or seize terrain. These elements emphasize direct combat actions, such as the forms of maneuver including envelopment, penetration, infiltration, turning movement, and frontal assault, which position attacking forces relative to the enemy to exploit vulnerabilities.^[10] ^[11] Envelopment, for instance, applies combat power to an enemy's flank or rear while fixing forward defenses, aiming to encircle and destroy isolated portions of the opposing force.^[10] Tactical planning prioritizes principles like surprise via unexpected timing or direction, concentration of superior force at decisive points, and rapid tempo to disrupt enemy responses, often structured in phases of approach, assault, and consolidation.^[12] ^[10] Strategic elements of attacks operate at the national or theater level, involving the commitment of resources and forces to achieve overarching objectives that compel enemy capitulation or alter the war's course, such as targeting centers of gravity like command structures or logistics hubs.^[13] ^[14] These elements integrate offensive operations into campaigns that impose the attacker's will, maintaining initiative through audacity and economy of force elsewhere to enable mass at critical junctures, as outlined in foundational principles requiring offensive action for decisive results.^[10] Unlike tactics, which address battlefield specifics, strategy aligns attacks with policy ends, such as destroying enemy combat potential or seizing key terrain to support national aims, often via coordinated theater-wide offensives.^[15] ^[13] The interplay between tactical and strategic elements ensures that local victories contribute to cumulative strategic effects, with doctrine stressing unity of command to synchronize efforts across scales; for example, tactical penetrations can enable operational breakthroughs that fulfill strategic isolation of enemy forces.^[15] ^[10] Effective attacks thus demand adaptability, as tactical flexibility—such as shifting from infiltration to exploitation—supports strategic tempo, preventing enemy recovery and preserving momentum.^[12]

Historical and Modern Examples

One prominent historical example of a military attack is the Battle of Cannae on August 2, 216 BC, during the Second Punic War, where Carthaginian general Hannibal executed a double envelopment tactic against a larger Roman force led by consuls Lucius Aemilius Paullus and Gaius Terentius Varro.^[16] Hannibal's center feigned retreat to draw Roman infantry into a pocket, allowing his cavalry and wings to encircle and annihilate approximately 50,000 to 70,000 Roman soldiers, representing one of the most devastating defeats in ancient military history due to superior tactical maneuverability over numerical superiority.^[17] In the 20th century, the Japanese attack on Pearl Harbor on December 7, 1941, exemplified a surprise naval air assault, with 353 Imperial Japanese aircraft launching two waves that sank or damaged 18 U.S. ships, including five battleships, and destroyed 188 aircraft while killing 2,403 Americans and wounding 1,178.^[18] The operation, commanded by Vice Admiral Chūichi Nagumo, aimed to neutralize the U.S. Pacific Fleet's carrier and battleship strength to secure Japanese expansion in the Pacific, achieving tactical surprise through radio silence and dawn timing but failing to destroy fuel depots or repair facilities, which limited long-term strategic impact.^[18] A modern example is the coalition air campaign of Operation Desert Storm, initiated on January 17, 1991, against Iraqi forces occupying Kuwait, involving over 100,000 sorties by U.S. and allied aircraft that targeted command centers, air defenses, and Republican Guard units over 42 days, degrading 80% of Iraq's fixed-wing aircraft and artillery before the ground phase.^[19] This precision-guided bombing, leveraging stealth technology like the F-117 Nighthawk, demonstrated the shift toward air dominance in conventional warfare, contributing to the rapid liberation of Kuwait with minimal coalition casualties from air operations.^[19] In the 21st century, Russia's full-scale invasion of Ukraine, launched on February 24, 2022, began with coordinated missile and drone strikes on Ukrainian airfields, command posts, and cities, followed by ground assaults from multiple axes toward Kyiv, Kharkiv, and southern regions, aiming to decapitate Ukrainian leadership and secure rapid territorial gains.^[20] Initial attacks involved over 1,000 missiles and aircraft sorties in the first days, but stalled due to logistical failures and Ukrainian resistance, leading to a prolonged attrition war with significant Russian equipment losses exceeding 3,000 tanks by mid-2023.^[20] This conflict highlights hybrid attack elements, combining conventional artillery barrages with electronic warfare, though early overreliance on massed armor exposed vulnerabilities to anti-tank guided missiles.^[21]

Weapons and Methodologies

Military attacks employ a diverse array of weapons categorized by their range, lethality, and delivery method, ranging from small arms for close-quarters combat to strategic systems for long-range strikes. Small arms, defined as man-portable firearms of .60-caliber or smaller bore, such as rifles and pistols, enable infantry assaults and suppressive fire in direct engagements.^[22] Artillery and rocket systems provide indirect fire support, delivering high-explosive shells over distances exceeding 30 kilometers to soften enemy positions prior to advances, as seen in U.S. Army field manuals.^[23] Precision-guided munitions (PGMs), including laser- and GPS-guided bombs, represent modern advancements that minimize collateral damage while targeting specific assets, with integration into platforms like fighter aircraft and drones.^[24] Historically, melee weapons dominated early methodologies, where attacks relied on massed charges with spears and swords for shock tactics, as in ancient Roman legions using short swords (gladius) for thrusting in tight formations during the Punic Wars (264–146 BCE).^[25] Bows and crossbows facilitated ranged harassment and sieges, with English longbows at Agincourt in 1415 decimating French knights through volley fire, altering medieval battlefield dynamics by emphasizing archery over heavy cavalry.^[26] The introduction of gunpowder weapons in the 14th century shifted tactics toward linear formations and cannon barrages, exemplified by Ottoman use of massive bombards at Constantinople in 1453 to breach walls via sustained bombardment.^[26] In modern combat, methodologies integrate combined arms tactics, synchronizing infantry small arms with armored vehicles, air support, and electronic warfare for multi-domain attacks. The U.S. Army's Next Generation Squad Weapon (NGSW) program, approved for type classification in May 2025, equips soldiers with 6.8mm rifles and machine guns designed for enhanced penetration against body armor, supporting fire-and-maneuver tactics in peer conflicts.^[27] Unmanned aerial vehicles (UAVs) enable standoff strikes, as in U.S. operations where MQ-9 Reapers deliver Hellfire missiles with real-time targeting, reducing risk to operators while executing precision raids.^[28] Emerging autonomous systems, projected for 2040 deployment, incorporate AI-driven lasers for counter-drone swarms, adapting reconnaissance-strike methodologies to counter hypersonic threats through rapid sensor-to-shooter cycles.^[29] Tactics emphasize adaptability, with methodologies like flanking maneuvers using mobile armored units—such as M1 Abrams tanks armed with 120mm smoothbore guns—to exploit weaknesses, or ambush operations leveraging man-portable anti-tank guided missiles (ATGMs) like Javelin systems, which have proven effective in asymmetric warfare by allowing infantry to neutralize superior armored forces from concealed positions.^[24] Air Force targeting doctrine underscores functional analysis, where weapon selection depends on target vulnerability, employing PGMs for dynamic threats versus unguided munitions for area denial to optimize effects while adhering to rules of engagement.^[30] These approaches prioritize causal effectiveness, with empirical data from simulations showing combined arms reducing attrition by up to 40% compared to siloed operations.^[31]

Biological and Medical Contexts

Human Pathologies

In medical terminology, an "attack" refers to an acute, often paroxysmal episode of a pathological process, characterized by sudden onset and potential for severe symptoms or tissue damage. This usage applies to various somatic and psychiatric conditions where the term denotes a discrete event rather than chronic progression. Empirical data from clinical epidemiology highlight the prevalence and impact of these episodes, with cardiovascular and respiratory attacks contributing significantly to morbidity and mortality. Heart attacks, or myocardial infarctions, exemplify cardiovascular attacks, occurring when coronary artery occlusion deprives cardiac muscle of oxygen, leading to necrosis if untreated. In the United States, heart disease, predominantly driven by such acute events, accounted for 702,880 deaths in 2023, with an age-adjusted mortality rate of 162.1 per 100,000 population. Risk factors including atherosclerosis and thrombosis underscore causal mechanisms rooted in vascular pathology rather than transient emotional states.^[32]^[33] Respiratory attacks, such as acute asthma exacerbations, involve sudden airway inflammation and bronchospasm, manifesting as dyspnea, wheezing, and hypoxemia. Among U.S. adults and children with current asthma—affecting approximately 8.3% of the population—39.4% reported at least one attack in 2021, with higher rates in urban and minority groups due to environmental triggers like allergens. Similarly, migraine attacks feature unilateral pulsating pain, photophobia, and nausea, with over 75% of sufferers experiencing one or more episodes monthly; U.S. prevalence of migraine stands at 11.7–14.7%, disproportionately impacting females.^[34]^[35]^[36] Psychiatric pathologies incorporate "attack" for episodic behavioral dyscontrol, notably in intermittent explosive disorder (IED), defined by recurrent, impulsive aggressive outbursts exceeding situational provocation, often verbal or physical. Global lifetime prevalence of IED is estimated at 5.1%, with 12-month rates at 4.4%, linked to neurobiological factors like serotonin dysregulation and prefrontal cortex deficits rather than mere environmental stressors. Panic attacks, sudden surges of intense apprehension with palpitations and derealization, occur in up to 11% of U.S. adults annually, frequently comorbid with panic disorder (2.7% 12-month prevalence). These events, while lacking direct tissue destruction, impose substantial functional impairment, evidenced by elevated healthcare utilization and suicidality risks.^[37]^[38]^[39]

Animal and Predatory Behaviors

Predatory behaviors represent a fundamental form of attack in the animal kingdom, where carnivores and other predators actively locate, pursue, and subdue prey organisms to secure food resources essential for survival and reproduction. These attacks are driven by innate neural circuits that distinguish appetitive phases—such as orientation, chasing, and initial assault—from consummatory phases involving lethal biting and consumption, as observed in mammals like mice and cats through hypothalamic stimulation studies.^[40] Natural selection favors such aggressive hunting tactics because they enhance foraging efficiency, with predators evolving specialized morphologies and strategies to overcome prey defenses, thereby increasing reproductive success in resource-limited environments.^[41] Predation strategies vary widely across taxa, reflecting adaptations to ecological niches, prey mobility, and predator physiology. Pursuit predation involves active chasing over distances, exemplified by cheetahs (Acinonyx jubatus) accelerating to speeds exceeding 100 km/h to exhaust gazelles, a tactic reliant on burst speed but limited by stamina, with success rates around 50% in observed hunts.^[42] Ambush predation, conversely, entails concealment and sudden strikes, as in crocodiles (Crocodylus spp.) lunging from water to seize ungulates, capitalizing on stealth and powerful jaws to achieve capture probabilities up to 70% in favorable conditions.^[42] Ballistic interception, seen in jumping spiders (Salticidae family), combines visual prey tracking with precise leaps, allowing attacks from up to 50 body lengths away with high accuracy due to advanced ocular systems.^[43] In social carnivores, cooperative attacks amplify efficacy through division of labor, such as African lions (Panthera leo) encircling herds to isolate vulnerable individuals, where group size correlates positively with kill rates—solitary lions succeed in about 25% of hunts versus 30-40% for prides of four or more.^[44] Pack-hunting wolves (Canis lupus) employ similar tactics, using relays to wear down prey like moose over kilometers, with bite forces exceeding 400 psi facilitating takedowns.^[45] These behaviors underscore causal linkages between attack morphology, prey body mass, and environmental factors; for instance, larger carnivores prioritize slower, bulkier prey to offset higher energetic costs, as quantified in allometric models across 36 felid and canid species.^[44] Intra-specific attacks, while less central to predation, occur in territorial disputes, as in chimpanzees (Pan troglodytes) forming coalitions to lethally assault rivals, behaviors rooted in resource competition rather than nutrition.^[45] Empirical data from field observations and neural mapping reveal that predatory attacks are not mere reflexes but modular sequences modulated by sensory cues and experience; for example, ferrets exhibit distinct hypothalamic activation for predatory versus defensive aggression, highlighting evolved dissociation between hunting and fear responses.^[46] Success hinges on prey vulnerability—solitary or young individuals face elevated risks, with group-living prey mitigating attacks via dilution effects or mobbing, where multiple individuals harass predators to deter strikes.^[47] Such dynamics perpetuate an evolutionary arms race, where predator attack innovations, like venom injection in cone snails, counter prey evasions, sustaining biodiversity through co-adaptation.^[48]

Technological and Cyber Domains

Cybersecurity Threats

Cyber attacks in the cybersecurity domain refer to malicious and deliberate efforts by individuals, criminal groups, or state actors to breach the information systems of organizations or individuals, often aiming to steal data, disrupt operations, or cause damage.^[49] These threats exploit vulnerabilities in software, hardware, networks, or human behavior, with global cybercrime costs projected to exceed $10.5 trillion annually by 2025.^[50] Attack frequency has surged, with organizations facing an average of 1,636 weekly cyber attacks in the second quarter of 2024, a 30% increase from prior periods.^[51] Among the most prevalent types are malware attacks, which involve software designed to infiltrate systems, such as ransomware that encrypts data for extortion or trojans that provide backdoor access.^[52] Denial-of-service (DoS) and distributed denial-of-service (DDoS) attacks overwhelm targets with traffic to render services unavailable, as seen in the October 2023 DDoS assault on Google Cloud that peaked at record volumes.^[53] Phishing remains a leading vector, tricking users into revealing credentials or downloading malicious payloads, often amplified by social engineering tactics.^[54] Other forms include code injection attacks like SQL injection, which manipulate database queries to extract or alter data, and spoofing, where attackers impersonate legitimate entities to deceive systems or users.^[55] State-sponsored cyber attacks represent a growing subset, typically conducted by nation-state actors for espionage, sabotage, or geopolitical leverage, with attributions often based on forensic analysis of code signatures, infrastructure, and operational patterns.^[56] Notable examples include the 2010 Stuxnet worm, jointly attributed to U.S. and Israeli intelligence, which targeted Iran's nuclear centrifuges by exploiting zero-day vulnerabilities in industrial control systems.^[57] The 2020 SolarWinds supply chain compromise, linked to Russian intelligence, inserted malware into software updates affecting thousands of organizations, including U.S. government agencies.^[57] More recently, Chinese-linked groups doubled daily cyber attempts against Taiwan to 2.4 million in 2024, focusing on government systems amid escalating tensions.^[58] In 2025, ransomware groups like Interlock breached entities such as the National Defense Corporation, exfiltrating 4.2 terabytes of data.^[59] Emerging trends highlight the integration of artificial intelligence in attacks, enabling more sophisticated evasion and targeting, alongside a rise in malware-free intrusions and cloud-based exploits.^[60] Infostealer malware delivered via phishing increased 84% in 2024 compared to 2023, underscoring the persistence of credential theft as an entry point.^[61] Defensive measures emphasize patching vulnerabilities, multi-factor authentication, and behavioral analytics, though attribution challenges and resource disparities between attackers and defenders complicate mitigation.^[62]

Information and Hybrid Warfare Attacks

Hybrid warfare integrates conventional military force with irregular tactics, such as cyber operations, economic coercion, and information manipulation, often operating below the threshold of open armed conflict to achieve strategic objectives while maintaining plausible deniability.^[63]^[64] Information attacks form a core component, aiming to distort adversary perceptions, erode trust in institutions, and amplify societal divisions through targeted narratives rather than direct physical confrontation.^[65] These operations leverage digital platforms for rapid dissemination, exploiting cognitive biases and pre-existing grievances to influence public opinion and decision-making.^[66] Key methods in information attacks include disinformation campaigns, which fabricate or selectively present facts to deceive; psychological operations that demoralize populations; and cyber-enabled amplification via bots, trolls, and deepfakes to simulate grassroots support or outrage.^[67] In hybrid contexts, these blend with other domains—for instance, pairing false narratives with infrastructure disruptions to heighten panic.^[68] Attribution challenges persist due to proxies and state-sponsored actors, allowing perpetrators to evade retaliation while probing defenses.^[69] Russia's 2014 operations in Ukraine exemplify hybrid information attacks, where state media and online networks propagated claims of Ukrainian government illegitimacy and ethnic persecution to justify the annexation of Crimea, concurrent with unmarked "little green men" forces on the ground.^[70] These efforts involved over 1,000 daily false stories across platforms, denying Russian involvement while portraying the conflict as civil unrest, which facilitated rapid territorial gains before international response solidified.^[71] Empirical assessments indicate partial success in shaping pro-Russian sentiment in eastern Ukraine but limited long-term sway over Western alliances, as disinformation's impact correlates more with audience predispositions than novel persuasion.^[72]^[73] Countermeasures emphasize resilience through media literacy, rapid fact-checking, and unified messaging, though studies show debunking often reinforces beliefs via the "backfire effect" in polarized environments.^[74] Hybrid actors adapt by flooding information spaces, overwhelming verification efforts and exploiting platform algorithms for virality.^[75] Overall, while information attacks erode cohesion, their decisive role in hybrid outcomes remains constrained by ground realities and adversary countermeasures, underscoring the need for integrated defense across domains.^[76]

Mental Health Manifestations

Panic attacks represent a core manifestation of anxiety disorders, characterized by abrupt episodes of intense fear or discomfort peaking within minutes, often accompanied by physical symptoms such as palpitations, sweating, trembling, shortness of breath, chest pain, nausea, dizziness, and derealization.^[77] These attacks occur unexpectedly in panic disorder, affecting approximately 2-3% of the population annually, and can lead to avoidance behaviors or agoraphobia if recurrent.^[78] Unlike responses to real threats, panic attacks arise without apparent danger, driven by hyperarousal in the autonomic nervous system, as evidenced by neuroimaging studies showing amygdala hyperactivity.^[39] Aggressive outbursts, another key manifestation, appear in disorders like intermittent explosive disorder (IED), where individuals experience recurrent impulsive episodes of verbal or physical aggression disproportionate to provocation, such as temper tantrums or assaults causing injury or property damage.^[79] IED prevalence is estimated at 3-7% in community samples, with episodes often triggered by minor stressors and linked to serotonergic dysregulation and frontal lobe impairments.^[80] In bipolar disorder, manic phases can manifest as heightened irritability and aggression, with studies indicating increased violence risk during acute episodes due to grandiosity and poor impulse control.^[81] Psychotic disorders, including schizophrenia, may involve attack-like behaviors through persecutory delusions or command hallucinations urging violence, though such manifestations are rare and typically occur in untreated or substance-influenced states.^[82] Epidemiological data show that while mental disorders elevate aggression risk modestly (odds ratio around 2-3 compared to general population), substance abuse and prior trauma confound this association more strongly than diagnosis alone.^[83]^[81] Effective pharmacotherapy and psychotherapy, such as cognitive-behavioral interventions for IED or antipsychotics for psychosis, reduce these manifestations by targeting underlying neurochemical imbalances.^[80]

Interpersonal and Propaganda Attacks

Interpersonal attacks involve deliberate verbal, emotional, or psychological aggression directed at an individual during direct interactions, often manifesting as insults, threats, or manipulative tactics aimed at undermining the target's self-esteem or social standing.^[84] Such behaviors, distinct from physical violence, include gaslighting, belittling, or ad hominem criticisms that shift focus from substantive issues to personal flaws.^[85] In relational contexts, these attacks frequently occur in intimate partnerships or workplace disputes, where perpetrators exploit power imbalances to inflict harm without overt force.^[86] Psychological consequences of interpersonal attacks are well-documented, including elevated risks of depression, anxiety, and post-traumatic stress disorder (PTSD), with victims often experiencing chronic self-doubt and relational withdrawal.^[87] A meta-analysis of 50 studies linked exposure to interpersonal violence—encompassing psychological forms—to heightened distress levels, with effect sizes indicating moderate to strong correlations independent of demographic variables.^[88] Longitudinal data from intimate partner violence cohorts show that repeated emotional attacks predict suicidality and impaired emotional regulation, compounding over time as victims internalize blame.^[89] Propaganda attacks extend interpersonal tactics to broader audiences through systematic dissemination of biased or fabricated narratives designed to delegitimize targets, such as political figures, institutions, or groups, via mass media or coordinated campaigns.^[90] Core techniques include ad hominem defamation, where opponents' characters are maligned rather than arguments engaged; the "big lie" method, repeating egregious falsehoods until accepted; and card stacking, selectively presenting evidence to omit counterpoints.^[91] These differ from mere rhetoric by prioritizing emotional manipulation over factual discourse, often leveraging symbols, slogans, or prestige endorsements to amplify reach.^[90] Historical instances illustrate propaganda attacks' scale, as in Nazi Germany's pre-invasion narratives falsely portraying Poland as the aggressor to justify 1939 territorial seizures, disseminated via state media to manufacture public consent.^[92] During World War II, Allied and Axis powers alike employed posters and broadcasts invoking fear and patriotism to demonize enemies, with U.S. efforts like the "I Want You" recruitment imagery framing non-supporters as disloyal.^[93] Effects mirror interpersonal harms but at societal levels, eroding trust in institutions and fostering polarization; empirical reviews attribute such campaigns to increased intergroup hostility and policy distortions, as causal chains from misinformation to behavioral shifts have been traced in archival analyses.^[94] Overlaps between interpersonal and propaganda attacks occur in hybrid forms, such as online smear operations where personal attacks are scaled via social media algorithms, amplifying individual harms into collective narratives.^[95] Defensive countermeasures emphasize source verification and critical reasoning, as unexamined claims from biased outlets—often institutionally skewed toward ideological conformity—exacerbate vulnerabilities.^[96]

Cultural and Artistic Representations

Literature and Publishing

In war literature, the theme of attack often underscores the futility and horror of mechanized assault, as exemplified by Siegfried Sassoon's 1918 poem "Attack," which depicts a pre-dawn infantry advance amid World War I trenches, where soldiers confront barbed wire, machine-gun fire, and inevitable slaughter, culminating in lines portraying the "clumsy fools" stumbling into death without glory or resolution.^[97] Sassoon, a decorated British officer who protested the war's prolongation, uses stark imagery—such as "the plunging snails of green" for creeping barrage shells—to critique command decisions that prioritize attrition over human cost, reflecting empirical observations from the Somme and Passchendaele offensives where assault waves suffered over 50% casualties in hours.^[98] Similar motifs appear in Sassoon's "Counter-Attack," published the same year, which details a German counteroffensive overwhelming British lines, emphasizing drowned corpses and shattered morale to challenge romanticized narratives of heroic charges.^[99] Novels centered on terrorist attacks explore personal and societal ruptures, as in Yasmina Khadra's 2005 The Attack, where an Arab-Israeli surgeon investigates his wife's role in a Tel Aviv suicide bombing that kills 11, revealing radicalization's insidious pull through flashbacks to occupied territories and familial disillusionment.^[100] Khadra, the pseudonym of Algerian army officer Mohammed Moulessehoul, draws from real suicide operations in the Second Intifada (2000–2005), which averaged 130 Israeli deaths annually, to portray terrorism's spiritual toll without excusing it, attributing the act to ideological indoctrination rather than innate grievance.^[101] Post-9/11 literature proliferated, with works like Don DeLillo's Falling Man (2007) dissecting the 2001 al-Qaeda hijackings—killing 2,977—through survivors' fragmented psyches, prioritizing causal sequences of radical Islamist planning over vague geopolitical abstractions.^[102] These narratives, emerging rapidly after the attacks, often privilege eyewitness data and forensic reconstructions, countering media-driven emotionalism with realism about attackers' premeditated strategies.^[103] Publishing has faced theoretical assaults diminishing literature's referential truth, as critiqued in René Wellek's 1982 The Attack on Literature and Other Essays, where the literary historian defends mimetic and evaluative criticism against deconstructionists like Paul de Man, who argued texts lack stable meaning, a view Wellek traces to politically motivated relativism eroding aesthetic standards amid 1960s–1970s academic shifts.^[104] Wellek, drawing from New Criticism principles, cites empirical textual evidence to refute claims of language's inherent despair, insisting literature conveys verifiable human experiences rather than self-referential voids.^[105] In contemporary practice, publishing encounters direct pressures resembling attacks on content, including internal staff refusals to handle books conflicting with progressive ideologies, as seen in 2021 controversies over titles by figures like Mike Pence, where junior editors cited moral objections, exacerbating industry homogeneity documented in surveys showing 80%+ left-leaning personnel.^[106] Book bans, targeting over 4,200 titles in U.S. schools from 2021–2023 per PEN America data, often assail works depicting violence or non-conforming views, though causal analysis reveals partisan selectivity, with conservative-led removals focusing on sexual content while overlooking systemic biases in curricular inclusions.^[107] These dynamics, rooted in institutional echo chambers rather than broad public demand, constrain output, as evidenced by delayed or dropped acquisitions amid antitrust scrutiny of consolidations like Penguin Random House's failed Simon & Schuster bid in 2022.^[108]

Film and Television

Films and television series have portrayed attacks across genres, often emphasizing the tactical, psychological, and destructive elements of offensive actions, from organized military assaults to improvised terrorist operations and digital incursions. These depictions frequently draw on historical events, such as World War II battles, or hypothetical scenarios inspired by real-world threats, using visual effects and narrative techniques to convey the immediacy of violence and its consequences. While some productions prioritize realism through veteran consultants or archival footage, others amplify spectacle for dramatic effect, sometimes diverging from verified accounts to heighten tension.^[109]^[110] Military attacks feature prominently in war films, with Saving Private Ryan (1998) exemplifying the genre through its 27-minute opening sequence depicting the Allied amphibious assault on Omaha Beach during the Normandy invasion on June 6, 1944, where over 2,000 American troops were killed or wounded in the initial hours. The film's use of handheld cameras and practical effects simulated the disorientation and high casualties, influencing later productions like The Hurt Locker (2008), which illustrates improvised explosive device attacks in the Iraq War, focusing on a U.S. Army bomb disposal team's exposure to sniper fire and suicide bombings amid urban combat.^[111]^[110]^[109] Terrorist attacks in television often reflect geopolitical tensions, as seen in 24 (2001–2010), where episodes simulate coordinated plots including radiological "dirty bomb" detonations and aircraft hijackings by Middle Eastern cells, mirroring concerns post-September 11, 2001, attacks that killed 2,977 people. The Netflix series 800 Meters (2024) examines the 2017 Barcelona van ramming and knife attacks by ISIS-inspired perpetrators, which claimed 16 lives, using reenactments and interviews to trace radicalization pathways among young immigrants.^[112]^[113] Cyber attacks appear in narratives highlighting vulnerabilities in infrastructure, such as Mr. Robot (2015–2019), which chronicles a hacker collective's assault on a fictional conglomerate's network, causing widespread blackouts and data breaches akin to real incidents like the 2015 Ukraine power grid hack affecting 230,000 customers. Films like Live Free or Die Hard (2007) depict coordinated digital strikes on U.S. financial and transportation systems, drawing parallels to state-sponsored operations observed in events such as the 2016 Dyn DDoS attack that disrupted major websites. In horror, human or monstrous assaults underscore primal aggression, with The Texas Chain Saw Massacre (1974) portraying a family's cannibalistic ambushes on travelers, inspired by serial killer Ed Gein’s crimes in the 1950s, emphasizing isolation and improvised weapons.^[114]^[115]^[116]

Music

In music production and performance, "attack" denotes the initial phase of a sound envelope, marking the transition from silence to the peak amplitude of a note or tone, typically measured in milliseconds. This parameter is a core component of the ADSR (Attack, Decay, Sustain, Release) model used in synthesizers, compressors, and acoustic analysis to describe how instruments or voices initiate notes with varying sharpness or softness.^[117]^[118] A sharp attack, as in percussion strikes, contrasts with a gradual one in bowed strings, influencing timbre and expressiveness.^[119]

Bands and Groups

Attack Attack! is an American metalcore band formed in 2007 in Westerville, Ohio, initially under the name Ambiance before adopting their current moniker, which draws from themes of intensity and electronicore fusion. The group gained notoriety for their crabcore dancing style in live performances and self-released an EP in 2007 prior to signing with Rise Records.^[120] They reformed in 2021 after a hiatus, releasing new material including collaborations with vocalists like Will Ramos of Lorna Shore.^[121] Attack! Attack! is a Welsh metalcore band formed in 2006, predating the American namesake and influencing post-hardcore scenes with aggressive breakdowns and melodic elements.^[120] The Attack was an English freakbeat and psychedelic rock band active from 1966, centered around singer Richard Shirman and featuring drummer Alan Whitehead in its early lineup.^[122]

Albums and Compositions

Attack Attack! (2010) is the self-titled second studio album by the American band Attack Attack!, released on June 8 through Rise Records, featuring tracks like "Sexual Man Chocolate" and "I Swear I'll Change" that blend metalcore with electronic synths.^[123] The record peaked on Billboard charts and exemplified their genre-mixing style.^[124] Attack Attack! II (2025), the band's follow-up self-titled album, was announced in May 2025 and released on August 8, incorporating heavier elements and guest features amid their reformation.^[125]^[126]

Songs and Tracks

"Attack" (2005) by Thirty Seconds to Mars serves as the lead single from their album A Beautiful Lie, released on May 3, with lyrics emphasizing confrontation ("I'll attack, I will attack") and an anthemic rock structure that propelled it to chart success.^[127]^[128] "Attack" (2005) by System of a Down appears on their album Hypnotize, characterized by rapid-fire riffs and politically charged themes delivered in under three minutes.^[129] "Attack" (1966) by The Toys, written by Denny Randell and Sandy Linzer, reached number two on U.S. charts as a pop track with orchestral elements, following their hit "A Lover's Concerto."^[130] "Dragon Attack" (1980) by Queen, from The Game, features funk-infused riffs and Brian May's guitar work, evoking mythical assault in its lyrical narrative.^[131]

Bands and Groups

Attack Attack! is an American metalcore and electronicore band from Westerville, Ohio, formed in 2007 originally as Ambiance before adopting their current name.^[132] The group self-released their debut EP If Guns Could Talk They Would Lie in 2007, followed by signing with Rise Records for the 2008 full-length album Someday Came Suddenly, which featured a fusion of heavy breakdowns, clean vocals, and synthesizers.^[133] Known for pioneering "crabcore"—a meme-worthy sideways dance move popularized in their 2010 music video for "Stick Stickly"—the band achieved commercial success with over 100,000 copies sold of their debut album and toured extensively in the late 2000s and early 2010s.^[134] After lineup changes and a hiatus, Attack Attack! reunited and released Attack Attack II on August 8, 2023, incorporating modern deathcore elements while maintaining their electronic signatures, with subsequent singles like "Dance!" featuring guest vocals from Lorna Shore's Will Ramos in 2025.^[135]^[121] Attack! Attack! was a Welsh rock band formed in 2006 in Caerphilly, drawing from post-hardcore, punk, grunge, and new wave styles, with members including Neil Starr (formerly of Dopamine) on vocals and guitar, Ryan Day on guitar and vocals, Will Davies on bass, and Mike Griffiths on drums.^[136]^[137] They debuted with a self-titled album in 2008 via Do It Yourself Records, followed by The Latest Fashion in 2010, gaining attention in the UK indie scene for energetic live performances and tracks emphasizing melodic aggression.^[138] The band toured Europe and disbanded on July 17, 2015, after releasing several EPs and singles that highlighted their raw, riff-driven sound.^[138] The Attack was an English freakbeat and psychedelic rock band formed in 1966 in London, centered on lead singer Richard Shirman (1949–2017), with early members including drummer Alan Whitehead, guitarist David O'List (later of Roxy Music), and bassist Gerry Henderson.^[139] Active through the late 1960s, they issued singles like "Try It" (1966) and "Colours of Love" (1967) on Decca Records, blending mod influences with emerging psychedelic experimentation, though commercial success was limited.^[140] The group underwent lineup shifts, including guitarist John Du Cann (later of Atomic Rooster) joining in 1967, and disbanded by 1979 after sporadic activity and unreleased material compiled in later archival releases such as Strange House.^[139]

Albums and Compositions

The self-titled album Attack Attack! by the American metalcore band Attack Attack! was released on June 8, 2010, via Rise Records, marking their second studio album following Someday Came Suddenly (2008).^[123] The record incorporates electronicore elements, including synthesizers and auto-tuned vocals, alongside breakdowns and clean singing, contributing to the band's signature sound that peaked at number 27 on the Billboard 200 chart.^[141] Singles such as "Stick Stickly" and "Smokahontas" gained traction in the metalcore scene, with the album certified gold in the UK for sales exceeding 100,000 units.^[123] In May 2025, Attack Attack! announced Attack Attack! II, scheduled for release on August 8, 2025, through Oxide Records, produced by John Feldmann and featuring a return to their electronicore roots after lineup changes and independent singles under prior pseudonyms like No Defeat.^[142] The album includes tracks previewed via singles, emphasizing high-energy production and thematic continuity with aggressive, party-oriented lyrics.^[142] Other albums bearing the title Attack include the 1983 heavy metal release by Swedish band Attack, though it garnered limited commercial success outside niche power metal circles, with tracks focusing on war and fantasy themes but lacking widespread documentation of sales or chart performance.^[143] Classical compositions explicitly titled "Attack" are rare and typically confined to contemporary film or incidental music, such as Jeffrey Frizzi's "Attack!" (2015), a short orchestral cue evoking tension through percussion and strings, used in media rather than standalone concert repertoire.^[144] No canonical works by major composers like Beethoven or Stravinsky carry this exact title, reflecting the term's more prevalent association with modern popular genres amid 20th- and 21st-century conflicts.^[145]

Songs and Tracks

"Attack" by the American rock band Thirty Seconds to Mars served as the lead single from their 2005 album A Beautiful Lie, characterized by aggressive guitar riffs and lyrics centered on themes of impending confrontation and inner turmoil.^[146] The track achieved notable airplay, entering the Billboard Modern Rock Tracks chart at number 37 in July 2005.^[147] "Attack!" by the girl group The Toys, released in 1966, peaked at number 18 on the Billboard Hot 100 and depicts a narrative of romantic betrayal framed as an emotional assault by a rival.^[148] Written by Denny Randell and Sandy Linzer, the song's pop arrangement contrasts its lyrical tension, contributing to the group's brief chart success following their prior hit "A Lover's Concerto."^[130] "Dragon Attack" by Queen, featured on their 1980 album The Game, employs funk-influenced basslines and energetic vocals to portray a mythical beast's onslaught, with interpretations linking it to themes of addictive pursuits through its rhythmic drive and abstract imagery.^[149] Recorded with minimal overdubs to emphasize live-band dynamics, the track exemplifies Queen's experimental shift during that era.^[150] In heavy metal, Sabaton's "The Attack of the Dead Men" from the 2019 album The Great War recounts the 1915 Osowiec counter-offensive, where Russian infantry, afflicted by German gas attacks, launched a desperate charge resembling undead soldiers due to chemical burns and bloodied uniforms.^[151] The song draws on historical accounts of the event's ferocity, aligning with Sabaton's focus on documented military engagements.

Specialized and Named Uses

Naval and Aerial Vehicles

Attack submarines, designated SSN in the United States Navy, are nuclear-powered vessels optimized for offensive missions, including hunting and destroying enemy submarines and surface ships, as well as launching Tomahawk cruise missiles against land targets.^[152] These submarines prioritize speed, stealth, and multi-role capabilities, such as intelligence gathering and special operations support, distinguishing them from ballistic missile submarines focused on strategic deterrence. The U.S. Navy's current fleet includes the Los Angeles-class (backbone of the force since the 1970s), Seawolf-class (emphasizing quiet operation and high speed), and Virginia-class (next-generation design with enhanced firepower and endurance).^[153] The Virginia-class, which surpassed the Los Angeles-class in numbers by 2025, features advanced sonar, vertical launch systems for up to 40 Tomahawk missiles in later blocks, and modular payloads for unmanned underwater vehicles; the Navy aims to procure two to three per year through 2043 to maintain undersea superiority.^[154]^[155] Recent additions, such as the USS Massachusetts (commissioned in 2025), exemplify ongoing modernization with improved acoustic stealth and combat systems.^[156] Aerial attack vehicles encompass fixed-wing attack aircraft and rotary-wing attack helicopters, engineered for precision strikes against ground and maritime targets in support of tactical operations. Attack aircraft deliver air-to-ground munitions for close air support, interdiction, and suppression of enemy air defenses, featuring robust airframes, heavy armor, and specialized sensors over air-to-air combat emphasis.^[157] Unlike fighters optimized for aerial superiority, attack aircraft prioritize loiter time, payload capacity (often exceeding 10,000 pounds of ordnance), and survivability in contested environments, as seen in designs with redundant controls and self-sealing fuel tanks.^[158] Prominent examples include the AH-64 Apache attack helicopter, a twin-turboshaft platform with tandem seating, four-blade rotors, and integrated Hellfire missiles, rockets, and a 30mm chain gun for multi-mission roles including armed reconnaissance and anti-tank warfare; over 2,400 have been produced since 1986, with the AH-64E variant incorporating advanced avionics and joint network compatibility.^[159] Similarly, the Bell AH-1Z Viper provides integrated air-to-air and air-to-ground capabilities, including Sidewinder missiles and a target-sighting system for night operations, serving U.S. Marine Corps expeditionary forces with a top speed of 296 km/h and endurance exceeding three hours.^[160] These vehicles enable maneuverist tactics in large-scale combat, exploiting terrain for close support while mitigating vulnerabilities to advanced air defenses through low-altitude flight and electronic countermeasures.^[161]

Sports and Gaming Offensives

In team sports such as association football, "attack" refers to the offensive phase where the possessing team advances the ball toward the opponent's goal to create scoring opportunities. The field is conceptually divided into defensive, midfield, and attacking thirds, with the attacking third encompassing the final 22 meters near the goal line where most scoring actions occur. Counter-attacks, launched rapidly after regaining possession, exploit disorganized defenses and have been pivotal in matches; for instance, England's 1966 World Cup final victory featured effective counter-attacks leading to goals.^[162] In rugby union, attacking play involves structured phases to gain territory and score tries, guided by principles like creating space through offloads and support lines, penetrating defenses via picks-and-goes, and maintaining continuity to wear down opponents. World Rugby defines these principles as gaining possession, going forward, creating space, and supporting the ball carrier, applied in both structured set pieces and unstructured open play.^[163] Teams like New Zealand's All Blacks have historically excelled by aligning forwards in pods for multi-phase attacks, averaging over 12 phases per try in Super Rugby competitions as of 2023 data.^[164] Basketball employs "offense" more commonly than "attack," but offensive strategies emphasize rapid ball movement and penetration, such as in the dribble-drive motion where guards attack the basket to draw defenders and create open shots. Coaching resources highlight attacks from multiple angles, like the 7-spot drill training finishes from seven positions around the rim to build explosiveness.^[165] In chess, offensive tactics termed "attacks" focus on directing pieces against the opponent's king or key material, following principles such as concentrating forces on weak points, opening lines for rooks and bishops, and sacrificing pawns for initiative. Key techniques include the discovered attack, where moving one piece reveals a threat from another, and aggressive openings like the Evans Gambit (1.e4 e5 2.Nf3 Nc6 3.Bc4 Bc5 4.b4), which sacrifices a pawn on move 4 to accelerate development and target f7.^[166]^[167] International Master analyses emphasize exploiting pawn weaknesses around the king, as seen in games where attacks on f7 or f2 lead to quick mates.^[168] Video games, especially real-time strategy and multiplayer online battle arena (MOBA) titles, use "attack" for player-directed offensives involving unit coordination to overwhelm enemies. In games like Clash of Clans, effective attacks deploy troop combinations—such as 200 barbarians with giants to tank defenses—for three-star base clearances, optimized via scouting enemy layouts.^[169] Combat design principles stress attack telegraphing for fairness, where enemy animations signal incoming moves, allowing counters in action titles.^[170] Esports analyses note offensive builds prioritizing damage-over-time effects, as in League of Legends where assassins like Zed execute burst attacks via shadow clones for kills under 5 seconds.^[171]

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### Primary Definitions of "Attack"
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Sep 8, 2017 · 1) Ad Hominem: From the Latin meaning towards the man, an attempt to shift the conversation by getting personal. · 2) Glittering Generalities: ...
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propoaganda
The Band-Wagon technique is often used in advertising. Examples: "This is the wave of the future", "Be the first on your block", "Act Now!".
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Attack Summary & Analysis by Siegfried Sassoon - LitCharts
“Attack” depicts a desperate world in which humanity's technological advances have outgrown humanity's ability to keep the use of these technologies in check.
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Attack (Sassoon poem) Literary Elements - GradeSaver
Jul 23, 2023 · Attack (Sassoon poem) study guide contains a biography of Siegfried Sassoon, literature essays, quiz questions, major themes, characters, ...
[99]
Counter Attack Analysis - Literary devices and Poetic devices
“Counter Attack” is a war poem that describes the chaos and violence of battle. stanza Type: It means the part of a poem having certain verses. “Counter Attack” ...
[100]
The Attack: Khadra, Yasmina: 9780385517485: Amazon.com: Books
The Attack portrays the reality of terrorism and its incalculable spiritual costs. Intense and humane, devoid of political bias, hatred, and polemics.
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Book Summary and Reviews of The Attack by Yasmina Khadra
The Attack portrays the reality of terrorism and its incalculable spiritual costs. Intense and humane, devoid of political bias, hatred, and polemics, ...
[102]
9/11 and the Literature of Terror on JSTOR
Explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and ...<|separator|>
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[PDF] Redalyc.9/11 Literature: The Birth of New Narratives
Abstract. After the Twin Tower attack in USA popularly known as 9/11 Attack, when Al- Qaida terrorists hit WTC towers, Pentagon and Shanksville, ...
[104]
The Attack on Literature and Other Essays (review)
So the critic attacks what we might have thought was the point of his existence. In his tide essay Wellek distinguishes with fine irony and splendid detachment.Missing: analysis | Show results with:analysis
[105]
The Attack on Literature - jstor
distant future. All these attacks on literature, the politically motivated attack, the despair about the language, the retreat from the word ...
[106]
publishing's cancel culture debate boils over - The Guardian
Jun 3, 2021 · Publishing staff, in rows over authors from Mike Pence to Woody Allen, are voicing their reluctance to work on books they deem hateful.
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The Extreme New Tactic in the Crusade to Ban Books | TIME
May 8, 2023 · The book banning movement is going after publishers, with legislation that would censor what books they can publish or distribute to public schools.
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Publishing, Under Pressure - The New York Times
Dec 19, 2022 · Book bans are sweeping schools and libraries. A failed corporate acquisition resulted in an antitrust trial and an executive shake-up.
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100 Best War Movies of All Time - Rotten Tomatoes
From peacetime to frontlines, from coming home to left behind: These are the 100 best-reviewed war movies of all time.Page 2: Movies #101-#137 · The Hurt Locker · Son of Saul · Eye in the Sky
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The 30 Greatest War Films - Variety
Jul 24, 2023 · These are the best movies about World War I, WW2, Vietnam and more, from "Inglourious Basterds" to "Saving Private Ryan."<|separator|>
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Top 50 Movie Military Battle/Combat Scenes - IMDb
Top 50 Movie Military Battle/Combat Scenes · 1. Rough Riders · 2. The Wind and the Lion · 3. Khartoum · 4. Gettysburg · 5. Saving Private Ryan · 6. The Wild Bunch · 7.
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Portrayals of Terrorism in U.S. Television after 9/11 - H-Net Reviews
... terrorist attacks of September 11, 2001. Examining the TV industry's portrayal of the resulting “War on Terrorism” in network shows, documentaries, and movies ...
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Watch 800 Meters | Netflix Official Site
In 2017, Spain suffered two terrorist attacks perpetrated by young members of its community. How could this happen? This incisive series investigates.
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5 Must See Cybersecurity Themed TV Shows and Movies
Sep 19, 2024 · Explore thrilling films and shows highlighting cybersecurity themes, offering insights on awareness, ethics, and digital responsibility.<|separator|>
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Cybercriminals in Movies and TV Shows
In film and television, cybercriminals usually carry out attacks on either large corporations or the federal government. While it is true that the private ...
[116]
7 Horror Movies Inspired by Body Snatcher Ed Gein - Biography
Oct 2, 2025 · 7 Horror Movies Inspired by Body Snatcher Ed Gein · Psycho · The Texas Chain Saw Massacre · The Silence of the Lambs · Three on a Meathook · Deranged.
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Attack - InSync - Sweetwater
Sep 15, 1997 · In audio, attack is the beginning of a sound. It's determined by how long it takes for the sound's volume to go from silence to maximum level.
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Computer Music: Attack
Computer Music (MUSC 216). Computer Music Terms. Attack (Attack Time). The beginning of a sound, specifically from its initial point to the maximum amplitude ...
[119]
attack - OnMusic Dictionary - Term
Apr 29, 2016 · The method or clearness of beginning a phrase. The term is applied to solo or ensemble music, either vocal or instrumental. The attack is an ...
[120]
Attack Attack Was Outsider Art All Along - Invisible Oranges
Jun 7, 2018 · Attack Attack! were strange right from the outset. For one, they formed the year after a Welsh band, almost-identically named Attack! Attack!, did.
[121]
Attack Attack! - Dance! Feat. Will Ramos (Official Audio) - YouTube
May 8, 2025 · Attack Attack! - Dance! Feat. Will Ramos of Lorna Shore -- Written ... Comments. 577. If we didn't see the band name, we might think this was an ...
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ok guys im so confused : r/Metalcore - Reddit
Oct 21, 2013 · Attack Attack! Is the American band that is famous for 'crabcore' and the hilariously awful stick stickly video. Attack! Attack! is the Welsh band.Massive Attack band name origin : r/MassiveAttack - RedditQuestion about 'Attack Attack!' : r/Metalcore - RedditMore results from www.reddit.com
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‎Attack Attack! - Album by Attack Attack! (US) - Apple Music
Attack Attack! (US) · 2010 ; 1. Sexual Man Chocolate · 3:18 ; 2. Renob, Nevada · 3:14 ; 3. I Swear I'll Change · 3:40 ; 4. Shut Your Mouth · 2:44 ; 5. A for Andrew · 3:22.
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Album by Attack Attack! - YouTube Music
10 songs • 34 minutes. Attack Attack! is the second studio album by American metalcore band Attack Attack! It was released on June 8, 2010, through Rise Records ...
[125]
Attack Attack! announce new album, premiere new song feat. Will ...
May 9, 2025 · Attack Attack! have announced plans to drop a new album this summer. The new record has been titled Attack Attack! II and it's scheduled to hit streets on ...
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The greatest country album of all time, ATTACK ATTACK! II, is yours ...
May 9, 2025 · ATTACK ATTACK! II + Self-Titled Deluxe 15 year anniversary vinyl LPs are now available for pre-order. Alternate covers designed by @brandochiesa.
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Attack - song and lyrics by Thirty Seconds To Mars - Spotify
Listen to Attack on Spotify. Song · Thirty Seconds To Mars · 2005. ... I'll attack, I'll attack, I will attack. Run away (I'll attack). I will ...
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Thirty Seconds To Mars - ATTACK - YouTube
Sep 22, 2010 · Shop Mars merch: http://bit.ly/MarsStore http://www.thirtysecondstomars.com Music video by 30 Seconds To Mars performing ATTACK.
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Attack - YouTube
Jan 25, 2017 · Provided to YouTube by American/Columbia Attack · System Of A Down Hypnotize ℗ 2005 Columbia Records, a division of Sony Music Entertainment ...Missing: titled | Show results with:titled
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The Toys - "Attack" (1966) - YouTube
Jun 30, 2017 · ... song soon rose to number two on the U.S. charts. The band followed that up with another hit, "Attack", also written by Linzer and Randell ...Missing: titled | Show results with:titled
[131]
Queen - Dragon Attack (Official Lyric Video) - YouTube
Sep 25, 2014 · Taken from The Game, 1980. Sing along to 'Dragon Attack' with this official karaoke style Queen lyric video. Subscribe to the official Queen ...
[132]
Attack Attack! was an American electronicore band from Westerville ...
Feb 15, 2014 · Attack Attack! was an American electronicore band from Westerville, Ohio, formed in 2007 originally as Ambiance, later changing their name.
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Attack Attack! music, videos, stats, and photos - Last.fm
Attack Attack! are an American electronicore band from Westerville, Ohio, formed in 2005. Attack Attack!'s first release, an independent EP titled If Guns ...
[134]
Attack Attack! - Stick Stickly (Official Music Video) - YouTube
Jun 30, 2010 · Attack Attack! - Stick Stickly (Official Music Video) · Comments.Missing: named | Show results with:named
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https://www.attackattackshop.us/
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Wales - Music - Attack! Attack! - BBC
May 6, 2010 · Neil Starr (once of Dopamine), Ryan Day (once of Pete's Sake), Will Davies and Mike Griffiths formed Attack! Attack! in 2007 and have spent ...
[137]
https://www.discogs.com/artist/1433237-Attack%21-Attack%21
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Attack! Attack! discography - RYM
Attack! Attack! ; Formed. 2006, Caerffili, Caerphilly, United Kingdom ; Disbanded. 17 July 2015 ; Members. Neil Starr (vocals, guitar), Ryan Day (guitar, vocals), ...Missing: history | Show results with:history
[139]
The Attack Songs, Albums, Reviews, Bio & More ... - AllMusic
Explore The Attack's discography including top tracks, albums, and reviews ... 1960s - 1970s. Formed. 1966 in London, England. Disbanded. 1979. Genre. Pop/Rock ...
[140]
The Attack 1966-1968 | Garage Hangover
Feb 10, 2018 · THE ATTACK: Singer Richard Shirman and bass player Gerry Henderson were working in Earl's Court-based group, The Soul System with guitarist Bob ...
[141]
Attack Attack! - Genius
Jun 8, 2010 · “Attack Attack!” is the self titeld and the second studio album by American metalcore band Attack... read more
[142]
ATTACK ATTACK! Announce Long-Awaited Album “Attack Attack! II ...
May 9, 2025 · Titled Attack Attack! II, the album lands August 8, 2025 via Oxide Records, marking a major return for the metalcore pioneers. To ignite the ...<|separator|>
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Attack records discography
Attack Records is a reggae label which ran originally from 1969 to 1980 as an imprint of Trojan Records. Notable artists included The Pioneers, Gregory ...
[144]
Attack! by Jeffrey Frizzi - YouTube
Apr 7, 2020 · Attack! by Jeffrey Frizzi. 42K views · 5 years ago ...more. Kendor ... Classical Music Fails Vol. 2. Gordontrek•7.9M views · 10:12 · Go to ...Missing: titled | Show results with:titled
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A Missing But Remembered Uncle - The Boston Musical Intelligencer
Mar 12, 2019 · They advanced on Stalingrad and the attack proper began on August 23rd. Paulus's forces were encircled by the Red Army Nov. 19th and capitulated ...
[146]
30 Seconds To Mars Readies Sophomore Set - Billboard
Recorded in Los Angeles, New York and South Africa, “A Beautiful Lie” will be led later in spring by the single “Attack.” The album also features such cuts ...Missing: Thirty | Show results with:Thirty
[147]
30 Seconds to Mars Top Songs - Greatest Hits and Chart Singles ...
4 pts. 31. rock. written by Jared Leto. 2005. Attack. 2. 07/2005 · Attack 30 Seconds to Mars greentick. from A Beautiful Lie · A Beautiful Lie. 12 pts. 38. rock ...
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Attack by The Toys - 1966 Hit Song
Learn more about the song Attack by The Toys from the year 1966. Listen to the pop music hit, explore the lyrics, learn the history, and more!
[149]
Dragon Attack by Queen - Songfacts
"Dragon Attack" is one of several songs on The Game which best demonstrates Queen's experimentation with more minimal recording techniques during this period.<|separator|>
[150]
Dragon Attack (Remastered 2011) - YouTube
Sep 28, 2023 · Provided to YouTube by Universal Music Group Dragon Attack (Remastered 2011) · Queen The Game ℗ 2011 Hollywood Records, Inc. Released on: ...
[151]
https://www.youtube.com/watch?v=-AFdwoyNT24
[152]
Attack Submarines - SSN > United States Navy > Display-FactFiles
Jul 1, 2025 · Attack submarines are designed to seek and destroy enemy submarines and surface ships; project power ashore with Tomahawk cruise missiles ...
[153]
Attack Submarines
The US Navy has Los Angeles, Seawolf, and Virginia class attack submarines. Los Angeles are the backbone, Seawolf are quiet and fast, and Virginia are the next ...Missing: vessels | Show results with:vessels
[154]
Virginia-class attack submarine is the new 'backbone' of Navy's ...
Oct 10, 2025 · Virginia-class submarines are bigger, faster, quieter, and have more endurance and firepower than Los Angeles class they passed by in sheer ...Missing: vessels | Show results with:vessels
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United States Submarine Capabilities - The Nuclear Threat Initiative
In its current modernization drive, the U.S. Navy hopes to add two to three Virginia-class attack submarines annually to its fleet until the year 2043.
[156]
https://www.yahoo.com/news/articles/advanced-nuclear-submarine-set-join-121500494.html
[157]
Attack Aircraft - Military Analysis Network
Jan 2, 2000 · Attack aircraft deliver air-to-ground munitions for force application (strategic, interdiction, close-air-support) and air control (SEAD, OCA) ...
[158]
What Is the Difference Between Attack and Fighter Aircraft?
May 27, 2022 · Fighters are maneuverable and fast for air superiority, while attack aircraft are for ground attacks, with large wings, fuel, and air-to-ground ...
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AH-64E APACHE ATTACK HELICOPTER | Article - Army.mil
Nov 4, 2014 · The AH-64 Apache is a twin-engine, four bladed, multi-mission attack helicopter designed as a highly stable aerial weapons-delivery platform.
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Bell AH-1Z - Attack and Reconnaissance Helicopter Engineered for ...
The Bell AH-1Z is the only attack helicopter in the world with fully-integrated air-to-air missile capability—giving you an airborne edge. Aerial Reconnaissance.Missing: vehicles | Show results with:vehicles
[161]
Attack Helicopters, Modern Tactics, and the Maneuverist Approach
Oct 1, 2024 · This article will explain these concepts and apply them to attack helicopter operations in large-scale combat (LSC). ... attacking moving targets.
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https://www.afordawards.co.uk/soccer-terms
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The Principles of Attack and Defence - World Rugby Passport
The principles of attack and defence give an indication of what a team is attempting to achieve at different stages in the game cycle.
[164]
https://www.rugbycoachweekly.net/rugby-drills-and-skills/attack
[165]
7-Spot Offensive Attack & Conditioning Drill - Basketball Tips
The 7-Spot Attack Drill helps players build explosiveness and confidence finishing at the rim from 7 different locations. It's important to practice at game ...
[166]
https://thechessworld.com/articles/middle-game/7-most-important-attacking-principles/
[167]
Top 7 Aggressive Chess Openings
Feb 12, 2024 · 1) WHITE: Evans Gambit · 2) WHITE: Danish Gambit (Nordic Gambit) · 3) WHITE: Smith-Morra Gambit! · 4) BLACK: Marshall Attack (in Ruy Lopez) · 5) ...
[168]
Unleashing the Fury: Chess Attack Techniques for Amateurs - Chessify
Feb 16, 2023 · Here's a comprehensive guide to chess attack techniques for amateur players tired of their games always being predictable and easily ...
[169]
Best Ranked Attack Strategy for Every Town Hall - YouTube
Oct 6, 2025 · The Best 3 Star Attacks for Ranked Battles in Clash of Clans. A strategy is taught for Every Town Hall Level, including how to attack higher ...
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Enemy Attacks and Telegraphing - Game Developer
The specific questions an enemy can ask are based heavily (though not exclusively) on how the player is supposed to deal with incoming damage from the enemy ...Damage Mitigation · ``can You Avoid My Damage?'' · Telegraphing The Attack
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Keys to Combat Design: Anatomy of an Attack - GDKeys -
Apr 25, 2020 · In this series, we will talk about all the components that a designer needs to consider to produce a snappy, meaningful, rewarding, skill-based fight.

Attack

Etymology and Core Definition

Linguistic Origins

Primary Meanings and Conceptual Framework

Military and Combat Applications

Tactical and Strategic Elements

Historical and Modern Examples

Weapons and Methodologies

Biological and Medical Contexts

Human Pathologies

Animal and Predatory Behaviors

Technological and Cyber Domains

Cybersecurity Threats

Information and Hybrid Warfare Attacks

Psychological and Social Dimensions

Mental Health Manifestations

Interpersonal and Propaganda Attacks

Cultural and Artistic Representations

Literature and Publishing

Film and Television

Music

Bands and Groups

Albums and Compositions

Songs and Tracks

Bands and Groups

Albums and Compositions

Songs and Tracks

Specialized and Named Uses

Naval and Aerial Vehicles

Sports and Gaming Offensives

References