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Adam Jacobs

Adam Jacobs (born May 17, 1979) is an American stage actor and singer best known for originating the title role of in the Broadway production of Disney's Aladdin. Born in , Jacobs initially trained as a at the San Francisco Conservatory of Music from ages five to thirteen before transitioning to musical theater in his youth, performing roles such as and Curly in school productions. He attended in and later earned a in theater from University's Tisch School of the Arts, where he participated in the CAP21 and Stonestreet programs, along with summer training at the and the . Jacobs made his Broadway debut in 2006 as Marius in the revival of Les Misérables, a role he held for 14 months at the Broadhurst Theatre. He later appeared as Simba in The Lion King from 2011 to 2012 and originated the role of Aladdin in 2014, performing it through 2017 and earning a Drama Desk Award nomination for Outstanding Actor in a Musical as well as a Grammy Award nomination for Best Musical Theater Album. His other notable Broadway credits include Captain Walker in the 2024 revival of The Who's Tommy. Prior to Broadway, Jacobs toured nationally with the production of Les Misérables as Marius and made his professional Equity debut as Nanki-Poo in Hot Mikado at the Marriott Theatre. In his personal life, Jacobs is married to Kelly Jacobs and they have two sons, Jack and Alex; the family resides in Chicago. His younger sister, Arielle Jacobs, is also a Broadway performer known for roles in Wicked and Aladdin.

Early life and education

Early life

Adam Jacobs was born on May 17, 1979, in Half Moon Bay, California. He grew up in the coastal community of Half Moon Bay within San Mateo County, where he spent his early years immersed in a supportive family environment that encouraged creative pursuits. Jacobs is the son of a nurse and a businessman. He has a younger sister, , who shared his early passion for performance and later became a successful actress. The siblings' close bond fostered Jacobs' initial interest in theater, as they frequently participated in local activities together. During his childhood, Jacobs gained early exposure to the through community-based song-and-dance groups, such as the Razzle Dazzle Kids troupe in Half Moon Bay. These experiences, including group performances at local events, ignited his enthusiasm for , dancing, and , laying the foundation for his lifelong dedication to the stage long before any formal training.

Education

Jacobs began his formal artistic training at the age of five, studying piano for eight years at the in , . This early musical education laid the foundation for his interest in performance, transitioning from instrumental proficiency to vocal and theatrical pursuits. He attended St. Matthew Catholic School in San Mateo before high school. During high school at in , Jacobs discovered his passion for theater and took on leading roles in several productions, including Billy Bigelow in , Drummond in Inherit the Wind, Marius in , and Che in . Under the mentorship of drama teacher Peter Devine, these experiences honed his acting skills and solidified his commitment to a career in musical theater. To further develop his craft, Jacobs participated in intensive summer programs, including those at the (ACT) in and the California State Summer School for the Arts (CSSSA) in . These programs provided advanced training in acting and performance, bridging his high school experiences with professional aspirations. Jacobs pursued higher education at University's Tisch School of the Arts, where he earned a (BFA) in Theater. His studies emphasized musical theater performance through the Collaborative Arts Project 21 (CAP21) program, complemented by on-camera training at Stonestreet Film and Television Studios. This comprehensive curriculum prepared him for the demands of professional stage work, integrating vocal, movement, and dramatic techniques.

Theatre career

Early roles

Adam Jacobs' professional Equity debut came as Nanki-Poo in a production of The Mikado at the Marriott Theatre. He launched his professional musical theater career with his debut as Marius Pontmercy in the Third National Tour of Les Misérables, which ran from 2004 to 2006. Fresh from his training at New York University's Tisch School of the Arts, he was cast in the role through competitive auditions shortly after graduation, a breakthrough that capitalized on his vocal range and dramatic presence. As Marius, Jacobs portrayed the passionate student revolutionary and romantic lead, responsible for key emotional arcs including his forbidden love for Cosette, leadership of the Friends of the ABC insurgents, and poignant reflections on loss in the barricade uprising; this demanded versatile performance across soaring ballads like "Empty Chairs at Empty Tables," tender duets such as "A Heart Full of Love," and high-stakes ensemble scenes. In 2006, Jacobs transitioned to the Broadway revival of Les Misérables at the Broadhurst Theatre, taking on the same role for the production that opened on November 9, 2006, and ran until its closure on January 6, 2008—a total of 14 months and 463 performances. He had departed the national tour early to marry his wife, Kelly, and proactively wrote a letter to the producers expressing interest in the Broadway cast, which facilitated his opportunity. Leveraging his tour credentials, Jacobs bypassed the preliminary audition rounds and advanced directly to callbacks, where he performed opposite the actress cast as , securing the part before the full creative team. Critics offered mixed assessments of his ; while praising the revival's overall energy, some found the young lovers, including Jacobs and his co-star Ewoldt, "stereotypically vapid" in their idealized romance. Following the Broadway engagement, Jacobs joined the Second National Tour of Mamma Mia! as Sky, beginning February 27, 2009, and continuing through its close in 2010. In the ABBA-fueled jukebox musical, he played the laid-back, athletic ex-athlete and fiancé to Sophie, a role emphasizing physicality through exuberant choreography in ensemble dances and featured numbers like "Lay All Your Love on Me," which showcased his stamina and charisma amid the show's high-energy, 1970s-inspired movement. The tour's demanding itinerary—spanning major U.S. cities with frequent relocations and back-to-back shows—tested performers' endurance, requiring quick adjustments to varying theater acoustics and audiences while sustaining the production's joyful, dance-driven pace. During this early phase, Jacobs supplemented his touring work with select regional theater appearances, honing his craft in productions that reinforced his foundation in ensemble-driven musicals.

Breakthrough roles

Jacobs first achieved prominence as in Disney's during its first national tour from 2010 to 2011, where he portrayed the young lion cub evolving into a king across major cities including a Chicago engagement at the Cadillac Palace Theatre starting October 1, 2010. He transitioned to the Broadway production at the in August 2011, succeeding Clifton Oliver and performing through 2012. The role demanded intense physicality, involving acrobatic movements and that Jacobs described as the most grueling show he had tackled, requiring rigorous warm-ups and stamina-building to handle eight performances weekly. Vocally, it challenged him with high-range demands in songs like "Endless Night," which he noted pushed his limits while evoking emotional depth. In 2011, Jacobs originated the title role of in the world premiere tryout of Disney's Aladdin at Seattle's from July 21 to 31, co-starring with as and as the under director-choreographer Casey Nicholaw. This developmental production allowed for script refinements before further out-of-town runs, with Jacobs drawing on his recent experience for the high-energy, acrobatic demands of portraying the street urchin-turned-prince. Rehearsals emphasized blending Disney's animated charm with spectacle, including innovative flying sequences and comedic timing honed during the Seattle workshops. The show opened on at the on March 20, 2014, where Jacobs reprised the role until February 12, 2017, helping establish Aladdin as a cultural touchstone that infused the animated film's magic with live-theater vibrancy and diverse representation, attracting over 20 million global viewers by blending nostalgia with contemporary humor. Jacobs briefly stepped into the 2012 revival of at New Jersey's from May 30 to June 24, playing Daniel Beauxhomme, the affluent object of Ti Moune's affection in the ensemble-driven musical by and . Directed by , the production highlighted communal storytelling through its tight-knit cast, where Jacobs' portrayal contributed to the show's rhythmic, folklore-infused dynamics amid a chorus evoking traditions. From 2017 to 2018, Jacobs led the North American tour of Aladdin, launching April 11, 2017, in Chicago at the Cadillac Palace Theatre and visiting over 30 cities, balancing the role's aerial feats with the rigors of constant travel that included family adjustments like schooling his young twins on the road. Tour audiences often delivered more exuberant, family-oriented responses compared to Broadway's sophisticated crowds, with Jacobs noting heightened enthusiasm in regional venues that amplified the show's escapist joy. For his performance, Jacobs earned a 2014 Drama Desk Award nomination for Outstanding Actor in a Musical. The original Broadway cast recording, featuring Jacobs as a principal soloist, received a 2015 Grammy Award nomination for Best Musical Theater Album.

Recent theatre work

In 2018, Jacobs transitioned toward more diverse character roles with his portrayal of Vittorio Vidal, the charismatic film star, in a revival of at the Marriott Theatre in , where he delivered a stirring performance in the song "Too Many Tomorrows." This production marked a shift from his earlier leading-man archetypes, showcasing his ability to infuse charm and emotional nuance into a supporting yet pivotal role. Building on this versatility, Jacobs took on the flamboyant persona of The , a satirical take on , in the Marriott Theatre's 2019 mounting of Something Rotten!, earning praise for his comedic timing and vocal flair in numbers like "Hard to Be the ." The role highlighted his range in ensemble-driven musical , contributing to the show's energetic spoof of theater tropes. Jacobs demonstrated deeper dramatic capabilities in 2022 as the King of Siam opposite Betsy Morgan's Anna in a revival of Rodgers and Hammerstein's at Chicago's Theatre, where his interpretation emphasized the monarch's internal conflicts and cultural clashes through commanding stage presence and vocal power. Critics noted how Jacobs' performance added layers of vulnerability to the traditionally authoritative figure, enhancing the production's exploration of East-West tensions from April 1 to May 22. In 2023, Jacobs originated the role of the tormented Captain Walker in a reimagined production of at Chicago's Goodman Theatre, reprising it for the transfer at the from March 28 to July 21, 2024. His portrayal of the war-traumatized father, particularly in duets like "Twenty-One" with Alison Luff's Mrs. Walker, was lauded for conveying raw emotional intensity amid the rock opera's high-energy staging. Despite positive reviews for the cast's vocal prowess, the revival faced challenges in attracting broad audiences, closing after a limited run of about four months due to tepid reception targeting primarily older demographics. In 2025, Jacobs participated in the Disney on Broadway Concert Series at EPCOT's International Festival of the Arts, performing selections from Aladdin including "Proud of Your Boy" alongside artists like Josh Strickland in January and February events that drew on his foundational Disney training for dynamic interpretations. He also joined the star-studded lineup for the Arts for Autism benefit concert on June 16 at the New Amsterdam Theatre, contributing to a night of musical numbers supporting autism awareness initiatives. Additionally, in November 2025, Walt Disney World announced Jacobs' involvement in the 2026 Festival of the Arts concert series paired with Isabelle McCalla, extending his Aladdin-centric performances into the following year.

Film and television career

Film roles

Adam Jacobs made his screen debut in the 2004 short film , directed by Matt Shannon, where he portrayed the dual roles of Duncan Forbes and Charles Noyce. This student-produced project followed three filmmakers documenting a theater process, marking Jacobs' early foray into beyond stage work while he was still establishing his career. In 2013, Jacobs starred as in the indie short , directed by Sam Ward. The film depicts two thieves attempting to steal a priceless painting of a , only to be thwarted by their own greed, showcasing Jacobs' ability to handle tense, character-driven indie narratives with a focus on moral dilemmas. Jacobs appeared in two films released in 2014, highlighting a busy period of diverse challenges. In Four Kinds of Love, a low-budget blending crime, drama, horror, and romance directed by Timothy David Mitchell, he played Mr. Wilson, a supporting role in a story of intertwined relationships and dark secrets. That same year, he took on multiple roles—Jax, Mr. Tick Tock, , and Mr. God—as writer, director, and actor in Random: It's a Small Town Thing, an experimental indie film exploring a single night in a rural community, demonstrating his multifaceted involvement in small-scale productions. In 2019, Jacobs had a supporting role as Waiter in the indie drama End of the Trail, directed by Barry Tolli, which follows three brothers scattering their father's ashes in the mountains and confronting family dynamics. Following his breakthrough Broadway run as Aladdin, Jacobs transitioned to screen work with the 2021 docu-concert film Adam Jacobs – Behind the Curtain, directed by himself and capturing a one-night performance at Feinstein's at Vitello's in Los Angeles. The project interweaves musical numbers from his theatre career with documentary elements on his journey as a performer, offering an intimate look at his artistry. Also in 2021, Jacobs portrayed Mo in in the Dog House, a fantasy drama directed by Bruce Reisman, centered on a dive bar where a man confronts his future self amid family reconciliation and elements. This role, coming after his extended tenure in , exemplified how his stage prominence facilitated opportunities in narrative feature films with themes of .

Television appearances

Adam Jacobs' television appearances have been limited to guest and promotional spots, often drawing from his Broadway prominence in musical theater. In 2014, Jacobs performed as himself on The 68th Annual Tony Awards, showcasing numbers from Aladdin. His visibility from the production helped secure scripted opportunities, including a 2018 guest role as Ryan Scott on the medical drama Chicago Med. In the episode "When to Let Go" (Season 4, Episode 2), which aired on October 3, 2018, Jacobs portrayed Ryan Scott, a character involved in the hospital's response to an apartment fire that overwhelms the emergency department with patients. The role suited the series' high-stakes procedural format, emphasizing dramatic medical and personal crises. Jacobs next appeared in 2019 on the musical drama , playing in the season finale episode "Track 10: Finale." The series explores interconnected family stories through music, allowing Jacobs to incorporate his vocal and performance expertise in a narrative that highlights original songs and emotional arcs. In 2020, he appeared as himself in : Volume II, performing during the fundraiser. As of November 2025, no additional television projects have been announced.

Music and other projects

Recordings

Jacobs released his debut solo album, Right Where I Belong: The Songs of Alan Menken, on December 13, 2015. The 13-track collection showcases his interpretations of songs by composer Alan Menken, drawn from Disney films and Broadway musicals, including "Proud of Your Boy" from Aladdin, "Go the Distance" from Hercules, "Santa Fe" from Newsies, and "Suddenly, Seymour" from Little Shop of Horrors. Produced by Allan Detsky and self-released by Jacobs, the album was recorded during his run as Aladdin on Broadway and emphasizes intimate, orchestral arrangements that highlight his tenor voice and emotional depth. In addition to his solo work, Jacobs has contributed vocals to several notable Broadway cast recordings. He originated the role of on the Disney's Aladdin Original Broadway Cast Recording, produced by , which features ensemble numbers like "" and solo showcases such as "." The album received a Grammy Award nomination for Best Musical Theater Album at the in 2015.

Concert performances

Adam Jacobs has engaged in several concert performances throughout his career, often highlighting his Broadway roles in Disney productions. During the Broadway run of Aladdin from 2014 to 2018, he participated in promotional s tied to the show, including a special performance at the in July 2015, where the cast surprised attendees at First Lady Michelle Obama's Kids' State Dinner event. Following the , Jacobs resumed live appearances with a focus on collaborative events in the Disney on Broadway series at EPCOT's International Festival of the . He performed duets such as "Something to Believe In" with Liana Hunt in the early 2020 installment of the series, which featured Broadway stars interpreting Disney songs at the America Gardens Theatre. In 2025, Jacobs contributed to charitable causes through his concert work, appearing in the Arts for Autism benefit concert on June 16 at the in . Hosted by , the one-night event united Broadway performers to raise funds and awareness for inclusion, with Jacobs performing selections from his repertoire alongside stars like and Jackie Leon. Upcoming engagements include Jacobs' return to the Disney on Broadway series at during the 2026 International Festival of the Arts, where he will share the stage with for performances on January 16, 18, 19, 22, 24, 26, and 27, presenting Disney musical numbers to festival audiences. Jacobs is also set to headline his first major solo concert, Adam Jacobs: The Songs of , at the Wharton Center's Club 750 Broadway Cabaret in , on April 23, 2026. The family-friendly show will explore Menken's songbook from Disney classics like , , and , showcasing Jacobs' vocal interpretations of these iconic tunes.

Personal life

Family

Adam Jacobs married actress Kelly Kohnert on July 29, 2007, after meeting her in 2002 during a production in , where he portrayed . Kelly, also a performer, has provided significant support throughout Jacobs' career, often accompanying him on tours and sharing the challenges of life in the theater world. The couple welcomed twin sons, Jack Loren and Alex Gregory Jacobs, on January 27, 2014, just weeks before Jacobs began previews for the production of . Balancing fatherhood with his demanding schedule has been a key aspect of their family life; during the national tour of starting in 2017, Kelly and the twins joined him on the road for the first time, allowing Jacobs to integrate family time amid performances while emphasizing the importance of presence and routine for his young sons. Jacobs shares a close sibling bond with his younger sister, , a fellow performer known for roles in and as in the Australian production of . The two grew up performing together in San Francisco-area productions but have pursued parallel paths on without overlapping in the same shows, occasionally collaborating on events like their 2016 Sibling Disobedience concert at . Their parents played a pivotal role in shaping Jacobs' career, driving the siblings across the Bay Area for auditions and performances despite their own full-time jobs, and later investing in their formal training at institutions like , fostering a household where theater was both a passion and a supported pursuit from childhood.

Philanthropy and residence

Adam Jacobs resides in , where he moved with his family in 2018 after years of touring and performing in . The suburban location offers a family-friendly environment that supports his post-touring lifestyle, allowing him to balance fatherhood with occasional professional commitments through access to local attractions such as Gilson Park, the , and the . In philanthropy, Jacobs has actively supported autism advocacy through his involvement in the annual Arts for Autism , a Broadway initiative that unites performers with student groups to raise funds for arts access programs serving the autism community. He participated in the 2022 event at the , which raised over $35,000 to expand artistic opportunities for autistic individuals, and joined the 2025 concert on June 16 at the , hosted by and featuring performers like Danielle Erin Rhodes. These efforts align with the program's mission to foster and inclusion by providing grants of $1,000 to $5,000 for arts and community access initiatives.

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