Altered Images
Altered Images is a Scottish new wave and post-punk band formed in Glasgow in 1979, fronted by singer Clare Grogan and recognized for their bubbly, synth-driven pop sound that achieved commercial success in the early 1980s.[1][2] The band's original lineup included Grogan on vocals, Tony McDaid on guitar, Johnny McElhone on bass, Michael "Tich" Anderson on drums, and Gerard "Caesar" McNulty on guitar, evolving from raw post-punk roots—after opening for Siouxsie and the Banshees—to a more polished synthpop style under producer Martin Rushent following their signing to Rough Trade and later Beggars Banquet.[1][2] Their breakthrough came with the 1981 album Happy Birthday, featuring the UK Top 10 single "Happy Birthday" and earning them NME's Best New Group award that year, followed by Pinky Blue (1982) and Bite (1983), which collectively produced six UK Top 40 hits including "I Could Be Happy" and "Don't Talk to Me About Love," alongside three Top 30 albums.[2][3] After disbanding in 1983 amid lineup changes, Grogan pursued acting, notably in the film Gregory's Girl (1981), before reforming the band in the 2000s with an all-female version in 2012 and later incorporating original members like McElhone.[1][2] The group has since reissued their catalog and remained active through tours and compilations, culminating in the release of their first new studio album in nearly 40 years, Mascara Streakz, in 2022, which reached the UK Top 30 and supported ongoing live performances across the UK into 2025.[1][4][5]History
Formation and early career
Altered Images formed in Glasgow in March 1979 when school friends Johnny McElhone (bass), Tony McDaid (guitar), Michael "Tich" Anderson (drums), and Gerard "Caesar" McNulty (guitar) recruited Clare Grogan as vocalist after she improvised a song during a rehearsal she attended.[6] The band drew from post-punk and punk influences, developing a raw sound that caught attention through local gigs and a John Peel session on BBC Radio 1 in 1980.[7] They secured support slots opening for Siouxsie and the Banshees, which helped lead to a signing with Epic Records. Their debut single, "Dead Pop Stars," produced by Steve Severin of Siouxsie and the Banshees, was released in November 1980, marking their entry into the music scene with a critique of celebrity culture.[8]Chart success and peak years
Altered Images achieved their commercial breakthrough in the early 1980s with the release of their debut album Happy Birthday on Epic Records in September 1981, which peaked at number 26 on the UK Albums Chart and spent 21 weeks in the top 75.[9] The title track single, featuring Clare Grogan's youthful vocals over jangly guitars and upbeat rhythms, became their biggest hit, reaching number 2 on the UK Singles Chart for three weeks and accumulating 17 weeks overall, while earning a silver certification from the British Phonographic Industry for sales exceeding 250,000 copies.[10] This success marked the band's transition from underground post-punk to mainstream appeal, bolstered by frequent appearances on BBC's Top of the Pops, including performances of the single that showcased their energetic live presence.[11] The follow-up album Pinky Blue, released in May 1982 and produced by Martin Rushent, refined their sound into a more polished pop style with synth elements and catchy hooks, peaking at number 12 on the UK Albums Chart over 10 weeks.[12][13] Lead single "I Could Be Happy" climbed to number 7 in the UK, spending 12 weeks on the chart, and marked their sole US entry at number 45 on the Billboard Dance Club Songs chart.[14] Follow-up "See Those Eyes" also performed strongly, reaching number 11 with 7 weeks on the UK Singles Chart, further cementing their chart momentum. Media outlets like NME and Melody Maker extensively covered the band during this period, often highlighting Grogan as a charismatic teen icon whose persona drove their rising popularity.[15] By 1983, Altered Images released their third album Bite, which continued their pop evolution under Rushent's guidance for select tracks, entering the UK Albums Chart at number 16 and holding for 9 weeks.[16][13] Key singles included "Don't Talk to Me About Love," peaking at number 7 with 8 weeks on the chart and earning another Top of the Pops slot, and "Bring Me Closer," which reached number 29 over 6 weeks.[17] Between 1981 and 1983, the band amassed six UK Top 40 singles, supporting their mainstream ascent through headlining tours across the UK and Europe, as well as promotional visits to the US amid growing international interest.[18]Break-up and solo endeavors
Altered Images disbanded in late 1983 following the completion of their tour supporting the album Bite, which had underperformed commercially and critically compared to their earlier successes.<grok:render type="render_inline_citation">Reunion and Mascara Streakz
In October 2021, Clare Grogan announced the reunion of Altered Images, marking the first full band lineup since 1983 with original members including herself, bassist Johnny McElhone, and guitarist Stephen Lironi.[19] The reformation came after years of sporadic one-off performances and Grogan's solo endeavors, which helped maintain the band's visibility during the hiatus.[20] The band's comeback album, Mascara Streakz, was recorded during the second UK lockdown amid the COVID-19 pandemic, which caused delays in the creative process as members navigated restrictions on collaboration.[21] Produced primarily by Lironi, with additional contributions from Bernard Butler on select tracks, the album explores themes of nostalgia, personal reinvention, and life's emotional complexities, drawing from Grogan's experiences over the decades.[22] Released on August 26, 2022, via Cooking Vinyl, it debuted at number 28 on the UK Albums Chart, marking Altered Images' first new studio release in 39 years.[23] Key tracks include the lead single "Mascara Streakz," an upbeat synth-pop opener, and "Glitter Ball," a disco-infused highlight praised for its sparkling production.[24] Critics lauded Grogan's matured vocals, which convey a newfound depth and confidence, blended with retro-electropop elements updated for contemporary audiences.[25] Following the album's release, Altered Images embarked on UK and European tours in 2022 and 2023, performing new material alongside their 1980s hits to enthusiastic crowds at venues like Manchester Academy and Newcastle's O2 City Hall.[26] By 2024 and into 2025, the band continued active live engagements, including appearances at 80's Calling festivals in Dundee and Darlington, Guilfest in Guildford, and Deva Festival in Cheshire on August 10, 2025, often celebrating over 40 years since their formation.[4] Glasgow shows in this period highlighted milestone anniversaries, blending catalog staples with selections from Mascara Streakz.[27] As of late 2025, no new music has been announced, though the group remains focused on live performances that emphasize their enduring appeal.[28] The reunion faced challenges beyond pandemic disruptions, including Grogan's reflections on aging and evolving band dynamics in interviews, where she discussed menopause's impact on her creativity and the importance of authenticity in later-life collaborations.[29] These elements contributed to a project that Grogan described as deeply personal, allowing the band to reconnect while addressing the passage of time.[30]Musical style
Early post-punk influences
Altered Images' early sound was characterized by angular guitars, driving basslines, and Clare Grogan's yelping, childlike vocals that evoked the raw energy of punk. Formed in 1979 in Glasgow, the band drew from the late-1970s post-punk aesthetic, emphasizing a DIY ethos with unpolished production that highlighted rhythmic urgency and melodic tension.[31][32] Key influences included Siouxsie and the Banshees, whose tribal rhythms and dark minor-chord structures shaped the band's initial direction; several founding members belonged to a Siouxsie fan club, and the Banshees' bassist Steve Severin produced their debut album Happy Birthday in 1981, infusing it with post-punk edge. The Buzzcocks also played a foundational role, as the band's name was inspired by a sleeve design alteration on the Buzzcocks' 1978 single "Promises," reflecting admiration for their punk-pop energy and Pete Shelley's experimental approach. Grogan's vocal style was further influenced by female punk pioneers like Siouxsie Sioux and Poly Styrene of X-Ray Spex, contributing to the gender dynamics and defiant spirit in their music.[31][33][32] Emerging from Glasgow's vibrant post-punk scene, Altered Images shared ties with local acts like Orange Juice, favoring jangly, upbeat variations over the gloomier strains prevalent elsewhere in the UK. This regional context fostered an inclusive environment, with the band playing pubs and supporting acts like Simple Minds, honing their sound amid a wave of Scottish innovation. Their debut single "Dead Pop Stars," released in February 1981, exemplified this era with its satirical lyrics critiquing celebrity culture and raw, dirge-like production that contrasted sharply with their later polished work.[34][35][31][36] The band's unrefined, energetic style was captured in their first John Peel session, recorded on October 7, 1980, and broadcast on BBC Radio 1 later that month, featuring tracks like "Dead Pop Stars," "Insects," "Beckoning Strings," and "Legionnaire." These performances showcased angular guitar work from Tony McDaid and Gerard McNulty, propulsive bass from Johnny McElhone, and Grogan's distinctive yelps, marking a pivotal moment before major-label refinement.[7][32]Shift to pop and new wave
Following their post-punk debut, Altered Images transitioned to a brighter, synth-driven new wave and pop sound, particularly evident in their work with producer Martin Rushent. The title track of Happy Birthday (1981), produced by Rushent, introduced polished production and synthesizers that hinted at this evolution. Their second album, Pinky Blue (1982), fully embraced this shift under Rushent's guidance, featuring bubbly melodies, prominent synth lines, and upbeat rhythms on tracks like "I Could Be Happy" and "See Those Eyes," which propelled their commercial success. The 1983 album Bite, produced by Mike Chapman, continued this pop orientation with a glossier finish, incorporating more electronic elements while retaining Grogan's playful vocals, though it marked a slight move toward mainstream accessibility. This stylistic change reflected broader 1980s trends in new wave, blending post-punk energy with accessible pop hooks.[3][1][32]Band members
Founding and core members
Altered Images was founded in 1979 in Glasgow, Scotland, by a group of school friends inspired by the post-punk scene, initially comprising vocalist Clare Grogan, bassist Johnny McElhone, guitarist Tony McDaid, guitarist Gerard "Caesar" McNulty, and drummer Michael "Tich" Anderson.[1] The band's core lineup during its formative and peak years through 1983 revolved around these members, who shaped its quirky new wave sound blending punk energy with pop accessibility. Clare Grogan (born 17 March 1962 in Glasgow) served as lead vocalist from the band's inception in 1979 to the present day, emerging as its charismatic frontwoman known for her energetic stage presence, distinctive Glasgow accent in her helium-like delivery, and eye-catching fashion that made her an iconic figure in early 1980s British music.[37][38] Her role extended beyond performance, as she contributed significantly to the band's songwriting, often providing lyrics that captured youthful escapism and emotional directness. Johnny McElhone (born 21 April 1963 in Bearsden, near Glasgow) was a co-founder and the band's bassist from 1979 to 1983, rejoining in 2021 for reunion activities; he played a pivotal role as a key songwriter, crafting melodies that underpinned the group's catchy hooks, and later co-founded the successful rock band Texas in 1988.[39] McElhone's contributions helped define Altered Images' transition from raw post-punk to polished pop, with interviews highlighting the collaborative dynamic where his musical ideas complemented Grogan's lyrical input. Tony McDaid handled guitar duties from 1979 to 1983 as an early collaborator and co-founder, essential to the debut sound's jangly, guitar-driven energy heard on the band's first singles and 1981 album Happy Birthday.[2] Michael "Tich" Anderson was a founding member and remained core until 1983, providing the rhythmic backbone for live performances and recordings that propelled their chart success.[2] Gerard "Caesar" McNulty served as guitarist in the early 1980s, as part of the core lineup during initial recordings and contributing to the raw edge of early tracks, before departing in 1981.[1] Songwriting for the band's early material was largely collaborative among these members, with credits on songs such as "Happy Birthday" and "I Could Be Happy" listing Grogan, McElhone, McDaid, Anderson, and McNulty, reflecting group dynamics where Grogan's lyrics paired with McElhone's melodies to create the band's signature playful yet poignant style, as noted in retrospective discussions of their creative process.Touring and session members
Altered Images frequently augmented their core lineup with touring and session musicians to enhance recordings and live performances, particularly during their commercial peak in the early 1980s and subsequent reunions. In 2004, the band reformed as an all-female version led by Grogan, with backing musicians including Maria Lujan on guitar and others for tours, before transitioning to mixed lineups in later reunions.[40] Guitarist Jim McKinven joined the band in 1981 for the sessions of their debut album Happy Birthday, contributing to its post-punk sound and participating in promotional tours through 1983.[2] His tenure ended with the departure of drummer Michael Anderson amid lineup changes before the recording of Bite.[41] In 1983, Australian-born musician Steve Lironi (also credited as Stephen Lironi) became the band's primary guitarist and added percussion elements, including bongos on several tracks from the album Bite.[42] Lironi's multifaceted role supported the group's shift toward a more polished new wave style during tours that year. He rejoined for the 2021 reunion, co-writing and performing on the 2022 album Mascara Streakz alongside frontwoman Clare Grogan (to whom he is married), and has remained a key figure in live lineups through 2025.[43][44] Keyboardist Jim Prime provided session support and toured with the band during their early 1980s U.S. dates, adding synth layers to live sets.[45] He briefly reunited with the group for 2020s performances, including dates promoting Mascara Streakz, until his death in June 2025.[46] The 2021 reunion expanded the touring configuration to include original guitarist Tony McDaid, enabling fuller arrangements for larger venues on UK tours in 2022–2025.[47] Session producer Martin Rushent also contributed creatively to the band's sound on Happy Birthday, shaping its energetic production without performing as a musician.[13]Discography
Studio albums
Altered Images released their debut studio album, Happy Birthday, on 19 September 1981 through Portrait Records in the UK (a CBS/Epic imprint). Produced primarily by Steven Severin of Siouxsie and the Banshees, with Martin Rushent handling the title track and "Insects," the album features 12 tracks that blend post-punk energy with emerging pop sensibilities. Key songs include the upbeat title track "Happy Birthday" and the angular "Legionnaire." It peaked at number 26 on the UK Albums Chart, spending 21 weeks in the top 100, and achieved silver certification for sales exceeding 60,000 copies in the UK.[9][48][49] The track listing is: "Intro: Happy Birthday," "Love and Kisses," "Real Toys," "Idols," "Legionnaire," "Faithless," "Beckoning Strings," "Happy Birthday," "Midnight," "A Days Wait," "Leave Me Alone," "Insects," and "Outro: Happy Birthday." The band's second album, Pinky Blue, followed on 14 May 1982, also via Portrait Records. Entirely produced by Martin Rushent, known for his work with The Human League, it contains 11 tracks emphasizing synthesizer-driven new wave pop. Standout tracks are the effervescent "Pinky Blue" and the wistful "I Could Be Happy." The album reached number 12 on the UK Albums Chart and charted for 10 weeks.[12][50] Track listing: "Pinky Blue," "See Those Eyes," "Forgotten," "Little Brown Head," "See You Later," "Song Sung Blue," "Funny Funny Me," "Think That It Might," "I Could Be Happy," "Jump Jump (Gloria)," and "Goodnight and I Wish." Bite, the third studio album, was issued on 17 June 1983 through Epic Records. Produced by Tony Visconti, with additional production on some tracks by Mike Chapman, it comprises 8 tracks showcasing a polished, radio-friendly evolution. Notable songs include "Don't Talk to Me About Love" and "Now That You've Gone." It peaked at number 16 on the UK Albums Chart, remaining in the charts for 9 weeks.[16][51] The track listing features: "Bring Me Closer," "Another Lost Look," "Love to Stay," "Now That You're Here," "Don't Talk to Me About Love," "Stand So Quiet," "Change of Heart," and "Thinking About You." After a 39-year hiatus, Altered Images returned with Mascara Streakz on 26 August 2022 via Cooking Vinyl. Produced by former band member Stephen Lironi, the album includes 12 tracks of original material. Key songs are "Return to Go" and the titular "Mascara Streakz." It debuted at number 28 on the UK Albums Chart for one week.[5][52][53] Track listing: "Mascara Streakz," "Red Startles the Sky," "Colour of My Dreams," "Glitter Ball," "Your Life Is Mine," "Home," "Beautiful Thing," "Changing My Luck," "Lost of Love," "Double Reflection," "The Flame," and "Sleep."Singles and compilations
Selected singles
- "Dead Pop Stars" (1981) – UK #67
- "Happy Birthday" (1981) – UK #2
- "A Day's Wait" (1981)
- "I Could Be Happy" (1982) – UK #7
- "See Those Eyes" (1982) – UK #11
- "Pinky Blue" (1982) – UK #35
- "Song Sung Blue" (1982)
- "Don't Talk to Me About Love" (1983) – UK #7
- "Bring Me Closer" (1983) – UK #29
- "Love to Stay" (1983) – UK #46
- "Change of Heart" (1983) – UK #83
Compilation albums
- Collected Images (1984)
- The Best of Altered Images (1992)
- Reflected Images: The Best of Altered Images (1996)
- I Could Be Happy: The Best of Altered Images (1997)
- Destiny: The Hits (2003)
- The Collection (2010)
- Greatest Hits (2019)
- Happy Birthday: The Best of Altered Images (year not specified)