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Amphitrite

Amphitrite is the ancient Greek goddess personifying the sea, revered as the queen consort of the god Poseidon and the eldest among the fifty Nereids, marine nymphs born to the Old Man of the Sea, Nereus, and the Oceanid Doris.^[1]^[2] In early Greek literature, Amphitrite appears as a somewhat impersonal embodiment of the ocean's restless nature. Homer's Odyssey evokes her as "loud-moaning Amphitrite," a metonym for the sea that breeds monsters and aids in Odysseus's perils.^[3]^[4] Hesiod's Theogony (c. 700 BCE) more fully anthropomorphizes her by naming her first in the catalog of Nereids (lines 243–262) and establishing her marital union with Poseidon, securing his sovereignty over the waters through this alliance.^[2]^[3] This pairing symbolizes the domestication of the primordial sea forces, with Amphitrite representing the calmer, bountiful aspects of the marine realm—its fish, shellfish, and gentle waves—contrasting Poseidon's stormy domain.^[1]^[3] Later Hellenistic sources expand on her mythology, detailing a courtship narrative where Poseidon pursues the reluctant Nereid, who flees to hide among the shepherds of Atlas; the dolphin messenger Delphin locates her and convinces her to wed the sea god, earning divine honors in return.^[1] Apollonius Rhodius's Argonautica (3rd century BCE) references her in prophetic contexts, such as when she is invoked alongside Poseidon during the Argo's voyage, underscoring her role in facilitating safe passage across the seas.^[5] With Poseidon, Amphitrite bore notable offspring, including the merman Triton, their son and herald of the deep; the nymph Rhode, eponymous founder of the island; and Benthesikyme, a sea nymph who married a king of Ethiopia.^[1]^[2] Amphitrite's attributes often depict her with a net for capturing fish, a staff to calm waves, or riding beside Poseidon in a chariot drawn by hippocampi, emphasizing her sovereignty over the sea's abundance and tranquility.^[1] Evidence of her cult is sparse but includes shrines on islands such as Tenos, where she received offerings alongside other sea deities, reflecting her integration into local maritime worship.^[3] In Roman mythology, she equates to Salacia, wife of Neptune, perpetuating her role in imperial art and literature as a symbol of maritime power.^[1]

Mythological Identity

Etymology

The name Amphitrite derives from the Ancient Greek Ἀμφιτρίτη (Amphitrítē), a compound likely formed from the prefix ἀμφί (amphí), meaning "around" or "on both sides," and τρίτη (trítē), the feminine form of τρίτος (trítos), meaning "third."^[6]^[7] This etymology suggests interpretations such as "the surrounding third" or "encircling the third," potentially referring to the sea as the third elemental division of the cosmos after earth and sky.^[6] Alternatively, it may allude to her son Triton (Τρίτων, Trítōn), whose name similarly incorporates "third," or to the sea's encircling nature around the known world.^[1] In ancient Greek literature, the term "amphitrite" occasionally served as a poetic epithet for the sea itself, emphasizing its encompassing quality, as seen in Homeric usage where it denotes the surrounding waters without direct personification as a goddess.^[1] Ancient lexicographers glossed the name as signifying "encompassing," reinforcing the name's association with the sea's boundless embrace.^[8] These interpretations align with her identity as a Nereid, though the precise origin remains somewhat obscure due to the poetic and mythological fluidity of early Greek nomenclature.^[1] In Roman mythology, the name was adopted as Amphitrite without significant alteration, retaining its Greek form and connotations as the consort of Neptune (Poseidon) and queen of the sea.^[6] This continuity reflects the broader Roman assimilation of Greek deities, where linguistic adaptations were minimal for established divine names.^[9]

Role as Nereid and Sea Goddess

Amphitrite holds a prominent position among the Nereids, the fifty sea nymph daughters of the ancient sea god Nereus and the Oceanid Doris, as enumerated in Hesiod's Theogony (lines 243–262).^[10] As the eldest and most distinguished of these nymphs, she personifies the sea itself, embodying its multifaceted nature in Greek cosmology. The Nereids, including Amphitrite, are characterized as graceful, benevolent figures who dwell in the depths and interact harmoniously with the marine environment, distinct from the more chaotic and dominion-oriented sea gods.^[11] In her role as a sea goddess, Amphitrite governs aspects of the ocean's calmer, protective qualities, contrasting with the stormy and unpredictable forces attributed to other deities. Homer's Odyssey portrays her as the breeder of the sea's abundant creatures, including the countless "monsters" and beasts that inhabit the deep, underscoring her association with marine life and the sea's fertility (Odyssey 5.421–422). She is invoked in contexts of the sea's vast, moaning expanse, as in the epithet "much-moaning Amphitrite," which evokes the resonant waves and the ocean's nurturing yet formidable presence (Odyssey 3.91).^[12] Additionally, descriptions of her as "green-eyed Amphitrite" highlight her intimate connection to the sea's hues and movements, where she commands the breakers and calm waters alike (Odyssey 12.60). Amphitrite's attributes extend to epithets like halosydnē ("sea-nourished" or "sea-born"), shared with her sister Nereids and emphasizing her emergence from and sustenance by the saline depths, as noted in Homeric tradition.^[13] Unlike the primordial figures Oceanus, the encircling river god, and Tethys, his consort, who represent broader cosmic waters, Amphitrite functions as a more localized, nymph-like embodiment of the Aegean and Mediterranean seas, focused on their immediate bounty and serenity. This nymphal essence elevates her from a mere attendant to a central marine deity, integral to the Greek pantheon's maritime hierarchy.

Family and Kinship

Parentage and Siblings

Amphitrite was the daughter of the primordial sea god Nereus, known as the Old Man of the Sea for his prophetic wisdom and shape-shifting abilities, and Doris, an Oceanid nymph and daughter of the Titans Oceanus and Tethys, who shared her husband's transformative powers as a marine deity, although some traditions identify her as an Oceanid daughter of Oceanus and Tethys.^[14]^[15]^[16] In Hesiod's Theogony, composed around the 8th century BCE, Amphitrite is explicitly named among their offspring, establishing her as a key figure in the early Greek cosmological genealogy.^[10] As one of the fifty Nereids—sea nymphs born to Nereus and Doris—Amphitrite held a prominent position in this sisterhood, often described as the eldest or most distinguished.^[1] The Theogony catalogs the Nereids in lines 240–264, listing Amphitrite fourth after Proto, Eukrante, and Sao, followed by her sisters Thetis (sixth, renowned as the mother of the hero Achilles), Galatea (noted for her beauty and later associations with the Cyclops Polyphemus), and Panopeia (a guardian of the sea's depths), among others such as Thalia, Kymodoke, and Nesaea.^[10]^[17] Collectively, the Nereids embodied the sea's benevolent aspects, serving as protectors who aided sailors and fishermen in distress by calming waves or guiding vessels through perilous waters, a role reflected in their epithets like "the lovely-haired" and "dancers in the sea."^[11] This familial lineage underscored Amphitrite's inherent connection to the marine realm, positioning her within a divine network of nymphs who influenced nautical fortunes.^[10]

Marriage to Poseidon

Amphitrite's marriage to Poseidon established her as the queen consort of the sea, a union that elevated her from a Nereid nymph to a divine partner sharing authority over the marine domain. According to ancient accounts, Poseidon chose Amphitrite, the eldest daughter of Nereus, specifically among her sisters to solidify his rule over the seas, forging a marital alliance that linked the Olympian god's dominion with the primordial sea lineage. This selection symbolized the harmony between Poseidon's wild, stormy power and the nurturing, harmonious essence of the Nereids, representing the sea's dual nature of fury and bounty.^[18] The wedding itself is sparsely detailed in surviving classical texts, but it marked Amphitrite's enthronement at Poseidon's side in their golden underwater palace, where she assumed a position of equal reverence as goddess of the calm sea and its bounty. Hesiod's Theogony describes Poseidon as embracing the "queenly" Amphitrite, underscoring her immediate elevation to regal status upon their union.^[10] Pseudo-Apollodorus in the Bibliotheca confirms the marriage straightforwardly, noting it as the foundation of their shared sovereignty over oceanic realms without further ceremonial elaboration.^[19] This partnership implied Amphitrite's co-rule with Poseidon, granting her influence over marine life and the sea's gentler aspects, such as its life-sustaining waves and creatures, while complementing his control over earthquakes and tempests. The alliance not only legitimized Poseidon's supremacy but also integrated older sea deities into the Olympian pantheon, ensuring stability in the divine governance of the waters.^[1]

Offspring

Amphitrite and Poseidon had several children in Greek mythology, with Triton as their primary son. Triton, a merman and messenger of the sea, served as Poseidon's herald and was known for calming or raising waves by blowing on his conch-shell trumpet. He was depicted as a fish-tailed figure with a muscular human upper body, often holding the shell trumpet, and resided in the depths of the sea with his parents.^[20] Among their daughters, Benthesikyme stands out as an African sea nymph, whose name means "of the deep waves," and she was associated with calm seas in some traditions. Benthesikyme married Enalos, an early king of Ethiopia, and bore him two daughters who were given in marriage to sea deities.^[21] Another daughter sometimes attributed to them is Rhodos, a nymph linked to the island of Rhodes, where she was said to embody the serene aspects of the sea surrounding it; however, some accounts vary her parentage, attributing her instead to Poseidon and the nymph Halia.^[22] Ancient sources show variations in the listing of their offspring. Pseudo-Apollodorus in the Bibliotheca (1.28) names Triton and Rhodos as their children, while in 3.201 he specifies Benthesikyme as their daughter. Hyginus, in his Fabulae and Astronomica, confirms Triton as their son but occasionally includes other minor sea deities like Kymopoleia among Poseidon's progeny, though not always explicitly tying her to Amphitrite. These accounts reflect the fluid genealogies common in classical mythology, where minor sea nymphs and deities are sometimes grouped under their parentage without exhaustive detail.^[1]

Myths and Narratives

Courtship by Poseidon

In Greek mythology, the courtship of Amphitrite by Poseidon is depicted as a tale of pursuit and persuasion, highlighting the sea god's determination to win the hand of the beautiful Nereid. Upon first beholding Amphitrite dancing among her sisters, Poseidon became infatuated and sought her as his consort to rule the seas beside him. However, Amphitrite, fearing the implications of marriage or desiring to preserve her virginity, fled his advances and sought refuge at the distant edges of the world, hiding in the vicinity of Mount Atlas where the ocean meets the land.^[23] Poseidon, undeterred, dispatched various sea creatures to search the vast oceans for her whereabouts. Among them was Delphin, a loyal dolphin-shaped daimon in his service, who successfully located the elusive nymph. Delphin approached Amphitrite with gentle words, assuring her that union with Poseidon would not diminish her status or purity, and persuaded her to return voluntarily. Grateful for this intervention, Poseidon rewarded Delphin by elevating him to the heavens as the constellation Delphinus, a perpetual honor among the stars.^[23] This narrative appears in several classical accounts, emphasizing themes of divine persistence and the harmonious eventual union of sea deities. Pseudo-Hyginus in his Astronomica (2.17) details the flight to Atlas and Delphin's diplomatic role, while Oppian in the Halieutica (1.163 ff) underscores the dolphin's discovery and celestial reward, portraying Poseidon as bestowing the highest honors for such loyal service. Later poets like Nonnus in the Dionysiaca allude to the broader context of Poseidon's marital pursuits amid sea divinities, though the core courtship elements remain consistent across sources.^[23]^[24]

Other Associated Legends

In Greek mythology, Amphitrite plays a supportive role in the legend of Theseus, the Athenian hero and purported son of Poseidon. When King Minos of Crete challenged Theseus's divine parentage by casting his signet ring into the sea during their voyage to Crete, Theseus dove in to retrieve it, proving his heritage. Upon his return, he emerged not only with the ring but also bearing a golden crown bestowed upon him by Amphitrite as a token of recognition from Poseidon's realm.^[25] This act affirmed Theseus's legitimacy and highlighted Amphitrite's authority as queen of the sea, welcoming him into the divine underwater palace.^[25] Amphitrite is indirectly linked to the voyage of the Argonauts through a prophetic oracle delivered by the Libyan nymphs in Apollonius Rhodius's Argonautica. Stranded on the Libyan coast after their ship Argo ran aground, the heroes received guidance that their salvation would come when "Amphitrite has straightway loosed Poseidon's swift-wheeled car," signaling the calming of the seas and the resumption of their journey home.^[26] This reference positions Amphitrite as a pivotal figure in the maritime divine order that aids the Argonauts, with her actions tied to Poseidon's chariot release enabling the crew to carry the beached Argo to safety.^[26] Artistic depictions from the period, such as vase paintings, further illustrate her presence as an observer in key Argonautic encounters, including the confrontation with the bronze giant Talos on Crete.^[27] Beyond these narratives, Amphitrite appears in minor tales as a mediator in sea-related perils and divine affairs, often as a witness or facilitator per accounts in Hellenistic literature. In Apollonius Rhodius's works, she embodies the stabilizing force of the ocean, indirectly involved in subduing maritime threats through her dominion over waves and currents that aid heroes against monsters like the Symplegades or coastal guardians.^[26]

Worship and Iconography

Cult Practices and Sites

Amphitrite's worship was predominantly integrated with that of Poseidon, reflecting her role as queen of the sea, and evidence for her cult is sparse but attested through temple descriptions and archaeological sites focused on maritime protection. She was honored in shared sanctuaries where seafarers offered invocations for safe voyages, often alongside libations of water or wine and dedications of marine items such as shells or fish to appease sea deities. These practices emphasized her association with calm seas and navigation, drawing from broader Nereid veneration in coastal regions.^[1] A notable early site is the sanctuary at Penteskouphia near Corinth, where terracotta votive plaques from the 7th and 6th centuries BCE depict Poseidon and Amphitrite, some inscribed with her name as "the spouse of Poseidon," indicating joint worship focused on maritime themes.^[28] Key sites include the temple of Poseidon at Isthmia in Corinth, where Pausanias describes bronze images in the fore-temple: two of Poseidon, one of Amphitrite, and a figure representing the Sea, with internal offerings dedicated by the Athenian Herodes Atticus in the 2nd century A.D.^[29] This indicates joint cult practices across the Peloponnese, where altars likely received sacrifices during festivals like the Isthmian Games.^[1] On the Cycladic island of Tinos, a sanctuary originally built for Poseidon in the 5th century B.C. expanded by the 3rd century B.C. to incorporate Amphitrite, becoming a focal point for sailors' rituals involving prayers and offerings for protection against storms; the site featured joint altars and persisted into the Roman period before abandonment around the 3rd century A.D. due to invasions and imperial decline.^[30] Inscriptions from such coastal contexts, including dedications to sea nymphs, underscore her integration with Nereid worship, potentially involving mystery-like rites for maritime safeguarding, though no exclusive festivals for Amphitrite are recorded.^[31]

Artistic Representations

Amphitrite's depictions in ancient Greek vase paintings from the 6th and 5th centuries BCE often portray her as a graceful Nereid accompanying Poseidon, emphasizing her role as his consort and queen of the sea. On an Attic black-figure vase from circa 580–570 BCE, she appears alongside Poseidon and the Charites, dressed in flowing robes and adorned with seaweed, symbolizing her marine domain.^[32] Similarly, a 5th-century BCE Attic red-figure stamnos in the Toledo Museum of Art shows Poseidon and Amphitrite in a serene marital scene, with her holding attributes like a fish or raising her hand in a characteristic pinching gesture that highlights her nymph-like elegance.^[33] These early representations, produced in workshops like that of the Meidias Painter, depict her as youthful and subordinate, riding in a chariot drawn by hippocampi or interacting with sea deities, underscoring themes of courtship and harmony in the underwater realm.^[34] In sculptures and reliefs from the Classical and Hellenistic periods, Amphitrite's portrayal evolves toward a more regal stature, often enthroned or wielding a trident to assert her sovereignty over the seas. A Hellenistic example includes her in group sculptures with Poseidon, where she is veiled and crowned with seaweed, transitioning from the lithe nymph figures of earlier Attic vases to a dignified goddess embodying the sea's majesty.^[1] This shift reflects broader artistic developments, with Hellenistic works emphasizing dynamic compositions and individualized features to convey divine power and tranquility. Roman adaptations, particularly in mosaics and frescoes, further amplify Amphitrite's queenly iconography, surrounding her with marine motifs to symbolize abundance and control over the waters. The renowned 1st-century CE polychrome mosaic from the House of Neptune and Amphitrite in Herculaneum depicts the couple in a shell chariot drawn by hippocamps, enthroned amid dolphins and sea creatures, with Amphitrite holding a trident and veil as emblems of authority and modesty.^[35] Likewise, Pompeian frescoes from circa 50–79 CE, such as one portraying Poseidon and Amphitrite in an intimate embrace, use vibrant colors and intricate details to evoke the sea's allure, often found in domestic settings to invoke protection and prosperity.^[36] These artifacts, preserved in sites like Herculaneum, illustrate the enduring symbolism of Amphitrite as the serene counterpart to Poseidon's tempestuous nature.

Cultural and Scientific Legacy

In Classical Literature

In the Homeric epics, Amphitrite appears primarily as an epithet for the sea rather than a fully personified deity. In the Iliad, she is not explicitly named, though the Nereids as a group are invoked in contexts of sea calm and divine intervention (Homer, Iliad 18.35–50). The Odyssey treats her more directly as the personified sea, such as in Book 3, where the narrative describes ships navigating "in the grey sea, in the streams of Amphitrite" (Homer, Odyssey 3.101, trans. A. T. Murray), emphasizing her as the encompassing medium of maritime peril and sustenance. Another reference portrays "moaning Amphitrite" as nourishing seals on the shore, underscoring her role in the natural cycles of the ocean without attributing agency beyond environmental embodiment (Homer, Odyssey 5.422–423, trans. A. T. Murray). Hesiod's Theogony elevates Amphitrite to a named Nereid and consort of Poseidon, marking her integration into the divine genealogy. She is listed among the fifty Nereids born to Nereus and Doris, appearing early in the catalog as a figure of serene authority: "Amphitrite easily calms the waves upon the misty sea and the blasts of savage winds" (Hesiod, Theogony 252, trans. H. G. Evelyn-White). This passage highlights her thematic function as a mediator of sea tranquility, contrasting Poseidon's tempestuous domain. Later in the poem, Hesiod confirms her marriage to Poseidon, from which they produce the trumpeter Triton, portraying her as a passive yet stabilizing consort in the Olympian order: "And with Amphitrite the sea-goddess he [Poseidon] begat great Triton, who dwells with his dear mother and lordly Poseidon in a golden house" (Hesiod, Theogony 930–933, trans. H. G. Evelyn-White). Her role here shifts subtly from mere epithet to familial anchor, influencing subsequent portrayals of marital harmony in the divine realm. Pindar's odes further domesticates Amphitrite, emphasizing her as Poseidon's wife in celebratory contexts that blend her calming influence with regal imagery. In Olympian Ode 6, dedicated to Hieron of Syracuse, Pindar invokes Poseidon as "master, ruler of the sea, husband of Amphitrite of the golden distaff," evoking her as a spinner of fate-like threads amid the waves, symbolizing ordered prosperity from the sea's bounty (Pindar, Olympian Ode 6.105, trans. D. A. Svarlien). This depiction reinforces her active mediation, where her presence ensures "straight sailing free from troubles" for victors and sailors alike, transforming her from Hesiod's wave-calmer to a patroness of safe voyages in choral lyric. Such references in Pindar's victory odes illustrate Amphitrite's evolving thematic depth, from passive sea embodiment to a consort who tempers divine wrath for human benefit. In Roman literature, Ovid and Virgil romanticize Amphitrite within epic frameworks, often merging her Greek origins with Latinate sea symbolism while amplifying her consort role. Ovid's Metamorphoses opens with a cosmogonic vision of the pre-creation world, where "not far along the margin of the shores had Amphitrite stretched her lengthened arms—for all the land was mixed with sea and air" (Ovid, Metamorphoses 1.14, trans. A. S. Kline), portraying her as an expansive, primordial force that Amphitrite embodies the chaotic yet fertile sea before divine order. These treatments romanticize her as a stabilizing partner, whose calming influence mitigates Neptune's fury in the heroic journey.^[37] Nonnus' late antique Dionysiaca expands Amphitrite's role into elaborate epic narratives, particularly her courtship by Poseidon, portraying her as both elusive and ultimately conciliatory sea mediator. In Book 20, Nonnus details how Poseidon woos the reluctant Nereid with the aid of Delphin, culminating in her acceptance and a wedding that restores cosmic harmony: "Amphitrite, the bride of the sea-lord, calmed the waves with her gentle hand" (Nonnus, Dionysiaca 20.300–350, trans. W. H. D. Rouse, adapted). This sequence evolves her from passive consort in earlier texts to an active figure whose consent and influence quell oceanic unrest, as seen when she soothes the seas during Dionysus' campaigns (Nonnus, Dionysiaca 40.1–50, trans. W. H. D. Rouse). Nonnus' expansions thus culminate the classical trajectory, where Amphitrite's thematic arc—from Homeric sea epithet to a pivotal mediator—underscores her enduring symbol of maritime peace amid divine and heroic turmoil.

Modern Interpretations and Naming

In contemporary astronomy, Amphitrite's name has been applied to several celestial and terrestrial features associated with the sea's vastness. The most prominent is asteroid 29 Amphitrite, a large S-type main-belt asteroid discovered on March 1, 1854, by German astronomer Albert Marth at the South Villa Observatory in Regent's Park, London; it measures approximately 212 kilometers in diameter and follows a relatively stable orbit between Mars and Jupiter. In 2025, the asteroid reached opposition around mid-February, offering optimal visibility from Earth at a magnitude of 9.2 in the constellation Leo, allowing for updated observations of its stony composition and rotational period of about 5.4 hours.^[38] Additionally, Amphitrite Point, a coastal promontory on Vancouver Island, British Columbia, Canada, serves as a key site for long-term oceanographic monitoring; since the 1930s, it has hosted daily sea-surface temperature measurements by Fisheries and Oceans Canada, contributing data on Pacific coastal climate trends, including a recorded warming of 0.08°C per decade.^[39] Amphitrite continues to inspire literary and musical works in the post-classical era, often symbolizing the sea's majesty and mystery. In John Keats' 1818 epic poem Endymion, she appears as "Amphitrite, queen of pearls," evoking her role in an underwater palace amid visions of marine splendor and divine immersion. Modern popular literature revives her as a minor yet pivotal figure; in Rick Riordan's Percy Jackson and the Olympians series (2005–2009), Amphitrite is portrayed as the immortal queen of the seas and stepmother to the demigod protagonist Percy, residing in Poseidon's underwater realm and occasionally intervening in oceanic affairs with a blend of regal authority and subtle benevolence.^[40] In 21st-century cultural revivals, Amphitrite embodies environmental themes, particularly the protection of marine ecosystems amid climate change and pollution. She features in eco-mythological narratives that reframe ancient sea deities as guardians of ocean health, such as in educational cosplay initiatives where performers embody her to highlight coral reef degradation and plastic pollution's impact on marine life.^[41] This symbolism extends to visual media, influencing depictions of authoritative sea queens in adaptations of Hans Christian Andersen's The Little Mermaid, including Disney's 1989 animated film and its sequels, where figures like King Triton's lineage draw implicitly from Amphitrite's mythological heritage as consort to the sea god, underscoring themes of underwater harmony and human-ocean conflict.^[42]

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[27]
PAUSANIAS, DESCRIPTION OF GREECE 5.1-15
There is another altar of Athena near the temple, and by it a square altar of Artemis rising gently to a height. [5.14.6] After the altars I have enumerated ...
[28]
Temple of Poseidon and Amphitrite - Top Greek Islands
In the 5th century B.C. it became the center of worship of Poseidon who was worshiped both as a sea god and as a healer. In the 3rd century B.C. the temple was ...
[29]
[PDF] HERO CULTS IN THE CORINTHIAN AGORA
Three important facts may be gathered from the ancient references to the cult of Hellotis: (a) the rites were in the nature of a purification and expiation, ...
[30]
k21.3 poseidon, amphitrite & the charites - Theoi Greek Mythology
3 POSEIDON, AMPHITRITE & THE CHARITES. Poseidon, Amphitrite & the Charites | Attic black figure vase painting ... 580 - 570 B.C.. Period, Archaic. DESCRIPTION.
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Stamnos with Poseidon and Amphitrite - Collections
The stamnos depicts Poseidon and Amphitrite on the front, and boxers on the back. The front scene shows divine stillness, while the back shows anticipation.
[32]
Squat Lekythos showing Poseidon, Amphitrite, Amymone, and ...
Squat Lekythos showing Poseidon, Amphitrite, Amymone, and Aphrodite. Artist, workshop of: Meidias Painter (Greek, Attic, ac. 420-390 B.C.)Missing: BCE | Show results with:BCE
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House of Neptune and Amphitrite at Herculaneum - Smarthistory
May 8, 2025 · The House of Neptune and Amphitrite (V, 6-7) is one such residence; it is named for its exceptional polychrome mosaics, including one of the best preserved ...Missing: vase | Show results with:vase
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File:Affreschi romani - nettuno anfitrine - pompei.JPG
English: Poseidon and Amphitrite. Ancient Roman fresco (50-79 d.C.), Pompeii, Italy. Date, 50-79 d.C.. Source, Own work. Author, Stefano Bolognini. Permission
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Metamorphoses (Kline) 1, the Ovid Collection, Univ. of Virginia E ...
When she came to Inachus's riverbanks where she often used to play and saw her gaping mouth and her new horns in the water, she grew frightened and fled ...
[36]
https://ssd.jpl.nasa.gov/tools/sbdb_lookup.html#/?sstr=29
[37]
Asteroid 29 Amphitrite at opposition - In-The-Sky.org
Asteroid 29 Amphitrite will be well placed, lying in the constellation Leo, well above the horizon for much of the night. Regardless of your location on the ...
[38]
Data from BC lightstations
May 5, 2020 · ... Oceans Canada, but two (Race Rocks and Amphitrite Point) are sampled by contracted observers. Observations are made daily using seawater ...
[39]
Focus on Nature Spirits: Amphitrite - Read Riordan
Nov 23, 2020 · It's Amphitrite, Queen of the Sea and wife to Poseidon, making her Percy Jackson's stepmother. Let's learn more about this notable nymph.
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Cosplay as a Novel Method for Outreach in Ocean Science | Current
Amphitrite was chosen to represent the environment in which the coral lives because the world ocean has been polluted at an unimaginable scale with ...
[41]
Amphitrite - Disney Wiki - Fandom
Physical appearance. Amphitrite has slender, light blue skin and hair with a salmon pink and red-striped sea snail seashell on her head, red lips, two antennas ...