Angus & Julia Stone
Angus & Julia Stone is an Australian folk and indie pop duo formed in 2006 in Sydney by siblings Angus Stone (born 27 August 1986) and Julia Stone (born 13 April 1984).[1][2]The duo is renowned for their intimate, heartfelt songwriting, harmonious vocals, and blend of acoustic folk with dreamy indie pop elements, often drawing from personal experiences of home and journey.[1][2][3]
Raised in a musical family on Sydney's Northern Beaches, where their parents performed as a folk duo, Angus and Julia began creating music together in their youth before gaining international attention with their debut EP Chocolates and Biscuits in 2006 and debut album A Book Like This in 2007.[2][4][5] Their breakthrough came with the 2010 album Down the Way, produced after relocating to London for their first record deal and featuring the hit single "Big Jet Plane," which peaked at number six on the ARIA Singles Chart and earned international acclaim.[2][6][3]
The album won five ARIA Awards in 2010, including Album of the Year, Best Adult Alternative Album, Single of the Year for "Big Jet Plane," Best Cover Art, and Producer of the Year.[6]
Following this success, the siblings pursued solo careers—Julia releasing The Memory Machine (2010) and Sixty Summer (2012), and Angus issuing Broken Brights (2012)—leading to a two-year hiatus from collaboration with no contact between them.[2][7][8] Reuniting in 2014 at the invitation of producer Rick Rubin at his Shangri-La Studios in Malibu, Angus & Julia Stone released their self-titled third album, marking their first fully co-written project and featuring a more polished sound.[2][9]
Subsequent releases include Snow (2017), a soundtrack album for the video game Life is Strange: True Colors (2021) that won the ARIA Award for Best Original Soundtrack or Musical Theatre Cast Album, and their fifth studio album Cape Forestier (2022), a stripped-back return to their acoustic roots recorded in their New South Wales studio.[10][1]
As of 2025, the duo continues to tour internationally, including the Red Hot Summer Tour alongside Crowded House and The Church, maintaining their reputation for evocative, genre-spanning music that has garnered global chart success and critical praise.[11][1]
Background and formation
Early lives and family
Julia Stone was born on 13 April 1984 in Sydney, Australia.[7] Her younger brother, Angus Stone, was born on 27 April 1986, also in Sydney.[12] The siblings grew up alongside their older sister, Catherine, in a household deeply immersed in music, as their parents, John and Kim Stone, were folk musicians who performed as a duo in the 1970s.[13] John later worked as a builder and music teacher, while Kim focused on raising the family, but both continued to foster a creative atmosphere at home by sharing songs and performances with their children.[14] The Stone family resided in Newport, a suburb on Sydney's Northern Beaches, where the siblings experienced a laid-back coastal upbringing that emphasized artistic expression and family closeness.[15] From an early age, Angus and Julia were exposed to a wide range of music through their father's cover band and home performances, which sparked their initial interest in singing and instruments; Angus joined school bands playing trombone, while Julia learned trumpet.[16] This shared environment, filled with folk tunes and encouragement from their parents, strengthened the sibling bond and laid the groundwork for their creative pursuits, though neither had pursued professional music prior to forming their duo.[17]Gap year and musical beginnings
Julia Stone, after finishing high school, took time to travel and backpack, including a formative trip to India during her teenage years, where she engaged in meditation practices and contemplated themes of life and death that would later shape her songwriting approach.[18] This period of exploration ignited her passion for music as a means of personal expression, drawing her toward acoustic and folk influences encountered during her journeys. Upon returning to Australia, Julia shared her experiences and newfound interest in songwriting with her brother Angus, encouraging him to pick up the guitar and join her in creative endeavors.[19][17] The siblings' first joint songwriting sessions took place informally at home in Sydney, where they experimented with simple acoustic arrangements and harmonious vocals, building on the creative family background of their parents' folk duo.[20][16] These early recordings were casual and home-based, emphasizing an acoustic folk style rooted in personal storytelling rather than polished production. Motivated by the therapeutic value of music and a desire for self-expression, they decided to pursue it more seriously, viewing it as an organic extension of their bond rather than a commercial pursuit.[18][17]Initial collaboration and debut EPs
In early 2006, siblings Angus and Julia Stone formalized their musical collaboration after years of informal support at each other's solo open mic performances in Sydney cafes, marking the official formation of the duo.[21] This partnership quickly attracted attention from the Australian independent label Dew Process, which signed them following initial buzz from their live sets.[20] Their first performances as a duo took place in intimate Sydney venues, blending acoustic folk elements with blues influences that would define their sound.[5] The duo's debut EP, Chocolates and Cigarettes, was released on August 26, 2006, through Dew Process, capturing their raw, home-recorded aesthetic.[22] Recorded in a makeshift home studio at their father's house in Sydney, the six-track collection featured simple arrangements with acoustic guitars, harmonica, and sibling harmonies, emphasizing themes of introspection, fleeting romance, and everyday melancholy.[23] Key tracks included "Mango Tree," a brooding reflection on loss; "Paper Aeroplane," evoking nostalgic longing; and the title track, a gentle duet about small indulgences amid heartbreak.[24] The EP's lo-fi production and poetic lyrics resonated with listeners seeking authentic folk storytelling, laying the groundwork for their emerging style.[25] Building on this momentum, Heart Full of Wine followed in February 2007 as their second EP, further refining their folk-blues sound with slightly more polished instrumentation while retaining emotional depth.[26] Released via Dew Process in Australia, it included tracks like "What You Wanted," an introspective opener; "Fooled Myself," exploring self-deception; "I'm Yours," a raw declaration of affection; and the title track, delving into emotional vulnerability.[27] Australian critics praised its evocative melodies and sibling chemistry, with reviews noting its role in generating local buzz and positioning the duo as rising indie folk talents.[28] The EP's reception, including an invitation to collaborate with Travis frontman Fran Healy in London, amplified their profile ahead of broader releases.[17] With both EPs under their belt, Angus & Julia Stone embarked on early tours in 2006 and 2007, playing small venues across Australia—such as Sydney's Oxford Art Factory and Melbourne cafes—and venturing to Europe, including intimate UK gigs at London's Bush Hall.[29] These performances solidified their folk-blues identity, characterized by stripped-back sets that showcased harmonious vocals and narrative-driven songs, drawing dedicated crowds and fostering word-of-mouth growth in the indie scene.[30] By mid-2007, they had relocated to London, expanding their European footprint while maintaining roots in Australian circuits.[21]Breakthrough and mainstream success
A Book Like This (2007–2009)
The recording of A Book Like This, the debut studio album by Angus & Julia Stone, took place in 2007, with sessions split between the siblings' living room in Sydney, Australia, and the London home studio of Fran Healy, the lead singer of Travis, who co-produced several tracks alongside Ian Pritchett.[31][32] This collaborative environment contributed to the album's intimate, organic sound, characterized by acoustic guitars, subtle percussion, and harmonious vocals that reflected the duo's sibling chemistry. The project built on their earlier EPs, expanding the raw folk elements into a fuller collection of 13 original songs. Released on September 8, 2007, in Australia by Capitol Records, A Book Like This entered the ARIA Albums Chart at number 6 and maintained a presence for 42 weeks, ultimately achieving platinum certification for sales exceeding 70,000 copies.[33][34] The album earned them the ARIA Award for Best Blues and Roots Album in 2008.[35] An international edition followed in March 2008 via Discovery Harvest in the UK and Europe, with a US release in 2009 through Nettwerk Music, broadening their exposure beyond Australia.[21][36] Standout tracks such as "Just a Boy" and "Another Day" exemplify the album's focus on themes of everyday life, fleeting relationships, and emotional vulnerability, delivered through sparse arrangements that evoke quiet introspection.[37] "Just a Boy," with its tender narrative of unrequited affection, and "Another Day," exploring routine longing, highlight the duo's ability to craft relatable, heartfelt folk-pop without overt sentimentality.[31] These songs, alongside others like "Wasted" and "Hollywood," underscore the album's rootsy aesthetic, blending personal storytelling with subtle instrumentation to create an emotive, unpolished charm. Promotion for A Book Like This included the duo's first sold-out national Australian tour in late 2007, followed by international expansion with a 2008 UK and European tour supporting artists like Martha Wainwright and Newton Faulkner, including sold-out shows at London's Scala venue.[21] In 2009, they extended to a US tour alongside Brett Dennen, while festival appearances such as Splendour in the Grass—where they progressed from a tent slot in 2007 to the main stage in 2008—helped solidify their rising profile.[21] These efforts marked their transition from local indie acts to international folk darlings.Down the Way and Big Jet Plane (2009–2010)
Following the momentum from their debut album A Book Like This, Angus & Julia Stone spent much of 2009 writing and self-producing their second studio album, Down the Way, recording in diverse locations including the Gold Coast in Australia, Brooklyn and New York City in the US, and Sawmills Studio in Cornwall, England.[38][39] The album marked a thematic evolution toward explorations of travel, longing, lost love, and yearning, reflected in tracks like "Santa Monica Dream" and the titular sense of journeying.[40][41] Down the Way was released on 12 March 2010 through EMI Music Australia and Capitol Records internationally, debuting at No. 1 on the ARIA Albums Chart and spending 73 weeks on the tally.[42] The album achieved triple platinum certification in Australia for sales exceeding 210,000 copies and platinum status in France, where it peaked at No. 26 on the Albums Chart and remained for 80 weeks; it also charted modestly in other European markets, including No. 34 in Austria and No. 66 in the Netherlands.[43][42] This commercial breakthrough solidified their status as a leading Australian act, with the record's warm, acoustic folk-pop sound earning critical praise for its introspective depth.[44] The lead single "Big Jet Plane," released on 5 March 2010, became their signature hit, winning the ARIA Award for Single of the Year in 2010 and the APRA Song of the Year in 2011.[6][45] An official music video directed by Kiku Ohe, featuring the siblings in intimate, dreamlike settings, premiered in March 2010 and garnered widespread airplay.[46] The track inspired numerous remixes, including electronic versions by artists like Restricted and NoMBe & Skott, extending its reach into dance and indie scenes.[47][48] Buoyed by the album's success and ARIA wins—including Album of the Year, Best Adult Alternative Album, and Producer of the Year for the siblings—the duo expanded their touring footprint in 2010.[6] They headlined shows across the UK and Europe, such as at King Tut's Wah Wah Hut in Glasgow and Brudenell Social Club in Leeds, while in the US they performed support slots and festival sets at events like Bonnaroo and Central Park SummerStage in New York, further elevating their global profile.[49][50]Solo careers
Julia Stone's solo projects
Julia Stone released her debut solo album, The Memory Machine, in September 2010, following the success of Angus & Julia Stone's Down the Way. The record delves into themes of loss, emotional restriction, and personal recovery, emerging from a period of introspection marked by darker experiences such as insecurity and relational turmoil.[51][52][53] Her follow-up solo effort, By the Horns, arrived in May 2012 and reached number 11 on the ARIA Albums Chart. Produced with contributions from figures like Mike Mogis of Bright Eyes, the album showcases Stone's evolving songwriting through intimate, lyrically dense tracks that blend folk and indie elements, earning praise for her ethereal vocal delivery and emotional depth. Critics highlighted its hushed, conversational tone as a maturation of her artistry beyond the duo's sound.[54][55][56] After a nearly nine-year hiatus from full-length solo releases, Stone issued Sixty Summers in April 2021, her third studio album, which incorporates electronic textures alongside personal narratives on human connection, celebration, and impermanence. Recorded sporadically from 2015 to 2019 with collaborators including St. Vincent and Doveman, the project marks a shift toward more pop-infused structures while retaining introspective storytelling. Leading singles like "Dance," released in October 2020, previewed this direction with sensual, half-spoken verses emphasizing resilience and release.[57][58][59][60] Throughout her solo career, Stone has undertaken independent tours, including European dates supporting By the Horns and festival appearances that highlight her live intimacy, such as slots at events like the Eurockéennes de Belfort. She has also been actively involved in the visual aspects of her releases, collaborating with artists like Filip Custic on painterly album artwork and covers that reflect her multidisciplinary creative approach.[61][62][63][64]Angus Stone's solo projects
Angus Stone's solo career began in earnest with the release of Broken Brights in July 2012, his first album under his own name following an earlier project under the pseudonym Lady of the Sunshine. Self-produced by Stone, the record was recorded in various locations, including a countryside cabin in Australia and the Swiss Alps, contributing to its raw, introspective folk sound.[65][66] The album features an overpowering country-folk aesthetic with unconventional songwriting, exploring personal reflection through tracks like the title song, which evokes a sense of solace amid hardship.[67] In 2016, Stone launched his ongoing solo moniker Dope Lemon with Honey Bones, a collaborative effort involving close friends and musicians Rohin Brown and Elliott Hammond on production and instrumentation. The album blends chilled folk vibes with bluesy rock'n'roll elements, creating a laid-back, groove-oriented sound that marked a departure toward more experimental and psychedelic territory. Initially released with limited edition vinyl pressings, it highlighted Stone's interest in communal creativity during the duo's hiatus.[68] Subsequent Dope Lemon albums include Smooth Big Cat (2019), Rose Pink Cadillac (2022), Kimosabè (2023), and Golden Wolf (2025). Stone's solo work reflects a shift toward lo-fi and raw production aesthetics, emphasizing personal expression over the polished arrangements of his collaborations with Julia. This evolution is evident in his involvement mentoring emerging artists, along with Julia, serving as lead mentors in the 2024 Wild Turkey Music 101 program, where they shared insights on songwriting and industry navigation with selected talents.[69] Complementing his recordings, Stone has favored intimate solo live performances, often centered on acoustic guitar and narrative-driven sets. A notable example is his 2012 impromptu concert on a rural Byron Bay property, where he played selections from Broken Brights for a small audience, underscoring his storytelling approach through heartfelt, unamplified folk delivery.[70]Reunion and recent work
Self-titled album and Snow (2014–2017)
After pursuing successful solo careers, Angus and Julia Stone reunited in late 2013–early 2014 at the invitation of producer Rick Rubin to collaborate on a new album, marking a shift from their individual projects to renewed joint songwriting.[71] The siblings recorded their self-titled third studio album at Rubin's Shangri-La Studios in Malibu, California, emphasizing co-authored tracks to foster a more unified creative process.[2] Released on August 1, 2014, via Capitol Records, the album explores themes of love, heartbreak, and personal growth, reflecting the maturity gained from their time apart.[72] Critics praised its relaxed, intimate sound and the siblings' harmonious vocals, with The Guardian calling it a "slow-building masterpiece" that showcased their evolved chemistry.[72] The self-titled album achieved significant commercial success, debuting at number one on the ARIA Albums Chart in Australia and reaching the top 10 in countries including New Zealand, France, Germany, and Belgium.[73][74] Lead single "A Heartbreak" highlighted their blended voices in a narrative of emotional vulnerability, while tracks like "Heart Beats Slow" and "Wherever You Are" underscored the record's themes of reconciliation and independence.[71] To promote the release, the duo embarked on an extensive 2014 world tour, including headline shows across Europe—such as at London's Hammersmith Apollo and Paris's Casino de Paris—and appearances at major festivals like Coachella, which helped leverage their established solo fanbases for broader duo appeal.[75][76] Building on this momentum, Angus and Julia Stone self-produced their fourth album, Snow, recorded at Angus's Belafonté cottage studio in Byron Bay, Australia, following a suggestion from Rick Rubin to continue their intimate recording approach.[77] Released on September 15, 2017, via Nettwerk Music Group, the album incorporates wintery motifs through its title and atmospheric soundscapes, evoking a sense of introspection and seasonal chill.[78] Collaborators like multi-instrumentalist Ben Edgar contributed guitar and drums, adding subtle grooves to tracks such as the jazzy lead single "Snow" and the string-laden "Chateau," which captured the duo's balanced interplay of upbeat rhythms and mellow ambiance.[79][80] Snow received positive reception for its emotional depth and versatility, with RIFF Magazine noting its "beautiful" duality of haunting vocals and groove-driven energy, particularly in the album's front half.[80] It debuted at number two on the ARIA Albums Chart, solidifying their domestic popularity.[30] The reunion's dynamics shone through in their refreshed songwriting, as Julia Stone reflected on how solo independence allowed them to approach collaboration with greater focus and mutual support, avoiding the pitfalls of past separations.[71] Promotion included a 2017 Australian national tour with stops in major cities like Sydney and Melbourne, alongside a North American headline run and festival performances at events like Lollapalooza, further uniting their audiences from solo eras.[81][75]Life Is Strange (2021)
The album Life Is Strange was conceived in the aftermath of the duo's 2017 release Snow, with songwriting commencing amid the challenges of the COVID-19 pandemic in Australia. Angus Stone, based on his farm in New South Wales, and Julia Stone, located in Melbourne, engaged in remote collaboration, exchanging ideas and recordings while adhering to lockdown restrictions that limited physical interactions. This process, which spanned several years and intertwined with their individual solo endeavors, allowed them to reconnect creatively despite the geographical and logistical barriers imposed by the global health crisis.[82] The album was released on August 20, 2021, through BMG, marking the siblings' first joint project in four years and serving as the official soundtrack for the video game Life is Strange: True Colors. Blending their signature folk-indie pop style with subtle electronic elements, the 12-track record features introspective songs that delve into themes of memory, transience, and the emotional bonds of family and community, such as the lead single "Love Song," which reflects on sibling relationships. Tracks were tailored to specific "zen moments" in the game, where the protagonist Alex Chen processes empathy and loss, enhancing the narrative's focus on resilience and personal reflection.[83][84][82] Critics praised Life Is Strange for its dreamy, cohesive sound and its evocation of emotional resilience amid uncertainty, positioning it as a standout return to the duo's collaborative roots. The album debuted at number 16 on the ARIA Albums Chart and peaked at number 5 on the ARIA Australian Artist Albums Chart in Australia, though it did not achieve notable chart success in the UK.[85][86][87] As a tie-in to the game, which launched on September 10, 2021, the soundtrack deepened player immersion through its scene-specific compositions, with the duo forgoing traditional live tours in favor of virtual promotions due to ongoing pandemic constraints. The album won the ARIA Award for Best Original Soundtrack or Musical Theatre Cast Album in 2021.[83][82][88]Cape Forestier and 2025 tours (2022–present)
Following the introspective electronic influences of their 2021 album Life Is Strange, Angus & Julia Stone returned to a more organic sound with Cape Forestier, their fifth studio album released on May 10, 2024. Recorded primarily at Angus Stone's Sugarcane Mountain Studios—a renovated 1970s mansion in the Northern Rivers hinterland of New South Wales—the album captures an acoustic rawness achieved through a portable setup that allowed sessions in locations including Nashville, Houston, and Utah, before finalizing tracks with producer Ben Edgar. The duo's approach emphasized simplicity and direct storytelling, blending folk melodies with poetic lyrics that evoke a sense of intimate, storybook-like narratives.[89][4][10] Thematically, Cape Forestier marks a return to the stripped-back folk roots of their early work, drawing inspiration from the Australian landscapes surrounding the recording studio, such as the calls of black cockatoos and sightings of water dragons that informed the album's artwork and environmental motifs. Tracks like "Losing You" and "Down to the Sea" explore themes of loss, love, personal responsibility, and planetary impact, reflecting a contemplative voyage through human experiences amid nature's wild elements—the title itself references an old fishing trawler in Southport, symbolizing steady navigation through life's turbulence. This evolution underscores the siblings' reconnection after solo endeavors, prioritizing textured, poignant recordings that highlight their inherent musicality without overproduction.[4][10][90] In support of the album, Angus & Julia Stone embarked on extensive live performances, culminating in their participation in the Red Hot Summer Tour 2025, headlined by Crowded House and featuring The Church, Mark Seymour with Vika & Linda, and The Waifs. The tour spans 13 dates across rural Australian venues from October to December 2025, including stops at Sandalford Wines in Swan Valley on December 6 and Toowoomba Racecourse on November 15, where the duo delivers sets blending timeless classics like "Big Jet Plane" with fresh material from Cape Forestier, such as "Losing You" and "Cape Forestier." These performances emphasize their live synergy, fostering a nostalgic yet vibrant atmosphere in outdoor settings that echo the album's natural themes.[11][91] As of November 2025, the duo continues to engage with emerging talent through their role as lead mentors in the 2024 Wild Turkey Music 101 Mentorship Program, held in Sydney during July, where they guided ten aspiring Australian artists in industry skills and collaborative songwriting, culminating in a showcase event. No new album has been announced, allowing focus on touring and mentorship amid their ongoing exploration of folk traditions.[69][92]Musical style and influences
Core elements of their sound
Angus & Julia Stone's signature style is rooted in acoustic folk-blues, characterized by guitar-driven arrangements that evoke a sense of intimate, sun-drenched wanderlust. Their music blends elements of indie folk and pop, often featuring sparse yet evocative compositions that prioritize emotional depth over complexity. This approach creates a cozy, low-key charm, with melodies that are sweetly bleak and subtly infectious, drawing comparisons to Americana traditions while maintaining a distinctly Australian openness.[93][94][95] Central to their sound is the harmonious interplay of sibling vocals, where Julia's breathy, ethereal tones—reminiscent of a delicate, kitten-like vulnerability—complement Angus's soft, murmured drawl, often trading lines in duets that feel confessional and lived-in. Instrumentation revolves around acoustic guitars as the core, with Julia contributing delicate fingerpicking patterns that add tenderness and Angus providing rhythmic strumming for propulsion; these are occasionally layered with keyboards, piano, subtle strings, bass, and light percussion to enhance the atmospheric quality without overwhelming the simplicity. Such elements foster a guitar-centric framework that underscores their folk-blues foundation, allowing space for the vocals to shine in performances and recordings alike.[93][94][2] Lyrically, the duo crafts intimate narratives drawn from personal experiences, exploring themes of love, heartbreak, travel, and melancholy with a poetic directness that balances vulnerability and introspection. Songs often weave stories of fleeting connections, road-bound longing, and quiet emotional turmoil, reflecting the siblings' own journeys through relationships and self-discovery. This thematic focus infuses their work with a sense of universal yet deeply personal resonance, where sparse words evoke profound sentiment.[96][97][98] Their production approach emphasizes lo-fi intimacy in early recordings, capturing a raw, domestic warmth through simple setups that mirror the music's unpretentious essence, while later works introduce polished layers of rhythm and texture for a more refined yet still evocative sound. This evolution maintains the core of unadorned emotional honesty, often recorded in relaxed, collaborative environments that preserve the duo's sibling synergy.[93][2][96]Evolution and collaborations
The musical style of Angus & Julia Stone underwent significant evolution, beginning with the raw, intimate folk of their early extended plays. Their debut EP, Chocolates and Cigarettes (2006), showcased gentle acoustic arrangements and trilling vocals, capturing a stripped-back, bedroom-recorded aesthetic rooted in sibling harmony and minimal instrumentation. This foundational sound reflected their Sydney upbringing amid folk traditions, emphasizing poetic simplicity over elaborate production.[99] By the time of their breakthrough album Down the Way (2010), the duo had shifted toward a more polished indie-pop sensibility, broadening their folk base with richer arrangements, subtle orchestration, and accessible melodies that appealed to wider audiences. This transition marked a maturation, blending their core acoustic warmth with pop-infused hooks while retaining emotional restraint and narrative depth. Subsequent works like Snow (2017) introduced electronic elements, including pulsing beats and atmospheric synths, as heard in the title track, signaling an experimental phase influenced by contemporary production techniques. Their latest album, Cape Forestier (2024), circles back to these folk origins with unadorned storytelling and organic textures, demonstrating a cyclical progression that adapts personal growth to varied sonic palettes.[100][101][4] Key collaborations played a pivotal role in this development, providing external perspectives that refined their artistry. Fran Healy of Travis discovered the siblings at a London open mic night and co-produced tracks on their debut album A Book Like This (2007), infusing it with a polished yet organic feel drawn from his Britpop experience. Later, producer Rick Rubin encouraged their reunion after a solo hiatus, guiding the self-titled 2014 album toward introspective minimalism. For Snow, multi-instrumentalist Ben Edgar contributed drums and guitar, enhancing the electronic layers and rhythmic drive, a partnership that extended to co-producing tracks on Cape Forestier. In Angus Stone's solo endeavors as Dope Lemon, collaborations with producers like Clayton Segelov added psychedelic edges, which later informed the duo's blended indie-folk sound. These partnerships not only expanded their technical range but also facilitated adaptation to international stages.[102][102] The duo's influences span classic folk introspection and modern indie innovation, shaping their adaptive approach to global listeners. Early inspirations included Nick Drake, whom Angus Stone named as a key mentor for his delicate guitar work and melancholic lyricism, echoing in their hushed arrangements. Family roots also played a part, with their father's covers of Joni Mitchell, Neil Young, and The Beatles instilling a love for narrative-driven folk. Contemporary figures like Bon Iver influenced their shift toward atmospheric, emotive indie textures, evident in layered harmonies and environmental themes that resonate across cultures. This blend allowed them to evolve from local Australian folk into a universally appealing indie sound, prioritizing emotional universality over genre constraints.[103][102][104] Angus & Julia Stone have left a lasting mark on the Australian indie-folk landscape, pioneering a sibling-driven sound that fused raw authenticity with polished appeal, helping elevate the genre's global profile in the late 2000s. Their trajectory from underground EPs to international tours inspired a wave of intimate, harmony-based acts in the scene. More recently, they have embraced mentoring to nurture the next generation, serving as lead mentors in Wild Turkey Bourbon's Music 101 program, where they guide 10 emerging Australian artists through masterclasses on recording, performance, and career navigation; this includes co-writing new songs with mentee Maddy Herbert of Velvet Bloom in December 2024.[4][105][106] This initiative underscores their commitment to fostering bold expression amid industry challenges, ensuring the indie-folk ethos endures through younger talents.Discography
Studio albums
Angus & Julia Stone have released five studio albums, showcasing their evolution from folk-indie roots to more expansive soundscapes, with consistent commercial success in Australia through high chart placements and sales certifications. Their debut album marked their breakthrough, while subsequent releases, including international collaborations, solidified their status as ARIA award winners and multi-platinum sellers.[30][107] The duo's first studio album, A Book Like This, was released on 8 September 2007 by Dew Process, peaking at number 6 on the ARIA Albums Chart and later certified platinum by ARIA for shipments exceeding 70,000 units in Australia.[5][108][109] Down the Way, their second album, arrived on 12 March 2010 via EMI Music Australia (a Sony label), debuting at number 1 on the ARIA Albums Chart for two weeks and achieving triple platinum certification in Australia for over 210,000 units shipped.[110][111][108] The self-titled third album, Angus & Julia Stone, was issued on 1 August 2014 by EMI, reaching number 1 on the ARIA Albums Chart and earning gold certification in Australia. Produced by Rick Rubin, it featured a polished folk-rock sound that expanded their global reach.[110][112][107] In 2017, Snow was released on 15 September by BMG Rights Management (with EMI handling Australian distribution), peaking at number 2 on the ARIA Albums Chart and certified gold in Australia for 35,000 units. The album was recorded at Angus Stone's cottage studio in Byron Bay, Australia.[113][114][115] The latest album, Cape Forestier, was released on 10 May 2024 by BMG (under Sony Music in Australia), debuting at number 2 on the ARIA Albums Chart. Recorded primarily on Angus Stone's farm in New South Wales, it emphasizes their return to intimate, acoustic-driven songwriting.[10][116][117]Extended plays and singles
Angus & Julia Stone released their debut extended play, Chocolates and Cigarettes, on 18 September 2006 through Dew Process/EMI. The EP featured six tracks, including the title song, which explored themes of longing and everyday indulgence, and was accompanied by a self-directed music video showcasing the duo's intimate folk style. It marked their initial foray into recording as a sibling pair, with Julia on vocals, guitar, and trumpet, and Angus on guitar and backing vocals.[118] Their follow-up EP, Heart Full of Wine, arrived in 2007, also comprising six tracks and building on the acoustic warmth of their debut. The title track received a music video directed by the duo, emphasizing melancholic introspection with imagery of rural Australian landscapes. This release solidified their early sound, blending heartfelt lyrics with minimalist instrumentation, and was distributed through the same label.[27] Among their notable singles, "Big Jet Plane," released in March 2010 as the lead from Down the Way, achieved significant commercial success in Australia, peaking at number 21 on the ARIA Singles Chart while topping triple j's Hottest 100 poll for 2010 and winning the ARIA Award for Single of the Year. Internationally, it reached number 20 on the New Zealand Singles Chart and garnered over 500 million Spotify streams, earning gold certification in the United States from the RIAA for 500,000 units sold; in Australia, it was certified 11× platinum by ARIA for 770,000 units. The official music video, directed by Kiku Ohe, depicted a dreamlike journey, enhancing its romantic, escapist appeal.[119][120][121][122][123][46] "Chateau," issued on 25 August 2017 as the second single from Snow, peaked at number 26 on the ARIA Singles Chart and spent 13 weeks on Australian charts overall. The track, inspired by the Chateau Marmont hotel in Los Angeles, featured a laid-back, summery vibe with the duo's signature harmonies. Its music video, directed by Jessie Hill, captured a whimsical road-trip narrative, while a remix by Holmsey added electronic elements for broader dance appeal. The song amassed over 250 million Spotify streams, highlighting its enduring popularity, and was certified triple platinum by ARIA.[124][125][126][108] In 2024, "Losing You" was released on 5 April as a single from Cape Forestier, showcasing a vintage-tinged, harmonious balladry that drew from the duo's parental influences in 1970s folk. The official music video portrayed emotional vulnerability through simple, evocative visuals. As of November 2025, it has accumulated over 4.3 million Spotify streams, reflecting steady streaming growth without immediate major chart peaks.[127][128][129] Life Is Strange, the original soundtrack for the video game Life is Strange: True Colors, was released on 20 August 2021 via BMG, entering the ARIA Albums Chart at number 16.[130]Awards and nominations
ARIA Music Awards
Angus & Julia Stone have been recognized multiple times at the ARIA Music Awards, Australia's leading music accolades, reflecting their impact on the folk, indie, and alternative scenes. Their debut album A Book Like This (2007) earned six nominations at the 2008 ceremony, including Best Group, Best Blues and Roots Album, Breakthrough Artist – Album, Breakthrough Artist – Single for "The Beast", Best Video for "Just a Boy", and Best Cover Art, marking their early breakthrough despite no wins.[35] The duo achieved major success at the 2010 ARIA Music Awards for their second album Down the Way, securing five wins from nine nominations. These included Album of the Year, Best Adult Alternative Album, Single of the Year for "Big Jet Plane", Best Cover Art, and Producer of the Year (shared with Nick DiDia). The ceremony highlighted their rising prominence, with a live performance of "Big Jet Plane" showcasing their harmonious sibling vocals and acoustic style.[6][131][132] Subsequent releases continued to garner acclaim. Their self-titled third album (2014) received a nomination for Best Rock Album.[133] Snow (2017) was nominated for Best Blues and Roots Album at the 2018 ARIA Music Awards.[134] In 2021, they won Best Original Soundtrack or Musical Theatre Cast Album for Life Is Strange, their contribution to the video game series, underscoring their versatility in multimedia projects.[88][135] Their latest album Cape Forestier (2024) earned a nomination for Best Adult Contemporary Album at the 2024 ceremony.[136] As of 2025, Angus & Julia Stone have won 6 ARIA Awards from more than 20 nominations across their career, with their 2010 sweep establishing key context for their enduring influence in Australian music.| Year | Category | Work | Result |
|---|---|---|---|
| 2010 | Album of the Year | Down the Way | Won |
| 2010 | Best Adult Alternative Album | Down the Way | Won |
| 2010 | Single of the Year | "Big Jet Plane" | Won |
| 2010 | Best Cover Art | Down the Way | Won |
| 2010 | Producer of the Year | Down the Way (with Nick DiDia) | Won |
| 2021 | Best Original Soundtrack or Musical Theatre Cast Album | Life Is Strange | Won |