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Animedia

Animedia (アニメディア) is a Japanese monthly magazine dedicated to anime and related entertainment media, offering comprehensive coverage of the industry through news, episode previews, voice actor interviews, cast and staff details, broadcast schedules, and exclusive features. Established in June 1981 by Gakken Plus, it serves as a key resource for anime enthusiasts seeking in-depth insights into ongoing and upcoming series. Currently published by IID, Inc., following the company's acquisition of the title and its sister publications in December 2019, Animedia maintains its position as a longstanding pillar in Japan's anime journalism landscape. Originally launched under Gakken Holdings (formerly Gakken Kenkyusha), Animedia emerged during a period of growing popularity for in , filling a niche for dedicated print coverage of television animations and related content. The magazine quickly became known for its accessible style, blending informative articles with visual elements to appeal to a broad readership, from casual viewers to dedicated fans. By 2020, it marked its 39th anniversary with special issues highlighting iconic series like Demon Slayer: Kimetsu no Yaiba and , underscoring its enduring relevance in chronicling anime's evolution. Animedia's content emphasizes high-quality production values, including full-color illustrations, posters, and supplementary materials that accompany each issue, making it a collectible item as well as an informational guide. Issues typically feature spotlights on seasonal anime releases, event reports from conventions, and collaborations with merchandise lines, such as figures and apparel tied to popular franchises like Gundam and NieR. In addition to its print edition, the magazine has expanded digitally since 2017, allowing subscribers access to electronic versions for broader reach. It had a sister title, Seiyū Animedia, which focused specifically on voice acting until its discontinuation in 2024, having been part of IID's portfolio since the 2019 acquisition. Throughout its history, Animedia has played a notable role in promoting culture by providing timely updates and exclusive content that influence fan discussions and industry trends. With regular issues continuing into 2025, it remains a vital source for navigating the expansive world of Japanese animation, adapting to digital shifts while preserving its tradition of engaging, visually rich storytelling.

History

Founding and early years

Animedia was first published on June 9, 1981, by Gakken Holdings as a monthly magazine focused exclusively on , entering the market as the fourth major anime publication and the second-oldest still in print after Animage. The inaugural July 1981 issue was priced affordably to attract younger readers, reflecting Gakken's strategy as a mainstream educational publisher to capitalize on the burgeoning anime industry amid Japan's 1980s anime boom, driven by hits like . In its early years, Animedia emphasized practical content such as news updates, detailed staff and cast profiles, and TV broadcast schedules, setting it apart by prioritizing voice actor features and reader-submitted artwork over extensive production analyses found in competitors. This approach fostered strong fan engagement during a period when anime viewership surged, with the magazine replacing Gakken's prior column in The Best One and quickly establishing itself as a key resource for enthusiasts tracking the medium's expansion. It incorporated dynamic elements, including exclusive interviews with creators and advance previews of upcoming series. The magazine features annual reader-voted Anime Character Awards. Entering the 1990s, the magazine achieved prominence as one of Japan's top three anime periodicals alongside Animage and Newtype, while ranking among the nation's top 10 best-selling anime magazines.

Acquisition by IID

On December 19, 2019, media company IID announced and completed its acquisition of several anime-related assets from Gakken Plus, marking a significant ownership transition for the long-standing magazine Animedia. The transferred assets included the monthly anime magazine Animedia, its sister publication Seiyū Animedia focused on , various irregularly published mooks (one-shot magazine books), and the Chō! Animedia website. This deal integrated these properties into IID's portfolio, which already encompassed prominent anime news platforms like Anime! Anime!. The acquisition aligned with IID's strategic expansion in the anime media sector, aiming to strengthen its services amid Japan's growing by combining Animedia's established fanbase with IID's digital expertise in areas such as , streaming, and overseas market outreach. For Gakken Plus, the transfer reflected a broader shift away from entertainment publishing, allowing the company to refocus on its core educational and media operations as part of ongoing business restructuring. Post-acquisition, IID's combined web properties, including Chō! Animedia, reported over 2 million monthly visitors and 20 million page views, underscoring the immediate in digital reach. In the short term, the acquisition had minimal disruptions to operations, with Animedia maintaining its monthly publication schedule and core format unchanged. However, enhanced digital integration began in 2020, including cross-promotions with IID's websites and announcements of future initiatives at events like , which aimed to bolster online engagement and multimedia content delivery. In May 2024, the sister publication Seiyū Animedia ceased publication after 20 years.

Publication Details

Format and distribution

Animedia is published in variant size and is priced at 1,100 JPY (tax included). The magazine follows a consistent schedule, with new issues released on the 10th of each month. Distribution occurs primarily through major Japanese channels, including bookstores such as Kinokuniya, convenience stores like and , and online retailers including Amazon Japan. Internationally, it is available via specialty anime shops and e-commerce platforms like and HobbyLink Japan. Issues often include supplementary items such as double-sided posters, clear files, or photo cards featuring content from highlighted series.

Circulation and sales

Animedia achieved its peak circulation during the and , which positioned it as one of Japan's leading anime magazines at the time. By the late , however, print circulation began to decline amid broader shifts in the media industry, dropping to approximately 96,000 copies in 2009. Following its acquisition by IID in 2019, Animedia's print circulation stabilized at lower levels, averaging around 28,700 copies monthly as of October 2018 to September , with no more recent certified print figures publicly available. This post-2019 trend reflects a consistent but reduced print presence, with occasional boosts from popular tie-ins, such as special features and covers for series like BanG Dream! Ave Mujica in the April 2025 issue. Key factors influencing Animedia's market performance include strategic tie-ins with trending , exemplified by the December 2025 issue's announced cover featuring characters from : The Animation, which helps drive issue-specific sales. The overall decline in print media consumption has been partially offset by growth in digital subscriptions and online content, allowing the magazine to maintain relevance in the anime hobby sector despite lower physical copy numbers. Issues from 2024-2025 continue to perform within the and hobby magazine category, benefiting from the stabilizing influence of IID's management.

Content and Features

Regular sections

The regular sections of Animedia form the backbone of its monthly issues, providing consistent coverage of ongoing and upcoming series to inform and engage its readership. These sections emphasize detailed episode guides, premiere dates, and synopses for new and continuing shows, often including broadcast schedules and cast announcements to help fans plan their viewing. For instance, previews for series like Yoroi Shin Densetsu: Samurai Torūpā highlight key plot points and voice actor lineups in structured formats with visual aids such as and episode breakdowns. Interviews constitute a prominent recurring feature, offering in-depth discussions with key creative personnel in the industry. These Q&As typically explore production insights, development, and personal anecdotes from voice actors, directors, and animators, spanning 4-8 pages per issue. Such conversations are sourced directly from studio collaborations, providing exclusive content that bridges creators and audiences. spotlights dedicate space to in-depth profiles of prominent figures from featured , combining high-quality artwork, voice actor commentary, and to deepen fan appreciation. These segments often include original illustrations, background , and tie-ins, focusing on one or two characters per series to avoid overwhelming detail. For example, a recent spotlight on Ruka Sarashina from Kanojo, Okarishimasu featured swimsuit artwork alongside actor insights into the character's evolution across seasons. This format prioritizes visual storytelling and contextual depth over exhaustive lists. Industry news rounds out the core content with timely updates on anime production trends, major events, and ancillary developments like music collaborations or conventions. Coverage includes announcements of theme songs, such as GLAY's contribution to Shuumatsu no Valkyrie Season 3, and reports on events like , emphasizing their impact on the broader anime ecosystem without delving into exhaustive event recaps. These updates, drawn from official press releases and insider reports, maintain a concise yet informative tone to keep readers abreast of evolving industry dynamics.

Special issues and supplements

Animedia has produced several irregular mooks, which are standalone publications focused on specific anime series or milestones, often serving as comprehensive retrospectives or commemorative volumes. One prominent example is the July 2011 issue's special supplement, "Animedia: The 30th Anniversary Magazine," a memorial book that covered key anime series from the magazine's founding in 1981 through 2011, including exclusive content and historical overviews. Other mooks include dedicated editions for series like , with a 2000 memorial book compiling production details and artwork. Supplements accompanying regular issues frequently feature anime-specific bonuses to enhance collector appeal, such as double-sided s and exclusive artwork. For instance, the April 2021 issue included a double-sided tied to Hetalia and Shinkalion, providing promotional visuals for . More recently, the April 2025 issue spotlighted BanG Dream! Ave Mujica on the cover with special artwork by character designer Sakiko Togawa, offering fans unique illustrations not available elsewhere. Themed issues often align with anniversaries or high-profile events, sometimes prompting additional print runs due to demand. The February 2024 edition, featuring : The Witch from Mercury, saw heightened interest as part of the franchise's popularity surge, leading to expanded availability. Similarly, past anniversary editions have included bonus content like clear files or posters to mark milestones. Collaborations with and properties extend through supplements, integrating promotional elements into issues. The June 2025 issue highlighted with cover features on characters Nico Wakatsuki, Morihito Otogi, and Kanshi Kazamatsuri, including character visuals and series previews to coincide with the anime's adaptation. These extras, such as posters or artwork, differentiate special content from monthly staples, fostering deeper engagement with targeted franchises.

Awards and Recognition

Anime Character Awards

The Anime Character Awards, known in Japanese as Dokusha ga Erabu Anime Kyara Taishō (読者が選ぶアニメキャラ大賞), is an annual reader-voted poll featured in Animedia magazine that ranks characters from anime series broadcast in the previous calendar year. The awards emphasize individual character appeal across multiple categories, distinguishing them from series-level popularity contests by focusing on traits like personality, design, and impact on fans. Results are traditionally published in the magazine's February issue, accompanied by illustrations, reader comments, and analysis of voting trends. The voting process relies on submissions from Animedia's readership, initially collected via postal mail in the magazine's early decades and later supplemented by and forms as access expanded. Readers nominate and rank characters in predefined categories, with the editorial team tallying votes to determine winners. Categories have evolved over time but typically include straightforward descriptors such as "most popular," "coolest," "cutest," "funniest," and "most memorable," allowing voters to highlight diverse aspects of character design and . This format encourages broad participation, with results often reflecting seasonal trends in broadcasts. Notable outcomes showcase shifts in fan preferences across eras. In the 1980s, characters from mecha series like dominated early polls, with protagonists and rivals from franchises such as Z Gundam (1985) frequently topping "coolest" and "most popular" lists due to their iconic roles in the genre's . By the 2010s and 2020s, awards highlighted diverse winners; for instance, in 2019, characters from Demon Slayer: Kimetsu no Yaiba secured 11 crowns across categories like "most popular male" () and "cutest female" (), marking the series' explosive popularity. More recently, in 2023, characters, including Suletta Mercury and Miorine Rembran, claimed multiple top spots in "most popular" and "best couple" categories, underscoring the enduring appeal of archetypes. These results are illustrated in the magazine with custom artwork and voter testimonials, providing insight into cultural moments in fandom. In 2024, characters from and featured prominently in top categories, reflecting ongoing trends in fantasy and historical . The awards experienced minor interruptions in the early 2010s due to editorial restructuring at Animedia, with the 2011 and 2012 editions de-emphasized from the issue's lead feature but still published. They resumed full prominence in 2013 with expanded categories to accommodate growing output, including sub-genres like and series. This adaptation has kept the awards relevant, capturing evolving voter demographics while maintaining their core focus on character-centric acclaim.

Readers’ Choice Best Anime

The Readers’ Choice Best Anime poll, conducted annually by Animedia, solicits reader votes to rank the most popular television series across history, providing insights into evolving fan preferences and cultural trends in Japanese animation. Initially launched in as the "Top 10 Most Popular TV Anime," the feature appeared in the magazine's February issue, focusing on standout series from the prior year based on mailed-in ballots from subscribers. This format emphasized timely popularity, capturing the excitement around fresh broadcasts and often spotlighting genre-defining works. By 2009, the poll underwent significant evolution, shifting to a comprehensive all-time ranking titled "Readers’ Choice Best " and relocating to the issue to align with Animedia's founding anniversary celebrations. Expanded from a simple top 10 to lists of 10 to 20 series, the results now incorporate selected reader comments, offering qualitative context alongside quantitative tallies and fostering deeper engagement with the community. Votes were traditionally collected via postal submissions, but the scope broadened to encompass the entire anime legacy rather than just recent releases, allowing classics to compete with modern hits. This change marked a pivot toward historical reflection, with the July placement ensuring prominent visibility as a lead feature in the commemorative edition. The feature was occasionally de-emphasized from the lead position in the July issue in 2010, 2013, and 2014 due to editorial decisions, but polls were still conducted. It was revitalized post-2015 through the introduction of online voting options, which increased and boosted turnout by allowing digital submissions alongside print ballots. This hybrid methodology has stabilized the poll, typically drawing thousands of votes and enabling broader demographic reach while maintaining its reader-driven integrity. Historically, the poll reflects anime's genre shifts: in the , mecha series dominated rankings, underscoring the decade's obsession with epic robot battles and sci-fi narratives, as seen in frequent top placements for works like and . By the 2020s, results highlighted diverse contemporary favorites, signaling a surge in idol and band-themed anime's enduring appeal among younger readers. These outcomes not only chronicle fan tastes but also influence industry perceptions of long-term success.

Sister publications

Animedia has several sister publications under the same publisher, IID, which acquired them in 2019 along with the main magazine. One prominent sister title is Seiyū Animedia, a monthly magazine launched in 2004 that specializes in coverage of voice actors, including in-depth interviews and features on their work in and related . Focused on the seiyū industry, it complemented Animedia's broader content by emphasizing performer profiles and industry insights. The publication ran for 20 years before ceasing, with its final issue announced on May 28, 2024. Another sister publication is Pash!, a monthly targeted at audiences with and related content, which continues to publish issues as of 2025. Animedia also produces premium variants such as Animedia Deluxe and Animedia Deluxe Plus, which offer extended interviews, high-quality artwork, and full-color visual features, often highlighting characters or specific themes. These are published irregularly as editions or mooks rather than on a fixed monthly schedule, with examples including Animedia Deluxe Plus Vol. 2 released in September 2016 and subsequent volumes focusing on curated illustrations from Animedia's archives. In addition, Animedia oversees other anime-specific one-shot mooks, such as guidebooks and special series overviews from the 2020s, which share branding and occasionally incorporate content from the core magazine to provide focused, collectible explorations of popular franchises. These sister publications interconnect through shared editorial staff and cross-promotions under IID, enabling content synergy like featured voice actor spotlights that bridge seiyū-focused and general coverage.

Digital presence

Animedia maintains a robust through its official website, ! Animedia, which was launched prior to and significantly expanded following IID's acquisition of the magazine in December . The site serves as a central hub for enthusiasts, offering comprehensive article archives spanning past issues, up-to-date news on releases, voice actor interviews, and merchandise announcements, such as collaborations for series like and . Additionally, it features interactive elements like exclusive online polls, including reader rankings for popular archetypes, to engage the community beyond print content. The magazine's social media presence centers on its official X (formerly Twitter) account, @iid_animedia, which remains active as of 2025 and is used primarily for promoting new issues, sharing cover reveals, and posting teasers for upcoming features. Digital editions of Animedia have been available since April 2017 via platforms like Japan, Books, and other Japanese e-bookstores, allowing subscribers access to full issues in electronic format. This shift provides partial free content on the Chō! Animedia website, including select articles and previews, strategically designed to drive interest in physical subscriptions while broadening accessibility. In recent years, Animedia has adapted to digital trends by increasing online-exclusive content, particularly Q&A sessions with voice actors and creators, amid the cessation of its sister publication Seiyū Animedia after the Summer 2024 issue. A notable example is the 2025 birthday feature for the duo cozmez from Paradox Live, featuring personalized comments and responses published digitally to celebrate their December 24 shared birthday, highlighting the magazine's pivot toward web-based fan engagement.

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