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Ashley Hicks


Ashley Hicks (born 1963) is a British architect, interior designer, and author known for blending historical influences with eclectic, provocative aesthetics in furniture, textiles, and built environments.
The son of the celebrated 20th-century interior designer David Hicks, he trained at the Architectural Association in London and initially collaborated briefly with his father before founding his independent practice. Hicks has extended his father's geometric and colorful legacy through licensed collections of fabrics, wallpapers, and carpets under the David Hicks by Ashley Hicks imprint since 2003, while developing his own furniture lines, such as the 1997 Jantar Mantar series crafted with Indian artisans.
His authorship includes detailed works on design history, such as David Hicks: Designer (2002), David Hicks: A Life of Design (2009), and Buckingham Palace: The Interiors (2018), alongside explorations of landmark interiors like Knole. In practice, Hicks has undertaken residential and commercial projects across the UK, Europe, and the United States, producing custom objects like resin gem towers and hand-painted panels, and recently revitalizing his father's former Albany apartment in London with murals and bespoke furnishings that echo yet diverge from familial precedents.

Early life and education

Childhood and upbringing

Ashley Louis David Hicks was born on 18 July 1963 in London to the British interior designer David Nightingale Hicks and Lady Pamela Hicks (née Mountbatten), daughter of the last Viceroy of India, Louis Mountbatten. He was the second of three children, with an older sister, Edwina (born 1961), and a younger sister, India (born 1967). Hicks spent much of his early years at Britwell House, a stately country home in that his father maintained as a showcase for his interior designs, complete with a uniformed and a Rolls-Royce in the driveway. The household reflected David Hicks's perfectionist aesthetic, with every detail curated to exemplify his professional work, which included high-profile commissions like the Nixon and . Family life emphasized luxury and display, though dominated by the father's exacting standards; Lady Pamela had limited influence over the home's decoration, often finding her husband's social climbing embarrassing. Summers were spent holidaying in Ireland, and Christmases at the estate, . In 1979, at age 16, the family sold Britwell amid David Hicks's business difficulties and relocated to The Grove, an estate in surrounded by wheat fields, where the children enjoyed outdoor freedoms like four-wheeler rides amid more nostalgic, treasure-filled surroundings that preserved elements of their father's legacy. Hicks later described his upbringing as "fabulous," despite the controlling dynamics shaped by his father's insecurities and temper, which immersed him from a young age in a world of sophisticated design and . This environment, blending aristocratic maternal heritage with paternal creative ambition, fostered his early exposure to aesthetics and craftsmanship.

Architectural training

Ashley Hicks initially studied painting and fine art at the Bath Academy of Art, graduating from the institution before pursuing specialized architectural training. He then trained at the in , a prestigious school known for its approach to design education. This training provided foundational skills in architectural principles, which he later applied to , furniture, and decorative projects, though specific dates of attendance or formal qualifications from the AA remain undocumented in primary sources. His architectural education complemented his artistic background, enabling a multidisciplinary practice that emphasized bold geometries and pattern-making influenced by mid-20th-century .

Family background

Paternal heritage

David Nightingale Hicks (1929–1998), Ashley Hicks' father, was an influential English interior decorator and designer celebrated for pioneering bold color palettes, geometric patterns, and the fusion of traditional antiques with modernist elements in mid-20th-century interiors. Born on 25 March 1929 in , , David was the son of Herbert Hicks, a , and his wife Iris Elsie (née Platten). The Hicks family on the paternal side traced its roots to middle-class English origins in , with no documented ties to or , in contrast to the prominent and viceregal connections on Ashley's maternal line. Herbert Hicks, born around 1863 and died in 1941, worked as a and married Elsie Platten on 22 June 1910 in , ; the couple raised their family, including and two other children, in the region's commercial milieu. This unpretentious financial background provided David with a stable upbringing that informed his later ascent from education at and the Central School of Arts and Crafts to international design acclaim, though it offered little in hereditary prestige or inherited wealth.

Maternal royal connections

Lady Pamela Hicks, Ashley Hicks' mother, was born Pamela Carmen Louise Mountbatten on April 19, 1929, as the younger daughter of Louis Mountbatten, 1st Earl Mountbatten of Burma—a British naval officer, statesman, and the last Viceroy of India—and Edwina Ashley, Countess Mountbatten. Louis Mountbatten, who was assassinated by the IRA on August 27, 1979, held the title of great-uncle to Prince Philip, Duke of Edinburgh, through his sister Alice, making Pamela Hicks a first cousin once removed to Prince Philip and thereby linking the family to the House of Windsor. Pamela Hicks served as a bridesmaid at the wedding of Queen Elizabeth II and Prince Philip on November 20, 1947, in , one of eight young women selected for the honor, which underscored her proximity to the royal circle during a pivotal postwar moment. She later acted as a and extra lady-in-waiting to II, beginning in the and continuing into the , providing personal support during state visits and family events, including accompanying the Queen on tours to and in 1953–1954. These ties position Ashley Hicks as the grandson of the Earl Mountbatten, inheriting a maternal lineage intertwined with British aristocratic and royal history, though the connections are collateral rather than direct descent from the sovereign. The Mountbatten family's influence extended through naval and viceregal roles, with Edwina Mountbatten's own social prominence—stemming from her Ashley banking heritage—further embedding the lineage in elite circles, albeit marked by personal complexities such as the couple's acknowledged .

Mountbatten family tragedy

On August 27, 1979, Louis Mountbatten, 1st Earl Mountbatten of Burma—Ashley Hicks's maternal grandfather—was assassinated by the (IRA) via a bomb planted on his fishing boat, Shadow V, off the coast of , . The 50-pound (23 kg) explosive, detonated remotely by IRA member Thomas McMahon after , ripped apart the vessel during a family outing, killing Mountbatten instantly along with his 14-year-old grandson Nicholas Knatchbull (son of Mountbatten's elder daughter, ), 15-year-old local crew member , and Doreen, Dowager Baroness Brabourne (Nicholas's grandmother), who succumbed to her injuries the following day. The blast also severely injured four others aboard: Patricia Knatchbull (Mountbatten's daughter), her husband John Brabourne (2nd ), their surviving twin son Timothy Knatchbull (14), and Brabourne's mother-in-law. and accomplice Francis McGirl were convicted in 1980 for the attack, part of the IRA's campaign targeting British establishment figures amid ; received a life sentence but was released in 1998 under the . The occurred hours before the , which killed 18 British paratroopers, marking one of the IRA's most lethal days. For the Hicks branch of the family, the loss compounded grief as Nicholas was Ashley Hicks's first cousin once removed and the nephew of his mother, Lady Pamela Hicks (Mountbatten's younger daughter). Lady Pamela, informed of the bombing while at home, later described the day as devastating and drew on Mahatma Gandhi's philosophy of non-violence—which her father had admired—to forgive the perpetrators, stating in a 2017 interview that harboring hatred would only perpetuate suffering. Queen Elizabeth II reportedly consoled her with the words, "Nothing can bring him back, but one must live for the living," reflecting the personal toll on Mountbatten's daughters and their descendants. The tragedy severed a key link to British naval and viceregal heritage, leaving a lasting shadow over the family's public and private spheres.

Career in design and arts

Early professional experience

Following his architectural training at the Architectural Association in and earlier studies at the Bath Academy of Art, Ashley Hicks briefly collaborated with his father, the prominent interior designer , in the family firm. He soon transitioned to independent work, designing furniture and carpets for high-profile clients including . In 1997, Hicks introduced his debut furniture collection, , which included a modern reinterpretation of the ancient Greek chair. Early in his solo practice, Hicks also handcrafted decorative objects such as cabinet handles and candlesticks using polymer clay, laying the groundwork for his multidisciplinary approach blending architecture, interiors, and artisanal production.

Independent projects and commissions

Ashley Hicks established an independent design practice encompassing interior commissions, custom murals, and furniture production. His projects include residential interiors such as an apartment in Milan, a villa in Turin, two houses in Chelsea, London, and schemes featuring elements like butterflies in Kensington and a glass box structure. He has also designed commercial and exhibition spaces, including the Buccelati Tent and an installation at Nilufar Depot. A key aspect of Hicks's commissions involves hand-painted murals for private rooms, applied directly to walls, hessian fabric, or custom wallpaper. These works incorporate client-specific details alongside historical inspirations, such as reinterpreting ’s Sistine Chapel figures in chiaroscuro style for an Oxfordshire bathroom or adapting ’s Paestum etchings for a Milanese sitting room. In furniture design, Hicks introduced his inaugural independent collection, Jantar Mantar, in 1997, which featured a modern take on the ancient Greek Klismos chair. From 2012 onward, he has crafted bespoke objects including carved and gilded furniture, painted resin mirror frames, and Totem sculptures in resin, clay, and gilt bronze, distributed through galleries like R & Company in New York. These efforts extend to product lines such as the Ashley Hicks Textures fabrics and carpets produced in collaboration with Alternative Flooring.

Photography and artistic pursuits

Ashley Hicks has extended his creative practice into , producing hand-painted panels on burlap that depict panoramic cityscapes, alongside sculptures and furniture inspired by historical objects and natural formations such as , rocks, and . Since 2012, he has handcrafted decorative objects, including carved and gilded wooden console tables, mirror frames in painted , and totems mimicking facets. His artistic output often incorporates materials like cast in for cabinet handles and candlesticks, reflecting a tactile approach influenced by his architectural training and familial design legacy. Hicks' first solo exhibition, "Manhattan Studiolo," opened on September 10, 2019, at R & Company gallery in New York, presenting immersive installations evoking Renaissance studioli with vibrant, eccentric motifs drawn from historical interiors. This was followed by "Manhattan Stones," his second solo show at the same venue from April 25 to August 9, 2024, featuring gemstone-inspired mirrors and stone-like forms that blend architectural precision with organic abstraction. In , Hicks documents historic interiors and architectural details, contributing images to design publications and maintaining a personal archive shared via , which underscores his affinity for opulent, layered environments. His photographic work appears in books like , where it captures the estate's elaborate rooms in high detail, emphasizing texture and grandeur. These pursuits complement his commissions, often serving as visual records or inspirations for painted or sculpted interpretations of the same subjects.

Personal life

Marriages and relationships

Hicks married Italian-born textile and designer Marina Allegra Federica Silvia Tondato, known professionally as Allegra Hicks, in 1990. The union lasted 19 years, ending in divorce in 2009. In 2015, Hicks wed American entrepreneur Kathryn "Kata" Sharkey de Solis following a brief courtship initiated on Instagram. The ceremony took place at his Oxfordshire country home. The marriage dissolved in 2018, with de Solis pregnant at the time of separation; reports indicated Hicks had confessed to an extramarital affair. Subsequently, Hicks entered a with Italian publisher Martina Mondadori Sartogo, a mutual acquaintance of de Solis and founder of Cabana magazine; the affair reportedly began during a June 2018 business trip to Italy. Though briefly described as ended by Sartogo's publicist in late 2018, the couple reconciled and have since collaborated on design projects, sharing residences including a apartment redecorated by Hicks. As of November 2024, they remain partners.

Children and family dynamics

Ashley Hicks has two daughters from his first marriage to fashion designer Allegra Hicks (née Marina Allegra Federica Silvia Tondato), which ended in prior to 2015. The elder daughter, Angelica Hicks, was born in 1993; she is an illustrator whose works have appeared in publications such as and Cabana, and she collaborated with . The younger daughter, Ambrosia Hicks, was born in 1998. From his second marriage to Katalina "Kata" Sharkey de , which took place in 2015 and ended in separation in 2018, Hicks has two sons. The first, Caspian Donald Hicks, was born on January 21, 2018, with his birth announced via an artwork by illustrator Donald Robertson depicting the infant as a . The second son, Horatio Valentine Christopher Alessandro Hicks, was born in February 2019, around , while his mother was navigating the separation. Family dynamics have been marked by tensions arising from Hicks' marital separations. During the 2015 wedding to de Solis, Hicks' elder daughter reportedly shoved the bride's face into the wedding cake amid high-spirited antics, reflecting potential friction in blending families. The 2018 separation from de Solis occurred while she was pregnant with their second child; Hicks began a with Martina Mondadori Sartogo, a close friend of de Solis and godmother to , leading to public reports of acrimony. De Solis has emphasized prioritizing the children's well-being post-separation, maintaining residences in and to facilitate co-parenting.

Marital controversies and separations

Ashley Hicks' first marriage to Italian designer Allegra Hicks (née Tondato) ended in separation after 19 years, with the couple parting ways in 2009. The divorce was finalized around 2011, and the pair share two daughters, Angelica and Ambrosia. No public controversies were reported surrounding this dissolution, which friends described as a case of growing apart. Hicks' second marriage, to American fashionista Kata de Solis, began after they met on in early 2015, became engaged within a month, and wed later that year at his family home in . The union produced a son, , born on January 21, 2018, with de Solis pregnant with a second child by mid-2018. The couple separated in August 2018 after Hicks confessed to an extramarital affair with de Solis' close friend and Caspian's godmother, Martina Mondadori Sartogo, which began during a June 2018 business trip to , . De Solis, then seven months pregnant, relocated from their shared residence and initiated divorce proceedings. The separation escalated into public controversy when Hicks briefly pursued a relationship with Mondadori Sartogo, the editor-in-chief of Cabana magazine, only for that liaison to end within weeks. Divorce negotiations turned acrimonious by November 2018, with de Solis accessing emails from a shared computer that documented the affair—prompting Mondadori Sartogo's lawyer to accuse her of illegal acquisition and threaten litigation unless the messages were deleted. De Solis' legal team countered that the shared device rendered the emails legitimately obtainable, emphasizing the affair's timing during her pregnancy. Additional tensions arose from Hicks installing deadbolts at their Oxfordshire home, confining de Solis to a limited section of the property amid her advanced pregnancy, and prior family strains, including difficulties bonding with Hicks' elder daughter Angelica. In a 2019 interview, de Solis expressed resolve to prioritize her children's welfare, stating legal constraints prevented full disclosure but affirming family support for the initial marriage. Hicks and de Solis declined comment on the matter.

Published works

Design and interiors books

Ashley Hicks has authored several books focusing on interior design, historicist aesthetics, and architectural details, drawing from his own commissions and inspirations. His publications emphasize visual documentation through , often highlighting eclectic patterns, colors, and historical references that inform contemporary . In Ashley Hicks: Details, published by IDEA in 2017, Hicks presents a curated selection of photographic fragments from historic —ranging from ancient sites to modern designs—juxtaposed with elements from his own work. The book functions as both a personal portfolio and a sourcebook of decorative motifs, showcasing his approach to layering historical details in projects. It is currently . Rooms with a History: Interiors and their Inspirations, released by Rizzoli on September 17, 2019, explores twelve thematic chapters that reveal Hicks's creative methodology. It combines documentation of his quirky, colorful interiors with analyses of past designs, including influences from distant historical periods, serving as a guide for interior enthusiasts interested in historicist revival. The hardcover edition spans 256 pages and measures 9-1/8 by 12 inches. Hicks documented the opulent spaces of : The Interiors, published by Rizzoli in collaboration with the on September 25, 2018. The volume details the evolution of key state rooms, their furnishings, and artworks from the Royal Collection, captured via Hicks's daylight to emphasize grandeur and heritage. It comprises 256 pages in a 9-1/2 by 12-3/8 inch format.

Family legacy publications

Ashley Hicks has produced a series of publications focused on documenting and preserving the design legacy of his father, , a pioneering British interior designer known for his bold use of color, pattern, and in the mid-20th century. These works draw from family archives, including scrapbooks and photographs, to chronicle David Hicks's career, which spanned commissions for royalty and celebrities from the 1950s onward. In 2002, Hicks authored David Hicks: Designer, a biographical account framed as a personal memoir that details his father's evolution from landscape gardening to influential decorator, emphasizing innovations like geometric motifs and vibrant palettes adopted by clients such as the Prince of Wales. The book includes a foreword by Tom Ford and features archival images showcasing projects like the refashioning of royal residences. Subsequent efforts include David Hicks: A Life of , which expands on the biographical with comprehensive visuals of David Hicks's oeuvre, highlighting his role in bridging austerity with opulent, eclectic interiors. Hicks later curated David Hicks Scrapbooks (), selecting over 325 pages from his father's 25-volume collection of meticulously compiled —clippings, sketches, and letters—that span four decades of professional triumphs and personal milestones, from 1950s society events to 1980s global travels. A more recent addition, David Hicks In Colour, organizes the elder Hicks's designs into ten thematic portfolios by hue, revealing previously unpublished material on color experimentation that influenced contemporary aesthetics, with an introduction by underscoring its enduring impact. Through these volumes, Ashley Hicks not only safeguards familial artifacts but also positions David Hicks's contributions—such as pioneering printed carpets and modular furniture—as foundational to 20th-century .

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