Baest
Baest is a Danish death metal band formed in 2015 in Aarhus, initially named Bæst after the Danish word for "beast" or "brute," known for their aggressive sound blending old-school death metal with thrash influences and a signature buzzsaw guitar tone achieved via the BOSS HM-2 pedal.[1] The band, consisting of vocalist Simon Olsen, guitarist Lasse Revsbech, guitarist Svend Karlsson, bassist Mattias Melchiorsen, and drummer Sebastian Abildsten, rose to prominence with their debut album Danse Macabre in 2018, establishing them as a dominant force in modern metal through relentless riffs, charismatic live performances featuring windmill headbanging, and themes of apocalypse and misanthropy.[2] Since their inception, Baest has released a series of critically acclaimed albums, including Venenum (2019), Necro Sapiens (2021), and the EP Justitia (2022), which won the GAFFA Award, followed by their fourth studio album Colossal on August 15, 2025.[2][3] Across their discography of four studio albums, two EPs, and over 40 original tracks, they have amassed millions of streams for hits like "Genesis," "Ecclesia," and "Crosswhore."[2] They have performed more than 350 shows worldwide, sharing stages with acts such as Krisiun, Abbath, and Entombed A.D. at major festivals including Wacken Open Air, Brutal Assault, and Bloodstock Open Air, drawing crowds of up to 35,000.[2] In 2024, Baest were named Artist of the Year at the Den Hårde Tone awards, solidifying their reputation for high-energy live sets and praise from outlets like Metal Hammer and New Noise Magazine.[2]History
Formation and early years
Baest was formed in Aarhus, Denmark, in late 2015 by vocalist Simon Olsen, drummer Sebastian Abildsten, guitarists Lasse Revsbech and Svend Karlsson, and bassist Mattias Melchiorsen.[4][5] The quintet, all longtime friends from the local metal scene, came together with the goal of creating aggressive death metal rooted in classic influences.[6] Originally named Bæst—the Danish term for "beast" or "brute"—the band changed their moniker to Baest in 2016 to facilitate broader international recognition.[7] This adjustment coincided with their initial creative efforts, as the members began intensive rehearsals to craft a groove-heavy death metal sound characterized by pounding rhythms and thrash-infused riffs.[1] In 2016, they self-released a self-titled demo that showcased their raw, brutal style and helped solidify their presence in Denmark's underground metal community.[7] Later that year, Baest recorded and independently released their debut EP, Marie Magdalene, on October 1 through Goatboil Productions, marking their first official output with tracks like "Djævel" and "Rape the Blessed" that highlighted their ferocious energy.[8] The EP received positive feedback from local metal circles and served as a foundation for their growing reputation.[9] To promote their material, Baest embarked on initial live performances across Denmark, focusing on small club venues in Aarhus and surrounding areas, where they built a dedicated local following through over 40 shows in their debut year alone.[10] These early gigs emphasized their high-energy stage presence, including signature windmill headbanging, and helped refine their cohesive sound with the lineup remaining unchanged since inception.[1][5]Debut and breakthrough
In March 2018, Baest signed a worldwide deal with Century Media Records, which facilitated broader international distribution and marked a pivotal step in elevating the band from the underground scene.[11] This partnership enabled the release of their debut studio album, Danse Macabre, on August 17, 2018. Produced by Andreas Linnemann and mastered by Lawrence Mackrory, the album showcased the band's ferocious death metal sound through tracks like "Crosswhore," which quickly amassed significant streaming attention prior to the full release. Critics praised its brutal, HM-2-driven riffs and unrelenting aggression, positioning it as a strong entry in the old-school death metal revival.[12][13] Building on this momentum, Baest issued their second album, Venenum, on September 13, 2019, also via Century Media. The record delved deeper into thematic explorations of apocalypse, deadly sins, religion, and punishment, maintaining the band's signature intensity while refining their sonic palette. Once again produced by Andreas Linnemann, Venenum received acclaim for its precise execution and thematic depth, further solidifying Baest's reputation for high-energy death metal.[14][7] The period surrounding these releases saw Baest embark on extensive European tours, including support slots and headline dates across the UK, Benelux, Germany, and Poland, alongside festival appearances at events like Copenhell, Roskilde Festival, and Dynamo Metal Fest. By the end of 2019, the band had performed over 100 shows, cultivating a dedicated fanbase and establishing themselves as a prominent rising act in the European death metal landscape.[15][16]Recent developments
In 2021, Baest released their third studio album, Necro Sapiens, on March 5 via Century Media Records. Produced by Andreas Linnemann, the album explores themes of apocalypse, deadly sins, punishment, and religious brainwash, continuing the band's signature old-school death metal aggression while delving into darker lyrical territory.[17][18][7] The band followed up in 2022 with the EP Justitia, released on May 27, which featured four new tracks including guest vocals from Sven de Caluwé of Aborted on "Justitia" and Trevor Strnad of The Black Dahlia Murder on "Gargoyles", a cover of Entombed A.D.'s "Second to None," and an instrumental version of "Genesis" from Necro Sapiens. This release earned Baest the GAFFA-Prisen for Best Danish Hard Rock/Metal Release in 2023, marking their fourth win in the category and highlighting their growing domestic acclaim.[19][20] Post-COVID touring resumed vigorously, with Baest performing over 250 shows worldwide by mid-2025, including support slots for acts like Arch Enemy on their 2025 North American run and headline tours across Europe and North America. By late 2025, their total live performances exceeded 350, encompassing major festivals such as Wacken Open Air and Brutal Assault, solidifying their international presence.[21][22][21] In 2024, Baest were honored as Artist of the Year at Denmark's Den Hårde Tone awards, recognizing their rapid ascent in the metal scene. The band capped this period with the announcement and release of their fourth album, Colossal, on August 15, 2025, co-produced by Tue Madsen at Antfarm Studio. Featuring guest vocals from Jesper Binzer of D-A-D on the track "King of the Sun," the album shifts toward heavier metal elements, blending classic rock influences with death metal brutality for a more melodic yet ferocious sound.[2][23][3][24]Musical style and influences
Genre characteristics
Baest is classified as a death metal band, characterized by groove-heavy riffs that emphasize rhythmic drive and mid-tempo brutality, often incorporating subtle melodic undertones to add depth without diluting the aggression.[25][26][7] Their sound prioritizes crushing guitar tones with a buzzsaw edge, delivering a thick, low-end focused assault that maintains clarity in the chaos.[27] Signature elements include Simon Olsen's guttural, thunderous vocals, which combine expressive brutality with intelligible phrasing to convey raw intensity.[28][29] Drummer Sebastian Abildsten contributes precise double-bass patterns and dynamic fills that propel the mid-paced grooves, blending power and technical flair to support the band's relentless momentum.[30] Lyrically, Baest explores dark, existential concepts centered on apocalypse, deadly sins, religion, religious indoctrination, and punishment, eschewing overt political messaging in favor of thematic introspection.[7][31] The band's production style features a thick, modern polish that highlights low-end frequencies for maximum impact, achieved through collaborations with producers such as Andreas Linnemann and Tue Madsen.[32][3] In live performances, Baest exhibits high-energy charisma marked by windmilling headbanging and boundless stage movement, creating an untamed, engaging atmosphere that amplifies their brutal delivery.[33][34]Evolution and influences
Baest's early sound drew heavily from 1990s and 2000s death metal pioneers, incorporating Bolt Thrower's groove-laden war themes, Hypocrisy's melodic aggression, and Bloodbath's Swedish death metal style.[31] These influences shaped the band's initial raw intensity, emphasizing brutal riffs and thematic depth rooted in apocalypse and punishment.[31] The band's evolution began with their 2018 debut album Danse Macabre, which showcased raw brutality through fast-paced, mosh-inducing tracks driven by HM-2 pedal buzzsaw guitars.[35] By their 2019 follow-up Venenum, Baest refined their approach, delivering venomous riffs with greater structure and progressive elements, balancing heaviness with dynamic songwriting.[27] This progression continued on 2021's Necro Sapiens, where atmospheric depth emerged through eerie, dystopian soundscapes blending death, doom, and melodic passages for a more immersive experience.[36] In 2025's Colossal, Baest executed a bold reinvention, integrating heavy metal flair, faster tempos, and rock-infused catchiness while preserving their death metal core, resulting in arena-ready anthems that expanded their sonic palette.[37] This shift marked a post-pandemic evolution toward broader appeal without diluting their aggressive foundation.[37] Baest's creative process centers on authenticity, with riffs selected during rehearsals only if they elicit grins from all members, ensuring the music remains enjoyable and energetic.[2] Lyrics draw from personal experiences and biblical motifs, exploring themes like deadly sins, religious critique, and existential turmoil to infuse their work with raw, "beast"-like intensity.[2] The band deliberately avoids chasing trends, prioritizing genuine expression over popularity in heavy music.[38]Members
Current lineup
The current lineup of Baest consists of five members, all of whom have been with the band since its formation in 2015 (renamed from Bæst in 2016).[39][2][7]- Simon Olsen – lead vocals (2015–present): Renowned for his powerful and versatile growling delivery that drives the band's intense death metal sound.[40][41] He serves as the primary lyricist, crafting thematic content centered on apocalypse, religion, and punishment.[41]
- Lasse Revsbech – guitars (2015–present): Performs lead and rhythm guitar duties, playing a key role in crafting the band's aggressive, old-school death metal riffs.[42][4]
- Svend Karlsson – guitars (2015–present): Handles rhythm and lead guitar, contributing to the construction of the band's heavy, riff-driven grooves.[42][4]
- Mattias Melchiorsen – bass (2015–present): Delivers the low-end foundation that anchors Baest's crushing sound, with a focus on driving the rhythmic intensity.[30][4]
- Sebastian Abildsten – drums (2015–present): Provides technical and pounding rhythms that propel the band's high-energy performances.[43][44]
Timeline and contributions
Baest has maintained a stable lineup since its formation in 2015, with no former members or major personnel changes throughout its history.[7] This longevity is attributed to the strong interpersonal bonds among the members, often described in interviews as a "metal brotherhood" that emphasizes mutual support and shared passion for the genre.[45] This camaraderie has fostered a collaborative songwriting process, where ideas are collectively refined to shape the band's evolving sound.[45] Vocalist Simon Olsen, who joined at the band's inception, has shown significant evolution in his delivery, transitioning from raw, initial screams developed shortly before Baest's formation to a more nuanced and technically refined style capable of sustaining intense performances over extended tours.[46] Drummer Sebastian Abildsten has influenced the band's rhythmic dynamics, particularly through his contributions to tempo shifts in later releases, enabling seamless transitions from mid-tempo grooves to aggressive blasts that enhance the music's intensity.[47] The guitar duo of Lasse Revsbech and Svend Karlsson has driven riff innovation, crafting intricate and "disgusting" death metal patterns showcased in collaborative playthroughs and album tracks.[42] The band has recorded its core material without guest musicians, relying solely on the quintet—Olsen on vocals, Revsbech and Karlsson on guitars, Mattias Melchiorsen on bass, and Abildsten on drums—for studio albums up to Necro Sapiens.[7] Occasional features appear in live settings or specific tracks, such as Jesper Binzer of D-A-D providing guest vocals on "King of the Sun" from the 2025 album Colossal.[3]Discography
Studio albums
Baest's studio albums are as follows:| Title | Release date | Label | Number of tracks | Duration |
|---|---|---|---|---|
| Danse Macabre | August 17, 2018 | Century Media Records | 8 | 33:42 |
| Venenum | September 13, 2019 | Century Media Records | 9 | 40:07 |
| Necro Sapiens | March 5, 2021 | Century Media Records | 10 | 44:00 |
| Colossal | August 15, 2025 | Century Media Records | 9 | 42:00 |
Venenum was the band's sophomore effort.[14][50][51]
Necro Sapiens marked the band's third album.[52][53][54]
Colossal is the band's fourth album, featuring guest appearances.[55][3][56]