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Be Myself

Be Myself is the tenth studio album by American singer-songwriter Sheryl Crow, released on April 21, 2017, through Warner Bros. Records. Co-produced by Crow and her longtime collaborator Jeff Trott, the album marks a return to her signature rock sound after her previous country-influenced release Feels Like Home (2013). Featuring 11 original tracks, including the title song "Be Myself" and "Halfway There" with guest guitarist Gary Clark Jr., it blends pop-rock elements with personal lyrics exploring themes of resilience and self-acceptance. Critics praised Be Myself for its energetic production and Crow's revitalized performances, with Rolling Stone calling it her "toughest, best in a decade." The album debuted at number 22 on the US Billboard 200 chart and spawned singles like "Alone in the Dark" and the title track, supporting Crow's subsequent tour.

Background and recording

Concept and development

Sheryl Crow chose the title Be Myself for her tenth studio album to symbolize a reclamation of her authentic musical voice, marking a deliberate return to the raw energy and creative freedom of her 1990s work after experimenting with influences on her previous release, Feels Like Home (2013). This shift was motivated by Crow's desire to recapture the "urgency and innocence" of her , unburdened by commercial expectations or genre constraints, as she sought to blend her foundations with contemporary elements like programmed beats to resonate with both longtime fans and newer listeners. The album's development began in mid-2016 when Crow reunited with longtime collaborator , who had relocated to Nashville, leading to intensive songwriting sessions that produced around 16 to 17 tracks in a collaborative, improvisational style reminiscent of her second, third, and fourth albums. These early sessions, often held during school hours to accommodate Crow's responsibilities as a to her two young sons, emphasized guitar-and-bass jams with Trott, where lyrics emerged spontaneously on the microphone, reflecting immediate personal and societal concerns. One key demo, "Strangers Again," co-written during this period, captured the emotional aftermath of relational dissolution, drawing from Crow's reflections on past breakups and the profound disconnection that follows intimacy's end. Crow's personal experiences profoundly shaped the album's conceptual core, including the chaos of the 2016 U.S. election, the intrusive role of in daily life, and the challenges of parenthood in a digitally saturated world, all of which fueled themes of and self-assertion. While her 2006 breast cancer diagnosis had long informed her outlook on vulnerability and recovery, Be Myself channeled more immediate life transitions—such as navigating single motherhood and societal cynicism—into a rock-oriented sound that prioritized emotional over polished pop . This approach allowed Crow to address broader cultural tensions while honoring her rock heritage, creating an album that felt both nostalgic and urgently modern.

Production process

The production of Be Myself was led by and longtime collaborator , who served as co-producers and co-writers on much of the material. Sessions took place over several months starting in 2016, with Crow and Trott drawing from songs written in the preceding year to shape the album's rock-oriented sound. Recording occurred in multiple locations near Nashville, including a that contributed to the album's scruffy, organic feel, as well as a saloon used for capturing drum tracks to evoke a raw, live energy reminiscent of Led Zeppelin. Key collaborators included engineer and mixer Tchad Blake, who reunited with Crow after nearly two decades to handle the technical aspects and impart a vintage polish to the tracks. Trott contributed extensively as a musician, playing electric guitar, slide guitar, bass, and providing harmony vocals across several songs. Guest appearances added distinctive textures, such as Gary Clark Jr.'s guitar work on "Halfway There," which brought a gritty blues edge, and Doyle Bramhall II's solo on "Heartbeat Away." Recording techniques emphasized live band performances to preserve the album's rock elements, particularly in drum sessions that prioritized natural room ambience over overdubbed perfection. Layered vocals were a prominent feature, with Crow employing Everly Brothers-inspired harmonies on tracks like "Rest of Me" to enhance emotional depth and intimacy. Blake's mixing approach balanced these elements, achieving a polished yet raw aesthetic that echoed Crow's output while avoiding overproduction.

Music and lyrics

Musical style

Be Myself represents a predominant fusion of and pop, infused with subtle and undertones, distinguishing it from the more country-influenced sound of Sheryl Crow's preceding album Feels Like Home (). This shift back to her roots emphasizes a return to the energetic, guitar-centric sound that defined her breakthrough era, achieved through collaboration with longtime producer . The album's sonic palette blends grit with polished pop production, incorporating driving rhythms and layered textures that evoke Crow's output while incorporating modern flourishes. Instrumentation plays a central role in the album's dynamic feel, featuring prominent electric guitars courtesy of Jeff Trott and Chris Bruce, alongside forceful drums and percussion handled by Fred Eltringham throughout. Synthesizers and organ elements, contributed by Trott and keyboardist Jeff Babko, add atmospheric depth to several tracks, such as the bluesy "Halfway There," which includes a searing electric guitar solo by guest . Bass lines, often played by Crow herself on seven of the eleven songs or by supporting musicians like Trott and Bruce, provide a groovy foundation that underscores the record's propulsive energy. Piano accents, performed by Crow on , grand, and upright varieties, offer melodic highlights and introspective moments, enhancing the album's blend of introspection and uplift. The overall sound draws clear parallels to Crow's debut Tuesday Night Music Club (1993), reviving its guitar-driven vigor and collaborative spirit without replicating it verbatim; instead, Be Myself applies cumulative influences from her career to create a refreshed, cohesive aesthetic. This approach results in a versatile collection where rock-pop structures accommodate folk-inflected acoustic passages and country-tinged harmonies, all unified by Crow's versatile multi-instrumentalism.

Themes and songwriting

The lyrics of Be Myself center on themes of self-empowerment, vulnerability, and the intricacies of relationships, drawing from Crow's experiences with personal challenges including her battle with , a high-profile breakup, and the demands of single motherhood after adopting two sons. These elements underscore a narrative of and authenticity, as Crow reflects on finding joy amid adversity and reclaiming her identity in midlife. The title track, "Be Myself," exemplifies self-empowerment as an for , depicting a journey from striving to appear "cool" or interesting under social media's gaze to embracing one's genuine self, with lines like "If I can't be someone else, I may as well be myself." In "Strangers Again," co-written with longtime collaborator , Crow explores the vulnerability of relationships through the lens of fleeting intimacy, portraying how close partners can drift into emotional distance after years together, as she notes the song captures "revealing yourself to someone and then suddenly having that part of your life exposed." Similarly, "Roller Skate" serves as a nostalgic to childhood freedom, critiquing technology's hold on modern life by imploring listeners to "put your away" and reconnect through simple, joyful activities inspired by her sons' influence. Crow co-wrote tracks like “Long Way Back,” “,” and “Rest of Me” with , which amplify her introspective voice through examinations of loss, hope, and self-preservation following her hardships. These songs, alongside co-written pieces, employ traditional verse-chorus structures with building dynamics and introspective bridges that heighten emotional arcs, guiding listeners through tension and release to mirror the album's overarching message of personal growth.

Release and promotion

Announcement and singles

On March 3, 2017, Sheryl Crow announced her tenth studio album, Be Myself, during a surprise performance at the Troubadour in West Hollywood, California. The announcement, shared via her official website and social media channels, revealed the album's title, a release date of April 21, 2017, via Warner Bros. Records, the tracklist, and cover art designed by Crow herself. Pre-orders for the digital, CD, and vinyl formats became available immediately, offering the instant gratification track "Halfway There". The lead single, "Halfway There" featuring Gary Clark Jr., was released digitally on the same day as the announcement, March 3, 2017, accompanied by radio promotion and an official directed by Gus Black, released in June 2017. The track, co-written by Crow and , peaked at No. 19 on the Adult Alternative Airplay chart. Follow-up singles included "Be Myself", issued as a promotional single on April 14, 2017, ahead of the album's release, emphasizing themes of with its upbeat pop-rock arrangement. In July 2017, "Long Way Back" was released as a single and radio promo on July 7, 2017, peaking at No. 26 on the Adult Contemporary chart. These singles were available in download formats through platforms like and , with limited physical 7-inch vinyl editions for "Halfway There".

Marketing and tours

The promotion of Be Myself involved a strategic partnership with Warner Bros. Records, which facilitated digital streaming exclusives on platforms such as Spotify and Apple Music ahead of the album's April 21, 2017 release date. This collaboration aimed to maximize early accessibility for fans, leveraging the labels' distribution networks to highlight tracks like the title song during the pre-release period in April 2017. The media rollout featured high-profile television appearances to build anticipation. On April 20, 2017, Crow performed on The Late Show with , showcasing material from the album in a live setting that emphasized its rock-infused energy. She also appeared on , where she discussed the album's personal themes and delivered performances that connected with morning audiences. Supporting the album's launch, the Be Myself Tour commenced in May 2017 across the , featuring setlists that incorporated approximately 70% new material from the record to spotlight its fresh sound alongside Crow's established hits. The tour included support from Lukas Nelson & Promise of the Real, whose performances complemented Crow's set with complementary indie rock vibes, enhancing the overall concert experience for attendees. Merchandise tie-ins were integrated into the promotional efforts, offering album-branded apparel, posters, and bundles available at tour stops and online, designed to extend the album's "authenticity" message. Fan engagement was amplified through challenges on platforms like and , where followers were encouraged to share personal "be yourself" stories inspired by the album's themes, fostering a and direct interaction with Crow.

Critical reception

Reviews from critics

Be Myself received generally favorable reviews from music critics. The album holds a Metacritic aggregate score of 69 out of 100, based on 10 reviews, indicating generally favorable reception. Rolling Stone awarded the album 3.5 out of 5 stars, with critic Rob Sheffield praising Crow's return to her rock roots and describing it as her toughest and best effort in a decade. The Guardian gave it 3 out of 5 stars, commending the emotional depth in songs addressing personal hardships such as Crow's cancer scare and experiences with depression, while highlighting her resilience and sassy folk-pop-rock style. Some reviewers offered mixed assessments. rated it 3.5 out of 5 stars, with Cinquemani calling it formulaic for lacking the distinctive quirks of Crow's earlier work. AllMusic assigned 4 out of 5 stars, with expressing mixed feelings on the pop elements but praising the genre blending that evokes the light/dark spirit of her strongest albums.

Accolades and legacy

Be Myself earned recognition from several music publications for its role as a strong return to form for after a period of experimentation with country sounds on previous releases. included the album in its list of the best albums of 2017, praising its blend of pop-rock energy and personal introspection as a worthy addition to Crow's catalog. Similarly, critic of placed it among his favorite releases of the year, highlighting its recapture of the spirited vibe from Crow's breakthrough era. The album's legacy lies in its representation of Crow's artistic renewal, allowing her to reconnect with her rock foundations amid personal and professional shifts. In a 2017 interview with , Crow described the recording process as liberating, emphasizing how reuniting with longtime collaborator helped her reclaim the raw, collaborative energy of her early career. This renewal extended to her influence on younger female artists. By the early 2020s, Be Myself had become emblematic of Crow's resilience in discussions of . The 2022 Showtime documentary Sheryl, directed by Amy Scott, features the album as a pivotal chapter in Crow's career, exploring themes of and that resonate with broader narratives on female trailblazers in music. Crow reflected on this phase in subsequent interviews, noting how the project reignited her creative drive and paved the way for later works like Threads (2019), solidifying her status as a enduring voice for artistic authenticity.

Commercial performance

Chart positions

Be Myself debuted at number 22 on the US Billboard 200 chart for the week ending May 6, 2017, earning 20,000 album-equivalent units in its first week, nearly all from traditional album sales. The album also reached number 3 on the Billboard Top Rock Albums chart. Internationally, Be Myself peaked at number 33 on the UK Albums Chart, spending four weeks in the top 200. In Canada, the album achieved a peak of number 59 on the Billboard Canadian Albums chart.
Chart (2017)Peak position
Canadian Albums (Billboard)59
UK Albums (OCC)33
US Billboard 20022
US Top Rock Albums (Billboard)3

Sales and certifications

No verified sales figures or certifications are available for Be Myself.

Track listing and personnel

Standard edition tracks

The standard edition of Be Myself comprises 11 tracks, all written by Sheryl Crow and Jeff Trott except where noted, with a total runtime of 45:20. It was released on CD and digital platforms, while exclusive editions available at retailers like Target include a bonus disc with three acoustic versions of album tracks.
No.TitleWriter(s)Length
1"Alone in the Dark"Crow, Trott3:41
2"Halfway There"Crow, Trott3:59
3"Long Way Back"Crow, Trott5:07
4"Be Myself"Crow, Trott4:22
5"Roller Skate"Crow, Trott3:19
6"Love Will Save the Day"Crow, Trott4:58
7"Strangers Again"Crow, Trott3:51
8"Rest of Me"Crow, Trott3:52
9"Heartbeat Away"Crow, Trott5:35
10"Grow Up"Crow, Trott3:27
11"Woo Woo"Crow, Trott, Gad3:16

Production credits

Be Myself was co-produced by and . performed lead vocals, played guitar, bass on select tracks, and other instruments throughout the album. Fred Eltringham contributed drums and percussion. provided guitars, bass, and harmony vocals. Guest appearances include Gary Clark Jr. on guitar for "Halfway There". handled engineering and mixing.

Release history

RegionDateFormat(s)Label(s)Catalog
WorldwideApril 21, 2017, digital download Records, Wylie Songs559556-2
United StatesApril 21, 2017LP Records, Wylie Songs559556-1
United StatesApril 21, 20172×CD (Special Edition) Records, Wylie Songs559556-2
Europe2017 Records, Wylie Songs9362491338
United Kingdom & Europe2017LP Records, Wylie Songs9362-49129-4
Japan2017 RecordsWPCR-17720

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