Bea Miller
Beatrice Annika "Bea" Miller (born February 7, 1999) is an American singer, songwriter, and actress.[1][2] Miller rose to prominence at age 13 as a contestant on the second season of The X Factor (US) in 2012, where she finished in ninth place despite experiencing a vocal cord hemorrhage during the competition.[1][3] Following her elimination, she signed with Hollywood Records and released a series of EPs and studio albums, including her debut full-length Not an Apology (2015) and later aurora (2018), which compiled tracks from preceding chapter EPs.[4][5] Her music blends pop and pop rock elements, and she has contributed to projects such as the K/DA single "THE BADDEST" in 2020.[6]
Early life
Family background and adoption
Bea Miller was conceived through artificial insemination using an anonymous sperm donor and raised from birth by her two mothers, Kim Miller, a stage manager for CBS, and Hilery Kipnis, a former producer for The Oprah Winfrey Show and voice-over actress.[7] The family initially resided in Brooklyn, New York, before relocating to Maplewood, New Jersey, when Miller was four years old, reportedly due to financial constraints.[7] Her parents subsequently adopted twin sisters, Esther and Georgia, from Vietnam around 2002.[7] Some accounts describe a second-parent adoption formalizing Kipnis's legal guardianship over Miller at age four, consistent with practices for same-sex couples prior to nationwide marriage equality, though primary contemporary reporting emphasizes the biological connection through one mother without detailing adoption proceedings for Miller herself.[7]Upbringing and parental separation
Beatrice Annika Miller was born on February 7, 1999, in Manhattan, New York, and was adopted at the age of four by Kimberley Miller and Hilery Kipnis, a same-sex couple.[8] [9] The family, including Miller and her adoptive parents, relocated to Maplewood, New Jersey, where her parents adopted two additional children—Vietnamese twin sisters—expanding the household.[7] [8] Miller's parents separated after 13 years together, around the time she was 11 years old in 2010, though they continued residing in the same four-bedroom colonial home in Maplewood with their children for at least two more years.[9] [7] This arrangement persisted amid ongoing conflicts, with Miller later describing the environment as one where "two parents that hated each other, and were constantly fighting with each other," forcing her and her siblings to endure the tension.[10] During her appearance on The X Factor in 2012 at age 13, she publicly expressed grief over the separation, highlighting its emotional toll.[7] In response to the familial strife, Miller turned to singing as a coping mechanism to mentally escape the situation, an outlet that predated her entry into competitive entertainment.[11] The prolonged cohabitation post-separation exacerbated the household discord, contributing to her early reliance on music for emotional relief.[10]Initial musical interests and education
Miller developed an early interest in music through extensive exposure provided by her mother, a former vinyl DJ who maintained a large collection of records spanning various genres. From a young age, she listened to artists such as Led Zeppelin, AC/DC, and Aretha Franklin alongside nursery rhymes, fostering a broad appreciation for music in her household in Maplewood, New Jersey.[12][13] Some of her earliest memories involve singing along in the car with her mother, which reinforced her vocal inclinations without formal training.[14] Attending a Paramore concert at age 12 proved pivotal, igniting her aspiration to pursue music professionally and leading her to audition for The X Factor the following year.[13] Regarding formal education, Miller attended regular schooling in New Jersey up to the eighth grade before transitioning away from traditional in-person classes amid her rising career commitments.[15] No records indicate structured music lessons or specialized performing arts schooling during this period; her development appears rooted in informal immersion rather than institutional training.[12]Professional career
Entry into entertainment via The X Factor (2012)
Beatrice Annika Miller, then 13 years old and residing in Maplewood, New Jersey, auditioned for the second season of The X Factor USA, which premiered on Fox on September 12, 2012.[16][17] Competing in the Teens category mentored by Britney Spears, Miller advanced through initial auditions and bootcamp rounds, including a notable duet performance of "Pumped Up Kicks" by Foster the People alongside fellow contestant Carly Rose Sonenclar.[18] At Judges' Houses in Malibu, California, Miller performed "Titanium" by David Guetta featuring Sia, earning praise from Spears and securing a spot among the top 12 contestants for the live shows starting October 31, 2012.[17] Her live performances included "I Won't Give Up" by Jason Mraz in Week 1, "Iris" by Goo Goo Dolls in Week 2 despite vocal strain from illness, "Time After Time" by Cyndi Lauper in Week 3, and "Chasing Cars" by Snow Patrol in Week 4.[19] On November 22, 2012, during the Top 10 results episode, Miller landed in the bottom two alongside CeCe Frey following a double-elimination format adjustment.[20] In the sing-off, she reprised "White Flag" by Dido, but was eliminated by public vote, finishing in ninth place overall.[21] The decision sparked viewer backlash, with some attributing it to concerns over the competition's intensity for a young contestant, though Miller's exposure on the show provided her initial platform in the music industry.[20]Record deal and debut album Not an Apology (2013–2015)
Following her ninth-place finish on The X Factor season 2, Miller signed a recording contract with Syco Music and Hollywood Records in April 2013, establishing the first joint venture between Simon Cowell's Syco label and Disney's Hollywood Records.[22] This deal positioned her as the inaugural artist under the partnership, enabling collaborative promotion across both labels' networks.[23] Miller's first release under the contract was the EP Young Blood, issued on April 22, 2014, which debuted at number 2 on the iTunes Pop chart.[24] The EP's title track served as her debut single, released concurrently, and featured production emphasizing pop-rock elements with lyrics exploring youthful rebellion.[25] She promoted "Young Blood" with her first major television performance on NBC's Today show on December 17, 2014, where she was highlighted as Elvis Duran's Artist of the Month. The EP comprised four tracks: "Young Blood," "Open Your Eyes," "We're Taking Off," and "You Could Be the Greatest." In early 2015, Miller released "Fire N Gold" as the lead single from her forthcoming debut album, which peaked at number 78 on the Billboard Hot 100 and garnered over 100 million streams on platforms like Spotify by mid-decade.[26] The track, co-written by Miller and producers including J Hart, blended electronic pop with introspective themes of self-empowerment.[27] Additional pre-album promotion included her designation as Radio Disney's Next Big Thing artist in 2015, leading to performances on Disney Channel programming and increased visibility among younger audiences.[28] Miller's debut studio album, Not an Apology, was released on July 24, 2015, via Syco Music and Hollywood Records, featuring 11 tracks including the EP's singles and new songs like "I Dare You" and "Paper Doll."[29] The album debuted at number 7 on the US Billboard 200 chart, selling approximately 20,000 equivalent units in its first week, reflecting solid initial commercial performance driven by digital sales and streaming.[26] Not an Apology showcased Miller's songwriting involvement across most tracks, with production from teams including Mike Spencer and Shellback, focusing on a mix of pop, rock, and EDM influences.[30] During this period, she embarked on supporting tours, including dates opening for acts like Jacob Whitesides, to build live performance experience.[31]Album Aurora and label transitions (2016–2018)
Following the release of her debut album Not an Apology in 2015, Miller shifted to a strategy of releasing shorter projects under Hollywood Records. On February 24, 2017, she issued Chapter One: Blue, the first installment of a planned trilogy of EPs, containing three tracks including the single "Song Like You," which she performed on The Late Late Show with James Corden on March 30, 2017.[32][33] The series continued with Chapter Two: Red on June 2, 2017, featuring tracks such as "Burning Bridges" and "Like That," maintaining an electropop sound with themes of relationships and self-reflection.[34] Chapter Three: Yellow followed on October 6, 2017, including songs like "S.L.U.T." and "Warmer," completing the EP project with a focus on empowerment and emotional vulnerability.[35][36] In early 2018, Miller compiled the tracks from these EPs, along with additional material, into her second studio album Aurora, released on February 23, 2018, by Hollywood Records. This 14-track project, her first to receive international distribution, encompassed the full spectrum of the "chapters" narrative, with production emphasizing synth-driven pop elements and introspective lyrics.[37][38] Key singles included "Song Like You" and "S.L.U.T.," though the album achieved limited commercial visibility, failing to chart on major U.S. album rankings.[39] Throughout this period, Miller remained signed to Hollywood Records, with no documented label changes occurring between 2016 and 2018; her departure from the label would not take place until 2019.[12]Independent releases, Elated! EP, and Gauche Records (2019–present)
Following her 2018 album Aurora under Hollywood Records, Miller initiated a series of independent singles in 2019, beginning with "feel something" on June 20.[40] Additional 2019 releases included "It's Not U It's Me" featuring 6lack, "Feels Like Home" with Jessie Reyez, "Never Gonna Like You", and "that bitch" on October 31, marking her first fully independent track amid her departure from Hollywood Records later that year.[23][12] The EP elated!, comprising seven tracks—"hallelujah", "FEEL SOMETHING DIFFERENT" featuring Aminé, "forever is a lie", "making bad decisions", "i never wanna die", "wisdom teeth", and "self care"—was released on October 23, 2020, as her final project with Hollywood Records, totaling 22 minutes in length.[41][42] In 2023, Miller established Gauche Records in partnership with ADA (a Warner Music Group division) to gain greater creative control, debuting the label with the single "Lonely Bitch" on January 13.[12] Subsequent Gauche releases included "this call is coming from inside the house" on May 1, an introspective track addressing internal conflict; "gauche" on October 20, a midtempo alternative song referencing a personal car accident from her youth; and continued output through 2024, such as featured appearances on "Out of Time" (December 6) and "Tangerine Rays" (November 29).[43][44][45]Personal life
Relationships and sexuality
Miller began dating American singer Jacob Whitesides in April 2015.[46] The couple, both former contestants on The X Factor, frequently shared affectionate messages publicly during their relationship.[47] They broke up in May 2016 but maintained a friendship afterward.[46][48] No subsequent romantic relationships have been confirmed in reputable sources. Miller has not publicly detailed her sexual orientation beyond these associations with male partners.[8]Family updates and sibling dynamics
Miller was adopted at age four by Kimberley Miller and Hilery Kipnis, both women, and grew up alongside her adoptive siblings, including Vietnamese twin sisters Esther and Georgia, who were adopted later.[7][8] Following her parents' separation around 2012, Miller has publicly expressed ongoing emotional ties to her family structure, noting in a 2020 interview that she was raised in an environment shaped by her two mothers and a non-binary sibling, which fostered early exposure to diverse identities.[49] This upbringing included participation in family-oriented programs like COLAGE camps for children of LGBTQ+ parents, contributing to a dynamic of communal support amid personal transitions.[9] Public glimpses into sibling interactions remain sporadic but indicate sustained closeness; for instance, in December 2021, Miller posted photographs of holiday gatherings with her siblings, highlighting shared celebrations despite geographic or familial changes post-parental split.[50] No major public disputes or estrangements have been reported, and Miller has referenced her siblings' influence in interviews as integral to her personal development, though specific relational tensions are undocumented in available accounts. Recent years (2022–2025) show no verified updates on evolving dynamics, with her social media and statements prioritizing professional milestones over detailed family disclosures.[49]Advocacy and public persona
LGBTQ+ identification and support
Miller was raised by two lesbian mothers and has a transgender sibling, which has informed her advocacy for LGBTQ+ acceptance from an early age.[51][52] She has described growing up in an environment surrounded by LGBTQ+ individuals, including friends and family members, fostering her commitment to the community.[49] In 2019, Miller participated in the Ad Council's "Beyond I Do" campaign for LGBTQ+ History Month, collaborating with queer friends to discuss discrimination, acceptance, and equality through video series alongside artists gnash and MAX.[53][54] These efforts highlighted personal stories and statistics, such as persistent acceptance gaps in 30 U.S. states at the time.[55] She has not publicly identified as LGBTQ+ herself, though speculation has arisen from her family ties and advocacy; Miller and collaborator amb explicitly denied rumors of a same-sex relationship in a 2023 social media statement.[56] Her support extends to broader causes, including signing The Trevor Project's 2025 open letter urging protection of federal funding for LGBTQ+ youth suicide prevention programs.[57]Criticisms of advocacy and public statements
In January 2018, Bea Miller faced online backlash following her participation in the Women's March, where she and friends carried a sign reading "power to the pussy" on one side.[58] Critics contended that the phrase, referencing female genitalia, excluded transgender women lacking such anatomy, accusing her of insufficient inclusivity in her feminist advocacy.[58] Miller responded via Twitter, expressing disappointment that the sign's wording was interpreted as limiting support to biological females, stating, "Telling me I don’t support women because my friends and I had one side of one sign that said ‘power to the pussy’ because not all women have them is so disappointing."[59] She affirmed her commitment to equality for all, emphasizing, "I am EXTREMELY vocal about fighting for equality for ALL and spreading love and would NEVER exclude ANY woman," while noting the emotional toll, as she was "literally crying" over the accusations.[58] [59] The incident prompted Miller to temporarily deactivate her Twitter account, citing the intensity of the harassment amid her broader support for women's rights, which included the recent release of her music video for "S.L.U.T.," an empowerment track responding to slut-shaming.[58] This episode highlighted tensions in intersectional feminism, where biologically oriented rhetoric in pro-women messaging drew ire from advocates prioritizing gender identity over sex-based distinctions, despite Miller's personal ties to the LGBTQ+ community through her family.[60] No further major public criticisms of her advocacy statements have been widely documented in subsequent years.[58]Musical style, influences, and reception
Artistic evolution and influences
Bea Miller's early musical influences stemmed from her mother's career as a vinyl DJ, exposing her to classic rock acts such as the Beatles and Rolling Stones, as well as alternative and pop-punk artists including Alanis Morissette, Avril Lavigne, and Paramore.[12] A Paramore concert attended at age 10 proved pivotal, inspiring her performance aspirations through Hayley Williams' commanding stage presence.[12] She has also cited grunge and alternative icons like Nirvana, alongside contemporary figures such as Miley Cyrus, Amy Winehouse, Radiohead, and Lana Del Rey, valuing their authenticity in tackling personal and emotional depth.[3][61] Her debut EP Young Blood (2014) and album Not an Apology (July 24, 2015) reflected a mainstream pop orientation shaped by her Hollywood Records contract and youth, with limited personal input in songwriting due to label constraints and her age of 13–16 during production.[62] This phase emphasized polished, radio-friendly tracks, aligning with influences from pop contemporaries encountered via The X Factor exposure. By her sophomore album Aurora (February 23, 2018), Miller incorporated her synesthesia—a condition associating music with colors, textures, and emotions—structuring the project around chromatic "chapters" (blue for melancholy, red for empowerment, yellow for ambiguity) to narrate emotional arcs more introspectively.[63] This marked a shift toward conceptual, narrative-driven pop with rawer lyrical honesty, practicing vulnerability she later expanded independently.[62] Following her departure from Hollywood Records after a decade-long tenure, Miller's independent era began with the Elated! EP (October 23, 2020), adopting a stripped-back, slowed-down aesthetic that prioritized bare-faced introspection over layered production.[62] Described as a "natural progression" from prior work, it featured bluesy piano in tracks like "hallelujah" and poignant ballads such as "self crucify," enabling unfiltered self-expression unhindered by major-label expectations.[62] Subsequent releases, including the single "lonely bitch" (January 13, 2023) under her Gauche Records imprint, evolved further into darker indie pop with rock-tinged elements, evoking comparisons to artists like Gracie Abrams and Maggie Lindemann while reclaiming full creative control.[12] This trajectory reflects a broader embrace of alternative roots, though Miller has expressed interest in revisiting pop structures as her "lane" post-indie experimentation.Commercial performance and critical assessments
Miller's debut studio album, Not an Apology (2015), peaked at number 7 on the US Billboard 200 chart and featured singles "Young Blood" and "Fire n Gold," which gained traction on digital platforms including a number 2 debut on the iTunes Pop Albums chart for the preceding EP.[64][3] Her follow-up album Aurora (2018) received limited chart visibility, with no reported entry in major US or UK album rankings, though it amassed streams contributing to her overall catalog exceeding 1.7 billion across platforms by 2023.[23] Independent releases like the EP elated! (2020) have sustained audience engagement via streaming, totaling over 81 million Spotify plays, alongside a gold-certified single "like that" from earlier Hollywood Records output.[23][65] Overall commercial performance reflects niche appeal rather than mainstream breakthroughs, with no RIAA certifications for full albums and reliance on digital metrics post-2015. Critics have frequently praised Miller's vocal prowess and emotional delivery, as in Billboard's assessment of Not an Apology where her "vocals sound remarkably developed" despite occasional songwriting lapses requiring a stronger hit single for broader impact.[66] Reviews of the same album varied, with The Young Folks noting its fun pop elements but critiquing drag in later tracks, while Sound in the Signals highlighted its alternative edges appealing to fans of artists like Kelly Clarkson.[24][67] Spectrum Pulse observed an ambition to rock harder akin to Avril Lavigne or Pink, yet constrained by pop production.[68] For elated!, outlets like Beyond The Stage commended its exploration of darker lyrical themes and self-reflection, emphasizing tracks like "Hallelujah" for introspective depth.[69] Stage Right Secrets lauded Not an Apology for showcasing debut-level talent without hype overshadowing substance.[70] Assessments generally position her work as vocally strong and personality-driven but inconsistent in innovation, with limited aggregation from major critics like Metacritic.Fan perspectives and career trajectory debates
Fans within music enthusiast communities, particularly on platforms like Reddit's r/popheads, have debated Bea Miller's career stagnation despite early industry promotion following her 2012 appearance on The X Factor USA, where she placed third at age 13 under Britney Spears' mentorship.[71] Many attribute her failure to achieve mainstream breakthrough—evident in modest chart performance for her 2015 debut album Young Blood and subsequent EP Not an Apology—to label mismanagement at Hollywood Records, which pushed her as a teen pop act but provided limited marketing support compared to contemporaries.[72] Supporters argue her raw vocal talent and introspective songwriting, as in singles like "Fire and Gold" (which peaked at No. 97 on the Billboard Hot 100 in 2016), positioned her for greater success had resources been allocated differently.[71] Post-2019, after departing Hollywood Records for independence, fans split on her trajectory toward sporadic, self-directed releases like the 2020 EP chapter one: blue and singles such as "it's not u it's me" (released May 10, 2019).[12] Admirers praise this shift for enabling authentic evolution, citing tracks like "feel something" (2020) for its emotional depth and alignment with her personal experiences, including mental health struggles that she has publicly discussed as influencing output delays.[71] Critics, however, highlight rebranding efforts—including abrupt aesthetic overhauls, genre pivots from polished pop to edgier alt-indie, and removing older music from streaming platforms—as eroding fan retention and commercial viability, with some likening her path to a "new artist" reset every cycle.[71] Divisive releases like "THAT BITCH" (2019) fueled arguments over whether such experimentation alienates core audiences or reflects necessary artistic risk-taking.[71] Broader discussions question if Miller's indie route, while liberating—allowing full creative control as she noted in a 2023 interview embracing a "lonely bitch" persona—has stalled momentum amid low streaming numbers (e.g., chapter one: blue garnering under 5 million Spotify streams by 2023) and infrequent touring.[12] Optimistic fans speculate a return to pop roots, as hinted in her 2024 comments on leaning back into her "lane," could revive prospects, drawing parallels to artists who rebounded via consistent branding. Skeptics counter that early hype without sustained hits, combined with personal priorities over promotion, limits breakout potential in a saturated market, though her dedicated subreddit community (r/Beamiller, active as of 2024) underscores enduring niche loyalty.[73] These views, aggregated from enthusiast forums rather than formal analyses, reflect subjective interpretations without consensus on causality.[71]Works
Discography
Bea Miller's discography includes two studio albums, several extended plays (EPs), and over a dozen singles, primarily issued via Hollywood Records until her independent releases in the 2020s. Her early work followed her appearance on The X Factor in 2012, with initial releases emphasizing pop-rock elements.[23]Studio albums
| Title | Album details | Peak chart positions |
|---|---|---|
| Not an Apology | Released: July 24, 2015 Label: Hollywood Records | US: — |
| Aurora | Released: February 23, 2018 Label: Hollywood Records | US: — |
Extended plays
| Title | EP details | Peak chart positions |
|---|---|---|
| Young Blood | Released: April 22, 2014 Label: Hollywood Records | US Billboard 200: 64 |
Singles
Notable singles include "Fire n Gold" from Not an Apology, which peaked at number 78 on the US Billboard Hot 100 and charted for 12 weeks in 2015.[75] "Young Blood" (2014) reached number two on select US digital sales charts but did not enter the Hot 100.[76] As a featured artist, Miller appeared on NOTD's "I Wanna Know," which peaked at number 46 on the UK Singles Chart in 2018.[77] Later independent singles like "like that" (2018) earned gold certification in the US for over 500,000 units sold, while 2020s releases such as "S.L.U.T." (2020) and "wisdom teeth" (2020) from elated! garnered streaming attention without major chart entries. Recent 2024 singles include "Out of Time" (December 6) and "Tangerine Rays" (November 29), both as featured collaborations.[23][45]Filmography and acting roles
Bea Miller pursued acting roles as a child before transitioning to music, accumulating a series of minor credits in films, television, and voice work primarily between 2009 and 2017.[22] Her appearances were typically uncredited or supporting, with no lead roles documented.[22]| Year | Title | Role | Notes |
|---|---|---|---|
| 2009 | Confessions of a Shopaholic | Shoe Store Girl | Film; credited as Beatrice Miller[22] |
| 2009 | Ice Age: Dawn of the Dinosaurs | Voice role | Animated film[78] |
| 2009 | Yes, Virginia | Virginia O'Hanlon | TV movie[79] |
| 2010 | Toy Story 3 | Molly Davis | Voice; animated film; credited as Beatrice Miller[22] |
| 2011 | Too Big to Fail | Buffett's Great Granddaughter | TV movie[78] |
| 2011 | Unforgettable | Katrina Sadler | TV series, episode role[80] |
| 2013 | Officer Down | Lanie Callahan | Film; credited as Beatrice Miller[81] |
| 2013 | Mary and Martha | Funeral Singer | TV movie; credited as Beatrice Miller[82] |
| 2017 | Please Stand By | Tracy | Film; uncredited[22] |
Tours and live performances
Bea Miller's live performances initially garnered attention through her participation in the live shows of The X Factor USA's second season in 2012, where she competed as a finalist and delivered weekly vocal renditions.[83] In 2015, Miller joined Fifth Harmony's Reflection: The Summer Tour as an opening act, performing on all dates from July 15 onward alongside Natalie La Rose, with additional support from Debby Ryan + The Never Ending and Common Kings on select shows; the tour spanned North American venues through August.[84] She continued as an opener for Selena Gomez's Revival Tour in 2016, starting May 6 at Mandalay Bay Events Center in Las Vegas, Nevada, and sharing the bill with DNCE for portions of the North American leg that extended into July.[85] Miller launched her debut headlining tour, Sunsets in Outerspace, in fall 2019, playing sold-out venues across North America with setlists featuring tracks like "song like you," "outside," and "S.L.U.T." from her album Aurora; the tour included stops such as The Theatre of Living Arts in Philadelphia on October 31.[86][87][88] Subsequent headlining outings encompassed the Nice to Meet U Tour, highlighted by performances of "motherlove," "repercussions," and a Jonas Brothers cover of "Burnin' Up," alongside festival appearances at Lollapalooza, Firefly Music Festival, and Outside Lands.[89][90] In December 2023, Miller headlined the Gauche Tour, with a performance on December 16 at El Rey Theatre in Los Angeles supported by Isabel LaRosa, Ethan Tasch, and Sueco, featuring songs such as "feel something" and "lonely bitch."[91][92]Accolades
Awards
Bea Miller won the Best Song to Rock Out to With Your BFFs award at the 2015 Radio Disney Music Awards for her single "Young Blood," as announced in the official winners list.[93] She also received the Choice Music: Next Big Thing award at the 2015 Teen Choice Awards, recognizing her emerging status in the music industry.[94] No additional competitive music awards have been documented in major industry sources.[75]Nominations
Miller was nominated for Choice Music: Breakout Artist at the 2016 Teen Choice Awards, recognizing emerging talents in the music industry.[95] The category featured competitors including Charlie Puth, Troye Sivan, and Zayn Malik, with Zayn ultimately receiving the surfboard trophy.[95]| Year | Awarding body | Category | Nominee work | Result |
|---|---|---|---|---|
| 2016 | Teen Choice Awards | Choice Music: Breakout Artist | Herself | Nominated[95] |