Bernie Casey
Bernard Terry Casey (June 8, 1939 – September 19, 2017) was an American actor, poet, painter, and professional football player known for his successful transition from athletics to the arts.[1][2] Born in the coal mining town of Wyco, West Virginia, Casey attended Bowling Green State University, where he earned a B.S. degree in 1961 and excelled in football as a wide receiver.[1][3] Drafted in the first round of the 1961 NFL Draft by the San Francisco 49ers, he played eight seasons in the league—six with the 49ers (1961–1966) and two with the Los Angeles Rams (1967–1968)—amassing 359 receptions for 5,444 yards and 40 touchdowns, and earning a Pro Bowl selection in 1967.[4][1] After retiring from football, Casey pursued acting, debuting in the Western Guns of the Magnificent Seven (1969) and appearing in over 40 films, including notable roles as the sidekick J.D. in Cleopatra Jones (1973), Garrison in the TV movie Brian's Song (1971), CIA agent Felix Leiter in Never Say Never Again (1983), U.N. Jefferson in Revenge of the Nerds (1984), and Mr. Ryan in Bill & Ted's Excellent Adventure (1989).[2][5] He also directed films such as The Streets of L.A. (1979) and made guest appearances on television shows like Roots: The Next Generations and Star Trek: Deep Space Nine.[1][2] In addition to his entertainment career, Casey was an accomplished visual artist whose abstract paintings were exhibited in more than 40 solo shows worldwide, including at the Smithsonian Institution's Hirshhorn Museum, and he received an honorary doctorate from the Savannah College of Art and Design in 2002.[6][1] He was also a published poet, with collections such as Look at the People (1969) and Where Is the Revolution? And Other Poems (1973), reflecting his multifaceted creative talents.[1] Casey died in Los Angeles at age 78.[2]Early life
Upbringing and family
Bernard Terry Casey was born on June 8, 1939, in Wyco, West Virginia, a small, rural coal mining community.[3] He was the son of Frank Leslie Casey, a coal miner, and Flossie Coleman, and grew up in a working-class African American family amid the economic realities of the mining industry.[2][7] Casey's early childhood in Wyco was shaped by the close-knit, community-oriented life of the coal town, where family routines included activities like butchering hogs, reflecting the self-sufficient practices common in such environments.[1] The family faced the typical challenges of limited opportunities and instability in the coal-dependent region, which influenced their decision to relocate. When Casey was still a youth, his family moved to Columbus, Ohio, in search of improved prospects.[3][1] He had at least one sibling, a sister named Frankie Murray.[8] During this period, an interest in athletics began to emerge, foreshadowing his later pursuits.[1]Education and amateur athletics
Casey attended Columbus East High School in Columbus, Ohio, where he excelled in multiple sports, including track and field and football.[9][3] He enrolled at Bowling Green State University in 1957 on an athletic scholarship and pursued a degree in art education, earning a Bachelor of Science in 1961.[3][6] At Bowling Green, Casey specialized in track and field events, particularly the high hurdles, where he won three consecutive Mid-American Conference championships from 1958 to 1960 and earned All-America honors each year.[6][1] He also set school records in the event, including a time of 14.5 seconds in the 120-yard high hurdles in 1958.[1]Professional football career
College career
Bernie Casey, who had established himself as a record-breaking hurdler at Bowling Green State University, transitioned into football during his undergraduate years, leveraging his athletic versatility to become a standout wide receiver for the Falcons from 1958 to 1960.[1] Initially drawn to the sport through peers, Casey quickly adapted his speed and agility from track events to excel on the gridiron, contributing to the team's offensive prowess while pursuing a degree in art education on a football scholarship.[6] Over his three college seasons, Casey established himself as one of the conference's top pass-catchers, leading the Falcons in receiving on several occasions.[10] In 1959, he played a pivotal role in Bowling Green's small college national championship season, leading the team with 264 receiving yards and scoring 7 touchdowns, earning first-team All-Mid-American Conference honors alongside teammates like Bob Colburn and Ron Blackledge.[11][12] The following year, Casey capped his collegiate career with second-team Little All-American recognition, highlighting his consistent impact on the team's success during an 8-1 season.[6] His impressive college performance culminated in being selected by the San Francisco 49ers as the ninth overall pick in the first round of the 1961 NFL Draft, marking him as one of the highest-drafted players from the Mid-American Conference at the time.[4]NFL career and achievements
Bernie Casey began his professional football career with the San Francisco 49ers after being selected in the first round (ninth overall) of the 1961 NFL Draft.[4] He played wide receiver for the 49ers from 1961 to 1966, appearing in 79 games and establishing himself as a key offensive player known for his 6-foot-4 frame, exceptional speed, and reliable hands that made him a consistent deep threat.[13] In 1967, Casey was traded to the Los Angeles Rams, where he spent his final two seasons (1967–1968), contributing to their offense in 26 games before retiring at age 29 ahead of the 1969 season to focus on his burgeoning interests in the arts.[4][14] Over his eight-year NFL tenure, Casey amassed 359 receptions for 5,444 receiving yards and 40 touchdowns, averaging 15.2 yards per catch, which underscored his role as a productive split end and flanker.[4] His career highlights included leading the 49ers in receiving yards in 1962 (631 yards), 1963 (480 yards), and 1964 (673 yards), seasons in which he demonstrated versatility by also contributing as a halfback early on before transitioning fully to wide receiver.[13] Casey's most prolific year came in 1967 with the Rams, when he recorded 53 receptions for 871 yards and eight touchdowns, earning him a selection to the Pro Bowl for his performance.[1] This outing highlighted his speed and route-running ability, as he ranked among the league's top receivers that season despite playing on a Rams team that finished 11-1-2.[4] Casey's reliability extended beyond raw numbers; he was praised for his toughness in an era of contact-heavy play, often drawing double coverage yet delivering in critical moments, such as his career-high 225-yard receiving game in a 1966 tie against the Chicago Bears.[15] His transition to retirement was motivated by a desire to pursue painting, poetry, and acting full-time, marking a deliberate shift from athletics to creative endeavors at the peak of his physical capabilities.[14]Artistic career
Visual arts and painting
Bernie Casey developed his interest in visual arts during his college years at Bowling Green State University, where he pursued a bachelor's degree in art education alongside his athletic pursuits, graduating in 1961.[6] Although initially drawn to art before his professional football career, Casey continued painting as a self-directed practice through his NFL tenure, balancing it with his role as a wide receiver for the San Francisco 49ers and Los Angeles Rams from 1961 to 1968.[16] This parallel development allowed him to refine his skills independently, leading to his first formal exhibitions in the late 1960s after earning a Master of Fine Arts degree.[1] Casey's painting style blended abstract and surreal elements, often featuring bold, vibrant colors to evoke emotional depth and narrative complexity.[17] His works frequently depicted themes of African American identity, cultural heritage, and urban experiences, using figurative and non-representational forms to explore social and personal narratives.[18] Notable examples include series-inspired pieces like "Center Space, Center Place" (1995), which captures communal spaces in abstract compositions, and earlier surreal explorations such as "Memory From Another Time, A" (1968), emphasizing harmony through circular motifs and rich palettes.[18] Over his career, Casey mounted more than 40 solo exhibitions worldwide, beginning with two shows at the Ankrum Gallery in Los Angeles in the late 1960s and early 1970s, and extending to venues in New York, Europe, and other international locations.[6][17] His art gained prominence through displays at institutions like the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Black Arts & Cultural Center in Kalamazoo, Michigan, where a 2010 exhibition titled "People That I Know" highlighted his figurative portraits.[19] These shows often contextualized his contributions within broader African American artistic movements, showcasing his influence on representations of Black life and culture. Casey's paintings achieved significant recognition, with works entering permanent collections at the Museum of African American Art in Los Angeles, the Hirshhorn Museum, and the Beverly Hills Library.[17] His pieces have sold at auction for prices ranging from several hundred to thousands of dollars, such as "Enter Place, Center Space" (c. 1975), which fetched $4,000 in 2022.[20] In 2002, he received an honorary doctorate from the Savannah College of Art and Design for his impact on visual arts, underscoring his role in elevating Black artists during the civil rights era and beyond.[1]Poetry and writing
Bernie Casey began writing poetry during his professional football career with the Los Angeles Rams, using it as a means to explore personal and societal observations amid his athletic pursuits.[21] His first published collection, Look at the People, appeared in 1969 through Doubleday and combined poems with his paintings, addressing themes of race, identity, and societal inequities, including anger over the historical mistreatment of African Americans.[22] The work's introspective style emphasized individual human experiences, reflecting Casey's unique perspective as an athlete engaging with broader social issues.[21] In the 1970s and 1980s, Casey continued his literary output with additional poetry collections that built on these themes of social justice, personal reflection, and the African American experience, often blending free verse with narrative elements to convey emotional depth.[1] Notable subsequent works included My Point of View: Poems and Drawings (c. 1971, self-published), Where Is the Revolution? And Other Poems (1973, self-published), and Silent Screams (1983).[1][2] These volumes, produced in limited editions, echoed motifs from his visual art, such as human vulnerability and cultural critique, while maintaining a focus on written expression.[1] Casey's poetry received attention for its distinctive voice, bridging his identities as a former NFL player and emerging artist, though his output remained limited in volume.[14] Reviews and profiles praised the authenticity and raw insight in works like Look at the People, highlighting how his athletic background informed a fresh, unpretentious approach to themes of identity and revolution.[21] Despite not achieving widespread commercial success, his contributions influenced discussions on multifaceted Black creativity during the civil rights era and beyond, establishing him as a Renaissance figure in literature and arts.[22]Acting career
After retiring from the NFL in 1968 at the age of 29, Bernie Casey transitioned to an acting career, beginning with his film debut in Guns of the Magnificent Seven in 1969.[23]Film and television roles
Bernie Casey's acting career in film and television spanned over four decades, beginning with his screen debut as Cassie in the Western Guns of the Magnificent Seven (1969), where he portrayed a former soldier recruited for a prison break mission.[24][25] This role marked his transition from professional football to on-screen work, leveraging his athletic build for action-oriented parts. For his performance as basketball player Maurice Stokes in the biographical film Maurie (1973), Casey won an NAACP Image Award for Outstanding Actor in a Motion Picture. Over his career, Casey amassed approximately 70 credits in film and television, frequently embodying authoritative figures such as coaches, military officers, and community leaders, while demonstrating versatility across genres including blaxploitation, comedy, and drama.[26][1][27] In the 1980s, Casey gained prominence in comedic roles that highlighted his charismatic presence and physicality. He played U.N. Jefferson, the wise and imposing head of the Lambda Lambda Lambda fraternity, in the cult classic Revenge of the Nerds (1984), a film that satirized college rivalries and became a defining entry in '80s teen comedy.[28][29] This was followed by his portrayal of the grizzled vigilante John Slade in the blaxploitation parody I'm Gonna Git You Sucka (1988), directed by and starring Keenen Ivory Wayans, where Casey delivered a humorous nod to his action-hero archetypes from earlier decades.[30][31] He also appeared as the stern history teacher Mr. Ryan in Bill & Ted's Excellent Adventure (1989), contributing to the film's time-travel comedy with his no-nonsense demeanor toward the protagonists' antics.[32][33] On television, Casey's guest appearances showcased his range in dramatic and ensemble formats. He starred as the family patriarch Mike Harris in the short-lived NBC series Harris and Company (1979), depicting the challenges of a working-class African American relocating from Detroit to Los Angeles.[34][35] In the miniseries Roots: The Next Generations (1979), he portrayed Bubba Haywood, a soldier facing racial injustice during World War I.[36] Later, Casey guest-starred as the Maquis leader Commander Calvin Hudson in the two-part episode "The Maquis" of Star Trek: Deep Space Nine (1994), bringing depth to a character torn between loyalty and rebellion in the franchise's exploration of political conflict.[37][38] Beyond acting, Casey ventured into directing with The Dinner (1997), an allegorical drama that he also wrote, produced, and starred in, addressing themes of race and reconciliation through a tense family gathering.[39][1] His body of work from the 1960s through the 2000s often drew on his real-life athletic background, allowing him to portray physically commanding yet introspective characters who bridged sports, society, and storytelling.[40]Personal life
Relationships and family
Bernie Casey was married to Paula Campbell during the 1960s, though the exact date of their union is not publicly documented; the marriage ended in divorce.[7] The couple had no children.[2] Casey maintained a low profile regarding his personal relationships, focusing public attention on his professional endeavors rather than family matters.[1] He was survived by his sister, Frankie Murray.[2]Interests and activism
Beyond his professional pursuits, Bernie Casey maintained a deep commitment to the arts, particularly in supporting and promoting African American artistic expression. In 1970, he co-founded the Contemporary Crafts Gallery in Los Angeles alongside artist and scholar Samella Lewis, establishing one of the earliest spaces dedicated to showcasing and publishing works by Black artists during the height of the Black Arts Movement.[41] This initiative provided critical platforms for emerging talents and helped foster a vibrant community of African American creators.[42] Casey's involvement extended to broader advocacy for Black artists, as evidenced by his participation in key cultural events. In 1969, he joined Lewis as a speaker for the Black Arts Council's inaugural program at the Los Angeles County Museum of Art (LACMA), drawing capacity crowds to discuss the significance of African American art amid the civil rights era.[43] Through such efforts in the 1960s and 1970s, Casey contributed to the movement's goals of cultural empowerment and visibility for Black creatives, often intersecting with broader social justice themes.[1] His work in these arenas underscored a lifelong dedication to mentoring and uplifting the next generation of artists and athletes from marginalized communities, though specific programs were not formally documented.[44]Death and legacy
Final years and death
In the final years of his life, following his last acting role in the 2007 film Vegas Vampires, Bernie Casey shifted his primary focus to his longstanding pursuits in visual arts and poetry, producing works that explored themes of humanity, nature, and abstraction. His paintings, often characterized by vibrant colors and surreal compositions, continued to be exhibited, building on a career that included over 40 solo shows and publications such as his 1969 collection Look at the People: Poems and Paintings.[1][40][45] In 2017, Casey experienced a stroke that led to his hospitalization.[2] He passed away on September 19, 2017, at Cedars-Sinai Medical Center in Los Angeles from complications of the stroke, at the age of 78.[2] His talent agent, Erin Connor, confirmed the death, noting it occurred after a brief illness.[14] A close friend, Wren T. Brown, identified the stroke as the underlying cause.[2] Funeral arrangements were handled privately by the family.[14]Awards, honors, and tributes
Casey received the NAACP Image Award for Outstanding Actor in a Motion Picture in 1974 for his leading role as basketball player Maurice Stokes in the biographical film Maurie.[46] In sports, Casey was posthumously inducted into Bowling Green State University's Cast of Honor in 2019 as part of a group honoring ten football players from the program's history, including members of the 1959 national championship team on which he played as an All-American halfback.[47] Although he achieved All-Pro status during his NFL career with the San Francisco 49ers and Los Angeles Rams, Casey was never enshrined in the Pro Football Hall of Fame despite his pioneering role as a wide receiver who amassed over 5,000 receiving yards.[48] Casey's artistic legacy has been celebrated through posthumous exhibitions of his paintings. In 2018, Bowling Green State University hosted "So Much More: Ohio's African American Artists," an exhibition honoring Casey's abstract and figurative works alongside those of other Black artists connected to the institution and the state.[49] More recently, in 2024, Fridman Gallery in New York featured his 1975 painting Words and Sounds from Last Year's Party in the group exhibition "A Treatise on Color: Volumes I–IV," curated to explore color theory through historical and contemporary lenses.[50] His poetry, published in collections such as Look at the People (1969), received literary recognition through inclusion in broader tributes to Black creative expression, though no standalone awards were documented.[1] Casey's overall impact as a trailblazing Black figure who excelled in athletics, acting, painting, and poetry has inspired subsequent generations of multi-hyphenate artists and athletes, emphasizing versatility and cultural advocacy in entertainment and sports.[14] He was awarded an honorary doctorate from the Savannah College of Art and Design (SCAD) in 2002, where he served as chairman of the board of trustees for two decades, further affirming his influence in the arts.[51]Filmography
Film
Bernie Casey's film career spanned from 1969 to 2007, encompassing a variety of genres including Westerns, blaxploitation, action, comedy, and drama. His roles often highlighted strong, authoritative Black characters, contributing to diverse cinematic narratives.[5]| Year | Title | Role |
|---|---|---|
| 1969 | Guns of the Magnificent Seven | Cassie [5] |
| 1970 | ...tick...tick...tick... | George Harley [5] |
| 1972 | Boxcar Bertha | Von Morton [5] |
| 1972 | Hit Man | Tyrone "Hit Man" Tackett [5] |
| 1972 | Black Gunn | Seth [5] |
| 1973 | Cleopatra Jones | Reuben [5] |
| 1973 | Maurie | Maurice Stokes [52] |
| 1974 | Three the Hard Way | J.T. Armstrong [5] |
| 1975 | Cornbread, Earl and Me | Mo [5] |
| 1976 | The Man Who Fell to Earth | Brackett [5] |
| 1976 | Dr. Black, Mr. Hyde | Dr. Pride [5] |
| 1978 | Brothers | Hibble [5] |
| 1979 | The Glove | Rawlins [5] |
| 1980 | The Man Who Wasn't There | Sam [5] |
| 1981 | Sharky's Machine | Hotchkins [5] |
| 1983 | Never Say Never Again | Felix Leiter [5] |
| 1984 | Revenge of the Nerds | U.N. Jefferson [5] |
| 1985 | Spies Like Us | Colonel Rhumbus [5] |
| 1987 | Steele Justice | Det. Tom Reese [5] |
| 1988 | I'm Gonna Git You Sucka | John Slade [5] |
| 1989 | Bill & Ted's Excellent Adventure | Mr. Ryan [5] |
| 1990 | Another 48 Hrs. | Detective Frank Cruise [5] |
| 1991 | Chains of Gold | Sgt. J.T. Garner [5] |
| 1993 | The Cemetery Club | John Ash [5] |
| 1994 | The Glass Shield | Locket [5] |
| 1994 | In the Mouth of Madness | Jackson [5] |
| 1995 | Once Upon a Time... When We Were Colored | Mr. Walter [5] |
| 1996 | The Rich Man's Wife | Captain Graham [5] |
| 1997 | The Dinner | Good Brother [53] |
| 2001 | Tomcats | Mr. MacDonald [5] |
| 2002 | On the Edge | Agent Miles [5] |
| 2006 | When I Find the Ocean | Amos Jackson [5] |
| 2007 | Vegas Vampires | Bloodhound Bill [5] |
Television
Bernie Casey made numerous television appearances spanning the 1960s to the 1990s, often in guest roles that highlighted his commanding presence and dramatic range. His credits include both episodic series work and made-for-TV films, with notable performances in science fiction, drama, and crime genres.[39][54]Series Roles
| Year | Title | Role | Episode(s) |
|---|---|---|---|
| 1972 | The Streets of San Francisco | Billy | "Timelock"[55] |
| 1977 | Police Story | Officer Ward | "The Six Foot Stretch"[56] |
| 1977 | Police Story | Hamilton Ward / Duke Windsor | Various episodes |
| 1979 | Harris and Company | Mike Harris | Multiple episodes (series lead)[57] |
| 1979 | Roots: The Next Generations | Bubba Haywood | Part IV (and additional episodes)[58][54] |
| 1983–1984 | Bay City Blues | Ozzie Peoples | 8 episodes[59][39] |
| 1985 | Alfred Hitchcock Presents | Bernie | "Method Actor"[60] |
| 1989 | Murder, She Wrote | Doc Evans | "Three Strikes, You're Out"[61] |
| 1989 | L.A. Law | Lieutenant Jack Dolan | "To Live and Diet in L.A."[62] |
| 1994 | Star Trek: Deep Space Nine | Commander Calvin Hudson | "The Maquis, Part I" and "The Maquis, Part II"[63][54] |
| 1995 | Babylon 5 | Derek Cranston | "Hunter, Prey"[64][39] |
| 1999 | Batman Beyond | Tyrus Block (voice) | "Once Burned"[65][39] |
TV Movies
| Year | Title | Role |
|---|---|---|
| 1971 | Brian's Song | J. C. Caroline[66] |
| 1972 | Gargoyles | The Gargoyle[67] |