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Bident

A bident, also known as a bidens, is a two-pronged implement resembling a pitchfork, primarily recognized in classical mythology as the symbolic weapon of Pluto, the Roman god of the underworld and riches.^[1]^[2] In Roman tradition, Pluto—synonymous with the Greek Hades—employed the bident to assert authority over the deceased and subterranean treasures, mirroring the trident of Neptune (Poseidon) for the seas and the thunderbolt of Jupiter (Zeus) for the skies.^[2] Unlike ancient Greek depictions of Hades, who was more commonly shown with a scepter, key, or helmet of invisibility, the bident emerged as an attribute in later mythological interpretations.^[3] The bident gained prominence in Renaissance art as a standard icon for Pluto, often portrayed in murals, engravings, and sculptures alongside Cerberus, the three-headed guard dog of the underworld.^[4] Influential works, such as those in series of mythological deities, emphasized Pluto enthroned or in niches, gripping the bident to underscore themes of mortality and fertility.^[4] This artistic convention solidified its role in Western iconography, distinguishing the underworld ruler from other Olympian gods. Outside mythology, "bident" denotes any forked tool or device, including in heraldry where it appears as a charge,^[5] and in modern contexts like agriculture or weaponry replicas.^[1] Its enduring legacy, however, lies in symbolizing the inexorable power of death and hidden abundance.

Etymology and Terminology

Origins of the Term

The term "bident" derives from the Latin noun bidens (genitive bidentis), meaning "two-toothed" or "having two prongs," formed by combining the prefix bi- ("two") and dens ("tooth"). This etymology reflects its original application to objects or animals characterized by dual pointed or toothed features, such as a sacrificial sheep with two prominent incisors or a forked agricultural tool. The word first appears in Roman literature around the 1st century BCE, marking its early attestation in classical texts.^[6]^[7] In Virgil's Aeneid (composed ca. 29–19 BCE), bidens is used in Book 4, line 57 ("lectas de more bidentis"), to denote selected sheep for ritual sacrifice, emphasizing the term's association with practical and symbolic implements in Roman religious practice. Pliny the Elder further employs bidens in his Naturalis Historia (ca. 77 CE), Book 8, chapter 76, where it describes two-toothed animals in the context of natural history, highlighting its utility in zoological domains.^[8]^[9] While ancient Greek had terms for forked implements in herding or combat, such as those in Homeric epics (ca. 8th century BCE) and Hellenistic writings, there is no direct equivalent to bidens. The term evolved through medieval Latin, where bidens retained its core meaning but broadened to encompass both ritual and everyday two-pronged devices, as evidenced in glossaries like the 8th-century Glossae Casselenses and 10th-century agricultural manuals such as the Geoponica. By the 12th century, it entered vernacular languages, including Old French as bident, bridging classical heritage with feudal agrarian life. This linguistic shift underscores the word's transition from elite literary usage to broader practical nomenclature in medieval Europe.^[10] The bident serves as a symbolic counterpart to the trident, the three-pronged spear wielded by Neptune (Poseidon) in Roman mythology, emphasizing a binary opposition in divine attributes. While the trident represents the expansive dominion over the seas and earthquakes, the bident's two prongs evoke duality, symbolizing the balance between life and death or the earthly and underworld realms under Pluto's rule.^[2] This distinction underscores Pluto's role as the sovereign of the subterranean world, where the bident functions not merely as a weapon but as an emblem of judgment and control over souls.^[11] Unlike the pitchfork, an agricultural tool used for handling hay or manure, the bident is distinctly a ceremonial or martial implement in mythological contexts, designed for piercing and ritualistic purposes rather than everyday farming. Its dual prongs allow for precise, symbolic strikes that align with underworld motifs of separation and finality, setting it apart from the utilitarian, often broader-tined pitchfork associated with rural labor.^[2] In Roman iconography, this differentiation highlights the bident's elevated status as a divine scepter, reinforcing Pluto's authority without the prosaic connotations of agrarian life.^[11]

Physical Description

Design and Components

The bident, as a physical object, features a long shaft attached to a two-pronged metal head designed for thrusting or hooking. The shaft is typically constructed from durable wood such as ash or oak for flexibility and strength, or in rarer cases from metal like bronze or iron for added durability. The head is forged from iron or bronze, consisting of two symmetrical, pointed prongs. Prong variations include straight tines for precise thrusting or slightly curved ones for better leverage in hooking motions. The handle portion of the shaft is often wrapped in leather strips or reinforced with metal rings to enhance grip and prevent slippage during use, while select examples incorporate a counterweight pommel at the base to improve balance and control during swings or thrusts. A large socketed bronze bident head with parallel tines, measuring 25.5 inches (64.7 cm) in height, exemplifies the form's design from the Roman period (ca. 1st-2nd century CE).^[12]

Variations Across Cultures

In ancient Greece, bidents appeared as shorter, lighter bronze implements dating to the Mycenaean period, such as a two-pronged fork from a tomb at Routsi in Messenia, likely used in ceremonial feasting contexts to spear meat from cauldrons (ca. 15th century BCE).^[13] These artifacts reflect early Mediterranean traditions of multi-pronged tools, though later Classical examples (800–300 BCE) are rarer in the archaeological record and often feature flared prongs evoking ox horns in ritual depictions.^[13] Roman adaptations of the bident shifted toward heavier constructs, with examples in both bronze and iron from the 1st century BCE to the 4th century CE, serving dual roles in funerary practices. Elite variants were occasionally gilded, as suggested by tomb furnishings associating pronged implements with status in funerary rites. While the bident remains predominantly a Western Mediterranean phenomenon, its core evolution occurred within Greco-Roman and Italic traditions, shaped by local metallurgy and ritual needs.

Historical Development

Ancient Origins and Uses

Two-pronged implements resembling the bident appear in the archaeological record of ancient civilizations, primarily as practical tools rather than weapons. Ancient Egyptians used a bident as a fishing tool, sometimes attached to a line and sometimes fastened with flight feathers.^[14] In Roman agriculture, the bidens (genitive bidentis) was a double-bladed drag hoe or two-pronged mattock, used for tilling soil around vines and trees.^[15] Pliny the Elder describes the bidens as a two-pronged hoe that broke up soil on a small scale, akin to a plough, particularly in orchards and fields.^[16] There is limited evidence of the bident's use in military contexts in antiquity, though forked spear variants appear in broader Mediterranean weaponry traditions. By the 5th century BCE, Greek hoplite forces in phalanx formations primarily relied on single-pronged spears like the dory, with secondary weapons including short swords; dual-pronged adaptations were not standard.^[17] Roman legions incorporated auxiliary infantry by the 2nd century BCE, where non-standard tools like forked implements may have served in specialized roles, though primary arms remained the pilum and gladius. Its prominence waned during the Hellenistic era (circa 323–31 BCE) with the widespread adoption of iron swords like the xiphos and kopis, which offered superior cutting power in fluid combat over rigid phalanx tactics.

Post-Classical Applications

In medieval Europe, two-pronged polearms resembling a bident or pitchfork were adapted by peasants as improvised weapons or tools for execution and capture during the 9th to 15th centuries. Agricultural implements like pitchforks were commonly weaponized in peasant revolts, allowing commoners to challenge mounted knights and feudal authorities with familiar tools turned lethal.^[18] This dual utility is evident in illuminated manuscripts, such as the 14th-century Luttrell Psalter, which illustrates rural laborers wielding pitchforks in haymaking and harvest scenes, highlighting their everyday role that could extend to defensive or insurgent contexts. Ceremonial applications of the bident persisted in regions influenced by Byzantine culture, such as the Caucasus from the 6th to 16th centuries, where ornate bidents served as ceremonial spears, often inlaid with silver for ritual display rather than combat.^[19] By the 16th century, however, the bident declined in favor of advanced polearms like the partisan and halberd, as firearm advancements rendered multi-pronged designs obsolete for warfare. Surviving specimens now reside in museum collections, underscoring their transition from practical tool to historical relic.

Mythological and Religious Significance

Association with Underworld Deities

In Greco-Roman mythology, the bident is most prominently associated with Hades, the Greek god of the underworld, and his Roman counterpart Pluto, symbolizing dominion over the earth and the dead. While ancient Greek iconography from the 6th century BCE, such as Attic black-figure vase paintings, typically depicts Hades enthroned with a sceptre or keys rather than a bident, later artistic traditions adapted the two-pronged implement as his attribute to parallel Poseidon's trident and emphasize his chthonic authority over subterranean fissures and the realm of the deceased.^[20]^[21] The bident's association with Pluto emerged prominently in Renaissance art and iconography, where it became a standard symbol for the god of the underworld and riches, distinguishing him from his brothers' attributes.

Symbolic Meanings and Rituals

The bident's two-pronged form carries symbolic weight as an emblem of duality, evoking the binary aspects of existence such as birth and death or the earthly and subterranean realms, particularly in interpretive traditions linking it to underworld deities like Hades. This contrasts with the trident's triadic structure, which symbolizes Poseidon's dominion over sea, land, and sky, highlighting the distinct powers of the divine brothers.

Depictions in Culture

In Visual Arts

The bident, as a two-pronged implement, first appears in ancient visual arts as a practical fishing tool known as the bidens in Roman contexts, depicted in mosaics, reliefs, and funerary monuments to signify the occupation of fishermen or as symbols of daily life. These representations emphasize its functional design, with socketed shafts and parallel tines for spearing fish, as seen in a 1st-2nd century CE bronze example that captures the tool's robust, utilitarian form in sculptural detail.^[12] Roman sarcophagi from the 2nd-3rd century CE often feature engraved scenes of underworld judgment, where tools like forks evoke themes of labor and the afterlife, though the bident itself is more commonly shown in everyday scenes rather than divine contexts. In ancient Greek art, early depictions of underworld scenes, such as Polygnotus' 5th century BCE Nekyia fresco in the Lesche of the Knabians at Delphi—described in detail by Pausanias—portray Hades and the realm of the dead with realistic figures in dramatic poses, laying the groundwork for later symbolic attributes like the bident, though the god is typically shown with a scepter or throne rather than the fork. Bronze statues from the 4th century BCE, such as those depicting chthonic figures, reflect a realistic style focused on anatomical precision and solemnity. The Renaissance marked a revival of the bident as a mythological symbol, associating it explicitly with Pluto (Hades) to parallel Poseidon's trident and Zeus's thunderbolt, emphasizing the god's authority over the earth and dead. Sandro Botticelli's late 15th-century illustrations for Dante's Inferno, including scenes of Pluto guarding the fourth circle of hell, highlight dramatic poses and underworld turmoil, blending classical and medieval iconography. Key artworks further illustrate this evolution, including Giovanni Jacopo Caraglio's 16th-century engraving Pluto in a Niche, Holding a Bident, with Cerberus Next to Him after Rosso Fiorentino, where the god stands majestically in classical attire, the bident raised like a scepter beside the three-headed hound, blending Mannerist elegance with symbolic depth.^[4] In the 17th century, Peter Paul Rubens' engravings and paintings of Pluto, such as those depicting the abduction of Proserpina, portray the god in dynamic, allegorical Baroque style to evoke mortality and divine power, with swirling forms and chiaroscuro heightening the drama of underworld themes. Overall, the bident's portrayal evolved stylistically from the straightforward, realistic renderings in ancient bronze statues and pottery—evident in 6th-century BCE black-figure vases showing ritual tools—to the allegorical Baroque paintings of the 17th century, where it embodies themes of death and authority in elaborate, emotive compositions.

In Literature and Modern Media

The bident, symbolizing Hades' authority over the underworld, features prominently in modern retellings of classical myths, where it serves as a narrative device for themes of death, power, and descent into the abyss. Although not explicitly described in ancient texts, its association with underworld deities draws from scenes like the ferry crossing in Virgil's Aeneid (c. 19 BCE), Book 6, where Charon transports souls across the Styx, inspiring later depictions of the bident as a tool of passage or control in hellish realms.^[22] Similarly, Ovid's Metamorphoses (c. 8 CE) recounts Pluto's abduction of Proserpina in Book 5, a foundational myth linking the god to subterranean dominion, with the bident emerging in subsequent interpretations as an emblem of that forceful seizure.^[23] In medieval and Renaissance literature, the bident reinforces infernal imagery tied to classical precedents. Dante Alighieri's Divine Comedy (c. 1308–1321), particularly Inferno Canto 7, portrays Dis (Pluto) as the snarling guardian of greed's circle in Hell, evoking the god's commanding presence that later artistic traditions equip with a bident to symbolize punitive rule.^[24] John Milton's Paradise Lost (1667), in Books 1–2, depicts Hell as a chaotic domain of fallen angels, with emblems of torment and authority that align the bident as a hellish icon of tyranny and exile in post-Renaissance readings.^[25] Contemporary fantasy novels revive the bident for quests involving the underworld. In Rick Riordan's Percy Jackson & the Olympians series (2005–2009), Hades wields a staff used in battles and rituals to assert control during demigod incursions into his realm, emphasizing themes of inheritance and forbidden power. In video games, the bident manifests as a wieldable artifact enhancing gameplay with underworld motifs. The God of War series (2005–present), particularly God of War III (2010), equips Hades with the Claws of Hades—a chain-linked, pronged weapon evoking the bident—for combative encounters that explore vengeance and divine betrayal.^[26] Films stylize the bident for visual spectacle in mythological epics. The 2010 remake of Clash of the Titans depicts Hades brandishing a staff in confrontations, such as his clash with Ares, underscoring his role as a vengeful antagonist manipulating mortal fates from the shadows.[](https://clash-of-the-titans.f fandom.com/wiki/Hades) These portrayals often draw brief inspiration from visual arts, adapting sculptural motifs of Pluto to heighten dramatic tension.

References

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BIDENT Definition & Meaning - Merriam-Webster
The meaning of BIDENT is a 2-pronged instrument.
[2]
Roman Underworld and Afterlife - UNRV.com
The bident, a two-pronged implement akin to the trident of Neptune, is a quintessential attribute of Pluto. Unlike its three-pronged counterpart, which ...
[3]
[PDF] ᾍδης - BahaiStudies.net
Nov 12, 2014 · In the later mythological tra- · dition, though not in antiquity, he is associated with the. Helm of Darkness and the bident. The term “Hades” ...<|control11|><|separator|>
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Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him ...
Artwork Details ; Title: Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from "Mythological Gods and Goddesses" ; Series/Portfolio: ...Missing: Renaissance | Show results with:Renaissance
[5]
bident, n. meanings, etymology and more | Oxford English Dictionary
OED's earliest evidence for bident is from 1675, in the writing of Charles Cotton, poet and translator. bident is a borrowing from Latin. Etymons: Latin ...
[6]
bidens - Wiktionary, the free dictionary
The term thus originally referred to a two-year-old sheep or any sacrificial animal of that age. See the quote from Aulus Gellius below, himself referencing ...Missing: texts | Show results with:texts
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https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0055%3Abook%3D4%3Acard%3D57
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https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0055%3Abook%3D4%3Acard%3D57
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https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0137%3Abook%3D8%3Achapter%3D76
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Tracing Ovidian Rape Motifs with Respect to Bernini's Pluto and ...
119 Ian Bonfante, “Nudity as a Costume in Classical Art” American Journal of Archaeology, 93 (1989): 560. ... bident is particularly intriguing since it ...
[11]
bident; spear (?) - British Museum
Corroded iron part of the end of a tool, in the shape of a bident with a hollow haft of circular section and curved tapering prongs (one broken away). May be ...
[12]
[PDF] FEASTING IN HOMERIC EPIC
In the Aegean, a trident was dis- covered by Schliemann (1880, p. 255, no. 372) in shaft grave IV at Mycenae, a bident of Late Helladic (LH) IIA date comes ...
[13]
Roman Bronze Bident - Hixenbaugh Ancient Art
A large ancient Roman bronze bident of socketed form with two long parallel tines. Ca. 1st - 2nd century AD. Height: 25 1/2 in. (64.7 cm).Missing: archaeology ceremonial
[14]
Villanovan Bronze Spear Blade - Hixenbaugh Ancient Art
An ancient Villanovan socketed bronze spear blade with a faceted tapering shaft pierced on either side. Ca. 8th - 7th century BC. Height: 8 1/8 in. (20.5 cm).Missing: forked asymmetrical prongs culture
[15]
Bioarchaeological perspectives on the ancient Han-Xiongnu war
Special Han Dynasty-type artifacts were also placed near the base of the skeletons: an iron halberd 'ji', an iron cheek-piece, and an iron hook (Fig. 1C). Human ...
[16]
Bident - Wikiwand
A bident is a two-pronged implement resembling a pitchfork. In Renaissance art, the bident is associated with the god Pluto.
[17]
The Greek Phalanx - World History Encyclopedia
Jan 18, 2012 · One of the most notable uses of the phalanx was at the Battle of Marathon (490 BCE) where the Greek hoplites advanced in formation 'at a run' ( ...
[18]
Auxilia - Wikipedia
By the 2nd century, the Auxilia contained the same number of infantry as the legions and, in addition, provided almost all of the Roman army's cavalry ( ...Missing: bident | Show results with:bident
[19]
5 Weapons for the Medieval Peasant - Osprey Publishing
May 15, 2015 · ... Weapons for the Medieval Peasant, not 1000 Reasons for a Peasant Revolt). ... Many of the weapons available to peasants would also serve as a tool ...Missing: bident execution
[20]
Bident spear head (1911.29.6) - Europe
This distinctive, two-pronged (or 'bident') spear head was probably a ceremonial weapon used in the Caucasus in what is now Georgia on the cusp of Europe and ...Missing: antiquity | Show results with:antiquity<|control11|><|separator|>
[21]
[PDF] Egypt's Unusual Iron Age - University of Memphis Digital Commons
In essence, linguistic, historical and archaeological evidence demonstrates that it was a substance that came from the “heavens” initially. At every stage ...
[22]
HADES (Haides) - Greek God of the Dead, King of the Underworld ...
Hades was the ancient Greek king of the underworld and god of the dead. He was depicted as a dark-bearded, regal god either enthroned in the underworld and ...Hades God of · K14.4 hades & persephone · Makaria · Melinoe
[23]
A Drawing by Vasari for the Studiolo of Francesco I - jstor
the Dijon drawing, where the attribute of the bident and the presence of Cerberus identify the figure as Hades. Vasari's Pluto, like the companion figure of ...
[24]
https://digitaldante.columbia.edu/dante/divine-comedy/inferno/inferno-7/
[25]
Eleusinian Mysteries | Initiation, Rites & Cult - Britannica
The Greater Mysteries at Eleusis was celebrated annually in the month of Boedromion (September–October). It included a ritual bath in the sea, three days of ...Missing: bident | Show results with:bident
[26]
Ten marble fragments of the Great Eleusinian Relief - Roman
The original marble relief was found at the sanctuary of Demeter at Eleusis, the site of the Eleusinian mysteries, a secret cult that was famous throughout ...Missing: bident serpents
[27]
[PDF] Alchemist symbols in Unicode - CTAN
Mar 11, 2023 · The bident is also the symbol for Hades (Pluto), the god of the underworld. Staff of Asclepios Staff with a snake (allegedly a Aesculapian ...
[28]
The divining rod: A history of water witching, with a bibliography
The use of a forked twig, or so-called divining rod, in locating minerals, finding hidden treasure, or detecting criminals is a curious superstition.Missing: Celtic bident
[29]
VIRGIL, AENEID BOOK 6 - Theoi Classical Texts Library
A grim ferry man guards these waters and streams, terrible in his squalor – Charon, on whose chin lies a mass of unkempt hoary hair; his eyes are staring orbs ...
[30]
OVID, METAMORPHOSES 5 - Theoi Classical Texts Library
### Summary of Pluto and Proserpina Story (Ovid, Metamorphoses 5)
[31]
Inferno 7 – Digital Dante
### Summary of Inferno 7 Content (Dante's Divine Comedy)
[32]
Paradise Lost: Book 2
### Summary of "Paradise Lost: Book 2" - Search for "bident" or "fork" in Hell Descriptions
[33]
Claws of Hades - God of War Wiki - Fandom
In Greek mythology Hades's most signature weapon was the Bident. · When Kratos dodged while he used the Claws of Hades, he used them to pull himself forward.
[34]
Hades | Clash of the Titans Wiki | Fandom
Ares puts up a struggle, prompting Hades to try and kill his nephew. Ares narrowly avoids being stabbed by the bident and seizes it. Hades holds Ares fast ...History · Clash of the Titans (2010) · Wrath of the Titans (2012) · Powers and abilities