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Bo Koster

Bo Koster is an and best known for his longstanding role as the in the band My Morning Jacket. Born in , Koster graduated from Lakewood High School in 1992 before earning degrees in and from in 1996. After early experiences playing in local bands in , he joined My Morning Jacket in 2003 through a serendipitous encounter and audition, becoming an integral part of the group's sound alongside members , Tom Blankenship, Carl Broemel, and Patrick Hallahan. Koster has collaborated extensively with prominent artists, including touring with of —where he performed on the introduction to ""—and , while also working with jazz pianist . His contributions to My Morning Jacket have earned the band three Grammy Award nominations, notably for their 2015 album The Waterfall in the category of Best Alternative Music Album at the . In 2025, Koster featured prominently on the band's tenth studio album is, produced by Brendan O’Brien, including shimmering keyboard melodies on tracks like "Everyday Magic," as My Morning Jacket continues to blend rock, country, and psychedelic elements in their music.

Early Life and Education

Upbringing in Ohio

Bo Koster was born on , 1974, in , a in the area. He spent his childhood and teenage years in Lakewood, where he developed an early interest in music amid the region's vibrant cultural environment. Koster attended Lakewood High School, graduating in 1992. His initial exposure to music came through lessons starting at a young age, which sparked his passion for the instrument. During his teenage years at high school, he explored as a primary influence, spending significant time honing skills and aspiring to become a jazz musician. During his teenage years and high school, Koster studied classical at the .

Musical Training

Following his upbringing in , which ignited his passion for music, Bo Koster continued formal musical training during and after high school. During his teenage years, he studied classical at the , developing foundational technical skills in keyboard performance. This classical education emphasized precision and structure, laying the groundwork for his versatile playing style. Koster subsequently attended the Berklee College of Music in Boston shortly after high school, immersing himself in jazz studies and performance techniques. Although he found the program's intensity challenging and departed early, feeling mentally and emotionally unprepared, the coursework exposed him to improvisation and contemporary composition, broadening his musical palette beyond classical roots. He also attended Ohio University, graduating in 1996 with degrees in political science and economics while independently practicing music by accessing university facilities. In the late , shortly after completing his , Koster relocated to to pursue advanced musical opportunities, including an unsuccessful bid to enroll in the graduate program at the under bassist due to financial constraints. This move marked the transition from academic training to practical application, where he continued refining his keyboard expertise through lessons and local engagements.

Professional Career

My Morning Jacket

Bo Koster joined My Morning Jacket in 2003 as the band's keyboardist during the recording sessions for their fourth studio album, , marking his debut contribution to the group's evolving sound. His classical training at facilitated a seamless integration, allowing him to enhance the band's foundation with layered keyboard arrangements. On (2005), Koster's keyboards added atmospheric depth to tracks like the opener "Wordless Chorus," where his swelling organ lines underscore the song's anthemic, wordless vocal harmonies. Koster's role expanded across subsequent releases, including the live album Okonokos (2006), which captured the band's dynamic performances with his improvisational keyboard work supporting extended jams. He continued contributing to studio albums such as Evil Urges (2008), where his synths and piano drive the disco-infused "Touch Me Pt. 2," blending funky rhythms with soaring solos that highlight the band's genre-blending experimentation. Koster also participated in reissues of early material, like live renditions of songs from The Tennessee Fire during 2010 performances documented in the band's archival releases. His consistent presence helped propel My Morning Jacket from indie rock roots to broader acclaim, evidenced by three Grammy nominations for Best Alternative Music Album—for Evil Urges in 2009, Circuital in 2012, and The Waterfall in 2016—along with key roles in later works like The Waterfall (2015), the self-titled My Morning Jacket (2021), and is (2025). In live settings, Koster's keyboards have been integral to My Morning Jacket's reputation for immersive, marathon performances, often incorporating electronic textures and organ swells that elevate the band's and psychedelic elements to festival-headlining scale. Recent activities underscore his ongoing commitment, including the band's 2025 featuring a concert at on April 17, 2025, where Koster, an alumnus, performed at Templeton-Blackburn Memorial Auditorium in . This engagement highlighted the band's evolution, drawing on Koster's contributions to blend classic material with newer tracks amid their continued rise in .

Roger Waters

Bo Koster first collaborated with Roger Waters at the 2015 Newport Folk Festival, where he performed on keyboards, percussion, and backing vocals alongside other My Morning Jacket members backing Waters for a set featuring Pink Floyd classics and new material like "Crystal Clear (New Song)." In September 2017, Koster was invited to join Waters' Us + Them world tour as keyboardist after regular touring musician Drew Erickson suffered an injury, a role he filled for the remainder of the production-heavy trek spanning 2017 to 2020. The tour, which drew over 2.3 million attendees across 155 shows in North America, Europe, Australia, and New Zealand, emphasized Waters' interpretations of Pink Floyd songs from albums like The Dark Side of the Moon and The Wall, alongside tracks from his 2017 solo album Is This the Life We Really Want?. Koster's contributions included prominent keyboard parts on staples such as "Comfortably Numb," where he handled atmospheric synths and organ swells, and "Us and Them," delivering the signature piano and Hammond organ lines integral to the song's dreamy progression. His performances were captured in the 2019 concert film Us + Them, directed by Sean Evans and recorded at Amsterdam's Ziggo Dome, where Koster is credited on piano, keyboards, and Hammond organ; the film highlights the tour's immersive visuals and sound design, with Koster's work supporting the ensemble's tight execution of Waters' expansive arrangements. Critics praised Koster's seamless integration into the band, noting how his expertise—honed through years with —allowed him to "nail the legendary keyboard parts" without disrupting the tour's polished spectacle, contributing to its commercial success and acclaim as one of Waters' most ambitious productions.

Ray LaMontagne

In 2016, Bo Koster joined 's band for the Tour as a , alongside fellow My Morning Jacket members Tom Blankenship, Carl Broemel, and Patrick Hallahan. The summer tour, which ran from June through September, supported LaMontagne's psychedelic folk-rock album , co-produced by . Koster contributed to live arrangements that translated the album's expansive, improvisational sound to the stage, emphasizing atmospheric keyboards in tracks like "" and "The Ocean," while adapting the material for intimate folk-rock sets at venues such as and the McKittrick Hotel. Koster's collaboration with LaMontagne extended to the studio for the 2018 album Part of the Light, where he played organ, piano, Rhodes electric piano, and synthesizer across multiple tracks, including the title song and "." He also provided assistance during the recording sessions at LaMontagne's home studio in June and July 2017, helping shape the album's warm, roots-oriented sound. Although initially planned to join the subsequent tour, Koster's commitments to ' band prevented his participation, marking the effective end of their partnership around 2018–2019. This two-year collaboration highlighted Koster's versatility in blending his background with LaMontagne's introspective folk style, contrasting the intimate scale of these performances with his later large-arena work.

Other Collaborations and Productions

Prior to joining My Morning Jacket in 2003, Koster pursued eclectic projects in during the early 2000s, including work as an associate producer on television documentaries for the . He contributed to episodes of , focusing on historical technology and engineering feats, and Haunted History, which explored lore and ghost stories across various locations. In 2010, Koster co-produced Delta Spirit's album History from Below alongside bassist Elijah Thomson, recording at a barn studio previously used by and infusing the tracks with raw, blues-inflected energy. The project marked a shift for the band toward more polished production while retaining their rootsy sound, with Koster's involvement extending to performances on several songs. Koster expanded his production and session work in the early 2010s, contributing keyboards to City and Colour's 2013 album The Hurry and the Harm, where his organ and piano parts added atmospheric depth to Dallas Green's introspective folk-rock arrangements. That same year, he played piano, organ, , and on Neko Case's The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You, enhancing the album's emotional intensity through layered instrumentation on tracks like "Night Still Comes" and "Afraid." Further diversifying his collaborations, Koster provided piano on multiple tracks for the 2014 album Lost on the River: , a T Bone Burnett-produced project that set newly discovered lyrics to music with contributions from , , , and . His keyboard work supported the ensemble's rootsy, improvisational style, bridging folk, rock, and Americana elements.

Personal Life and Interests

Residence and Lifestyle

Bo Koster has resided in , , since the late 1990s, following his graduation from in 1996. Originally from , he relocated to the intending to pursue advanced musical studies at the but, unable to afford the tuition, instead sought opportunities in the music industry. As a longtime Los Angeles resident, Koster maintains a home in the Highland Park neighborhood, where he balances the demands of his career as a touring musician with personal routines. His lifestyle revolves around periods of intensive travel with My Morning Jacket, interspersed with time at home to recharge and manage daily life away from the road. This rhythm has been evident in recent years, including the band's 2025 North American tour, which featured performances in and other venues as a home-base extension of their schedule. Koster keeps details of his family life private, though the rigors of touring—such as extended absences for rehearsals and shows—impact his personal routine by requiring careful coordination of home responsibilities during off-periods. He has noted that visits to extended family in provide grounding amid the transient nature of his professional commitments.

Hobbies and Influences

Koster maintains a strong connection to his roots through his avid fandom of the basketball team, often traveling to Cleveland to attend games and sharing emotional reactions to pivotal moments in the team's history, such as Jordan's "" in 1989. This passion reflects his Lakewood upbringing, where he also enjoys revisiting local haunts, sightseeing at institutions like the , and spending time with longtime friends and family. His musical influences draw from a diverse array of genres, including introduced by his older brother and cousin Bart Koster through cassette tapes in his youth, as well as lifelong admiration for Pink Floyd's catalog and electronic pioneers like . Koster's time at the further broadened these interests, where his initial focus on —particularly inspired by bassist , whom he had hoped to study with at CalArts—intersected with rock and eclectic styles, fostering an appreciation for experimental and improvisational sounds. These influences underpin Koster's personal motivations for pursuing an eclectic career, driven by a desire to contribute creatively across genres rather than remaining a , and finding inspiration in multi-instrumental, boundary-pushing artists like . He values the freshness that comes from exploring varied aesthetics, ensuring ongoing evolution in his work while embracing unpredictability as a core passion.

Discography and Credits

With My Morning Jacket

Bo Koster joined My Morning Jacket in 2003 as the band's , percussionist, and , contributing to their evolving sound across studio albums, live recordings, and reissues. His keyboard work often adds atmospheric layers, blending psychedelic and folk elements with the band's rock foundation. Koster's first major contribution came on the 2005 studio album , where he provided keyboards throughout, helping shape its expansive, reverb-heavy production. Notable for his prominent and parts, tracks like "Dondante" showcase his melodic support in the album's emotional ballads. debuted at No. 15 on the and received critical acclaim for its genre-blending scope. The 2006 live album Okonokos, recorded during the band's 2005 tour, features Koster on s and percussion across performances of material from Z and earlier works, capturing the group's dynamic stage energy in a double-disc set. On (2008), Koster handled s and backing vocals, contributing to its bold shift toward and influences. His keyboard lines stand out on tracks such as "Bushwick ," where swirling organs enhance the song's introspective groove. The album peaked at No. 7 on the and earned a Grammy nomination for Best Album. Koster continued as keyboardist on (2011), delivering warm, analog textures that grounded the album's raw, live-in-the-studio feel. It reached No. 5 on the and was nominated for a Grammy in the Best Album category. The 2015 album The Waterfall saw Koster on s and backing vocals, with his contributions adding lush, supportive swells to the psychedelic arrangements. Tracks like "Believe (Nobody Knows)" highlight his role in building the record's immersive soundscapes. The Waterfall debuted at No. 11 on the and received a Grammy nomination for Best Album. A companion live release, Live 2015, documents performances from that tour with Koster's work prominently featured. Koster provided keyboards, percussion, and backing vocals on The Waterfall II (2020), a set of outtakes from the previous album's sessions that maintained its exploratory vibe. The self-titled My Morning Jacket (2021) also credits him on keyboards and backing vocals, emphasizing the band's return to collaborative jamming after a hiatus. Koster co-wrote the single "Aren't We One?"—a unity-themed produced by Brendan O’Brien—alongside and ; released on September 17, 2024, it previewed the band's tenth studio is. Released on March 21, 2025, is features Koster's keyboards driving its hypnotic loops and varied textures, with the earning praise for redefining the group's sound. Additionally, the 20th anniversary deluxe edition of Z includes bonus tracks with Koster's early contributions, such as pedal steel-infused demos. A live compilation, MMJ Live Vol. 2: Chicago 2021, further documents his onstage role during that period.

Production and Guest Contributions

In addition to his primary role with My Morning Jacket, Bo Koster has contributed as a and to several notable albums across and genres. His production work includes co-producing Delta Spirit's third studio album, (2010), alongside bassist Eli Thomson; the record was recorded at Prairie Sun Recording in , and featured Koster's input on engineering and performance elements, contributing to its raw, energetic sound that peaked at number 121 on the 200. Koster's guest instrumentation appearances span multiple artists, often involving keyboards and that enhance atmospheric textures. On City and Colour's The Hurry and the Harm (2013), he provided keyboards, supporting Dallas Green's introspective folk-rock arrangements during sessions with producer Martin Kinney. Similarly, for Dave Hause's debut solo album Devour (2013), Koster played on tracks 1–3, 6, 10, and 12, and Wurlitzer organ on tracks 4, 5, and 8, adding melodic depth to the punk-folk hybrid produced by Eric Kivel. His collaborations with highlight both live and studio work. Koster joined LaMontagne's touring band for the 2016 Ouroboros world tour, performing keyboards alongside fellow My Morning Jacket members Blankenship, Patrick Hallahan, and Carl Broemel; the album, produced by , earned a Grammy nomination for Best Contemporary Folk Album. In the studio, Koster contributed keyboards to Part of the Light (2018), LaMontagne's introspective follow-up recorded at his Apple Hill farm studio. Koster's touring commitments extended to ' Us + Them world tour (2017–2018), where he served as a , playing , , and providing backing vocals; the production grossed over $460 million across 156 shows and was documented in the 2019 Us + Them, directed by Sean Evans, featuring Koster's performances on classics like "." This marked a significant guest role for Koster, a lifelong fan, replacing longtime collaborator on select dates. More recent contributions include keyboards on ' Eraserland (2019), where Koster joined a supergroup lineup with My Morning Jacket's Carl Broemel, Tom Blankenship, and Patrick Hallahan, plus guests like , to help frontman Timothy Showalter recover from a creative slump; the album's synth-driven rock earned praise for its cathartic energy. In 2023, Koster played organ on Olivia Jean's Raving Ghost, a release blending and , produced by , and provided keyboards on two tracks of The Get Right Band's iTopia, including the title track, exploring themes of technology and . Prior to his music career prominence, Koster worked in television production, serving in the production department for the documentary series The Great Pharaohs of (1997) and as additional crew on (1998), handling audio engineering tasks during his early professional years in .

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