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Cailleach

The Cailleach (Irish: Cailleach, Scottish Gaelic: A' Chailleach), meaning "old woman" or "hag" in Gaelic, is a supernatural female figure central to Irish and Scottish folklore, often depicted as a divine crone embodying winter, wilderness, and the transformative forces of nature.^[1] She appears in oral traditions and medieval texts as a creator of landscapes, such as hills and lochs formed by her thrown stones or apron spills, and is linked to weather phenomena like storms and turbulent waters.^[2] In Scottish Highland lore, variants like the Cailleach Bheara or Cailleach Bheur portray her as a herder of deer and goats, with motifs of petrification into stone and a diet of raw fish or seaweed, symbolizing both fertility and destruction.^[1] One of the earliest literary associations is the 9th-century Old Irish poem Caillech Bérri ("The Lament of the Old Woman of Beare"), where the narrator, an aged woman named Buí linked to the Beara Peninsula, laments the passage from youth's abundance—feasting with kings and lovers—to old age's decay, blending pagan cyclical views of life with emerging Christian themes of mortality and faith.^[3] This figure reflects broader Gaelic motifs of the "divine hag" or mother-goddess in conflict with Christianity, often transforming into a nun or being subdued by saints, as seen in tales where her wild nature yields to monastic order.^[2] Scholarly analysis traces her origins to medieval Gaelic traditions rather than proven pre-Christian deities, with etymological roots possibly from Latin pallium ("veil"), evoking a shrouded or veiled entity, though debates persist on Indo-European influences.^[1] Historian Ronald Hutton describes her as a "mighty Scottish spirit of winter" in modern folklore, cautioning that claims of ancient pagan goddess status stem from 19th-century romanticism rather than direct evidence, positioning her instead as a product of Christian-era cultural synthesis in the Gaelic world.^[4] Her enduring presence in place-names (e.g., Sgùrr na Cailleach for rocky peaks) and seasonal rituals underscores her role as a symbol of the land's enduring, harsh vitality.^[1]

Name and Etymology

Linguistic Origins

The term Cailleach originates from Old Irish caillech, which denoted a "veiled one," a nun, widow, or elderly woman, often carrying connotations of a hag or crone.^[5] This form is derived adjectivally from caille, meaning "veil," reflecting early Christian influences where the term applied to veiled religious women before broadening to secular elderly figures. The root caille entered Irish through a very early borrowing from Latin pallium, signifying a "cloak" or "veil," a garment associated with covering and protection.^[7] Linguistically, pallium traces back to Proto-Indo-European *pel-/*pal-*, a root denoting "to cover," "skin," or "fabric," as reconstructed in comparative etymologies linking it to terms for coverings across Indo-European languages.^[8] Julius Pokorny, in his Indogermanisches etymologisches Wörterbuch, catalogs this root under entries for fabric and covering words, emphasizing its widespread distribution without evidence of pre-Indo-European substrate influence for the Celtic branch.^[9] Scholarly consensus holds the term as purely Indo-European in origin via Latin mediation, though some debate persists on whether localized usages in Gaelic folklore might preserve pre-Celtic conceptual layers unrelated to the phonology.^[10] By Middle Irish, caillech had shifted semantically to highlight crone-like or hagish attributes, aligning with evolving cultural views of aged women as veiled in mystery or austerity.^[11] In Scottish Gaelic, phonetic developments preserved the core form as cailleach, but compound variants like Cailleach Bheur emerged, with bheur meaning "sharp" or "shrill," evoking winter's harshness. Regional epithets such as "Beira" in Scottish traditions represent anglicized or localized adaptations without altering the underlying Gaelic etymology.

Variations and Epithets

In Irish traditions, the Cailleach is known by specific regional epithets that tie her to particular landscapes and locales, such as Cailleach Bhéara, the hag of Beara, associated with the Beare Peninsula in Munster where she embodies sovereignty and seasonal cycles.^[12] These names reflect adaptations of the core term cailleach from Old Irish, denoting an old woman or veiled figure, tailored to specific geographic and cultural contexts. In Scottish Gaelic folklore, particularly in the Highlands, the figure appears as Cailleach Bheur, the blue hag, where the epithet "Bheur" evokes a sharp or pointed old woman, and the blue coloration symbolizes the piercing cold of winter storms and frost in local traditions.^[12] She is also called Beira, the queen of winter, a title emphasizing her regal dominion over the season and landscape formation in Highland lore.^[12] On the Isle of Man, the equivalent is Caillagh ny Groamagh, the hag of gloom, a phonetic adaptation from Irish cailleach to Manx caillagh (old woman), with "ny Groamagh" shifting semantically to denote gloomy or stormy weather, reflecting insular Celtic emphases on weather prophecy and seasonal transitions.^[12] These Manx forms illustrate broader phonetic evolutions in Goidelic languages, where vowel and consonant shifts adapt the archetype to local dialects and environmental concerns.

Attributes and Characteristics

Physical and Symbolic Depictions

In traditional Gaelic folklore, the Cailleach is commonly portrayed as an ancient hag or crone, embodying the stark and unforgiving aspects of winter. She is often described as a towering giantess with dark blue skin, long white hair streaming like frost, a single eye, broad shoulders, and rust-colored teeth, clad in a grey mantle secured by a silver and crystal brooch. This hag-like form underscores her role as a formidable figure of cold and desolation, her appearance evoking the pallor and chill of icy landscapes.^[1] Symbolic items associated with the Cailleach highlight her dominion over natural forces and seasonal cycles. She carries a magic staff—or in some accounts, a hammer—with which she strikes the ground to freeze earth or shape rocky terrain, representing her creative and destructive power over the winter environment. She washes her vast plaid in whirlpools like the Gulf of Corryvreckan, using it as a harbinger of storms, with the frothing waters symbolizing impending gales and the whitening of her garment mirroring snowfall across the land. Additionally, her bed of stones, often linked to highland cairns or glacial erratics, symbolizes the barren, frozen expanses she oversees during her reign.^[1] Variations in her iconography emphasize themes of duality and renewal tied to the seasons. While predominantly a withered crone in winter tales, the Cailleach undergoes a transformation into a beautiful young woman at the onset of spring, shedding her aged form to embody fertility and growth, as seen in accounts where she rejuvenates by drinking from a sacred well. She is also frequently connected to wild animals, herding deer across mountains or occasionally riding a wolf, which reinforces her wild, untamed essence within her winter domains. These depictions collectively portray her as a multifaceted symbol of nature's cycles, blending terror and vitality. Attributes vary regionally, with the Irish Cailleach Bhéara emphasizing landscape creation and the Scottish Cailleach Bheur focusing on winter herding.^[1]

Domains of Influence

The Cailleach holds dominion over the harsh elements of winter, embodying the fierce forces of cold, storms, and inclement weather in Gaelic folklore. She is often depicted as the sovereign of tempests, unleashing blizzards and gales that blanket the land in frost, thereby enforcing the dominion of the dark season.^[13] This control extends to wild animals, particularly the beasts of the highlands, where she acts as their guardian and herder, ensuring their survival amid the scarcity of winter.^[14] As a shapeshifter, the Cailleach assumes forms such as the deer, symbolizing her deep bond with untamed nature, or the raven, a harbinger of ominous change and the scavenging spirit of desolation.^[15]^[16] In her creative capacity, the Cailleach serves as a primordial architect of the earth, wielding a hammer or staff to forge the rugged topography of the landscape. Legends attribute to her the formation of many Scottish mountains and landscapes by dropping stones from her apron or striking the ground with her hammer or staff; Ben Nevis, the highest peak in the British Isles, is often regarded as her mountain home or throne.^[14]^[13] This act underscores her role as a generative force, birthing not only geological wonders but also the vitality of the wild, including the proliferation of animals.^[14] Yet the Cailleach's influence is dual-natured, marked by profound destruction that mirrors winter's unrelenting grip. She brings famine and death by prolonging the cold, starving the land and its inhabitants until the seasonal thaw, a cycle that highlights her as both destroyer and renewer.^[2] This destructive power contrasts sharply with her generative aspects, where she oversees the rebirth of life in spring, releasing animals from her care to calve and thrive, thus perpetuating the eternal rhythm of decay and renewal.^[14]

Myths and Legends

Irish Traditions

In Irish folklore, the Cailleach Beara, often called the Hag of Beara, embodies the archetype of enduring longevity and the passage of time. She is portrayed as the oldest woman in Ireland, having outlived generations of mortals over centuries or even millennia, serving as a witness to the cycles of human life and history. Legends describe her marrying multiple husbands from different eras, each union producing children who age and die while she remains unchanged, highlighting her immortal or semi-divine nature tied to the land itself. This narrative underscores her role as a sovereign figure connected to the earth's fertility and decay, with her laments reflecting the sorrow of eternal survival amid fleeting human joys.^[17] A key literary expression of her tale appears in the medieval poem The Lament of the Old Woman of Beare, where the Cailleach, identified as Buí, mourns her transformation from a youthful beauty associated with kings and abundance to a withered crone shrouded in senility and poverty. The poem contrasts her past life of silken garments and royal companionship with her present isolation on the Beara Peninsula, emphasizing themes of transience and the inexorable advance of age. Through this, she symbolizes the ancient sovereignty of Ireland, outlasting dynasties and embodying the landscape's timeless presence.^[3] The Cailleach is also linked to the figure of the Hag of the Mill in Irish traditions, where she grinds grain in a quern or millstone, representing the transformative processes of harvest and seasonal change. In these stories, her grinding actions metaphorically shape the world into the rhythms of the year, particularly ushering in the harshness of winter by "milling" the earth's bounty into scarcity. This association underscores her role in balancing seasonal cycles.^[18] During Samhain, the Irish festival marking the onset of winter around November 1, the Cailleach emerges as a liminal guardian between the worlds of the living and the dead. Folklore connects her to rituals where communities selected and sacrificed animals, such as cattle brought down from summer pastures, to honor the transition and appease her influence over storms and survival through the dark half of the year. As a figure straddling life and death, she oversees these offerings, reinforcing her authority in deciding fates amid the thinning veil between realms and the broader themes of winter's trials.^[19]

Scottish Traditions

In Scottish folklore, the Cailleach Bheur, often depicted as a blue-faced hag or giantess, embodies the harsh forces of winter and serves as a creator figure tied to the Highland landscapes. Known also as Beira, the Queen of Winter, she is portrayed as an ancient being who shapes the terrain through her actions, ruling over the colder months with authority over storms, frost, and the natural world.^[20] One prominent legend recounts how the Cailleach Bheur formed Scotland's mountains, lochs, and glens while carrying a creel of rocks and earth on her back during her labors. As she strode across the land, stones spilled from her apron or basket, creating prominent peaks such as Ben Nevis and Ben Macdhui, while the earth and debris formed islands in lochs; for instance, she is said to have built Ben Wyvis single-handedly, stumbling to scatter rocks that became Little Wyvis. Neglect of sacred wells under her watch led to catastrophic floods, birthing bodies of water like Loch Awe when waters overflowed uncontrollably, while Loch Ness originated from her cursing a careless maid named Nessa, transforming her into the loch. These tales parallel creation myths in Irish traditions but emphasize Scotland's rugged Highland features.^[20] The Cailleach Bheur is also guardian of vast herds of deer, believed to be the origin of all wild deer in Scotland, which she herds across the moors and protects in hidden forests during winter. She milks the hinds for sustenance and charms them against hunters, transforming into a deer herself to evade pursuit; folklore holds that her annual release of the herds replenishes the population, with rituals among hunters invoking her permission before the seasonal hunt to ensure success and avoid her wrath.^[20] Her influence peaks during the darker half of the year, particularly in the Twelve Days of Yule, when she unleashes fierce storms and frosts to resist the encroaching spring, battling the warming forces symbolized by figures like Bride (Brigid). This struggle culminates on Imbolc (1 February, old style), known as Bride's Day, when the Cailleach is defeated, her power wanes, and she drinks from a magical well to rejuvenate as a youthful maiden, heralding renewal—though she vows to return with greater fury the following winter.^[21]

Broader Celtic Connections

The Cailleach exhibits parallels with other Celtic mythological figures embodying the crone archetype, particularly the Welsh goddess Cerridwen, who is associated with transformation through her magical cauldron that brews potions of wisdom and inspiration. Both figures represent wise, shape-shifting hags who guard sacred knowledge and oversee cycles of death and renewal, suggesting a shared motif of the divine feminine as initiator in insular Celtic traditions.^[2]^[12] In broader Continental Celtic contexts, the Cailleach aligns with the concept of the divine hag found in Gaulish lore, where female deities often personified the earth's dual nature as both nurturer and destroyer. Her attributes resonate with Romano-Celtic triple goddesses known as the Matres or Matronae, mother figures venerated in Gaul and Britain for fertility, protection, and seasonal abundance, frequently depicted in triadic form with symbols of prosperity like cornucopias. Some modern interpretations draw parallels with figures like the goddess Nehalennia due to shared motifs of veiling and liminality, though direct connections remain unproven. Scholars interpret the Cailleach as part of this pan-Celtic crone archetype.^[22]^[12] Some scholarly analyses suggest the Cailleach as a possible remnant of a pre-Christian earth mother deity, originating from pre-Celtic substrates and embodying the primordial forces of landscape formation and seasonal dominion, with motifs of giantess-like earth-shaping and deer-herding potentially reflecting influences from Pictish traditions in Scotland or Norse elements in northern isles like Jura. However, others, including historian Ronald Hutton, trace her to medieval Gaelic traditions as a product of Christian-era cultural synthesis, cautioning that claims of ancient pagan goddess status often stem from 19th-century romanticism rather than direct evidence. These parallels and origins remain debated among scholars.^[2]^[12]^[4]

Historical and Cultural Context

Associated Sites and Artifacts

The Slieve Gullion passage tomb in County Armagh, Ireland, known locally as Cailleach Beara's House, stands as a prominent Neolithic site associated with the mythological figure through folklore. Dating to approximately 3000–2500 BC, the structure features a cairn roughly 30 meters in diameter and up to 4 meters high, with a lintelled passage about 4.5 meters long leading to a chamber of corbelled construction. Excavations in the 1960s revealed worked flint fragments, chert, a scraper, and a barbed-and-tanged arrowhead, indicating prehistoric ritual activity, while historical accounts from 1789 describe locals searching the chamber for the Cailleach herself, finding only human bones. Folklore ties the site to Cailleach Béara as her dwelling, where she bewitched the hero Fionn mac Cumhaill to dive into a nearby lake in pursuit of her, emerging with white hair due to the cold waters.^[23] While folklore links these prehistoric sites to the Cailleach, scholars caution that such associations reflect later traditions rather than direct evidence of ancient veneration.^[4] In Scotland, the Callanish Stones on the Isle of Lewis represent a megalithic complex erected around 2900 BC in a cruciform pattern with a central circle, aligning with lunar cycles, including the 18.6-year standstill. Nearby hills form a profile resembling a sleeping woman, named Cailleach na Mòinteach ("Old Woman of the Moors"), evoking her petrified or resting form in some modern interpretations of legend. While folklore links these prehistoric sites to the Cailleach, scholars caution that such associations reflect later traditions rather than direct evidence of ancient veneration.^[4] Among artifacts potentially evoking crone figures, the Ballachulish figure from Iron Age Scotland exemplifies a carved representation of a female supernatural being. Discovered in 1880 in a bog near Loch Leven, this 1.4-meter-tall alder wood sculpture, dated to circa 600 BC, depicts a naked woman with quartzite pebble eyes, hands on her belly suggesting fertility or protection, and a top-knot hairstyle; its base includes a rectangular hollow, possibly for offerings. Housed in the National Museums Scotland, the figure's enigmatic pose has been interpreted as representing a spirit of the waters or a fertility figure.^[24] While folklore links these prehistoric sites to the Cailleach, scholars caution that such associations reflect later traditions rather than direct evidence of ancient veneration.^[4] Hag stones, naturally holed pebbles from coastal or riverine deposits in Scotland and Ireland, appear in Celtic folklore as protective amulets against malevolent hags, including those embodying the Cailleach's stormy aspects, though no archaeologically confirmed examples directly tied to her have been identified. Legends of the Cailleach shaping mountains, such as dropping stones from her apron to form peaks like Ben Nevis, further embed her in the material landscape across these regions.^[25]

Rituals and Festivals

In traditional Scottish and Irish folklore, rituals honoring the Cailleach were closely tied to the seasonal calendar, particularly those marking transitions between winter and the growing seasons. At Imbolc on February 1, communities in rural areas engaged in weather divination practices associated with the Caillagh ny Groamagh, the Manx variant of the Cailleach, who was believed to emerge from her lair to gather firewood for the remainder of winter. If the day brought rain or snow, it foretold an early spring; sunshine, however, signaled a lingering cold. These observances, documented in 19th-century folklore compilations, underscored the Cailleach's dominion over harsh weather, with participants invoking protection against prolonged storms through communal gatherings and chants.^[12] At Samhain on November 1, which marked the Cailleach's ascent as the Carlin or winter sovereign, offerings of milk were left outdoors in rural Scottish communities to appease her and avert severe winters. These libations, sometimes accompanied by blood from sacrificial animals in earlier variants, were placed at thresholds or natural features to honor her weather-controlling powers and secure household prosperity; Highland traditions varied, incorporating the display of a harvest sheaf dressed as the Carlin to ward off malevolent spirits during this liminal time. Historical records from 18th- and 19th-century collectors, including Alexander Carmichael's oral traditions from the Scottish Isles, describe these as essential for communal harmony with the land's cycles.^[26] Communal dances and chants further animated these festivals, particularly the Dannsa na Cailleach (Dance of the Old Woman), performed at harvest's close but echoing Samhain themes of transformation. Recorded by Alexander Carmichael in the late 19th century among Highland and Island folk, the ritual featured a man wielding a wand to "slay" and revive a female dancer portraying the Cailleach, accompanied by piping or chants invoking fertility and the turning year. These performances, blending solemn incantation with joyful movement, reinforced social bonds and the hag's dual role as destroyer and renewer, as preserved in Carmichael's collections of dying Gaelic customs.^[26]

Modern Interpretations

In Literature and Art

In the 19th century, the Cailleach entered scholarly folklore collections that bridged oral traditions with literary preservation, particularly through the efforts of John Francis Campbell. His multi-volume Popular Tales of the West Highlands (1860–1862), drawn from Gaelic informants across Scotland, includes narratives featuring hag-like figures akin to the Cailleach, such as tales of wise old women wielding supernatural influence over weather and land formation. These accounts, often illustrated with woodcuts depicting rugged Highland scenes, romanticized the Cailleach as a guardian of ancient wisdom, influencing subsequent literary revivals of Celtic motifs. William Butler Yeats further elevated the Cailleach's mystical presence in early 20th-century Irish literature, reimagining her through folklore in The Celtic Twilight (1893). Here, Yeats describes the figure as Clooth-na-Bare, a veiled hag who roams seeking a lake to end her immortal life, ultimately resting in Lough Ia on the Ballygawley Mountains; this depiction underscores her ethereal, untiring aura as a bridge between the mortal world and the sidhe. Yeats' prose emphasizes her role in the "twilight" realm of Irish myth, portraying her not merely as a crone but as a symbol of eternal, haunting vitality. Visual representations of the Cailleach in art emerged alongside these literary traditions, capturing her formidable essence. In the early 20th century, Scottish Symbolist painter John Duncan illustrated her in Donald A. Mackenzie's Wonder Tales from Scottish Myth and Legend (1917), depicting the Cailleach Bheur as a stormy, cloaked crone amid wild, tempestuous landscapes that evoke her dominion over winter gales and creation myths. Duncan's ethereal yet ominous style, blending Art Nouveau elements with Celtic revivalism, reinforces her as a primordial force of nature's raw power.

In Contemporary Spirituality

In contemporary pagan traditions, including Wicca and Druidry, the Cailleach has been adopted as a goddess embodying winter's transformative power and the crone's profound wisdom, often invoked in rituals to honor seasonal shifts and ancestral knowledge. Drawing briefly from her traditional role as the veiled hag who rules the dark half of the year, modern practitioners celebrate her through ceremonies that emphasize introspection, resilience, and the natural cycle of decay and renewal. For instance, the Order of Bards, Ovates and Druids (OBOD) integrates her into winter solstice and Samhain observances, viewing her as a guardian of the earth's hidden depths and a teacher of inner peace amid hardship.^[27] Feminist reinterpretations within these spiritual paths reframe the Cailleach as an empowered elder archetype, subverting patriarchal depictions of aging women as diminished or monstrous to highlight her sovereignty and agency. This perspective aligns with broader Goddess spirituality, where the crone phase represents culmination rather than decline, fostering rituals that affirm women's strength in later life stages. Author and mythologist Sharon Blackie, in her 2022 book Hagitude: Reimagining the Second Half of Life, draws on the Cailleach's myths to advocate for elder women as fierce protectors of community and land, challenging cultural narratives that marginalize menopause and post-reproductive vitality. In the 2020s, online pagan communities and publications have increasingly linked the Cailleach to ecological activism, positioning her as a symbol of environmental guardianship against modern exploitation of nature. Blackie's ecopsychological analyses, including essays on her dissertation topic, portray the Cailleach as an indigenous force tied to land sovereignty, inspiring pagan groups to engage in climate rituals and advocacy for wild places. This revival is evident in resources from organizations like the Irish Pagan School, which explore her relevance for sustainable living and resistance to ecological harm.^[28]^[29]

In Popular Culture

The Cailleach, the Gaelic hag goddess associated with winter and landscape creation, has been depicted in various 20th- and 21st-century video games, often as a formidable supernatural entity embodying her mythological dominion over harsh weather and ancient power. In the Shin Megami Tensei series, she appears as the demon Cailleach Bheare, a summonable ally or foe drawing from her role as a divine crone in Irish and Scottish lore.^[30] Similarly, in Assassin's Creed Valhalla's Wrath of the Druids DLC (2021), players can acquire the Cailleach Bheara as a mythical mount, a white stag-like creature inspired by her transformative and wild attributes, available through in-game trade with druidic traders. In modern literature, the Cailleach features prominently in urban fantasy and speculative fiction, reimagined as a timeless force navigating contemporary settings. Kathleen Kaufman's Hag (2021) portrays her as the "lowland hag" whose daughters confront superstition and peril in a folklore-infused narrative set in historical Ireland.^[31] Shona Kinsella's The Heart of Winter (2023) centers on the goddess Brigit seeking alliance with the Cailleach in the Scottish Highlands, exploring themes of seasonal conflict and female divinity in a mythic retelling.^[32] For younger readers, Caitlín Matthews's The Cailleach of the Snows depicts her as a mountain ruler who kidnaps the spring goddess Bride, emphasizing her control over winter in a children's tale of seasonal balance.^[33] The figure also appears in music and film, blending her enigmatic presence with Celtic-inspired artistry. Composer David Arkenstone's instrumental track "Cailleach's Whisper" (2013) from the album Celtic Chillout evokes her mystical aura through atmospheric synths and flutes, capturing the chill of her winter realm.^[34] In animation and live-action shorts, she is portrayed directly: the 2007 Irish animated film An Cailleach Bhéara uses puppetry to illustrate her folklore as the Hag of Beara.^[35] On television, the Cailleach serves as the gatekeeper to the spirit world in the BBC series Merlin (2011), played by Gemma Jones in episodes where she guards the veil torn by Morgana, wielding authority over otherworldly spirits.^[36] Earlier, in Doctor Who's "The Stones of Blood" (1978), an alien fugitive impersonates the Cailleach, leading a druidic cult in rituals tied to her war and magic aspects.^[37] As of 2025, the Cailleach continues to inspire contemporary art and writing, such as Judith Shaw's 2024 essay "Samhain: The Cailleach, Wolf, and Black Cat," which explores her symbolic role in seasonal renewal within modern pagan contexts.^[38]

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[29]
Cailleach 'Biorar' - The Atlantic Religion
Mar 24, 2014 · He translated this name as 'Old woman of the waters'. On Slieve Gullion, her home was supposed to be the spectacular chambered cairn (the 'South ...
[30]
The Encyclopedia of Celtic Mythology and Folklore - Academia.edu
Ceridwen (Caridwen, Cerridwen, Cariadwen, Keridwen) Welsh goddess. On an ... Dôn herself played little role in Welsh Sources: Dexter, Miriam Robbins.
[31]
[PDF] Carmina gadelica - National Library of Scotland
... Rites, and Customs,. Dying and Obsolete : Orally Collected in the Highlands and Islands of Scotland and Translated into. E?iglish. By Alexander Carmichael.
[32]
Aithbe dam bés mora
The lament of the Old Woman of Beare. Sentainne Béirri cecinit íarna senad don chríni: Aithbe damsa bés mora; sentu fom-dera croan; toirsi oca cía do-gnéo ...
[33]
TEI header for Aithbe dam bés mora
II: The Song of the Old Woman of Beare, Otia Merseiana 1 (1899) 122 sq. Kuno Meyer, Selections from Ancient Irish Poetry (London 1911) 88 sq. The edition used ...
[34]
The Peace After The Storm ~ The Cailleach Of Winter - OBOD
Nov 25, 2020 · The Cailleach of Winter is an ancient, ancient bone mother, keeper of ancestral memories, and brings peace after the storm, offering a chance ...
[35]
How Irish myth and folklore can inspire women to fight for ecological ...
Oct 25, 2019 · The Cailleach is a powerful female figure who fights the exploitation of animals and the land.
[36]
Irish Goddesses in Modern Spirituality - The Irish Pagan School
Sep 26, 2023 · Our historical understanding of Irish Goddesses is largely drawn from early Irish literary sources such as Lebor Gabála Érenn, the Cath Maige ...
[37]
Cailleach Bheare | Megami Tensei Wiki - Fandom
Cailleach Bheare is a demon in the series. Cailleach is a divine hag and creatrix in the native religious traditions of Ireland and Scotland.
[38]
Hag: Kaufman, Kathleen - Books - Amazon.com
30-day returnsThese daughters of the lowland hag, the Cailleach, must navigate a world filled with superstition, hatred, violence, pestilence, and death to find their ...
[39]
Book Review: The Heart of Winter by Shona Kinsella | BookClub
When Brigit learns of this arrangement, she flees into the Highlands to seek out the Cailleach, the goddess of winter. ... She served as editor of the British ...
[40]
The Cailleach of the Snows Book by Caitlín Matthews - Epic
The Cailleach rules in the high mountains, maintaining winter. She kidnaps Bride, and forces her to be her servant. Can Bride overtake Cailleach?
[41]
Cailleach's Whisper - song and lyrics by David Arkenstone | Spotify
Listen to Cailleach's Whisper on Spotify. Song · David Arkenstone · 2013. ... Celtic Chillout: Endel Sleep Soundscape. Album • 2024 · Winterlüde. Album • 2023.
[42]
An Cailleach Bhearra - YouTube
Feb 28, 2013 · Irish Short Film The Cailleach was dependent on this one thing... every hundred years she must get back to the water and immerse herself so ...
[43]
Gemma Jones | Merlin Wiki - Fandom
Gemma Jones is a British actress who played The Cailleach in the Series 4 episodes: The Darkest Hour: Part One and The Darkest Hour: Part Two of the BBC series ...
[44]
Cessair of Diplos - Tardis | Fandom
Cessair of Diplos was a long-lived fugitive criminal from Diplos, wanted for murder and stealing the Great Seal, who hid on Earth for four thousand years.