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Catrin Finch

Catrin Finch is a Welsh ist, , and educator, widely regarded as one of the most accomplished and innovative performers on the instrument in her generation. Born in 1980 in Llanon, , she began studying the at age five and quickly rose to prominence, becoming the youngest musician to perform at the with the National Youth Orchestra of at age ten. From 2000 to 2004, she served as the Official Harpist to HRH the Prince of Wales, reviving a historic Welsh tradition that had lapsed for over 200 years. Finch's career encompasses classical mastery, folk traditions, and cross-genre explorations, highlighted by her recordings on major labels including Deutsche Grammophon and Sony Classical. She achieved early acclaim with victories in international competitions, such as first prize in the junior section of the World Harp Festival in 1991 and the Lily Laskine International Harp Competition in 1999, followed by winning the Young Concert Artists International Auditions in 2000. Her solo debut album, Goldberg Variations (2009), topped the UK Classical Chart, and she has since released acclaimed collaborative works like Clychau Dibon (2013) and Soar (2018) with Senegalese kora player Seckou Keita, earning BBC Radio 2 Folk Awards for Best Duo/Band in 2019 and multiple Songlines Music Awards. Other notable recordings include Woven (2020) and Double You (2023) with Irish fiddler Aoife Ní Bhriain, Echo (2022) with Keita, and a 2025 digital single of J.S. Bach's Prelude from Violin Partita No.3, blending harp with global influences. Beyond performance, Finch is a dedicated educator and advocate for the , serving as at the Royal Welsh College of Music and Drama and founding the Catrin Finch Academy to mentor young musicians through workshops and summer schools. She has received honors including the Echo Klassik Award (2004), Welsh (2008), and a for her 2003 documentary Charlie's Angel, which chronicled her experiences as Royal Harpist. In recent years, Finch has continued to perform with ensembles like the , toured with Ní Bhriain promoting (2024), collaborated with Colombian ensemble Cimarrón, and launched the project with producer Lee House (2025), while overcoming personal challenges including a diagnosis in 2018 from which she achieved remission in 2019.

Early life and education

Childhood and family background

Catrin Finch was born on 24 April 1980 in Llanon, , . She grew up in this coastal village on the shores of , in a region where and culture remain prominent. Finch was raised by a half-German mother and an English father from , who relocated to for work in . Although English was her first language at home, she became fluent in Welsh through immersion in the local community, reflecting the bilingual ethos of . Her family emphasized cultural traditions, fostering an appreciation for Welsh heritage without pressuring her pursuits. From an early age, Finch was exposed to music through family outings to local performances, including a pivotal by Spanish harpist Marisa Robles at the Lampeter Music Club when she was five. This , alongside the vibrant Welsh folk scenes in her surroundings, sparked her initial interest in music and shaped her cultural identity.

Introduction to music and early training

Catrin Finch's introduction to the harp occurred at the age of six, when her parents rented a small as a birthday gift, allowing her to begin lessons with a local peripatetic teacher in her hometown of Llanon, , . This early start immersed her in the instrument's traditions, particularly its significance in Welsh culture, where the holds historical prominence. By age seven, she transitioned to studying under renowned Welsh harpist Elinor Bennett in , committing to a rigorous 200-mile weekly commute that underscored her dedication. Under Bennett's guidance, Finch rapidly progressed, completing all Associated Board of the Royal Schools of Music () harp grades and achieving the highest mark in the UK for Grade VIII by the age of nine. At ten years old, Finch joined the National Youth Orchestra of Great Britain (NYOGB), becoming its youngest harpist and marking a pivotal step in her orchestral experience. She performed with the NYOGB at the in the Royal Albert Hall that year, at age ten, becoming the youngest member of the orchestra to do so and showcasing her prodigious talent on an international stage. These early performances highlighted her technical proficiency and musical maturity, laying the foundation for her professional trajectory. Finch's upbringing in a bilingual environment further shaped her musical identity; fluent in Welsh from an early age, she drew inspiration from traditional Welsh folk music, which influenced her interpretive style and commitment to preserving the harp's cultural heritage.

Professional career

Competitions and early recognition

At the age of 11, Catrin Finch enrolled at The Purcell School in , where she continued her harp studies under Skaila Kanga, building on her foundational training with Elinor Bennett. This period marked a significant transition in her development as a young musician, preparing her for advanced conservatory work. She later progressed to the Royal Academy of Music, studying full-time with Kanga and graduating in 2002 with the Queen's Commendation for Excellence, recognizing her as one of the institution's most outstanding students. Finch's competitive breakthrough came in 1999 at the age of 19, when she won first prize at the Lily Laskine International Harp Competition in , one of the world's premier events for harpists. This victory established her as a rising talent on the international stage and opened doors to further opportunities. The following year, in 2000, she secured another major accolade by winning the Young Concert Artists International Auditions in , which included the Princeton University Concerts Prize. These successes highlighted her technical prowess and musical maturity, earning her scholarships and performance engagements that propelled her early career. The Young Concert Artists win directly led to Finch's professional debuts, including her New York recital and a London appearance at Wigmore Hall, where she performed solo programs showcasing her interpretive depth. In the UK, her rising profile also brought early media exposure, such as features on BBC's Blue Peter and participation in the BBC Young Musician competition prior to age 16, which introduced her artistry to a broader audience. These milestones not only validated her training but also laid the groundwork for her emergence as a leading harpist.

Official roles and major performances

In 2000, Catrin Finch was appointed the Official Harpist to , becoming the first person to hold the revived title since 1933, a position she maintained until 2004. During her tenure, she performed at numerous royal events and state occasions, including her debut recital at a hosted by the Prince for members of the in . She also played at the Prince's 50th birthday celebrations in 1998, prior to her formal appointment, where her performance earned high praise from the Prince himself, who described her as "a credit to ." Following her official role, Finch established herself as a prominent soloist through extensive tours across , , , and the , appearing as a soloist and recitalist with major orchestras and in renowned venues. Notable milestones include her recital debut at Weill Recital Hall in in 2005, where she presented a program including Bach's Toccata and Fugue in D minor (transcription), Fauré's "Châtelaine en Sa Tour", Debussy's Sonata for flute, viola, and (with Antoine Tamestit and Eugenia Zukerman), and Paul Patterson's "Bugs!". She also made significant appearances, such as her solo performance of David Sawer's Between for in 2002, highlighting her command of modern compositions in one of the world's premier concert series. Finch has been a key figure in commissioning and premiering new works for harp by contemporary composers, contributing to the instrument's expansion in the classical canon. Among these, she gave the world premiere of a double harp concerto by Karl Jenkins, specially commissioned by the Prince of Wales, as well as Sally Beamish's Hive (2022), premiered at the BBC Proms with the BBC National Orchestra of Wales. Her global performances have included cultural showcases promoting Welsh heritage, such as the 2015 Patagonia tour with the BBC National Orchestra of Wales, where she performed in communities tracing their roots to 19th-century Welsh settlers in Argentina, Chile, and Uruguay, fostering musical exchange and education.

Key collaborations and international tours

One of Catrin Finch's most prominent collaborations is her duo with Senegalese kora player Seckou Keita, which began in 2012 when Keita substituted for another musician during a project in . Their debut album, Clychau Dibon, released in 2013, fused the classical Welsh triple harp with the 21-string kora, earning praise for its seamless cultural interplay and innovative arrangements of traditional tunes from both and . The follow-up album, SOAR in 2018, drew inspiration from the osprey's migratory path between and , further emphasizing themes of cross-continental connection and shared musical heritage. The duo toured extensively in , including major venues, festivals such as WOMAD and the Lorient Interceltic Festival in , and appearances in countries like , promoting their blend of traditions and harpistry. In 2021, Finch partnered with Irish fiddler and violinist Aoife Ní Bhriain, debuting as a duo with a filmed performance at the Other Voices Cardigan festival, where they explored intersections of Irish and Welsh folk traditions alongside classical influences. This collaboration culminated in their 2023 album , a collection of original compositions that weave melodies with textures, highlighting Celtic roots while incorporating contemporary and global elements. Their joint tours have included performances across and , with notable 2024 dates in Ireland at venues like The Sugar Club in and The Ennis Arts Centre in Naul, fostering cultural dialogue between Irish and Welsh musical communities. Finch has also engaged in other significant partnerships, such as with the Colombian joropo ensemble , beginning in 2007 with a tour of that blended Latin American rhythms from the plains with . This collaboration produced the live album Catrin Finch and Cimarron Live YN BYW and led to subsequent tours in 2017 and 2020, showcasing vibrant fusions of Andean string instruments, percussion, and . Additionally, Finch has worked with traditional , contributing to projects that revive and reinterpret within ensemble settings rooted in . Her international tours extend these collaborations into broader cultural exchanges, including a 2018 initiative tied to the SOAR project that highlighted historical and migratory links between and through performances and educational outreach. In 2024, tours with Ní Bhriain further emphasized Irish-Welsh exchanges, with concerts in Ireland promoting shared narratives.

Recent projects and awards

In 2022, Finch released Echo, her third collaborative album with Senegalese kora player , featuring a blend of Welsh and West African musical traditions across seven tracks. The album marked a continuation of their decade-long partnership, emphasizing intricate duets that explore themes of resonance and cultural dialogue. Finch's collaboration with Irish fiddler Ní Bhriain gained prominence with the 2023 release of Double You, their debut duo album, which fused classical, folk, and influences, including original compositions inspired by Bach and traditional tunes from and . The album achieved #1 on the Classical Charts and topped the Charts in December 2023. In 2025, the duo issued a digital single, an arrangement of J.S. Bach's from No. 3 in , BWV 1006, highlighting their violin-harp interplay. Finch and Ní Bhriain have maintained an active performance schedule, including appearances at the National Arts Centre in Ottawa in November 2024, the Edinburgh International Festival in August 2025, and the Eisteddfod Genedlaethol Cymru in August 2024, where they showcased material from Double You. In 2025, the duo continued touring with performances at the Lampeter Concert in September, the Milford Haven Music Festival in August, and others, while working on material for a second album. Additional 2024-2025 engagements encompass the MusicFest Aberystwyth in July 2024, Classical:NEXT in May 2025, and the Bristol Folk Festival in 2025, reflecting ongoing international touring across the UK, Europe, and North America. For , the duo received the Best European Album award at the Songlines Music Awards in 2024, recognizing its innovative cross-cultural contributions. In the same year, Finch served as jury chair for the Dutch Harp Festival's World Harp Competition, overseeing a multidisciplinary panel that awarded prizes to emerging global talents. Following her recovery from treatment in 2018, Finch has continued to advocate for Welsh music traditions through performances and teaching, including her role as Head of Harp at the Royal Academy of Music, while sustaining global tours that promote repertoire.

Discography

Solo albums

Catrin Finch's solo albums demonstrate her innovative approach to the , often merging traditional Welsh elements with classical and modern influences to highlight the instrument's expressive range. Her debut solo release, Crossing the Stone (2003), blends traditional Welsh music with classical compositions, including the from a commissioned by HRH The Prince of . The album features lively arrangements that incorporate pennywhistle and , earning praise for its joyful and Adiemus-like instrumental energy. rated it 7.7 out of 10, noting its successful fusion of genres. Goldberg Variations (2009) is a harp transcription of J.S. Bach's BWV 988, which topped the Classical Chart. In 2011, Finch issued , an album of ten traditional Welsh tunes newly arranged in a contemporary style infused with elements, inspired by the mythological underworld of the same name. Critics commended its bold reinterpretations and Finch's playing, describing it as an enterprising that revitalizes ancient melodies. Tides (2016) features Finch's original compositions for harp, marking her first full album of self-penned works, exploring themes of change and flow. Additional solo efforts include String Theory (2007), recorded with The Catrin Finch Band, which explores original string-centric compositions and arrangements emphasizing the harp's textural possibilities. The Jade Mountain – Songs by Edmund Rubbra (2023) presents harp arrangements of English composer Edmund Rubbra's songs. Finch has further distinguished her solo output through harp transcriptions of film scores, adapting cinematic works to showcase the instrument's lyrical and dramatic potential in standalone performances and recordings.

Collaborative albums and singles

Catrin Finch has engaged in several notable collaborations that fuse her playing with diverse instrumental traditions, creating innovative cross-cultural recordings. One of her earliest significant joint projects was the live Live - Yn Byw (2009) with the Colombian ensemble Cimarrón, blending Welsh with the rhythms and songs of the River region, including and styles. Recorded during their performances, the album features tracks like "Quitapesares" that highlight the interplay between Finch's and Cimarrón's , maracas, and cuatro, earning acclaim for its energetic fusion of Latin American folk and European classical elements. In 2013, Finch partnered with Senegalese kora master for their debut duo album Clychau Dibon, which seamlessly merges the 47 strings of the with the kora's 21 strings in original compositions and arrangements inspired by both Welsh and West African traditions. Produced by Astar Records and recorded at Acapela Studio in , , with mastering by Super Audio Mastering in , the album includes guest contributions from musicians such as Jordan Price Williams on percussion. It received widespread recognition, winning the fRoots Critics' Poll Album of the Year 2013, the Songlines Magazine Best Cross-Cultural Collaboration 2014, and two Folk Award nominations, while also being a runner-up for fRoots Best Packaged CD. Their follow-up, SOAR (2018), released on ARC Music, builds on this partnership with tracks evoking the flight of the , incorporating intricate duets and subtle production that emphasizes acoustic intimacy without additional guests. The album earned the Songlines Music Awards 2019 Fusion category win, praised for its evolved harmonic dialogue between and kora in pieces like the . Echo (2022), the third album in their , continues the harp-kora dialogue with original pieces inspired by of tradition and innovation across cultures. More recently, Finch collaborated with fiddler and violinist Aoife Ní Bhriain on Double You (2023), their debut duo that explores classical-folk hybrids through new compositions drawing from , Welsh, and broader influences. Released independently, the nine-track recording features no prominent guest artists, focusing on the duo's interplay in selections like "The Jade Mountain," and garnered nominations for Best at the 2024 Awards and Best European at the Songlines Music Awards 2024. In September 2024, they issued a digital single, an arrangement of J.S. Bach's from No. 3 in (BWV 1006), adapting the violin line for and to showcase their classical precision within a folk context.

Personal life

Marriages and family

Catrin Finch married composer and music producer Hywel Wigley in 2003. The couple had two daughters during their marriage: Ana Gwen, born in December 2006, and Pegi Wyn, born in February 2013. They separated in 2017 following Finch's as . In December 2019, Finch married her partner Natalie in a private ceremony in , , surrounded by close family and friends. The couple met during Finch's treatment in 2018 and now live together outside , maintaining a family home in with Finch's daughters. Finch's family has consistently supported her professional endeavors in music. Her former husband Wigley, son of harpist Elinor Bennett, shared her passion for the arts and assisted in initiatives like converting Capel Horeb into a concert venue and near . Her daughters have engaged with music from a young age, inspiring works such as John Rutter's lullabies dedicated to Ana Gwen and Pegi Wyn, which Finch performed in concert. Natalie continues this support, helping Finch balance her touring schedule and personal life.

Health and advocacy

In February 2018, Catrin Finch was diagnosed with grade three , which was caught early and deemed treatable. She underwent a course of treatment that included seven cycles of —weekly for the first 12 weeks and then every three weeks—followed by a double in August 2018. Despite the rigors of her medical regimen, Finch continued performing, completing a major tour with Senegalese musician in the spring and summer of 2018, often rushing from hospital appointments to concerts. Finch received the all-clear in October 2018 and resumed full touring by 2019, including appearances at festivals and international events. In interviews, she has reflected on the resilience fostered by her experience, emphasizing how music and close relationships provided essential emotional support during treatment; her family's encouragement was particularly vital in helping her maintain focus amid the challenges. She described emerging "the other side" stronger, viewing the ordeal as a catalyst for personal growth and a deeper appreciation for her craft. Following her recovery, Finch has engaged in advocacy for cancer awareness, serving as a patron of the Welsh charity Tenovus Cancer Care since at least 2020 and sharing her personal story publicly to encourage early detection and open conversations about the disease. Her efforts include participating in radio discussions on her journey, such as a 2019 appearance where she detailed the impact of her diagnosis, and auctioning a of herself in 2020 to raise funds for Tenovus initiatives supporting cancer patients across . Post-2020, Finch has incorporated music's therapeutic role into her advocacy, highlighting in interviews how performances during her treatment aided her mental well-being and promoting similar benefits for others through charity partnerships.

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