Charo
María Rosario Pilar Martínez Molina Baeza, known professionally as Charo, is a Spanish-born American actress, singer, comedian, and flamenco guitarist renowned for her flamboyant stage persona, rapid-fire Spanish-accented English, and signature catchphrase "cuchi cuchi."[1][2] Born on January 15, 1951, in Murcia, Spain, she rose to international fame in the 1970s through television appearances that showcased her musical talents and comedic flair.[1] Despite early controversy over her age—official records suggested 1941, but she successfully petitioned a court in 1977 to affirm 1951—she has maintained a career spanning over five decades, blending flamenco guitar virtuosity with variety show entertainment.[1] Charo's early life was marked by prodigious musical talent; she began studying classical and flamenco guitar as a child under the renowned maestro Andrés Segovia and made her film debut in the Spanish production Don Juan Tenorio at age 12.[2] Discovered by bandleader Xavier Cugat as a teenager, she joined his orchestra and married him in 1966, relocating to the United States where she honed her bilingual performance style.[1] Their marriage ended in 1978, after which she wed producer Kjell Rasten, with whom she had a son, Shel, in 1981; the family settled in Kauai, Hawaii, in 1988, and Rasten passed away in 2019.[1] Her breakthrough came on The Tonight Show Starring Johnny Carson in the late 1960s, where her energetic "cuchi cuchi" routine captivated audiences, leading to regular spots on shows like Rowan & Martin's Laugh-In, The Carol Burnett Show, and The Love Boat.[1][3] Charo released successful albums such as La Salsa (1976) and Guitar Passion (1994), with her single "Cuchi Cuchi" achieving platinum status, and she earned accolades including two "Best Flamenco Guitarist" titles from Guitar Magazine, a Billboard International Latin Music Award, and the 2014 Ricardo Montalbán Lifetime Achievement Award at the ALMAs.[2] She headlined Las Vegas residencies, including Bravo at The Venetian, and appeared in films like The Concorde... Airport '79 (1979) and Thumbelina (1994).[2][4] In later years, Charo competed on Dancing with the Stars in 2017 and guest-starred in Sharknado 5 that same year, while continuing to perform live, including a 2017 Hollywood Bowl concert for 17,000 fans.[1][2] Often typecast for her over-the-top, self-deprecating humor, she has been praised for her technical guitar prowess and enduring vitality, as highlighted in a 2022 New York Times profile describing her as a multifaceted artist still practicing guitar into the early morning hours.[3] Now based in Beverly Hills, California, Charo remains active on social media and in occasional gigs, embodying a career defined by resilience and reinvention.[3][4]Early life
Upbringing in Spain
María Rosario Pilar Martínez Molina Baeza, known professionally as Charo, was born in Murcia, southeastern Spain, to a lawyer father and a homemaker mother, in a middle-class family during the Franco dictatorship.[5][6] Her early years were marked by political instability, as the regime seized her family's assets when she was around 7 years old, forcing her father into exile in Casablanca while her mother remained in Spain with the children.[3] This turbulent environment shaped a childhood of resilience, with the family navigating economic hardships in Francoist Spain. Charo's initial exposure to music stemmed from the vibrant Spanish cultural landscape, particularly the flamenco traditions prevalent in Murcia and surrounding areas. As a young girl, she took her first guitar lessons from Romani musicians camping near her grandparents' farm, sparking a lifelong passion for the instrument.[7] By age 9, while attending the Catholic Convent of the Sacred Heart in Murcia, she began formal guitar practice, using music as a psychological refuge amid the family's challenges; her relatives pooled resources to buy her a second-hand guitar.[3][6] The family's circumstances, compounded by Spain's post-Civil War recovery and ongoing repression, prompted her parents to send her to Madrid around age 12 for advanced musical studies, providing an opportunity to escape local instability and pursue her emerging talent in a larger cultural hub.[8] This move immersed her further in Spain's classical and flamenco guitar traditions before any professional training abroad. She later received brief instruction from renowned guitarist Andrés Segovia.[2]Birth year controversy
Charo's birth year has long been a subject of dispute, with official Spanish records indicating she was born on March 13, 1941, in Murcia, Spain.[9] Her original Spanish passport and U.S. naturalization papers also listed this date, reflecting the documentation from her birthplace under the Franco regime, which she later claimed was administratively flawed.[10] Publicly, Charo has maintained that her true birth year is 1951, specifically January 15, asserting that the earlier records were erroneous.[3] In 1977, she petitioned the U.S. District Court in Las Vegas to correct her age, supported by sworn affidavits from her parents confirming the 1951 date.[9] The court accepted her claim, officially ruling her birth year as 1951, which she has since used in professional and personal contexts.[10] This discrepancy has significant implications for her early career timeline, particularly her 1966 marriage to bandleader Xavier Cugat; under the 1951 ruling, she would have been 15 at the time, whereas the 1941 date would make her 25.[9] The controversy fueled media scrutiny in the 1970s, with outlets questioning the validity of the court decision and speculating on motivations tied to her rising fame in the U.S., though no further legal challenges ensued.[3]Career
Rise to prominence
Charo was discovered as a teenager by renowned bandleader Xavier Cugat while performing in Spain, leading her to join his orchestra as a singer and dancer.[11] Having trained in classical guitar under Andrés Segovia and in flamenco guitar during her youth in Spain, she brought her musical skills to Cugat's ensemble. In 1966, she married the 66-year-old Cugat in a ceremony at Caesars Palace in Las Vegas, an arrangement she later described as a business contract to facilitate her legal entry and residency in the United States.[11][12] Following the marriage, Charo relocated to the U.S. and began performing regularly as part of Cugat's orchestra, showcasing her flamenco guitar and dance abilities. Their act quickly gained traction on the Las Vegas casino circuit, with debut shows at Caesars Palace's Nero's Nook in 1966, where they entertained audiences with Latin-infused performances.[12] These early Vegas engagements, including appearances at The Flamingo Hotel, helped establish her presence in American entertainment venues during the mid-1960s.[11] Charo's initial U.S. television exposure came through guest spots alongside Cugat, marking her breakthrough in the late 1960s. She appeared multiple times on The Ed Sullivan Show, performing Latin medleys and solo guitar pieces that highlighted her vibrant energy.[11] A notable solo appearance occurred on The Hollywood Palace in March 1969, hosted by Sammy Davis Jr., where she sang a Latin medley and demonstrated her comedic flair.[13] During these television outings, Charo developed her signature style, blending flamenco precision with playful humor to captivate audiences. Her catchphrase "cuchi cuchi"—a playful Spanish expression she developed in her act, paired with a distinctive hip shimmy—emerged as a hallmark of her act, particularly after an improvisational moment on The Tonight Show with Johnny Carson. This comedic persona, often infused with exaggerated Spanish-accented English and infectious enthusiasm, solidified her image as a lively entertainer in the evolving landscape of 1960s variety programming.[11]Music and performance
In the 1970s, Charo transitioned to a solo music career, blending her flamenco guitar roots with disco influences in releases produced by Salsoul Records.[1] Her early solo releases in the 1970s included tracks with Salsoul Records leading to albums like Cuchi Cuchi (1977) and Dance a Little Bit Closer (1978), which featured upbeat Latin-disco tracks that highlighted her energetic vocal style and guitar work, marking her shift from orchestral accompanist to independent artist.[1][14] This fusion era capitalized on the disco boom while preserving flamenco elements, such as rhythmic strumming and passionate phrasing, earning her recognition as a versatile performer in contemporary Latin music.[2] Charo's live performances emphasized her stage charisma and guitar prowess, with long-running residencies in Las Vegas at venues like the Sahara Hotel and Casino, where she developed a signature nightclub act combining comedy, song, and flamenco solos.[1] She has toured internationally across Europe, Latin America, and Asia, delivering sold-out shows that showcase her authentic flamenco interpretations and improvisational flair.[6] These engagements, often spanning decades, solidified her reputation as a global entertainer capable of captivating diverse audiences through high-energy sets.[6] A pinnacle of her musical output arrived with the 1994 album Guitar Passion, a flamenco-focused collection that returned to her classical training and earned the Female Pop Album of the Year award at the Billboard International Latin Music Conference, along with Billboard's designation as Best Female Latin Pop Album.[2] Charo, who began studying classical guitar under flamenco masters as a child, demonstrated her technical expertise on the record through intricate fingerpicking and traditional Spanish compositions, affirming her status as a virtuoso beyond her comedic persona.[15] The album's success on Latin charts underscored her enduring skill in flamenco guitar, twice voted "Best Flamenco Guitarist" by Guitar Player magazine readers.[2] In later years, Charo's performance style evolved to incorporate broader entertainment formats, blending music with dance in high-profile appearances. Her 2017 participation in Dancing with the Stars season 24 featured routines like a salsa to "Cuban Pete" and a paso doble to her own "España Cani," highlighting her rhythmic precision and flamenco-inspired footwork despite an early elimination.[16] These outings reflected her adaptability, maintaining flamenco's fiery essence while engaging contemporary audiences through collaborative, visually dynamic shows.[16]Later work and television
Following her breakthrough television appearances in the 1970s, Charo maintained a sustained presence on American TV through recurring guest roles on popular series during the 1980s.[17] She appeared in 10 episodes of The Love Boat between 1977 and 1986, often portraying vibrant characters that highlighted her comedic flair and musical talents.[18] Similarly, she guest-starred in four episodes of Fantasy Island from 1981 to 1984, playing roles such as a surrogate mother in one installment and a woman seeking her father in another.[19][20] Charo continued her television visibility as a semiregular panelist on Hollywood Squares, appearing across its original run (1972–1978), 1980s revival (1986–1989), and later iterations (1998–2004), where her quick wit and catchphrase "cuchi cuchi" became staples.[18] In more recent decades, she made notable guest spots on modern shows, including a cameo as the Queen of England in the 2017 Syfy film Sharknado 5: Global Swarming.[21] That same year, she competed on season 24 of Dancing with the Stars, partnered with professional dancer Keo Motsepe, and was eliminated in the second week, placing 11th overall.[22][23] Post-2019, Charo's television-related activities have been more limited, focusing on archival nods and cultural reflections rather than new on-screen roles. In 2023, she returned to Las Vegas for a residency at the Westgate Theater, performing her classic act. As of 2025, she continues occasional live gigs and social media engagements.[24]Personal life
Marriages
Charo married the renowned Cuban bandleader Xavier Cugat on August 7, 1966, at Caesars Palace in Las Vegas, in a union that lasted until their divorce in 1978.[1] She later described the marriage as primarily a business arrangement intended to facilitate her relocation to the United States and career opportunities there.[25] During this period, Charo obtained U.S. citizenship in 1977.[9] Shortly after her divorce from Cugat, Charo wed Swedish-born television producer Kjell Rasten on August 11, 1978, in South Lake Tahoe, California.[26] Rasten, who had worked as a production manager on projects including the International Championship of Magic (1985), became her manager following their marriage.[27] The couple remained together for over 40 years until Rasten's death by suicide on February 18, 2019, at their Beverly Hills home; he was 78 and had been battling bullous pemphigoid, a severe skin condition, along with depression.[28][29] In public statements, Charo has reflected on how her first marriage provided the platform for her American breakthrough, crediting Cugat's industry connections despite the arrangement's transactional nature.[25] Regarding her second marriage, she expressed profound grief over Rasten's suicide, stating, "My husband put a bullet in his head. I have an invisible bullet in my heart," while affirming that the partnership with Rasten as her manager strengthened her professional resilience and commitment to entertaining audiences.[28]Family and citizenship
Charo and her second husband, Kjell Rasten, welcomed their only child, son Shel Rasten, on March 30, 1981, in Los Angeles, California.[30] Shel has pursued a career in entertainment, working as an actor, producer, and musician; he is known for roles in films such as The Boulevard (2013) and FAMOUS (and on the List) (2010), as well as guest appearances on television shows including CSI: Miami (2002) and Parks and Recreation (2014).[30] Additionally, he serves as the drummer for the heavy metal band Treazen.[31] The family resided primarily in Beverly Hills, California, where they maintained an elegant, multi-generational home on the 1800 block of Lexington Road, a spacious 8,002-square-foot property built in 1931 that often hosted relatives.[32] [33] In 1985, the Rastens visited Hawaii, and Shel was raised there for a period, contributing to the family's varied residential experiences before settling back in California.[31] Following Rasten's death in 2019, Charo and Shel continued to reside in Beverly Hills.[31] Charo became a naturalized U.S. citizen in 1977. This reflects her roots in Murcia, Spain, and her long-term life in the United States, where she has resided since the 1960s.Discography
Albums
Charo's debut album, Cuchi-Cuchi, released in 1977 by Salsoul Records in collaboration with the Salsoul Orchestra, marked her entry into the disco genre with a fusion of Latin rhythms and upbeat dance tracks. Produced by the Salsoul team, the album featured covers and originals like "Dance a Little Bit Closer" and the title track, blending flamenco influences with electronic production. It received moderate commercial success, with the lead single "Dance a Little Bit Closer" peaking at No. 18 on the Billboard Hot Dance Club Play chart.[34][35] Her follow-up, Olé, Olé, arrived in 1978, also on Salsoul Records and continuing the disco-Latin hybrid style, this time with tracks such as the title song and a cover of the "Love Boat Theme." Released on distinctive pink vinyl, the album was produced similarly to its predecessor. The title single "Olé, Olé" peaked at No. 36 on the Billboard Hot Dance Club Play chart, while the single "Stay With Me" reached No. 55. Critical reception noted its energetic performances but highlighted the formulaic disco sound prevalent in the era.[34][35] In 1981, Bailando con Charo (also known as Dancing with Charo) was issued by Caytronics, shifting toward more traditional Latin and flamenco elements with guitar-driven arrangements of classics like "Guantanamera" and "Concierto de Aranjuez." Self-produced with a focus on her instrumental talents, the album received limited distribution but showcased her versatility beyond disco, earning praise for its authentic Spanish flair in niche music circles.[34] A significant pivot came with Guitar Passion in 1994 on Universal Wave Records, a flamenco-centric studio album emphasizing Charo's guitar prowess through original compositions and arrangements like "Caliente" and "Leyenda." Produced to highlight her classical training, it won Female Pop Album of the Year at the 1995 Billboard International Latin Music Conference and was lauded by Billboard Magazine as a "fine showcase for her flamenco guitar." The album was reissued in 1999 as Caliente! with additional tracks, underscoring its enduring appeal.[34][2] Gusto, released in 1997 by Universal Wave Records, served as a compilation blending new recordings with updates of earlier hits, including a refreshed "Dance a Little Bit Closer" and Spanish-language versions of tracks like "El Amore." It received positive notices for bridging her disco past with contemporary Latin pop, though it did not chart prominently.[34] The 2005 release Charo and Guitar on Universal Wave Records combined flamenco standards and originals such as "Luna de Fuego" and "Malagueña," produced to accentuate live-performance energy with minimal electronic elements. Critics appreciated its return to roots, describing it as a heartfelt tribute to her Spanish heritage.[34] In 2008, España Cañí: The Remixes Vol. 1 (and its companion Vol. 2) on Universal Wave Records reimagined the traditional Spanish song in dance remixes by producers like Peitor Angell and Twisted Dee, peaking at No. 14 on the Billboard Hot Dance Club Play chart. Recorded as a protest against bullfighting, the album revitalized her dance career and earned acclaim for its bold cultural commentary fused with club beats.[34][2] Subsequent releases up to 2025 have primarily been compilations and remixes, such as Fantastico: The International Remixes in 2020, which gathered global dance reinterpretations of her catalog without new original material. A 2025 expanded CD reissue of Cuchi-Cuchi by Vibe On Records included bonus tracks, reflecting ongoing interest in her early work but no new studio albums.[36][37]Singles
Charo's singles career primarily flourished in the late 1970s with disco-infused tracks produced in collaboration with the Salsoul Orchestra, blending her flamenco roots with upbeat rhythms.[34] Her debut U.S. single, "Dance a Little Bit Closer," released in November 1977 on Salsoul Records, marked her entry into the dance music scene and peaked at No. 18 on the Billboard Hot Dance Club Play chart in early 1978, also reaching No. 104 on the Bubbling Under Hot 100.[38] This track, featuring her signature energetic vocals over a Latin-disco arrangement, became a club favorite and was later re-released as a remix in 2013 by Charo & the Salsoul Orchestra vs. the Cube Guys.[34] Following this success, Charo released several other 1970s singles that showcased her flamenco guitar influences within disco frameworks. "Olé, Olé," issued in 1978 on Salsoul Records as a pink vinyl 12-inch, peaked at No. 36 on the Billboard Hot Dance Club Play chart that year, drawing from traditional Spanish motifs with pulsating beats.[34] Another notable entry, "Stay With Me" from the same era, reached No. 55 on the Billboard Hot Dance Club Play chart in 1979, highlighting her versatile phrasing on a cover of the Lorraine Ellison standard adapted for dance floors.[39] These releases, including B-sides like "Hot Love" and the holiday track "Mamacita, ¿Dónde Está Santa Claus?" (both 1978 on Salsoul), emphasized promotional ties to her albums while achieving independent club play.[34] Internationally, Charo ventured early with "La Salsa" in 1976, a 12-inch single on Capitol Records France, capturing her flamenco style in a salsa-disco hybrid for European audiences.[34] In the 1980s, she issued "La Mojada (Wet Back)" in 1981 on Caytronics, a bilingual track with provocative themes that extended her dance output.[34] Post-1990s, Charo returned to singles with renewed focus on dance remixes. Her 2008 release "España Cañí" on Universal Wave Records, a modern take on the traditional Spanish pasodoble, achieved her highest Billboard placement at No. 14 on the Hot Dance Club Songs chart on October 11, 2008, featuring remixes by artists like Twisted Dee.[34] This flamenco-dance fusion was released in protest of bullfighting and garnered club nominations.[2] Later, the 2010 MP3 single "Feliz Navidad" on Universal Wave marked a festive digital pivot, while her output tapered, with occasional promotional tracks tied to performances.[34]| Single Title | Release Year | Label | Peak Chart Position | Notes |
|---|---|---|---|---|
| Dance a Little Bit Closer | 1977 | Salsoul | US Dance #18 | With Salsoul Orchestra; B-side "Cuchi-Cuchi" |
| Olé, Olé | 1978 | Salsoul | US Dance #36 | 12-inch pink vinyl; flamenco-disco |
| Stay With Me | 1979 | Salsoul | US Dance #55 | Cover adaptation; B-side "Concierto de Aranjuez" |
| España Cañí | 2008 | Universal Wave | US Dance #14 | Remixes included; highest charting single |
| La Salsa | 1976 | Capitol (France) | N/A | International 12-inch release |