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Crooked Still

Crooked Still is an progressive band formed in 2001 in , , renowned for their defiantly non-traditional approach to , blending high-energy performances with innovative reinterpretations of traditional and old-time songs using unconventional instrumentation like , , , and instead of standard guitar or . The band emerged from the local New England music scene, with founding members vocalist and bassist Corey DiMario, both graduates of the , joining forces alongside banjoist Gregory Liszt to explore chambergrass and neo-bluegrass styles that drew from diverse academic and performance backgrounds. Over the next few years, they built a dedicated following through regional gigs in , culminating in the release of their debut album Hop High in 2005 on Signature Sounds Recordings, which showcased their technical prowess and fresh takes on and folk traditions. In 2006, after the departure of original cellist Rushad Eggleston, Crooked Still recruited cellist Tristan Clarridge and fiddler Brittany Haas in early 2008, solidifying their core quintet lineup of O'Donovan (vocals), Liszt (banjo), DiMario (upright bass), Clarridge (cello), and Haas (fiddle), which emphasized intricate harmonies, driving rhythms, and a genre-fusing sound often described as folk-country or Americana. This configuration propelled their breakthrough with the critically acclaimed album Shaken by a Low Sound (2006, Signature Sounds), featuring standout tracks like "Ecstasy" and "Little Sadie" that highlighted O'Donovan's ethereal vocals against the band's percussive string arrangements. Crooked Still's discography includes key releases such as Still Crooked (, ), a live album Crooked Still Live (2009), and Some Strange Country (2010, Signature Sounds), the latter earning praise for its seamless integration of original and traditional material and ranking among Music's top albums of the year. has performed extensively at major festivals and on platforms like 's Mountain Stage ( and 2010 episodes), establishing themselves as innovators in the string-band revival. As of 2025, Crooked Still remains active, with recent appearances including a performance at the & Roots Festival in August 2024 and a guest role in HBO's Season 2, where they contributed original songs "" and "" under the fictional band name Brittany and the Jug Boys. Despite no major tours scheduled for late 2025, the group continues to engage fans through digital listening events and maintains a presence in the progressive community.

History

Formation and early years (2001–2007)

Crooked Still was formed in the spring of 2001 at the in by vocalist and bassist Corey DiMario, classmates who shared an interest in innovative . Shortly thereafter, they recruited cellist from and banjoist Gregory Liszt, who was pursuing a doctorate in biology at , solidifying the band's core quartet lineup. The ensemble officially coalesced in September 2001 when O'Donovan assembled the group for an informal concert at the conservatory, marking the start of their collaborative journey in reimagining traditions. The band rapidly developed a dedicated local audience through energetic performances in Boston-area clubs like the Cantab Lounge in , where they played early shows as soon as November 2001, fostering popularity via word-of-mouth among the city's vibrant acoustic scene. This grassroots momentum led to appearances at prominent festivals, including the Falcon Ridge Folk Festival and , which helped elevate their profile beyond . In September 2004, Crooked Still released their self-produced debut , Hop High, on the independent Footprint Records label; the record showcased a mix of traditional tunes and original compositions, delivered through their distinctive cello-driven arrangements. By 2006, the had expanded their reach with extensive touring across 23 U.S. states and international performances in and , performing at venues ranging from coffeehouses to major festivals. That same year, on August 22, 2006, they issued their second album, Shaken by a Low Sound, via Signature Sounds Recordings, which incorporated more original material alongside reinterpreted standards and received widespread critical acclaim for its bold sound. The release solidified their reputation, with praise from outlets like No Depression and USA Today highlighting their technical prowess and genre-blending approach. However, at the end of 2007, Rushad Eggleston left the band to focus on his solo career and experimental projects.

Lineup changes and peak activity (2008–2011)

In early 2008, Crooked Still experienced a pivotal lineup shift when original cellist departed, leading to the recruitment of cellist Tristan Clarridge and fiddler Brittany Haas; this change expanded the group from a to a full quintet, infusing fresh energy into their progressive sound. Clarridge, a four-time U.S. National Oldtime Fiddle Champion, and Haas, known for her roots in , had previously collaborated with , bringing technical prowess and traditional influences to complement vocalist , banjoist Greg Liszt, and bassist Corey DiMario. This revamped quintet marked the band's most prolific phase, beginning with the release of their third studio album, Still Crooked, on June 24, 2008, through Signature Sounds Recording Company. The album emphasized innovative arrangements of and traditions, blending intricate instrumentation with O'Donovan's ethereal vocals to push boundaries within the genre. Building on this momentum, Crooked Still captured their dynamic stage presence with the live album Crooked Still Live in June 2009, which documented high-energy renditions from tours, including staples like "Orphan Girl" and "." The period also saw extensive touring across the , highlighted by appearances at major events such as the in 2008, where the band's unconventional style drew acclaim for bridging old-time roots with modern flair. Crooked Still's creative peak continued with the fourth studio album, Some Strange Country, released on May 18, 2010, via Signature Sounds, which incorporated guest vocals from artists like on "The Golden Vanity" and Tim O'Brien on "Calvary." In 2011, the band issued the EP Friends of Fall on October 4, a seven-track collection featuring autumnal covers of ' "" and Paul Simon's "," alongside originals that evoked seasonal introspection as a thematic bridge to their impending pause. This output culminated in their final major tour that year, after which the members announced an indefinite hiatus to focus on solo endeavors, including O'Donovan's emerging career in and Americana.

Hiatus and reunions (2011–present)

Following the conclusion of their 2011 tour, Crooked Still entered a hiatus initially planned for one year but extended to three due to band members pursuing individual projects and solo endeavors. Vocalist , for instance, focused on her burgeoning solo career, releasing her debut album Foss the World in 2013 and later forming the acoustic trio I'm with Her in 2016 with and . The band briefly reunited in autumn 2014 for a series of select performances, marking their return after the extended break, including a notable appearance at RockyGrass in 2015. This period of limited activity continued into 2017 with a one-off reunion show at the FreshGrass Festival, billed as their sole performance that year. Sporadic engagements followed, such as shows in and , in December 2019, alongside online releases of live recordings from earlier eras. During the hiatus, Crooked Still released the archival live album Live at July 16, 2006 on November 16, 2018, capturing a full set from their early festival appearance with the original lineup. The band's music gained renewed exposure through its inclusion in the soundtrack for the video game The Last of Us Part II, revealed at in 2018 with the track "" featured prominently. A full reunion materialized in , coinciding with a post-pandemic surge in interest for acoustic and , as evidenced by performances at festivals like the in June 2021 and the release of a deluxe edition of their 2006 album Shaken by a Low Sound. This led to occasional tours, including dates at The Sinclair in , and the Green Mountain Bluegrass & in 2024. Visibility increased further in 2025 with the band's music featured in an episode of HBO's Season 2, which premiered on April 13 and included performances of "" and "" during a key scene, with the band appearing as the fictional group Brittany and the Jug Boys. As of November 2025, Crooked Still remains active with intermittent live appearances but has not announced a new studio album.

Members

Current members

The current lineup of Crooked Still, which has remained stable since 2008, features five core members whose instrumental roles and vocal contributions define the band's innovative "chambergrass" sound. serves as the band's lead vocalist and occasional guitarist, having co-founded Crooked Still in 2001 while studying at the . Her ethereal voice, often described as crystalline and emotive, anchors the group's reinterpretations of traditional and material, while her songwriting adds original depth to their repertoire. Corey DiMario plays upright bass and is another founding member from the band's inception in 2001, also emerging from the Conservatory scene. His classical and training provides a swinging, rhythmic foundation that underpins the quintet's intricate arrangements, blending precision with propulsive energy. Gregory Liszt handles duties as a founding member since 2001, bringing a unique four-finger picking style that enhances the band's technical complexity and textural layers. Holding a PhD in from , Liszt balances his academic background with his role as a prolific banjo innovator in progressive circles. Tristan Clarridge joined on in January 2008, replacing the previous cellist and introducing virtuosic bowing techniques that infuse the ensemble with a classical "chamber" dimension to its roots. A five-time Champion who adapted his old-time expertise to , Clarridge's expressive playing drives melodic and harmonic interplay central to the band's sound. Brittany Haas rounds out the quintet on , having joined alongside Clarridge in January 2008 to expand the band's instrumental palette. Drawing from a legacy immersed in —where she and her sister Natalie Haas grew up playing Bach suites alongside traditional tunes—Haas delivers soaring melodic leads that evoke influences while pushing the group's progressive edge.

Former members

Rushad Eggleston served as the original cellist for Crooked Still from the band's formation in 2001 until his departure in November 2007. As a founding member, Eggleston was instrumental in shaping the group's innovative sound, particularly through his pioneering application of cello in a bluegrass context, where he employed fiddle-style techniques such as chopping to create percussive rhythms and drive the acoustic drive. His unconventional approach replaced traditional guitar or mandolin roles, contributing to the band's alternative folk-bluegrass identity on early albums like Hop High (2004) and Shaken by a Low Sound (2006). Eggleston left Crooked Still to pursue his own musical projects, seeking to explore more experimental and diverse styles beyond the band's framework after five years of collaboration. Following his exit, cellist Clarridge joined the band in early 2008, helping to maintain its momentum.

Musical style

Instrumentation and sound

Crooked Still's core instrumentation consists of vocals, , upright , and , with the addition of in later configurations to form a . The serves as the primary lead melodic instrument, often employing bowing techniques and drones that mimic traditional lines while delivering a richer, more resonant tone due to its lower register and sustained harmonics. This substitution for conventional or introduces a depth, allowing the to weave intricate melodies and provide harmonic foundation through and percussive chops. The and upright drive the rhythm section in an old-time style, with the delivering sharp, propulsive rolls and the offering a robust, walking pulse that anchors the ensemble's momentum. Vocals, typically delivered with clarity and emotional nuance, carry narrative-driven drawn from traditional sources, integrating seamlessly with the instrumental texture to emphasize over ornamentation. When present, the complements the by adding high-end agility and contrapuntal lines, enhancing the band's balanced interplay without overpowering the core setup. The resulting sound is a high-energy acoustic fusion of drive and classical precision, characterized by technical virtuosity, improvisational elements akin to solos or tunes, and a reworking of traditional structures through key changes and rhythmic shifts. Critics have termed this aesthetic "chambergrass," a blend evoking a augmented by , where the instruments interact symbiotically to create low-frequency and . This approach yields an innovative, non-traditional that prioritizes acoustic intimacy and textural layering over standard genre conventions.

Influences and evolution

Crooked Still's musical roots lie deeply in old-time, , and traditions, drawing from the foundational sounds of early 20th-century artists like The Carter Family, whose simple harmonies and storytelling influenced the band's approach to reinterpreting vintage material. Emerging from Boston's scene in the early 2000s, the group blended these rustic elements with progressive innovations, akin to modern acts such as , which popularized acoustic experimentation within boundaries. This foundation allowed Crooked Still to create a distinctive "chambergrass" style, fusing authenticity with sophisticated arrangements that echoed the 1960s revival. The band's evolution began with their 2004 debut album Hop High, which primarily featured reinterpretations of traditional songs, emphasizing acoustic innovation through low-string instrumentation and O'Donovan's soaring vocals that contrasted with typical timbres. By their later works, such as 2010's Some Strange Country, Crooked Still shifted toward greater originality, incorporating two original compositions—more than on previous releases—while maintaining ties to folk sources through covers like a reimagined track treated in acoustic style. This progression marked a move from strict adherence to archival tunes to creative fusions that revitalized old material with modern sensibilities. Post-2008, following the replacement of the original cellist and the addition of a fiddler, the band integrated broader Americana and indie elements, reflecting the classical training of members like those from the and subtle influences. These changes enabled complex textures, such as and intricate rhythms, expanding their sound beyond conventional . Vocalist has described this development as "our own sort of continuation of the [bluegrass] tradition," infusing non-traditional twists like altered keys and added lyrics to honor yet evolve the genre's legacy.

Discography

Studio albums

Crooked Still's studio discography comprises four albums that showcase the band's evolution from traditional roots to innovative acoustic arrangements, blending old-time with elements. Their releases emphasize vocal harmonies, unconventional instrumentation, and reinterpretations of classic material, often drawing critical praise for revitalizing American string music traditions. Hop High, the band's debut studio album, was released on September 14, 2004, by Footprint Records. This collection primarily features traditional tunes such as "Darling Corey" and "Shady Grove," establishing Crooked Still's signature acoustic innovation through cello-driven rhythms and banjo-fiddle interplay without drums or percussion. The album highlights the group's early focus on raw, high-energy interpretations of and old-time standards, capturing their live performance intensity in a studio setting. The second album, Shaken by a Low Sound, appeared on August 22, 2006, via Signature Sounds Recordings. Incorporating original compositions alongside traditional songs like "Little Sadie," it earned widespread critical acclaim for its intricate vocal arrangements and bold experimentation, with reviewers noting its immediate impact on the scene as a "critical sensation." The record's thematic depth explores themes of longing and resilience, marked by O'Donovan's soaring vocals over driving string grooves. Following lineup changes, Still Crooked was issued on June 24, 2008, by Signature Sounds Recordings. This third effort prominently features the dynamic fiddle-cello interplay between Brittany Haas and Tristan Clarridge, weaving intricate textures around tracks like the mournful opener "Undone in Sorrow." The album reflects post-transition maturity, balancing dark ballads with subtle influences to create a restrained yet dazzling sonic landscape. Some Strange Country, released on May 18, 2010, also on Signature Sounds Recordings, marked a commercial peak for the band. Drawing from sea shanties and such as "The Golden Vanity" and "Henry Lee," it delves into themes of displacement and , with layered harmonies and rhythmic propulsion earning praise for its evocative blend of and modernity. The album's polished production highlighted the quintet's cohesive sound during their most active touring period.

Live albums

Crooked Still Live is the band's debut live album, released on June 1, 2009, by Signature Sounds Recordings. Recorded during the band's intensive 2008–2009 tours following the addition of fiddler Haas and cellist Clarridge to form a , the album captures the expanded group's dynamic interplay and improvisational flair in a 14-track set. Highlights include high-energy renditions of staples like "Orphan Girl" and "," where the audience's enthusiastic response amplifies the band's innovative acoustic arrangements, blending traditional with unconventional instrumentation for a vibrant, unpolished feel. The recording underscores the quintet's technical skill and spontaneous energy, distinguishing it from their studio work by emphasizing live nuances such as extended solos and crowd interaction. In 2018, Signature Sounds issued Live at Grey Fox July 16, 2006 as an archival release, featuring a complete 10-song performance from the Bluegrass Festival in Oak Hill, . Capturing the early quartet configuration with vocalist , banjoist Greg Liszt, bassist Corey DiMario, and cellist —prior to the arrival of Haas and Clarridge—the album revives the band's raw, foundational sound rooted in old-time Appalachian traditions. The soundboard recording preserves the set's free-wheeling and O'Donovan's ethereal vocals amid tracks like "Last Fair Deal Gone Down" and "," with festival banter adding to the intimate, high-spirited atmosphere despite the performers' fatigue from a long day. This release highlights the quartet's pioneering approach to non-traditional , offering insight into their evolution while evoking the electric energy of an early-career festival appearance.

Other releases

In addition to their full-length studio and live albums, Crooked Still has released several EPs, singles, and music videos that highlight their innovative sound and served as promotional or transitional works. The band's 2011 EP Friends of Fall, released on October 11, 2011, by Signature Sounds Recordings, features seven tracks blending original compositions and covers, including a rendition of ' "," Paul Simon's "," and traditional tunes like "Morning Bugle." Recorded during a period of lineup changes and just before the band's hiatus, it captures their eclectic style with O'Donovan's vocals, , and strings, acting as a farewell to their original configuration and evoking seasonal melancholy through gentle arrangements and intimate vocals. A promotional single for their 2010 album Some Strange Country, "Half of What We Know," was issued the same year by Signature Sounds Recordings, showcasing an original song by O'Donovan with driving rhythms and layered harmonies that exemplify the band's narrative-driven approach. The accompanying , directed by Grey Sky Films, depicts the group performing in rustic, wooded settings to evoke the song's themes of longing and introspection, emphasizing their organic, acoustic aesthetic. In the years following their , Crooked Still issued digital singles and EPs drawn from their catalog, including the 2020 single "" and the 2021 EP, which offers multiple versions of the track from Shaken by a Low Sound featuring arrangements. Most notably, on June 7, 2025, they released the double-sided single " b/w " on Crooked Still , pairing two seminal tracks from their early repertoire to mark renewed interest amid reunions. These releases, while not full projects, underscore the enduring appeal of their instrumental interplay and O'Donovan's emotive delivery.

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