Cut 4 Me
Cut 4 Me is the debut mixtape by American singer-songwriter Kelela, released on October 1, 2013, as a free digital download via the Fade to Mind label on SoundCloud.[1] The project features 12 tracks produced by electronic music artists affiliated with the Night Slugs and Fade to Mind collectives, including Kingdom, Jam City, Bok Bok, Nguzunguzu, and Girl Unit.[2] Blending alternative R&B vocals with post-dubstep, UK bass, and grime elements, the mixtape explores themes of desire, vulnerability, and nightlife through Kelela's emotive delivery over experimental beats.[3] Critically acclaimed upon release, it received an 8.3 rating from Pitchfork, which named it "Best New Music" for its innovative fusion of pop accessibility and underground electronic aesthetics.[2] Cut 4 Me established Kelela as a prominent voice in the alternative R&B scene and influenced subsequent works in the genre.[4]Background and recording
Development
Kelela's involvement with the Fade to Mind collective began in late 2012, marking a pivotal transition from her earlier collaborative singles, such as "EFX" with Teengirl Fantasy earlier that year and the initial development of "Enemy" with Nguzunguzu, toward a full-length project. This connection stemmed from a chance encounter with Fade to Mind co-founder Total Freedom (Ashland Mines) during a recording session with Teengirl Fantasy, which introduced her to the label's experimental electronic scene and prompted her to quit her telemarketing job in December 2012 to pursue music professionally.[5][6] The mixtape's conception emerged as an effort to create a cohesive debut that evoked the feel of a remix album, where Kelela would layer her R&B vocals over instrumental beats from electronic producers to bridge intimate songwriting with club-oriented energy. Initially starting as a collection of freestyles over provided tracks, the project evolved into a structured exploration of relational dynamics, allowing her to improvise melodies—often beginning in gibberish—before refining lyrics to fit the beats' cerebral yet visceral qualities.[7][8][5] Development spanned from 2012 into mid-2013, with Kelela formally introduced to the Fade to Mind roster on New Year's Eve 2012 and beginning writing sessions in March 2013; key tracks like "Bank Head" (with Kingdom) were composed by April or May, while producer Prince William contributed around 50 instrumentals as a birthday gift to fuel the process. She deliberately chose to collaborate exclusively with producers from the Fade to Mind and Night Slugs labels—such as Bok Bok, Girl Unit, Nguzunguzu, Jam City, and Kingdom—drawn to their innovative approaches that aligned with her vision of disrupting conventional R&B boundaries.[9][6][5] Kelela cited early influences from Aaliyah's 1990s R&B, with its emotive vulnerability and spacious production, alongside UK club music scenes like grime and garage acts such as The Artful Dodger, which she discovered via Napster and shaped her desire to blend soulful vocals with hedonistic, bass-driven electronics. These elements informed the mixtape's foundational intent to merge personal introspection with dancefloor immediacy, setting the stage for its overall production.[9][6]Production
The recording of Cut 4 Me took place over 2012 and 2013 in Los Angeles, primarily in spaces linked to the Fade to Mind collective, where Kelela collaborated closely with producers from the label and affiliated imprints like Night Slugs.[5] Kelela tracked her vocals directly over instrumental beats supplied by these producers, adopting a beat-first workflow that emphasized improvisation to align her melodies with the electronic foundations.[5] This approach allowed her to experiment freely, often starting with nonsensical syllables before refining lyrics, resulting in a cohesive 49-minute standard edition that captured raw emotional delivery.[5][1] Key producers shaped the mixtape's sound through their distinct contributions, drawing from the Fade to Mind and Night Slugs rosters. Bok Bok handled tracks like "Guns & Synths" and "A Lie," infusing them with sharp, club-oriented edges.[10] Nguzunguzu, via member NA, produced "Enemy" and "Something Else," while Girl Unit contributed "Floor Show" with its twitchy, abrasive rhythms.[10] Jam City delivered "Keep It Cool," "Do It Again," and "Cherry Coffee," blending pop-R&B textures with underground bass influences, and Kingdom provided the title track "Cut 4 Me" along with "Bank Head (Extended)" and "Send Me Out," incorporating haunted house drums and eerie synth washes.[10][2] Technically, the production favored a stripped-down aesthetic to spotlight Kelela's layered vocals, employing minimalist instrumentation such as booming squarewave basslines, glitchy percussion, and hypnotic synth figures reminiscent of early dubstep and grime.[2] UK bass elements were prominent, with severely reduced arrangements—often limited to sparse drums and wavering leads—creating space for vocal improvisation and emotional depth without overwhelming the performances.[2] This collaborative method, rooted in the producers' experimental electronic backgrounds, yielded a futuristic R&B palette that prioritized atmospheric tension over dense layering.[2]Music and themes
Musical style
Cut 4 Me is classified as future R&B or twisted R&B, blending 1990s R&B vocal traditions with electronic genres such as grime, techno, and UK bass music.[2][11] The mixtape's sound emerges from collaborations with producers like Kingdom, Nguzunguzu, Girl Unit, Bok Bok, and Jam City, who contribute beats rooted in post-dubstep and bass-heavy electronics.[12][2] Key sonic elements include sparse, club-oriented beats featuring hulking square-wave bass lines, digital chimes, desiccated claps, and jagged rhythms, often evoking a brittle, hollow texture.[11][13] Ethereal vocal harmonies, delivered in Kelela's agile soprano with layered falsettos, add emotional depth over these minimal arrangements.[2][14] The mixtape incorporates tempo variations, ranging from mid-tempo grooves in tracks like "Send Me Out" to high-energy, volcanic outbursts in "Bank Head."[13] Influences draw from R&B artists like Aaliyah and SWV for its roots in 1990s pop-R&B diva aesthetics, while bass-heavy electronics nod to Burial and Kode9 from the post-dubstep underground scene.[2][11] This fusion creates an overall post-club aesthetic, balancing ecstatic pop excesses with subversive electronic undercurrents.[14][2] Structural innovations feature tracks built around remixes by affiliated artists, with extended intros that evoke the flow of a DJ set, enhancing the mixtape's immersive, non-linear progression.[2][11] Fades and resumptions, as in "Go All Night," further mimic club transitions, prioritizing atmosphere over conventional song structures.[14]Lyrics
The lyrics of Cut 4 Me center on themes of romantic vulnerability, desire, and emotional intimacy, often set against the backdrop of nightlife and club environments where fleeting connections deepen into profound yearnings, including queer explorations of attraction and connection. Kelela explores the raw sensations of physical and psychological attraction, such as the feel of skin on skin or the intensity of locked eyes across a crowded room, portraying love as both exhilarating and precarious.[6][15][16] In tracks like the title song, these elements manifest as a direct plea for sexual intimacy and desire, emphasizing the tension between casual encounters and deeper emotional bonds in late-night settings.[17][18] Kelela's lyrical approach is introspective and confessional, employing a fragmented, stream-of-consciousness style that delivers emotions in bursts over the beats rather than through linear narratives. This method blends subtle, personal revelations with direct sensuality to evoke the messiness of desire.[15][6] Specific examples illustrate these dynamics vividly. In "Enemy," the lyrics grapple with frustration, sadness, and longing as love sours into something adversarial yet inescapable. Similarly, "Go All Night" evokes endurance in both love and partying, with lines about staying up talking and passing a blunt symbolizing a passionate night that blurs physical exhaustion and emotional transcendence.[19] These lyrics gain further depth through Kelela's vocal techniques, including ad-libs and multi-layered harmonies that amplify emotional nuance without relying on elaborate storytelling. Her breathy delivery and falsetto flourishes layer vulnerability atop the words, creating an intimate, confessional texture that mirrors the themes of desire and connection.[15][6]Release and promotion
Initial release
Cut 4 Me was released on October 1, 2013, as a free digital download via SoundCloud by the Los Angeles-based label Fade to Mind.[3][20] The mixtape consisted of 13 tracks with a total runtime of 49 minutes.[1][21] The marketing strategy centered on engaging underground electronic and alternative R&B communities, aligning with the era's mixtape culture by forgoing physical formats in favor of digital streaming platforms.[7] Fade to Mind targeted niche audiences through online channels, emphasizing accessibility and viral sharing within experimental music scenes.[22] Promotional efforts included pre-release singles such as "Enemy," produced by Nguzunguzu and shared on September 30, 2013, via SoundCloud, and an extended version of "Bank Head," originally featured on Kingdom's Vertical XL EP in May 2013.[23][24][25] Social media buzz was amplified through Fade to Mind's network, with announcements and previews building anticipation on platforms like SoundCloud and Twitter.[26] Limited live performances in 2013, including a set at The FADER Fort in October, helped foster early connections with fans in key cities like New York.[27] The mixtape saw immediate uptake in alternative R&B blogs and playlists, with tracks gaining traction on sites like Pitchfork and Resident Advisor shortly after launch.[23][7]Deluxe edition
The deluxe edition of Cut 4 Me was released on April 6, 2015, by Fade to Mind, transforming the originally digital-only 2013 mixtape into a physical product while adding new material to commemorate its success.[28] This expanded version includes the full set of 13 original tracks alongside nine bonus tracks consisting of a new interlude and eight remixes by producers from the Fade to Mind and Night Slugs collectives.[29] It was issued in multiple formats: a triple LP vinyl in a glossy three-panel gatefold sleeve with black inner sleeves and a digital download coupon, a two-CD set, and digital download, all featuring updated artwork and additional production credits.[29][30] The track listing encompasses the standard edition's contents followed by the bonus material, as detailed below. Original tracks:| No. | Title | Duration | Producer(s) |
|---|---|---|---|
| 1 | Guns & Synths | 2:56 | Bok Bok, Napolian, Tairiq & Garfield |
| 2 | Enemy | 4:17 | Nguzunguzu |
| 3 | Floor Show | 4:38 | Girl Unit |
| 4 | Do It Again | 3:01 | NA |
| 5 | Go All Night (Let Me Roll) | 1:43 | MORRI$ |
| 6 | Bank Head (Extended) | 5:02 | Kingdom |
| 7 | Cut 4 Me | 3:53 | Kingdom |
| 8 | Keep It Cool | 4:10 | Jam City |
| 9 | Send Me Out | 4:12 | Kingdom |
| 10 | Go All Night (Let It Burn) | 1:46 | MORRI$ |
| 11 | Something Else | 4:07 | Nguzunguzu |
| 12 | A Lie | 3:21 | Bok Bok |
| 13 | Cherry Coffee | 3:41 | Jam City |
| No. | Title | Duration | Remixer/Producer |
|---|---|---|---|
| 14 | Fade to Mind (Interlude) | 1:00 | Fade to Mind crew |
| 15 | Keep It Cool (Jam City Remix) | 4:07 | Jam City |
| 16 | Enemy (Kingdom's Destruction Before Paradise Mix) | 4:17 | Kingdom |
| 17 | Send Me Out (Girl Unit Remix) | 3:59 | Girl Unit |
| 18 | Send Me Out (Nguzunguzu Remix) | 4:24 | Nguzunguzu |
| 19 | Keep It Cool (Rizzla Remix) | 4:01 | Rizzla |
| 20 | Cherry Coffee (MikeQ's Almighty Mix) | 4:20 | MikeQ |
| 21 | Go All Night (Neana Remix) | 4:20 | Neana |
| 22 | Go All Night (Massacooramaan Remix) | 4:20 | Massacooramaan |
Reception
Critical reviews
Cut 4 Me received universal acclaim from contemporary critics. On the review aggregator Metacritic, the mixtape holds an average score of 81 out of 100, based on six reviews, indicating "universal acclaim."[34] Pitchfork awarded it 8.3 out of 10, commending Kelela's vocal approach for adding warmth and charisma to the production's icy, electronic beats, and emphasizing her innovative decision to contrast her emotive delivery against the moody instrumentation rather than blending seamlessly with it.[2] Fact magazine gave it 9 out of 10, praising its fusion of club music and R&B elements as a bold challenge to expectations of the genre in 2013 and beyond.[34] The Guardian ranked it seventh on its list of the best albums of 2013, highlighting its evolution of R&B through warped 1990s melodies integrated with club beats and emotionally undercut lyrics.[17] Critics commonly praised Kelela's emotive and intimate vocals, which provided an organic contrast to the digital production, as well as the mixtape's ambitious genre-blending of alternative R&B with electronic, UK bass, and techno influences. AllMusic described it as an impressive debut that established Kelela's place in the genre through its inventive club/dance-infused sound.[2][35][12] Some noted minor criticisms, including occasional awkwardness stemming from the artist's relative inexperience and an over-reliance on atmospheric, machine-like production that could overshadow the emotional depth.[34][2]Accolades
Cut 4 Me garnered notable acclaim in several prominent year-end lists for 2013, highlighting its impact on the alternative R&B landscape. It placed at number 7 on The Guardian's list of the 40 best albums of the year, praised for its bold fusion of twisted R&B elements. Similarly, Fact magazine ranked it number 5 in their 50 best albums, recognizing its innovative production and vocal delivery. Time Out included it at number 5 on their top 20 albums of 2013, emphasizing its fresh underground appeal. Pitchfork featured it in their honorable mentions for the top 50 albums, noting its envelope-pushing blend of 90s R&B influences with experimental beats. The mixtape did not secure major award nominations, such as for the Grammy Awards, but it contributed to Kelela's rising profile, as she was named to the BBC Sound of 2014 longlist, which spotlights emerging musical talents. Cut 4 Me also received endorsements from influential peers, with Solange Knowles including an extended version of its track "Go All Night" on her 2013 Saint Heron compilation, signaling early support for Kelela's sound. In later retrospectives, the mixtape has been celebrated for its enduring influence on 2010s R&B. Pitchfork ranked it number 192 on their 200 best albums of the decade, crediting it with solidifying an experimental bass movement into a cohesive artistic statement. It was also highlighted in Okayplayer's 2019 overview of cloud R&B's evolution, as a pivotal project that merged techno and soul through collaborations with Fade to Mind producers.Legacy
Cultural impact
Cut 4 Me played a pivotal role in pioneering the "future R&B" subgenre, blending ethereal R&B vocals with glitchy electronic production and bass-heavy rhythms to create a hybrid sound that pushed the boundaries of traditional R&B. Critics hailed the mixtape as a harbinger of this evolving style, with its innovative fusion of make-out anthems and club-oriented beats influencing the broader alternative R&B landscape.[11][36][37] This aesthetic resonated alongside contemporaries like FKA twigs, contributing to a wave of experimental R&B that emphasized atmospheric electronics and emotional depth.[38] The mixtape's impact extended to club and festival scenes, particularly through tracks like "Bank Head," which became a fixture in UK bass and electronic sets following its 2013 release. Produced by Kingdom, the song's tense, restrained build-up and Kelela's soaring falsetto captured the dancefloor's potential for intimate, pop-infused innovation, earning acclaim as a standout in underground electronic circles.[39][40][41] Its seamless integration of R&B hooks with UK bass elements helped bridge transatlantic dance music influences, making it a staple for DJs exploring futuristic club sounds post-2013.[36] On a cultural level, Cut 4 Me addressed the experiences of Black women in nightlife and relationships, foregrounding vulnerability within the often impersonal realm of electronic music. Kelela's lyrics and delivery explored themes of emotional exposure and queer Black femininity, contributing to broader discussions on authenticity in genre-blending spaces dominated by experimental production.[15][42] This resonated as a form of empowerment, highlighting the complexities of desire and identity in club environments.[43] As of 2025, the mixtape has amassed over 24 million streams on Spotify, with individual tracks like "Rewind" surpassing 18 million plays, underscoring its enduring reach in digital music consumption.[44][45] Its influence persists in 2020s R&B, where echoes of its hybrid style appear in contemporary productions blending vulnerability with electronic edges.[44]Influence on Kelela's career
Cut 4 Me propelled Kelela's career forward, serving as the catalyst for her signing with Warp Records in 2015.[46] This pivotal deal enabled the release of her debut extended play, Hallucinogen, later that year, which built directly on the mixtape's experimental R&B foundation, and her full-length debut album Take Me Apart in 2017, marking her transition from underground acclaim to broader recognition.[47][48] The mixtape solidified Kelela's distinctive vocal style—marked by breathy, layered falsettos and raw emotional delivery—that became a cornerstone of her discography.[49] This approach resonated through her later projects, including the introspective Raven in 2023, where she expanded on themes of vulnerability and dancefloor catharsis, and the 2025 live album In the Blue Light, recorded during her residency at New York's Blue Note jazz club and reinterpreting tracks from across her catalog.[44][50] Post-Cut 4 Me, Kelela achieved key milestones, including opening for Solange on tour dates in 2012 and performing at high-profile events like SXSW and Solange's Saint Heron showcases during New York Fashion Week.[51][52] By the 2020s, her influence extended into fashion, with features in Vogue and appearances at runway shows for brands like Bottega Veneta and Loewe, alongside contributions to media soundtracks that amplified her reach.[53] In 2023 interviews, Kelela reflected on Cut 4 Me as foundational to her artistic evolution, crediting it with laying the groundwork for her ongoing exploration of emotional intimacy and Black femme expression in subsequent works.[44][54]Track listing and formats
Standard edition
The standard edition of Cut 4 Me is a 13-track mixtape released for free download on October 1, 2013, via SoundCloud by the Fade to Mind label, totaling approximately 49 minutes and emphasizing Kelela's ad-libbed vocals over experimental electronic productions.[55] The tracks form a non-narrative sequence intended for uninterrupted playback, prioritizing seamless transitions and showcases of Kelela's emotive, layered singing rather than a linear storyline.[31] No guest features appear on the original release, with production handled by a collective of producers from the Fade to Mind and Night Slugs crews, including Kingdom, Jam City, Nguzunguzu, Bok Bok, Girl Unit, Morri$, and NA.[3]| No. | Title | Duration | Producer(s) |
|---|---|---|---|
| 1 | Guns & Synths | 2:56 | Bok Bok, Napolian, Tairiq & Garfield |
| 2 | Enemy | 4:17 | Nguzunguzu |
| 3 | Floor Show | 4:38 | Girl Unit |
| 4 | Do It Again | 3:01 | NA |
| 5 | Go All Night (Let Me Roll) | 1:43 | Morri$ |
| 6 | Bank Head (Extended) | 5:02 | Kingdom |
| 7 | Cut 4 Me | 3:53 | Kingdom |
| 8 | Keep It Cool | 4:11 | Jam City |
| 9 | Send Me Out | 4:12 | Kingdom |
| 10 | Go All Night (Let It Burn) | 1:47 | Morri$ |
| 11 | Something Else | 4:07 | Nguzunguzu |
| 12 | A Lie | 3:40 | Bok Bok |
| 13 | Cherry Coffee | 6:00 | Jam City |
Deluxe edition
The deluxe edition of Cut 4 Me was released on April 6, 2015, by Fade to Mind, transforming the originally digital-only 2013 mixtape into a physical product while adding new material to commemorate its success.[28] This expanded version includes the full set of 13 original tracks alongside nine bonus tracks consisting of a new interlude and eight remixes by producers from the Fade to Mind and Night Slugs collectives.[29] It was issued in multiple formats: a triple LP vinyl in a glossy three-panel gatefold sleeve with black inner sleeves and a digital download coupon, a two-CD set, and digital download, all featuring updated artwork and additional production credits.[29][30] The track listing encompasses the standard edition's contents followed by the bonus material, as detailed below. Original tracks:| No. | Title | Duration | Producer(s) |
|---|---|---|---|
| 1 | Guns & Synths | 2:56 | Bok Bok, Napolian, Tairiq & Garfield |
| 2 | Enemy | 4:17 | Nguzunguzu |
| 3 | Floor Show | 4:38 | Girl Unit |
| 4 | Do It Again | 3:01 | NA |
| 5 | Go All Night (Let Me Roll) | 1:43 | Morri$ |
| 6 | Bank Head (Extended) | 5:02 | Kingdom |
| 7 | Cut 4 Me | 3:53 | Kingdom |
| 8 | Keep It Cool | 4:11 | Jam City |
| 9 | Send Me Out | 4:12 | Kingdom |
| 10 | Go All Night (Let It Burn) | 1:47 | Morri$ |
| 11 | Something Else | 4:07 | Nguzunguzu |
| 12 | A Lie | 3:40 | Bok Bok |
| 13 | Cherry Coffee | 6:00 | Jam City |
| No. | Title | Duration | Remixer/Producer |
|---|---|---|---|
| 14 | Fade to Mind (Interlude) | 1:00 | Fade to Mind crew |
| 15 | Keep It Cool (Jam City Remix) | 4:07 | Jam City |
| 16 | Enemy (Kingdom's Destruction Before Paradise Mix) | 4:17 | Kingdom |
| 17 | Send Me Out (Girl Unit Remix) | 3:59 | Girl Unit |
| 18 | Send Me Out (Nguzunguzu Remix) | 4:24 | Nguzunguzu |
| 19 | Keep It Cool (Rizzla Remix) | 4:01 | Rizzla |
| 20 | Cherry Coffee (MikeQ's Almighty Mix) | 4:20 | MikeQ |
| 21 | Go All Night (Neana Remix) | 4:20 | Neana |
| 22 | Go All Night (Massacooramaan Remix) | 4:20 | Massacooramaan |