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Confessional

A confessional is a small, enclosed booth, cabinet, or stall found primarily in Roman Catholic churches, where a priest sits to hear the private confessions of penitents during the sacrament of penance.^[1]^[2] The practice of auricular confession, involving whispered disclosure to a priest, evolved from earlier public forms of penance in the Christian tradition, but the physical confessional structure emerged in the 16th century as a safeguard against misconduct.^[3]^[4] Saint Charles Borromeo, Archbishop of Milan, is credited with inventing the confessional booth around 1565–1576, mandating a metal grille or wooden lattice to separate the priest from the penitent and prevent solicitation or inappropriate interactions.^[5]^[6]^[7] This design addressed concerns raised during the Counter-Reformation, following reports of abuses in confession, and was promoted through the Council of Trent (1545–1563), which emphasized private confession as a required sacrament for the faithful at least annually.^[6]^[5] Traditional confessionals are often ornate wooden structures integrated into church architecture, featuring three compartments: one central seat for the priest and two side areas for penitents, connected by a screen that allows anonymity while enabling the priest to provide absolution.^[8] Many date from the Baroque and Rococo periods, with elaborate carvings reflecting the era's artistic styles, though simpler versions persist in modern settings.^[8] In contemporary practice, some churches have replaced booths with open reconciliation rooms for face-to-face confession, reflecting Vatican II's emphasis on communal aspects of penance, yet traditional enclosed confessionals remain common to preserve privacy and the seal of confession.^[8]^[9] While primarily associated with Catholicism, similar structures appear in some Anglo-Catholic Anglican parishes that revived auricular confession in the 19th century.^[10]

Religious Context

Sacrament of Penance

The Sacrament of Penance, also known as Reconciliation or Confession, is one of the seven sacraments of the Catholic Church, instituted by Christ to forgive sins committed after Baptism and to reconcile the sinner with God and the Church. It encompasses four essential elements: contrition, or sincere sorrow for sins and resolve to amend one's life; confession, the verbal acknowledgment of sins to a priest; absolution, the priest's pronouncement of forgiveness in the name of Christ and the Church; and satisfaction, or the performance of penance to repair the harm caused by sin. Through this sacrament, the faithful obtain pardon from God's mercy for offenses against him and are restored to intimate friendship with God, while also being reconciled with the ecclesial community wounded by their transgressions.^[11] The ritual process of the Sacrament of Penance follows a structured sequence to foster conversion and healing. It begins with the penitent's examination of conscience, a reflective prayerful review of one's thoughts, words, and actions in light of the Gospel and the Ten Commandments to identify sins committed since the last confession. The penitent then makes an oral confession of these sins—distinguishing between mortal sins, which are grave offenses requiring full knowledge and deliberate consent that sever charity with God, and venial sins, lesser faults that weaken but do not destroy the soul's union with God—to a duly ordained priest acting in persona Christi. The priest offers spiritual counsel, proposes a suitable penance as satisfaction for the sins, and extends his hands over the penitent while pronouncing the formula of absolution: "God, the Father of mercies, through the death and resurrection of his Son has reconciled the world to himself and sent the Holy Spirit among us for the forgiveness of sins; through the ministry of the Church may God give you pardon and peace, and I absolve you from your sins in the name of the Father, and of the Son, and of the Holy Spirit." The rite concludes with the penitent's act of contrition and a dismissal, after which the assigned satisfaction is carried out to complete the process of reparation.^[11] Central to the sacrament's integrity is the seal of confession, an absolute and inviolable confidentiality binding the priest, who may never disclose any sin confessed or related circumstances under any coercion or for any reason, even on pain of death or excommunication; this seal protects the sacrament as a sacred space of mercy and trust instituted by Christ.^[12] The distinction between venial and mortal sins underscores the sacrament's necessity: while venial sins can be forgiven through other means such as prayer, the Eucharist, or acts of charity, mortal sins demand sacramental absolution to restore sanctifying grace and avoid eternal separation from God. The biblical foundation for the sacrament lies in Christ's conferral of authority to the apostles on the evening of the Resurrection, as recorded in John 20:23: "If you forgive the sins of any, they are forgiven; if you retain the sins of any, they are retained," empowering the Church's ministers to act as instruments of divine forgiveness through the Holy Spirit.^[11] The confessional booth serves as a physical aid to ensure the privacy essential for this intimate oral exchange between penitent and priest.^[13]

Variations Across Denominations

In Protestant traditions, sacramental confession as a required rite mediated by clergy is largely rejected, with many denominations emphasizing direct personal repentance to God or communal general confession instead. For instance, Lutherans practice both corporate general confession during worship services, where sins are acknowledged collectively before receiving absolution, and optional private confession to a pastor for specific guidance, though the former is more commonly emphasized as sufficient for forgiveness.^[14] Baptists, adhering to the priesthood of all believers, focus on individual confession through direct prayer to God, viewing it as an immediate act of repentance without need for priestly intercession.^[15] Physical confessionals are rare even in Anglo-Catholic branches of Protestantism, where auricular confession may occur but typically without enclosed booths, prioritizing pastoral counsel over anonymity.^[16] Eastern Orthodox Christianity maintains private confession as a sacrament but conducts it without the enclosed booths common in Western traditions, instead performing it openly before an icon of Christ on or near the iconostasis—the screen separating the nave from the altar—to symbolize confession directly to God in the presence of the Church.^[17] The priest serves as a witness and spiritual guide, offering empathetic counsel aimed at healing and growth toward theosis (divine union), rather than enforcing anonymity or strict penance. This approach underscores the relational and communal aspects of repentance, with the penitent and priest standing side by side in the church space. Among other traditions, Anglicans in high church settings practice auricular confession voluntarily as a pastoral rite of reconciliation, where penitents confess privately to a priest for absolution and advice, often during seasons like Advent or Lent, though it is not mandatory and lacks the sacramental status of Catholic penance. In contrast, evangelical groups generally absent any form of sacramental or auricular confession, favoring informal mutual confession among believers or direct appeals to God, as formalized rites are seen as unnecessary for assurance of forgiveness through faith alone. A key theological difference lies in the Catholic emphasis on an ordained priesthood with exclusive authority to absolve sins, versus the Protestant doctrine of the priesthood of all believers, which holds that every Christian has direct access to God as a "royal priesthood" (1 Peter 2:9), eliminating hierarchical mediation for confession. This Protestant view, rooted in Reformation teachings, promotes universal spiritual equality while still allowing pastoral roles for encouragement in repentance.^[11]

Historical Development

Early Christian Practices

In the apostolic era, the early Christian community practiced public confession for grave sins, as exemplified by the Apostle Paul's response to a case of sexual immorality in the Corinthian church, where he instructed the congregation to expel the offender to preserve the community's purity (1 Corinthians 5:1-5).^[18] This disciplinary action underscored confession as a communal act aimed at restoration, often culminating in excommunication for unrepentant sinners. Penance during this period was typically a one-time rite reserved for lapsed Christians, particularly those who had denied the faith under persecution, reflecting the belief that post-baptismal grave sins allowed only a single opportunity for reconciliation to avoid repeated falls.^[19] Patristic writers further elaborated on these practices, emphasizing public penance as a visible demonstration of repentance. Tertullian, writing around 200 AD, described public penance in his treatise De Poenitentia as a solemn process involving confession before the church, exclusion from the Eucharist, and rigorous satisfactions like fasting and almsgiving, limited to once after baptism for serious sins such as adultery or apostasy.^[20] Similarly, Origen (c. 185–254 AD), in his Homily 2 on Psalm 37, advocated for daily self-examination and confession of sins to a spiritually mature priest or elder, portraying it as essential for healing the soul and receiving absolution, though still within a framework of communal oversight.^[21] The Council of Nicaea in 325 AD reinforced the restrictive nature of public penance through its canons on the lapsi—those who had compromised their faith during persecutions—prescribing extended periods of exclusion and graded reconciliation, such as three years as hearers and seven as prostrators, but upholding the once-in-a-lifetime limit to maintain the sacrament's gravity.^[22] This decision aimed to deter recidivism while offering mercy to genuine penitents, solidifying public confession as a rare, ecclesial event rather than a repeatable practice. By the 6th and 7th centuries, Irish monasticism began transitioning toward private confession, influenced by the Celtic emphasis on personal spiritual discipline amid isolation from Roman ecclesiastical structures. The Penitential of Columbanus (c. 600 AD), composed by the Irish missionary St. Columbanus for his continental monasteries, introduced repeatable private penance, where sins were confessed individually to a confessor-priest, assigned tailored tariffs of fasting, prayer, or almsgiving based on the offense's severity, and performed discreetly to foster ongoing conversion.^[23] This innovation, rooted in a therapeutic view of sin as a "sickness of the heart," marked a shift from public spectacle to confidential pastoral care, laying groundwork for broader adoption in Western Christianity.^[24]

Medieval and Renaissance Innovations

The Fourth Lateran Council of 1215, convened by Pope Innocent III, issued Canon 21, which required all Catholics who had reached the age of reason to confess their sins at least once a year to their parish priest and to receive Communion at least during the Easter season.^[25] This mandate formalized annual auricular confession as a universal obligation, marking a pivotal shift toward more frequent and individualized sacramental practice within the Latin Church.^[25] The decree emphasized the priest's role in discerning sins and imposing penance while upholding the seal of confession, thereby heightening the demand for private settings to facilitate discreet exchanges between penitents and clergy.^[19] The physical innovation of the confessional booth emerged in the mid-16th century as a direct response to the Council of Trent (1545–1563), which reaffirmed penance as one of the seven sacraments and stressed the need for moral rigor in its administration.^[26] Attributed to St. Charles Borromeo, Archbishop of Milan, the earliest designs appeared around 1565, featuring a wooden structure with a grille or screen to separate the priest and penitent, ensuring visual anonymity and auditory privacy.^[26] Borromeo promoted these screened confessionals to safeguard modesty, particularly for female penitents, amid concerns over clerical solicitation and to align with Trent's calls for ethical reforms in pastoral care.^[7] Initial implementations included simple wooden screens in Italian churches, such as those in Milan Cathedral, which provided a dedicated space for the rite without full enclosure. By the early 17th century, confessional booths had achieved widespread adoption across Catholic Europe, evolving from utilitarian wooden partitions to more elaborate forms integrated into church architecture. In regions like the Low Countries and Italy, they proliferated as part of Counter-Reformation efforts to standardize sacramental practices, with regional variations reflecting local craftsmanship—such as the oak-and-polychrome designs in Flemish churches like St. Paul's in Antwerp (ca. 1684).^[27] During the Baroque era, confessionals often featured ornate carvings and gilding, symbolizing the era's dramatic spirituality; representative examples include the walnut confessional sculpted by Andrea Fantoni in Bergamo's Basilica of Santa Maria Maggiore (1704), which exemplifies the period's emphasis on sensory engagement and penitential theater.^[28]

Architectural Features

Traditional Booth Design

The traditional confessional booth features a three-part wooden enclosure, with a central compartment for the priest seated on a chair and two flanking compartments for penitents, each equipped with a kneeler. This layout allows the priest to hear confessions from either side alternately, promoting efficiency in busy churches while maintaining separation. The design originated in the Italian Renaissance, specifically attributed to St. Charles Borromeo, Archbishop of Milan, who introduced it around 1565 following the Council of Trent to standardize private auricular confession and enhance clerical oversight.^[8] Key symbolic elements emphasize anonymity and spiritual focus, including lattice-work grilles or perforated wooden screens that obscure the faces of both priest and penitent while permitting clear verbal exchange. These screens, often veiled with fabric for added modesty, symbolize the veil between the sinner and divine mercy, underscoring the sacrament's emphasis on contrition over personal identity. Penitents kneel on cushioned platforms within their compartments, fostering a posture of humility.^[8] These booths typically integrate seamlessly into church interiors. The priest's compartment often faces a small altar-like niche or crucifix for orientation during the rite, while sliding panels or curtains can seal off unused sides for privacy. Acoustic considerations are integral, with the grilles designed as thin, perforated barriers—sometimes of wood, metal, or woven material—that muffle external sounds and voices from adjacent confessions but allow intimate dialogue, ensuring the seal of confession remains inviolable. Representative examples from 19th-century Italian carpentry highlight the craftsmanship in balancing functionality with ornate detailing like carved panels. Designs vary regionally, with more elaborate Baroque styles in Italy and simpler forms in other European traditions.^[8]^[29]^[26]

Materials and Construction

Confessionals were primarily constructed from hardwoods such as oak or walnut, selected for their durability and ability to provide suitable acoustics within the enclosed space. These woods were favored in historical Catholic church furniture due to their resistance to wear from frequent use and their availability in Europe during the medieval and early modern periods.^[30]^[31] The dividing grilles between the priest's compartment and those for penitents were typically crafted from wood in lattice form, though early designs by Borromeo incorporated metal grilles for screening.^[26]^[6] Construction methods evolved over time, with pre-industrial confessionals relying on hand-carved joinery techniques that ensured sturdy assembly without nails, as evidenced in surviving 19th-century examples that reflect earlier traditions. Later periods saw the adoption of modular assembly for easier installation in church interiors, often incorporating ventilation slits to mitigate stuffiness in the confined three-compartment layout. Maintenance of wooden confessionals involved regular polishing with wax to protect against wear and maintain the finish, a practice recommended for historic church woodwork to preserve its integrity. In stone churches, adaptations for fire safety included strategic placement away from ignition sources and the use of non-combustible materials in adjacent elements to limit fire spread risks.^[32]^[33] Such pieces were often commissioned from guild woodworkers, who specialized in ecclesiastical craftsmanship; in 17th-century France, these commissions represented significant investments reflective of the guilds' regulated labor standards.^[34]

Modern Usage and Adaptations

Post-Vatican II Reforms

The Second Vatican Council (1962–1965) marked a pivotal shift in the Catholic Church's approach to the sacraments, emphasizing the active participation of the laity and the renewal of liturgical practices to foster communal and personal engagement with faith. In its Constitution on the Sacred Liturgy, Sacrosanctum Concilium (no. 72), the Council specifically called for a revision of the rite and formularies of penance "so that they more clearly express both the nature and effect of the sacrament." This directive highlighted the sacrament's role in conversion, reconciliation, and communal penance, moving away from a solely individualistic focus toward greater accessibility and integration with the Church's life.^[35] In fulfillment of this mandate, the Sacred Congregation for Divine Worship promulgated the Rite of Penance on December 2, 1973, introducing a revised liturgical framework that balanced individual accountability with communal dimensions. The document outlined three rites: Rite I for reconciling individual penitents through private confession and absolution; Rite II for multiple penitents involving communal celebration followed by individual confession and absolution, which encouraged shared scripture readings and prayers to underscore collective repentance; and Rite III for general communal absolution in extraordinary circumstances, such as grave necessity, with the obligation for later individual confession of serious sins. While preserving the option for anonymous confession behind a fixed screen in traditional booths, the rite explicitly permitted face-to-face confession "if the penitent wishes it or if there is a just cause," thereby allowing for more personal and dialogical encounters between priest and penitent.^[36]^[37] These liturgical innovations prompted significant adaptations in the physical settings for confession, diverging from the pre-reform standard of enclosed wooden booths designed for anonymity. In many churches, screens were removed or booths repurposed to create open reconciliation rooms equipped with chairs rather than kneelers, facilitating eye contact and conversation to align with the rite's emphasis on merciful dialogue and healing. This shift symbolized a broader post-conciliar move toward transparency and relational spirituality, though implementation varied by region, with some dioceses mandating such changes while others retained hybrid designs.^[38] By the 1980s, the reforms had taken root unevenly across the global Church, with face-to-face options becoming commonplace in numerous U.S. parishes as part of efforts to revive participation in the sacrament amid declining attendance, though adherence differed internationally—European churches often blended old and new elements, while some developing regions prioritized communal rites due to limited priest availability. These variations underscored the rite's flexibility in adapting to local pastoral needs without compromising doctrinal essentials.^[39]

Contemporary Practices

In contemporary Catholic practice, participation in the Sacrament of Penance varies significantly by region, reflecting both cultural traditions and societal shifts. A 2025 survey by the Pew Research Center found that 23% of U.S. Catholics report going to confession at least once a year, while 47% never participate, indicating a notable decline in regular engagement among American practitioners.^[40] Participation tends to be higher in regions and groups with stronger Catholic cultural ties; for example, among US Catholics, 28% of Hispanic Catholics report annual confession compared to 20% of White Catholics.^[41] Adaptations to traditional confessional practices have emerged to accommodate modern contexts and outreach efforts. Portable confessionals have been deployed at large outdoor events, such as World Youth Day gatherings; for instance, in 2008, organizers in Sydney set up what was then the world's largest confessional structure to handle long queues of pilgrims seeking the sacrament amid festival crowds.^[42] Similarly, mobile units like converted ambulances have been used by religious communities to bring confession to public venues, including sporting events and malls, facilitating access in non-church settings. Digital tools, while not substitutes for the sacrament itself, include preparation apps such as "Confession: A Roman Catholic App," launched in 2011 with Vatican approval as a guide for examining conscience.^[43] Challenges to contemporary confessional use include declining participation in increasingly secular societies, where only a minority of Catholics in Western countries engage annually, often citing discomfort or irrelevance. Priest shortages exacerbate this, with global numbers of ordained clergy decreasing by 0.2% from 2022 to 2023, prompting dioceses to prioritize communal penance services—group liturgies followed by individual confessions—over extended private sessions to serve larger numbers efficiently.^[44] Regional differences highlight ongoing tensions between tradition and adaptation. In conservative dioceses like Rome, traditional wooden booths remain standard at sites such as St. Peter's Basilica, where Franciscan priests hear confessions daily in multiple languages, preserving anonymity and historical design for pilgrims.^[45] Conversely, in progressive areas such as parts of the United States and Europe, many parishes have shifted to open reconciliation rooms for face-to-face encounters, emphasizing dialogue and accessibility over screened partitions, a change aligned with broader liturgical reforms.^[46]

Cultural Impact

Representations in Art and Literature

Confessionals have been portrayed in literature as potent symbols of inner turmoil and the compulsion to unburden guilt. In Edgar Allan Poe's short story "The Tell-Tale Heart" (1843), the unnamed narrator's hallucinatory perception of the victim's beating heart drives him to a frantic confession to the police, embodying the psychological torment of unconfessed sin akin to the sacrament's demand for verbal absolution.^[47] Similarly, Graham Greene's novel The Power and the Glory (1940) centers on a fugitive "whiskey priest" in revolutionary Mexico who continues hearing penitents' confessions despite his own profound sense of unworthiness, highlighting the confessional as a site of mutual vulnerability and redemption for both confessor and penitent.^[48] Visual artists have depicted confessionals to evoke themes of secrecy and spiritual intimacy, often emphasizing the enclosed booth's role in facilitating private encounters with the divine. In 19th-century genre painting, works such as Giuseppe Molteni's The Confession (1838) portray young women kneeling in ornate wooden booths, their faces illuminated by faint light filtering through grilles, symbolizing the tension between hidden shame and the hope of forgiveness within the ritual's confines. Ludwig Passini's A Church Interior with Women at the Confessional (1863) further illustrates this by showing multiple figures queued in a dimly lit Gothic nave, underscoring the confessional's integration into everyday ecclesiastical life as a locus of communal yet solitary reckoning.^[49] In modernist literature, the confessional emerges as a metaphor for psychological introspection and the paralysis of unexamined conscience. James Joyce's Dubliners (1914) weaves Catholic confession into stories like "The Sisters" and "Grace," where characters grapple with moral failings in a stifling Irish society, using the rite as a lens to expose the soul's hidden recesses and the futility of superficial atonement.^[50] Medieval historical texts and morality plays allude to confession rites as essential steps toward salvation, portraying them as dramatic confrontations with mortality. In the anonymous English morality play Everyman (c. 1510), the protagonist summons the allegorical figure of Confession to audit his sins before Death's arrival, transforming the sacrament into a theatrical mechanism for repentance and the soul's preparation for judgment.^[51] This depiction reinforces the confessional's role as a narrative device for exploring human frailty and divine mercy in late medieval didactic literature.^[52]

Influence on Popular Culture

The confessional has become a recurring trope in 20th- and 21st-century cinema, symbolizing moral reckoning, secrecy, and psychological turmoil, particularly in narratives exploring Catholic guilt and institutional scandal. In The Godfather Part III (1990), Michael Corleone's raw confession to Cardinal Lamberto—admitting to ordering his brother Fredo's murder—serves as a climactic breakdown, highlighting the inescapable weight of familial betrayal and sin within the mafia's code of silence.^[53] Similarly, Doubt (2008) weaves the confessional into its core tension, using a priest's sermon on doubt and a recounted tale of gossip as confession to frame allegations of child abuse, underscoring the sacrament's role in probing hidden truths and institutional complicity.^[54] In television, the confessional motif evolves into a secular therapy analogue, especially in crime dramas. The Sopranos (1999–2007) frequently employs actual and metaphorical confessionals for its mobster characters, as seen in Tony Soprano's admissions to Father Phil Intintola, which blend Catholic ritual with psychological unburdening, allowing figures like Carmela to confront marital infidelity and ethical lapses amid organized crime's moral decay.^[55] In music, Sinéad O'Connor's "The Emperor's New Clothes" (1990) from the album I Do Not Want What I Haven't Got evokes Catholic guilt through lyrics reflecting on love corrupted by external pressures, including an illegitimate pregnancy in Ireland's repressive religious milieu, positioning the confessional as a metaphor for personal absolution amid cultural judgment.^[56] Folklore and digital culture amplify the confessional's eerie undertones, transforming it into a site of supernatural dread. Urban legends often depict haunted confessionals as portals for restless spirits seeking posthumous redemption, with tales of ghostly whispers or apparitions emerging from darkened booths in abandoned churches, echoing broader motifs of unresolved sins. Post-2000s internet horror tropes, popularized on platforms like Reddit and creepypasta forums, repurpose the confessional for found-footage scares and viral memes, where characters' admissions summon demonic entities or reveal alternate realities, capitalizing on the trope's inherent intimacy for jump-scare tension in indie films and web series.^[57] As a broader cultural symbol, the confessional frequently breaches privacy in thrillers, representing vulnerability to exposure and judgment; media analyses note its prevalence in religious-themed films, where confession scenes drive plot revelations, reinforcing themes of scandal and redemption without exhaustive listings of every instance.^[58]

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Apr 14, 2017 · describes the committing of murder and then confessing it due to being tormented by guilty conscious. The paper aims to analyze the story ...
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[PDF] A Critical Analysis of the Priest in the Power and the Glory by ...
Abstract: In this article, I have sought to analyse the character of the whiskey priest in his painful and desperate quest for repentance.
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The Incredulity of Saint Thomas, 1603 by Caravaggio
The Incredulity of Saint Thomas is without any accessories or any indication of setting. It is tensely concentrated, compact within a solid Romanesque archway.<|separator|>
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A Church Interior with Women at the Confessional, 1863 - WikiArt.org
Jan 27, 2021 · 'A Church Interior with Women at the Confessional' was created in 1863 by Ludwig Passini in Realism style. Find more prominent pieces of ...Missing: 19th century booths
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[PDF] CONFESSION AND THE BODY IN JAMES JOYCE - Scholaris
May 7, 2021 · Although there are surely autobiographical elements to Joyce, even to the extent that confessions made in the world of the novel run parallel to ...Missing: metaphor | Show results with:metaphor
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Analysing Everyman, a medieval morality play
Everyman presents characters that personify various abstract qualities and attributes such as Beauty, Confession, Discretion, Five-Wits, Knowledge, Good-Deeds, ...Missing: rites | Show results with:rites
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Analysis of the Morality Play Everyman - Literary Theory and Criticism
Aug 2, 2020 · Everyman converts the theological doctrine of a soul's recovery and redemption into a series of strikingly dramatic conflicts.Missing: rites | Show results with:rites
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No Grace for Michael Corleone - Escape to Reality
Jul 8, 2021 · But Godfather 3 is still a good film with some memorable scenes – like the one where Michael confesses his sins. [Spoilers ahead.] For those who ...
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Doubt (2008): Secret sin and the all-seeing eye
Dec 10, 2024 · An accused priest is innocent and guilty all at once in Doubt, a movie which reveals itself from the margins. Doubt is the title of John ...Missing: context | Show results with:context
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Father Phil and Carmela: The Sopranos' Most Powerful Faith Battle
Dec 31, 2024 · During their infamous confession scene, Father Phil's approach to Carmela reveals multiple layers of manipulation. While ostensibly offering ...
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Sinéad O'Connor – The Emperor's New Clothes Lyrics - Genius
The memories of an illegitimate pregnancy in an Irish Catholic environment meet the torment of a love corrupted by success.Missing: guilt | Show results with:guilt
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[PDF] CONFESSION IN THE MOVIES
Confession scenes in six films can be related to themes in medieval exempld, church teachings, and folklore related to the Sacrament of. Penance. Directing a ...
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Confessional - TV Tropes
The Confessional trope as used in popular culture. A scene where a character confesses things to a priest, whether or not they're (implicitly or explicitly) ...