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Daisy Bevan

Daisy Carmen Bevan is a British actress born on 28 March 1992 in , , , best known for her supporting role as Lauren in the 2014 film , her appearance in the 2018 television series , and her role as Josie in the 2025 Netflix series Too Much. She is the daughter of actress and film producer , co-founder of , making her the granddaughter of actress and director .

Early life

Childhood and family background

Daisy Bevan was born Daisy Carmen Bevan on March 28, 1992, in , , , to actress and film producer . Her parents married in January 1992, shortly before her birth, and separated in 1997, finalizing their divorce in 2001; Bevan was their only child together. Following the separation, she lived primarily with her in . Bevan hails from a prominent acting dynasty as the granddaughter of Academy Award-winning actress and director , and the great-granddaughter of actors Sir and . She is also the niece of actress , Joely's older sister. This illustrious family legacy immersed Bevan in the entertainment industry from an early age, with her upbringing in surrounded by discussions of film, theater, and performance; occasional family relocations tied to her parents' work further exposed her to creative environments. Her early interests in the were profoundly shaped by this familial milieu, fostering a lifelong passion for acting, though after minor early roles, she took a break to focus on without further pursuits during her school years.

Education

Bevan attended , a independent boarding school in , , starting at age 13 around 2005 and continuing until approximately age 18 in 2010. The school's curriculum emphasized creative pursuits, and Bevan focused extensively on arts and drama during her time there, spending much of her involvement in the drama department. Following her secondary education, Bevan moved to in 2010 to pursue acting training at the Lee Strasberg Theatre and Film Institute in . She completed a two-year intensive program there, which centered on techniques, scene study, and . Her parents stipulated that she finish her formal education before embarking on a professional career, reflecting their support for prioritizing schooling amid family encouragement for academic development; this condition delayed her major professional debut until age 22.

Acting career

Film debut and early roles

Daisy Bevan made her debut at age six as Arundel's Daughter in the 1998 , produced by her father's company . She followed with a small role as The (young ) in the 2001 film , appearing alongside her mother . After a break for , Bevan returned to film in 2014 with a supporting role as Lauren, a young American tourist, in Hossein Amini's thriller , an adaptation of Patricia Highsmith's novel starring and . The film, set in 1960s but primarily filmed on location in , , marked her entry into international cinema following her acting training. She secured the role through a process, where director Amini reviewed her tape without knowledge of her family background in the industry, countering early perceptions of . Bevan's preparation involved an audition in London, after which she traveled to Istanbul for principal photography in late 2012, her first experience on a major production with a multinational cast and crew. Critics praised her performance as poised and natural for a newcomer, with reviews highlighting her chemistry with Isaac's character and her ability to convey subtle vulnerability in limited screen time, positioning her as a promising talent from a storied acting lineage. The film's reception, including an 80% approval rating on Rotten Tomatoes, noted Bevan's contribution to the ensemble's authenticity amid the story's tense atmosphere. Between 2014 and 2017, Bevan took on smaller roles in independent films, focusing on character-driven narratives that allowed her to hone her skills post-debut. Notable among these was her portrayal of Emma in the 2017 drama Noble Earth, directed by Ursula Grisham, where she played a complex figure in a story exploring privilege and activism. She also appeared as Layla in the romantic comedy Modern Life Is Rubbish (2017), directed by Daniel Jerome Gill, embodying a free-spirited artist in a tale of love and music; as Miranda in the 2017 documentary Sea Sorrow; and as Varvara Stepanova in the 2016 documentary Revolution: New Art for a New World. These projects, often low-budget and festival-bound, emphasized Bevan's Strasberg-trained emotional depth over star power, as she navigated industry skepticism regarding her heritage by prioritizing substantive, introspective parts.

Television and stage work

Bevan made her professional stage debut in 2014, portraying Vane in a contemporary of Oscar Wilde's at London's . Directed by the company Ruby in the Dust, the production featured Bevan opposite Jack Fox as the titular character, exploring themes of beauty, morality, and corruption in a stylized narrative. Her performance as the idealistic actress who becomes Dorian's ill-fated love interest received attention for its emotional depth, though critics noted the production's uneven tone. Following her debut, Bevan continued to build her theater portfolio with ensemble roles in various productions during the mid-2010s, including Clifford Odets's as Florrie, directed by Sarna Lapine, and Paddy Chayefsky's Middle of the Night as the Girl. These works encompassed both classic plays and contemporary pieces, allowing her to engage with diverse ensemble dynamics and live performance demands. Transitioning from screen to stage presented notable challenges for Bevan, including the physical exhaustion of nightly shows—contrasting with 's intermittent takes—and the need to project for live audiences without the safety net of retakes. She highlighted differences in preparation, such as altering for specific roles and sustaining energy over extended runs, which demanded additional stamina compared to her earlier experiences. Bevan's early film roles paved the way for her television debut in 2015 as Tamsin Carmichael in the BBC two-part adaptation of Sadie Jones' novel The Outcast. She later appeared as Esther, a young tenement resident, in the 2018 TNT series The Alienist, a psychological thriller set in 1890s New York City adapted from Caleb Carr's 1994 novel. Filmed primarily in New York, the production starred Daniel Brühl as alienist Dr. Laszlo Kreizler and Luke Evans as journalist John Moore, with Bevan in the first season contributing to the series' exploration of mental health and societal taboos, marking a diversification of her career into serialized television narratives.

Recent and upcoming projects

In 2020, Bevan reprised her role as Esther in the second season of the TNT psychological thriller series The Alienist: Angel of Darkness, contributing to the ensemble cast exploring themes of crime and mental health in 1890s New York. That same year, she appeared in the short film Entrée des Artistes, directed by Sophie Lane Curtis, playing Henry's mother in a story blurring the lines between reality and fiction in the filmmaking world. Bevan took on a guest role as Loz Addington in the 2022 episode "A Billion Beats" of ITV's crime drama , portraying a character involved in a high-stakes murder investigation. In 2021, she had a supporting part as Henry's mother in the American romantic drama On Our Way, which delves into grief and creativity through nonlinear storytelling. Building on her television foundation, Bevan returned to in 2025 as part of the for a production of Shakespeare's at Northcott Theatre, contributing to a modern interpretation of the classic tragedy performed from June to . Her most prominent recent role came in the comedy-drama series Too Much, created by , where she played Josie, the assistant to a music manager, in a story examining modern relationships and heartbreak set in ; the 10-episode premiered in 2025 and was filmed primarily in the UK capital. Looking ahead, Bevan is set to appear in the Notice Me, a about longing in London's East End, produced by and directed by Amy Leonard; announced in May 2025, it features her alongside Francesca Amewudah-Rivers and Amy Spalding, with production completed but no release date confirmed as of November 2025. This period reflects Bevan's evolution toward diverse roles in streaming, , and projects, emphasizing ensemble dynamics and contemporary narratives over earlier lead parts in period pieces.

Personal life

Health challenges

Daisy Bevan was born with a rare circulatory disorder that primarily affects her legs. The condition was diagnosed shortly after her birth, leading to various medical interventions throughout her childhood and . At age 15 in 2007, Bevan underwent a series of major surgeries to address complications from the disorder. These procedures, which included vascular treatments and leg reconstructions, required an extended recovery period. Her mother, actress , offered crucial support during this time by stepping away from her role in the television series to be by her side. The experience highlighted the emotional challenges of managing a lifelong condition, though Bevan has since described herself as healthy and resilient.

Family relationships

Daisy Bevan shares a close bond with her mother, actress , characterized by mutual support in their acting careers following the 2001 divorce of her parents. They have frequently appeared together at public events, such as the Serpentine Gallery's art fair in 2022 and in the same year, where Bevan accompanied Richardson and her grandmother, . In interviews, Bevan has expressed deep affection for her mother, describing her heart as belonging to "Mumma," highlighting the emotional closeness that has endured since childhood. Bevan maintains a strong relationship with her father, Tim Bevan, through ongoing co-parenting arrangements after the when she was nine years old. Although she primarily lived with her mother post-, Bevan has remained very close to her father and his subsequent family, including half-siblings from his marriage to Amy Gadney. This connection has extended to occasional professional overlaps in the film industry, given Tim Bevan's role at , though Bevan has emphasized the personal rather than collaborative nature of their ties. Bevan's interactions with her extended underscore a tradition of mentorship and unity, particularly with her grandmother, . She has collaborated artistically with Redgrave, including sharing the stage in the 2019 play Vienna 1934 – Munich 1938 and appearing together in Roksanda's 2021 fashion film portraying mythological figures. Bevan also attends family events with cousins, such as those connected to the late Natasha Richardson's lineage, reinforcing familial bonds through shared public outings like the 2013 Gala. As part of the renowned Redgrave acting dynasty, Bevan prioritizes her family's role as her primary support network, maintaining privacy around her personal relationships. As of 2025, she has not entered into any public marriages and has only recently shared details of her long-term partnership with Sam Rubinstein, marking their third anniversary that year, while keeping other aspects of her romantic life low-profile. The impact of her parents' on her childhood stability was mitigated through these enduring and shared custody, allowing her to navigate the separation while preserving emotional security with both parents.

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