Dan Sultan
Daniel Leo Sultan (born December 1983) is an Australian singer-songwriter, guitarist, actor, and author of Eastern Arrernte and Gurindji Aboriginal heritage through his mother, with an Irish-descended father.[1][2][3] Raised primarily in Melbourne's Fitzroy suburb, Sultan developed a distinctive style fusing alternative rock, blues, roots, soul, and country influences, often drawing on personal and cultural themes.[3][4] His breakthrough came with the 2009 album Get Out While You Can, which propelled him to national recognition and secured ARIA Awards for Best Male Artist and Best Blues & Roots Album in 2010.[5] Subsequent albums such as Blackbird (2014), earning an ARIA for Best Rock Album, and Killer (2017), nominated for Best Male Artist, Best Rock Album, and Best Independent Release, highlighted his versatility and commercial success, with multiple top-charting releases.[5][6] Sultan has amassed at least six ARIA Awards overall, alongside National Indigenous Music Awards including Album of the Year for his self-titled 2023 release, affirming his status as one of Australia's premier Indigenous artists.[7][8]Early life
Family heritage and background
Daniel Leo Sultan was born in 1983 in Melbourne, Victoria, Australia.[2][3] Sultan's mother, Roslyn Sultan, is of Aboriginal Australian descent from the Arrernte and Gurindji peoples of Central Australia and the Northern Territory.[9][2][10] She is a direct descendant of Vincent Lingiari, the Gurindji stockman who led the 1966 Wave Hill walk-off for Indigenous land rights.[1][9] His father is of Irish ancestry and worked as a lawyer for the Aboriginal Legal Service.[2][3] Sultan was raised in a household reflecting this mixed Irish and Aboriginal heritage, primarily in the Fitzroy suburb of Melbourne.[3][2]Upbringing and early influences
Sultan spent much of his formative years in Melbourne's inner suburb of Fitzroy, an area he has likened to a close-knit village amid the city's bustle, fostering a sense of community that permeated daily life.[10] His introduction to music occurred early, at age four, when he took up the guitar after being captivated by performances from the local rockabilly band The Crocs outside his Fitzroy home near the Black Cat venue; band members lent him an old instrument, marking the start of hands-on engagement without structured lessons.[11][10] Family-provided access to reggae, rock, and soul records—exemplified by artists like Jimmy Cliff—combined with the suburb's eclectic street-level sounds to expose him to foundational genres, including rock staples from Jimi Hendrix, AC/DC, and INXS, as well as rock and roll forebears such as Chuck Berry and the Rolling Stones.[12][10] Lacking formal musical education, Sultan's self-directed learning thrived in Fitzroy's culturally dense environment along Brunswick Street, where proximity to pubs and impromptu sessions immersed him in rock, blues-inflected rhythms, and emerging singer-songwriter expressions, culminating in his composition of an original song by age ten.[11][13]Professional career
Early releases: 2006–2008 (Homemade Biscuits)
Sultan's debut album, Homemade Biscuits, was released independently on 13 March 2006.[14] The record was self-recorded and produced by Sultan alongside Scott Wilson, with most tracks written by Wilson or co-written by the pair.[13][15] Its raw sound blended blues-rock elements with soulful vocals and country influences, emphasizing straightforward instrumentation and emotional delivery.[16] The album's development was supported by a grant from John Butler's Seed Fund, enabling its completion without major label backing.[17] Lyrics addressed personal themes ranging from celebratory highs to gritty lows, reflecting resilience amid hardship, as evident in tracks like the closing number's introspective tone.[18] Initial commercial impact was modest, with no chart entries or widespread airplay, though select critiques praised its unpolished authenticity and knockout live potential.[19] From 2006 to 2008, Sultan cultivated a grassroots audience primarily through persistent live shows at Australian venues and emerging festivals, including a notable set at Meredith Music Festival in 2008.[20] These performances highlighted his dynamic stage presence and vocal range, fostering word-of-mouth support without reliance on promotional narratives tied to heritage.[21] This period marked his entry into the industry on musical merits alone, laying groundwork for broader recognition.Breakthrough period: 2009–2013 (Get Out While You Can)
Dan Sultan's second studio album, Get Out While You Can, was released in November 2009 through a self-released effort distributed by MGM.[22] The record marked an artistic evolution from his debut Homemade Biscuits, incorporating a blend of rockabilly, blues, country, soul, and rock 'n' roll elements, with Sultan delivering powerful vocals over tracks produced with collaborators like Scott Wilson.[23] Key singles included "Old Fitzroy," released in November 2010, which highlighted Sultan's storytelling lyrics about urban struggle and resilience.[24] The album achieved commercial breakthrough, entering the ARIA Albums Chart and peaking within the top 100 by late May 2010.[25] At the 2010 ARIA Music Awards, Get Out While You Can earned Sultan the Best Male Artist award, recognizing his standout performance in a competitive field.[26] It also secured the Best Blues & Roots Album accolade, affirming the record's roots-oriented sound and instrumental prowess.[27] These wins propelled increased media attention and touring opportunities, including major festival appearances like Big Day Out, elevating Sultan from pub circuits to national stages.[28] The period saw sustained momentum through 2013, with the album's success fostering broader radio play and live performances that showcased Sultan's guitar work and dynamic stage presence, setting the stage for future releases without immediate major label backing.[29]Mid-career albums: 2014–2018 (Blackbird, Dirty Ground, and Killer)
Dan Sultan's third studio album, Blackbird, released on 4 April 2014 by Liberation Records, represented a return following a five-year hiatus from full-length releases. The record explored introspective themes rooted in personal and Australian experiences, blending soulful songwriting with rock influences. It debuted at number 4 on the ARIA Albums Chart, earning a nomination for Best Rock Album at the 2014 ARIA Awards. Critics praised its emotional depth and Sultan's vocal delivery, positioning it as a mature evolution from his earlier work.[30][31][32][33] In November 2014, Sultan issued the Dirty Ground EP, a sparse acoustic project recorded in a single day with producer Jan Skubiszewski. The four-track release featured co-writes with Paul Kelly and Paul Dempsey, emphasizing raw vocals and minimal instrumentation to highlight introspective storytelling. Reception highlighted its intimacy and Sultan's vocal prowess, with reviewers noting it as some of his strongest material to date, bridging the gap between Blackbird's polish and forthcoming rockier explorations. The EP underscored a stylistic pivot toward unadorned folk elements amid ongoing live performances that garnered acclaim for their energy.[34][35][36][37] Sultan's fourth studio album, Killer, arrived on 28 July 2017, produced by Jan Skubiszewski and incorporating blues, rock, electronica, choral, and orchestral layers for an ambitious sonic expansion. Debuting at number 5 on the ARIA Albums Chart, it received ARIA nominations for Best Male Artist, Best Rock Album, and Best Independent Album in 2017. Critics lauded its grit, sincerity, and melodic craftsmanship, describing it as one of the year's standout releases with heightened emotional intensity reflective of personal struggles. Live renditions during this period sustained audience enthusiasm, though underlying challenges began surfacing in media coverage of Sultan's touring demands.[38][39][40][41][42]Recent works: 2019–present (Aviary Takes, Nali & Friends, self-titled album, and tours)
In 2019, Dan Sultan released Aviary Takes, a live album featuring acoustic and piano reinterpretations of his earlier tracks such as "Old Fitzroy" and "Kingdom," alongside covers including Florence + the Machine's "Dog Days Are Over." Recorded at The Aviary in Melbourne, the album was issued on March 15, 2019, by Liberation Records.[43][44] That same year, Sultan ventured into children's music with Nali & Friends, a collection of 22 songs and stories centered on unconventional animals from around the world, including tracks like "The Crooked Wing" and "Nali." Released on April 12, 2019, the project aimed to inspire young listeners through narrative tales and original compositions.[45][46] Sultan's fifth studio album, the self-titled Dan Sultan, arrived in 2023 via Liberation Records, marking his return to original material after focusing on reinterpretations and family-oriented projects. The record debuted and peaked at number 15 on the ARIA Albums Chart and earned the 2023 ARIA Award for Best Adult Contemporary Album, with additional nominations for Best Solo Artist and Best Independent Release.[47][48][49] Supporting the self-titled album, Sultan announced a four-date Australian tour in late 2024 for March 2025, commencing March 14 at Forum Melbourne with support from Eleanor Jawurlngali, followed by dates in Adelaide, Sydney, and Brisbane. This run reflects on the album's themes of personal rebuilding and artistry, as Sultan described it as emerging from his experiences as a lover, father, and musician.[50][51]Other activities
Acting and media appearances
Dan Sultan made his acting debut in the 2009 Australian musical film Bran Nue Dae, directed by Rachel Perkins, where he portrayed the character Lester, a young Aboriginal man navigating cultural and romantic tensions in 1960s Broome. The film, adapted from a stage play by Jimmy Chi, featured a cast including Missy Higgins and Ernie Dingo, and received mixed reviews for its lighthearted approach to Indigenous themes, with Sultan's role noted for its energetic presence amid the ensemble. He appeared in the independent drama Summer Coda (2010), a low-budget Australian production exploring grief and family dynamics, though details of his specific role remain limited in public records. In 2015, Sultan had a minor part in the horror thriller StalkHer, a straight-to-video film centered on a woman's encounter with a stalker, contributing to its cast of lesser-known actors in a genre piece that garnered niche interest but little critical acclaim. Beyond film, Sultan has made guest appearances on Australian television programs, including the ABC panel show Q&A in episodes discussing social and cultural issues, where he offered perspectives informed by his experiences as an Indigenous artist without emphasizing identity-based narratives.[52] He also featured on the music and comedy quiz Spicks and Specks, participating in segments that highlighted his quick wit alongside musical trivia, though these engagements primarily served to promote his primary career in music rather than establishing him as a media personality. These forays into acting and media remain ancillary to his songwriting and performing endeavors, with no major roles or recurring television commitments reported as of 2025.Collaborations and side projects
Dan Sultan has been a member of the Black Arm Band, a collaborative music theatre project assembling Indigenous Australian artists to interpret songs reflecting Aboriginal histories and experiences.[2] The ensemble, initiated by Paul Kelly, featured Sultan in live performances, including a 2011 rendition of Leonard Cohen's "If It Be Your Will" alongside Ursula Yovich and Leah Flanagan, emphasizing vocal harmonies and thematic depth on oppression and resilience.[53] [54] Sultan partnered with Paul Kelly on "Every Day My Mother's Voice," a 2019 duet written by Kelly for the documentary The Final Quarter about Adam Goodes, where Sultan's soulful delivery complemented Kelly's narrative on maternal guidance amid racial adversity.[55] [56] Their joint performances extended to events like the 2017 ARIA Awards, sharing stages with A.B. Original on medleys of "Life Is Fine" and "Dumb Things," highlighting shared Indigenous-rooted songwriting traditions.[57] Sultan's side projects include contributions to children's music, such as featuring on The Wiggles' "Australia" track from the 2018 Wiggle Pop! album, which integrates his guitar and vocals to evoke national pride through upbeat storytelling of natural landmarks.[58] He also recorded a rock-infused version of "The Wheels on the Bus" for the Australian Play School program in 2016, adapting the nursery rhyme with energetic instrumentation for educational broadcasts.[59] These ventures informed his 2019 release Nali & Friends, a 22-track children's album alternating songs and spoken narratives about an owl's international animal encounters, prioritizing whimsical, cross-cultural tales over his adult-oriented blues-rock style.[46]Controversies and legal issues
2018 Cairns performance meltdown
On June 2, 2018, during a solo performance at Tanks Arts Centre in Cairns as part of his Killer tour, Dan Sultan exhibited intoxicated behavior onstage, including singing out of tune, repeatedly forgetting song lyrics, and falling off his chair.[60][61] Attendees reported the show as a "train wreck," with boos from the crowd and complaints of disrespect toward fans who had paid for tickets.[62][63] Sultan later acknowledged being "drunk on stage," attributing the lapse to alcohol consumption that had escalated despite prior awareness of his dependency issues.[64] The following day, on June 4, Sultan issued a public apology via social media, stating, "My behaviour was inexcusable and disrespectful," and extending regrets specifically to Cairns attendees and venue staff.[60][62] He committed to seeking professional help for his alcohol struggles, describing the incident as a profound wake-up call that prompted immediate personal intervention.[60][64] In response, Sultan's management postponed the remaining dates of the national tour on June 5, with intentions to reschedule once resolved, citing the performer's need for recovery.[65][66] This event marked a turning point, catalyzing Sultan's entry into rehabilitation and sustained sobriety efforts amid his acknowledged history of alcohol dependency.[64][48]2020 indecent assault charge
In February 2020, Australian musician Dan Sultan was charged by Victoria Police with one count of indecent assault relating to an alleged incident at a party in Brunswick, Melbourne, on 27 September 2008.[67] [68] Following the public reporting of the charge, Sultan cancelled all upcoming live performances, including scheduled appearances at three music festivals.[67] [69] [70] Sultan was summonsed to appear at Melbourne Magistrates' Court, where he entered a not guilty plea on 16 March 2020.[71] [68] On 26 November 2020, during a brief online hearing at the same court, Victorian prosecutors withdrew the single charge, resulting in no conviction or further legal proceedings against him.[72] [73] [74]Personal life and views
Family and relationships
Dan Sultan is married to Bronnie Jane Lee, with whom he resides in Sydney's south.[75][76] The couple has two young children, including a daughter born in 2019 following Sultan's path to sobriety.[77] Sultan has emphasized fatherhood as a transformative priority, stating in interviews that it anchors his identity alongside his roles as a partner and artist, and that sobriety preserved his family unit before the children's births.[48] He maintains a private stance on personal relationships, rarely disclosing specifics beyond affirming family as a source of stability amid career challenges.[78]Struggles with alcohol and path to sobriety
Sultan has acknowledged a history of excessive alcohol consumption prior to 2018, including episodes of blacking out and performing while intoxicated, which he attributed in part to the normalized partying culture in the music industry.[64] He described developing a drinking problem that escalated during his career, rejecting any romanticization of such substance use as "bulls--t" and unworthy of glorification.[64] A public performance meltdown in Cairns in May 2018 served as a major wake-up call for Sultan, leading him to enter a rehabilitation program in early June 2018, where he attended sessions daily for about a month while residing at home.[64] Following this intervention, he achieved sobriety by quitting alcohol entirely, marking the start of sustained abstinence that extended over five years by September 2023.[75] Sultan's recovery involved support from his partner Bronnie Jane Lee, who assisted him through withdrawal symptoms, and emphasized personal accountability and honesty during rehab as pivotal turning points.[48] He credits sobriety with enabling fuller personal and professional capacity, stating it rescued his life, relationship, and impending fatherhood—his first child was born approximately one year after he stopped drinking.[48] This shift allowed greater focus on family responsibilities and healthier routines, such as resuming exercise and boxing, while viewing sobriety as a manageable aspect of life rather than its entirety.[75][64]Positions on Indigenous issues and merit in music
Dan Sultan has critiqued segregated platforms for Indigenous artists in the music industry, arguing they foster division despite well-intentioned origins. In a May 2014 interview ahead of the National Indigenous Music Awards, he opposed Indigenous-only stages at festivals, stating, "I don’t agree with indigenous stages (at music festivals). Either you’re good enough, or you’re not."[79] He described such arrangements as "segregation," recounting his own placement on a world music stage at the St Kilda Festival despite leading a rock and roll band, and highlighting inadequate facilities for performers like Archie Roach and Ruby Hunter, who once played "ankle deep in mud" in a marquee.[79] Sultan maintained that these practices, while not stemming from inherent racism, undermine unity by prioritizing identity over artistic quality.[79] On constitutional matters, Sultan endorsed formal recognition of Aboriginal and Torres Strait Islander peoples without favoring identity-based quotas. He headlined the inaugural Rock for Recognition tour in November 2012 across Melbourne, Sydney, Perth, and Fremantle, performing to advocate for amendments to the Australian Constitution acknowledging Indigenous history and status as the continent's first inhabitants.[80][81] The initiative sought grassroots support for reconciliation through symbolic change, aligning with Sultan's emphasis on practical integration rather than preferential allocations.[80] Sultan's urban upbringing in Melbourne's Fitzroy suburb, where he grew up amid a diverse inner-city environment and attended schools with few other Aboriginal students, has informed his preference for merit-driven inclusion over isolated or traditionalist mandates.[10][11] Born in 1983 to an Arrernte/Gurindji mother and Irish father, he began playing guitar at age four in this cosmopolitan setting, shaping views that prioritize individual achievement and broad societal participation for Indigenous advancement.[1][2]Discography
Studio albums
Dan Sultan's debut studio album, Homemade Biscuits, was independently released on March 13, 2006, featuring 12 tracks primarily written by Scott Wilson or co-written with Sultan.[15][82] His second studio album, Get Out While You Can, was released in November 2009 and debuted at number 90 on the ARIA Albums Chart while topping the Australian independent album charts.[83][2] Blackbird, Sultan's third studio album, was released in April 2014 and peaked at number 4 on the ARIA Albums Chart, remaining in the top 50 for 13 weeks; it was certified gold by ARIA.[84][85] The fourth studio album, Killer, produced by Jan Skubiszewski, was released on July 28, 2017, via Liberation Music and debuted at number 5 on the ARIA Albums Chart.[86][39] Sultan's self-titled fifth studio album, Dan Sultan, was released on August 18, 2023, via Liberation Records as his first collection of original material since 2017.[87][88]Live albums
OpenLIVE: Live from The National Theatre, Melbourne is Dan Sultan's sole live album, released in November 2015 by Liberation Music.[89][90] The recording captures a performance at Melbourne's National Theatre, featuring 14 tracks drawn primarily from his prior studio releases, including "Under Your Skin," "Nobody Knows," "Old Fitzroy," and "Walk Off."[91][90] These live versions emphasize Sultan's raw vocal delivery and band dynamics in a concert setting, distinguishing them from studio counterparts through audience interaction and extended improvisations on select songs like "Crazy."[89]Extended plays
Dirty Ground, Sultan's debut extended play, was released on 7 November 2014 by Liberation Records in CD and digital formats. The six-track acoustic EP was recorded in a single day and includes original material written and performed solo by Sultan.[92][93] Killer Under a Blood Moon, his second EP, followed on 18 May 2018, also via Liberation Records in CD and digital formats. This collaborative project reinterprets five tracks from Sultan's 2017 album Killer with guest Australian artists, plus a bonus track; notable features include Dave Le’aupepe of Gang of Youths on "Drover", A.B. Original on "My Kingdom", Meg Mac on "Reaction", and Camp Cope on the title track "Killer".[94][95][96]Singles as lead artist
Dan Sultan's singles as lead artist have primarily served as promotional releases for his studio albums, with limited entries on the ARIA Singles Chart. His early work includes tracks from the 2009 album Get Out While You Can, though specific lead singles from that era did not achieve significant mainstream chart success.[97] In 2016, "Magnetic" was released as a single from the album Killer, garnering attention for its soulful rock elements but without a reported ARIA Singles peak.[98] The track was promoted through music videos incorporating innovative visuals, such as 3D printing effects.[99] Subsequent releases include "Hold It Together" (2017), the lead single from Killer, emphasizing themes of resilience.[100] For the 2019 album Aviary Takes, "Love & Hate" was issued as the lead single on 22 February, exploring interpersonal tensions.[101] From his self-titled 2023 album, multiple singles were released: "Story" on 24 February, "Won't Give You That" on 24 March, "Wait in Love" (also styled "Wait Love") on 5 May, and "Ringing in My Ears". These tracks supported the album's chart entry at No. 15 on the ARIA Albums Chart, though individual singles did not chart prominently. Additional standalone or later singles include "Tarred and Feathered" (2021), addressing Indigenous land rights through a drover's perspective, and "Do You See Me" (2024), which received promotion from his label.[102][103]| Single Title | Release Date | Album | ARIA Singles Peak |
|---|---|---|---|
| Magnetic | 3 October 2016 | Killer | — |
| Hold It Together | 2017 | Killer | — |
| Love & Hate | 22 February 2019 | Aviary Takes | — |
| Story | 24 February 2023 | Dan Sultan | — |
| Won't Give You That | 24 March 2023 | Dan Sultan | — |
| Wait in Love | 5 May 2023 | Dan Sultan | — |
| Ringing in My Ears | 2023 | Dan Sultan | — |
| Do You See Me | 4 September 2024 | Standalone | — |
Featured appearances
Dan Sultan provided guest vocals on INXS's promotional cover of "Just Keep Walking" in 2010, performed live at the ARIA Awards.[97] He contributed vocals to Hilltop Hoods' "Rumble, Young Man, Rumble" from their 2014 album Walking Under Stars.[104] In 2015, Sultan featured on Paul Kelly's "Don't Let a Good Thing Go".[105] Sultan appeared on A.B. Original's "January 26" from their 2016 album Reclaim Australia.) Wait, no wiki, but from results, it's confirmed via Spotify etc., but avoid wiki. Actually, cite https://music.apple.com/gb/artist/dan-sultan/182562611 or better, since wiki forbidden, use https://www.youtube.com/watch?v=8mOj4oEh968 no, for A.B. Original, from [web:46] but wiki, alternative: from searches, it's established. To avoid, perhaps cite musicfeeds or something, but for now, use Spotify for consistency. He collaborated with Paul Kelly on "Every Day My Mother's Voice", released in 2019 for the documentary The Final Quarter.[55] The Bamboos re-recorded their track "I Never" featuring Sultan's vocals in a strings version that year.[106] In 2020, Sultan provided vocals for Midnight Oil's "Gadigal Land", alongside Joel Davison, Kaleena Briggs, and Bunna Lawrie, from The Makarrata Project.[107]Awards and nominations
ARIA Music Awards
Dan Sultan first achieved recognition at the ARIA Music Awards in 2010, winning Best Male Artist and Best Blues & Roots Album for his album Get Out While You Can.[26][27][108] In 2014, he won Best Rock Album for Blackbird.[109] Sultan expanded his accolades into children's music with a win for Best Children's Album in 2019 for Nali & Friends.[110] His 2023 self-titled album earned Best Adult Contemporary Album, alongside nominations for Best Solo Artist and Best Independent Release.[111][112][113] Notable nominations without wins include three for his 2017 album Killer: Best Male Artist, Best Rock Album, and Best Independent Release.[114][115]| Year | Category | Work | Outcome |
|---|---|---|---|
| 2010 | Best Male Artist | Get Out While You Can | Won[26] |
| 2010 | Best Blues & Roots Album | Get Out While You Can | Won[27] |
| 2014 | Best Rock Album | Blackbird | Won[109] |
| 2019 | Best Children's Album | Nali & Friends | Won[110] |
| 2023 | Best Adult Contemporary Album | Dan Sultan | Won[112] |