David Brian
David Brian (born Brian James Davis; August 5, 1914 – July 15, 1993) was an American actor best known for his suave portrayals of leading men in 1940s Warner Bros. films, including roles opposite Joan Crawford in Flamingo Road (1949) and The Damned Don't Cry (1950), as well as his critically praised performance in Intruder in the Dust (1949) earning him a nomination for the Golden Globe Award for Best Supporting Actor, and his starring role in the 1950s television series Mr. District Attorney.[1][2][3][4][5] Born in New York City, Brian attended City College before beginning his entertainment career as a doorman and transitioning into show business as a chorus boy on Broadway.[3][1] He appeared in several Broadway productions, including Let 'Em Eat Cake (1933), Crazy Quilt (1931), Beat the Band (1942), and Candle in the Wind (1941), and also performed in vaudeville acts and nightclubs.[3] During World War II, he served in the United States Coast Guard.[3] Brian entered the film industry in 1949 when he was signed as a contract player by Warner Bros. on the recommendation of Joan Crawford, making his screen debut in Flamingo Road as her character's romantic interest.[2][6] He quickly established himself in supporting and leading roles, often playing charismatic or authoritative figures in dramas and Westerns such as Beyond the Forest (1949) with Bette Davis, Fort Worth (1951), Springfield Rifle (1952), This Woman Is Dangerous (1953), Ambush at Tomahawk Gap (1953), and Dawn at Socorro (1954).[3][7] His turn as the principled lawyer Lucas Beauchamp in the Clarence Brown-directed adaptation Intruder in the Dust earned particular acclaim for its depth and sensitivity.[4][1] In the 1950s, Brian shifted focus to television, headlining the syndicated crime drama Mr. District Attorney from 1954 to 1955, where he portrayed the no-nonsense prosecutor fighting corruption.[3][2] He continued with guest spots on popular Western and crime series, including Gunsmoke, Rawhide, The Untouchables, and Police Story.[3][2] For his television work, Brian received a star on the Hollywood Walk of Fame in 1960 at 6161 Hollywood Boulevard.[6][8] Later in his career, Brian appeared sporadically in films and television through the 1970s and into the early 1980s, with credits including episodes of Dallas and Murder, She Wrote.[9] Beyond acting, he was an active fundraiser for the Volunteers of America and was named honorary mayor of Reseda, California, in 1956.[3] Brian was married to actress Adrian Booth at the time of his death from cancer and heart failure at his home in Sherman Oaks, California.[3][2]Early life
Childhood and family background
David Brian was born Brian James Davis on August 5, 1914, in New York City.[4][1] Limited information is available regarding his immediate family and early upbringing, though he grew up in the city during his formative years before attending City College of New York.[1] After completing his education, Brian's initial forays into performance came through song-and-dance routines, suggesting an early interest in the arts nurtured in New York's vibrant entertainment scene.[2]Entry into entertainment
After graduating from City College of New York, Brian initially worked as a doorman before entering the entertainment industry as a chorus boy and song-and-dance performer in nightclubs and vaudeville circuits during the 1930s.[4][1] His burgeoning career was interrupted by World War II service in the United States Coast Guard, which delayed his professional development in show business.[1][10] Following the war, Brian transitioned toward film opportunities in Hollywood.[2]Career
Radio and stage beginnings
David Brian's professional beginnings in entertainment were rooted in the performing arts of the stage, where he worked as a chorus boy, singer, and dancer in vaudeville circuits and nightclub acts during the 1930s and 1940s.[3] These early experiences provided him with foundational training in live performance, emphasizing timing, audience engagement, and vocal projection essential for dramatic roles.[4] Following his service in the United States Coast Guard during World War II, Brian returned to the New York stage in the late 1940s.[3] He participated in Broadway tryouts and regional theater productions, gaining exposure in dramatic revivals and supporting roles that showcased his versatility beyond musical numbers, though specific credits from this period remain limited in documentation.[4] Brian transitioned to radio in 1952, taking the lead role of the prosecutor in the syndicated crime anthology series Mr. District Attorney, adapted from the earlier NBC program that dramatized real-life legal cases.[11] His portrayal of the steadfast district attorney, often involving intense courtroom confrontations and moral dilemmas, highlighted his resonant delivery and became a signature of his audio work, appearing in dozens of episodes through 1953.[11] Throughout the early 1950s, Brian made regular guest appearances on prominent network radio programs, contributing to anthology formats that adapted stories for dramatic effect.[12] These roles refined his ability to convey emotion through voice alone, laying the groundwork for broader voice-over opportunities in commercials and later adaptations.[12]Film roles and rise to prominence
David Brian entered the film industry in 1949, signing a contract with Warner Bros. after Joan Crawford recommended him following his stage performance in New York, where she spotted his potential for screen work. His debut came in the film noir Flamingo Road (1949), directed by Michael Curtiz, in which he portrayed the ambitious and ruthless political boss Dan Reynolds opposite Crawford's carnival dancer Lane Forrester; the role established Brian as a compelling portrayer of suave villains with a commanding screen presence.[3][13] Later that year, Brian took on a supporting role as attorney John Gavin Stevens in MGM's Intruder in the Dust (1949), adapted from William Faulkner's novel and directed by Clarence Brown, where his performance as a principled defender in a tense Southern drama drew early critical attention for its emotional restraint and earned him a Golden Globe nomination for Best Supporting Actor - Motion Picture. His collaboration with Crawford continued in The Damned Don't Cry (1950), in which he played the sophisticated gangster Martin Blackford, reinforcing his niche in hard-edged character parts amid the film's exploration of ambition and betrayal. Brian's radio experience as the voice of Mr. District Attorney provided a solid foundation for his resonant delivery in these early cinematic roles.[14][15][16] Throughout the early 1950s, Brian appeared in varied genres, including the prison drama Inside the Walls of Folsom Prison (1951), where he played the reform-minded guard Mark Benson, and the Technicolor musical Million Dollar Mermaid (1952), as theatrical producer Alfred Harper opposite Esther Williams' Annette Kellerman, showcasing his versatility beyond villainy. By the mid-1950s, he had amassed over 20 film credits, peaking as a reliable character actor in Warner Bros. productions and Westerns such as Springfield Rifle (1952) and The Rabbit Trap (1958), the latter a United Artists drama highlighting his shift toward more introspective leads. As studio contracts waned, Brian increasingly turned to independent films by the late 1950s, adapting to Hollywood's evolving landscape.[17]Television appearances
Brian began his television career in the early 1950s with guest appearances on anthology series, including episodes of Schlitz Playhouse of Stars in 1953, where he portrayed characters in dramatic narratives such as an amnesiac in "Nineteen Rue Marie."[18] These early roles showcased his versatility in live broadcast formats, transitioning from his film work in film noir and Westerns. In 1954, Brian landed his only starring role in a television series as District Attorney Paul Garrett in Mr. District Attorney, a crime drama adapted from the long-running radio show, which aired for one season on NBC.[19] Portraying the no-nonsense prosecutor fighting corruption in New York City, Brian's performance drew on his authoritative screen presence, earning him a star on the Hollywood Walk of Fame in the television category.[6] The series emphasized courtroom drama and investigations, marking a peak in his broadcast prominence before shifting to guest work.[3] Throughout the late 1950s and 1960s, Brian frequently appeared as a guest star in Western television series, capitalizing on his rugged film persona. He featured in multiple episodes of Gunsmoke, including roles as Branch Nelson in 1955 and Clay White in 1970, often as tough antagonists or lawmen in frontier settings.[20] Similarly, he guest-starred in Rawhide in 1959 as a determined farmer in "Incident at Jacob's Well," highlighting tensions over water rights on the cattle drive.[21] These appearances, spanning over a dozen Western shows, solidified his typecasting in the genre during television's Golden Age.[22] In the 1970s, Brian continued with television films and specials, notably playing the scheming Walter Sinclair in the 1972 made-for-TV movie The Manhunter, a thriller involving a bounty hunter and corporate intrigue.[23] His later work included guest spots in action-oriented series like Mission: Impossible (1972) and Mannix (1967), extending his career into character roles until the early 1980s.[24]Personal life
Marriages and relationships
Brian's first marriage was to Bonita Fiedler, which ended in divorce in 1949.[4] Following the divorce, in 1950, Brian married actress Adrian Booth, professionally known as Lorna Gray, a former B-movie performer and serial actress who had appeared in films with John Wayne and The Three Stooges; the couple remained together for 43 years until Brian's death in 1993, with no children from the union.[4][3] In 1951, shortly after his second marriage, Brian's ex-wife Bonita Fiedler Davis filed a paternity suit in Los Angeles court, claiming he was the father of her 17-month-old son Michael; blood tests and testimony led to a verdict exonerating Brian, confirming he was not the father.[25] No other long-term relationships or family details are publicly documented.[4]Interests and philanthropy
Beyond his acting career, David Brian was deeply involved in charitable causes and civic activities. He served as a major fundraiser for the Volunteers of America, a nonprofit organization dedicated to helping those in need through community services and rehabilitation programs.[3] His efforts in this role were recognized in 1956 when he was named honorary mayor of Reseda for his contributions to local community initiatives.[3] Brian's personal interests included a passion for dance, which originated from his early days as a song-and-dance performer in vaudeville and nightclubs before transitioning to acting.[1] This avocation reflected his background in entertainment and remained a lifelong enjoyment. Following his death, his family encouraged memorial donations to the John Ford Chapel at the Motion Picture and Television Country House and Hospital, underscoring his ties to industry support networks.[3]Later years and death
Retirement and final projects
Following the decline in his film opportunities during the late 1960s, David Brian gradually scaled back his acting career, focusing less on major roles as Hollywood's interest in his suave villain personas waned.[10] His final feature film role came as Cardinal McManus in The Seven Minutes (1971), a controversial drama directed by Russ Meyer about an obscenity trial, marking the end of his on-screen cinematic appearances.[10][26] Brian made sporadic television guest appearances in the ensuing years, including roles in series such as Police Story and Westerns, before his last credited performance as a union spokesman in the British sitcom Father's Day (1983–1984).[27] In semi-retirement, he resided in Sherman Oaks, California, where he lived quietly until health issues prompted a full withdrawal from professional activities.[3]Death and tributes
David Brian died on July 15, 1993, at the age of 78 from cancer and heart failure at his home in Sherman Oaks, California, in the San Fernando Valley.[3][4][9][28] Funeral services were held privately at 2 p.m. the following Sunday at the John Ford Chapel of the Motion Picture and Television Country House and Hospital in Woodland Hills, California.[3] In lieu of flowers, the family requested contributions to the chapel to install bells in his honor.[3] Following his death, obituaries in prominent publications paid tribute to Brian's career, particularly his roles in film noir alongside Joan Crawford in pictures such as Flamingo Road (1949) and The Damned Don't Cry (1950).[4] The New York Times highlighted his critically acclaimed performance in Intruder in the Dust (1949), which earned praise from William Faulkner, and his portrayal of suave, often ruthless characters across film and television.[4] His legacy is further commemorated by a star on the Hollywood Walk of Fame, awarded in 1960 for contributions to television.[6]Filmography and awards
Film credits
David Brian's film career spanned from 1949 to 1971, encompassing over 25 feature films across various genres, with a particular emphasis on dramas (approximately 15 titles), Westerns (8 titles), and musicals or musical-adjacent comedies (5 titles). His roles frequently cast him as sophisticated villains, authoritative professionals, or romantic leads, often in Warner Bros. productions early on. Notable for box office performance, The Damned Don't Cry (1950) earned $2,211,000 in rentals and reached number one at the U.S. box office in its second week of release.[29] The following table provides a chronological overview of his feature film credits, including release year, title, role, and director.| Year | Title | Role | Director |
|---|---|---|---|
| 1949 | Flamingo Road | Dan Reynolds | Michael Curtiz |
| 1949 | Beyond the Forest | Neil Latimer | King Vidor |
| 1949 | Intruder in the Dust | John Gavin Stevens III | Clarence Brown |
| 1950 | The Great Jewel Robber | Gerard Graham Dennis | Peter Godfrey |
| 1950 | Breakthrough | Sgt. Pete Downey | Lewis Seiler |
| 1950 | The Damned Don't Cry | George Castleman | Vincent Sherman |
| 1951 | Inside Straight | Rick Minado | Gerald Mayer |
| 1951 | Fort Worth | Blair Lusk | Edwin L. Marin |
| 1952 | This Woman Is Dangerous | Matt Higgins | Felix E. Feist |
| 1952 | Springfield Rifle | Austin McCool | André de Toth |
| 1952 | Million Dollar Mermaid | Alfred Harper | Mervyn LeRoy |
| 1953 | A Perilous Journey | Monty Breed | R. G. Springsteen |
| 1953 | Ambush at Tomahawk Gap | Egan | Fred F. Sears |
| 1954 | Dawn at Socorro | Dick Braden | George Sherman |
| 1954 | The High and the Mighty | Ken Childs | William A. Wellman |
| 1954 | Timberjack | Bryce Martin | Joseph Kane |
| 1955 | Fury at Gunsight Pass | Ben Janick | Fred F. Sears |
| 1956 | The First Traveling Saleslady | Lt. Frederick Kopeckne | Arthur Lubin |
| 1956 | Accused of Murder | Tom Dorgan | William Castle |
| 1957 | The King's Thief | Sir Gregory Wilmot | Robert Z. Leonard |
| 1958 | No Place to Land | Buck | Albert G. Ruben |
| 1960 | The Rabbit Trap | Mike | Philip Leacock |
| 1961 | Pocketful of Miracles | Judge Henry G. Blake | Frank Capra |
| 1962 | How the West Was Won | Lilith's Attorney | John Ford, Henry Hathaway, George Marshall |
| 1966 | The Rare Breed | Ellsworth | Andrew V. McLaglen |
| 1966 | Castle of Evil | Robert Hawley | Francis D. Lyon |
| 1967 | The Destructors | Hogan | Terence Young |
| 1969 | The Girl Who Knew Too Much | Had Dixon | Francis D. Lyon |
| 1971 | The Seven Minutes | Cardinal McManus | Russ Meyer |
Television credits and nominations
David Brian maintained an active presence on television from the early 1950s through the late 1970s, accumulating over 70 credited appearances across anthology series, Westerns, dramas, and comedies. His television debut came with a starring role in the syndicated legal drama Mr. District Attorney (1954–1955), where he portrayed District Attorney Paul Garrett in all 26 episodes, reprising a character originally popularized on radio.[19] This series marked his transition from film to the small screen, showcasing his authoritative presence in crime procedural formats.[5] Throughout the 1950s and 1960s, Brian frequently guest-starred in prominent anthology and Western programs, often typecast as suave villains or authoritative figures. Notable examples include his appearance in Gunsmoke (1955), where he played a western antagonist, followed by two additional episodes in the series: "Lobo" (1968) as Branch Nelson and "McCabe" (1970) as Clay White.[30][20] He also guested on Perry Mason in three episodes during the late 1950s, embodying courtroom adversaries or suspects in the long-running legal drama. Other key roles encompassed P.J. Ferguson in I Dream of Jeannie's "The Yacht Murder Case" (1965), Thad Clemens in Rawhide (1961), and multiple parts in The Untouchables (1960–1961), including Brian O'Malley and Dink Conway.[31] In science fiction, he portrayed John Gill, a Federation cultural observer turned dictator, in Star Trek's "Patterns of Force" (1968). Later credits included Henry T. Madden in Hec Ramsey (1972) and Borenson in Police Story (1976), reflecting his versatility into the 1970s.[22] In addition to live-action roles, Brian contributed uncredited voice work during the 1960s, providing narration for animated cartoons and commercials. Brian's television contributions earned him recognition with a star on the Hollywood Walk of Fame in the television category, awarded on February 8, 1960, at 7021 Hollywood Boulevard, honoring his sustained impact on the medium.[32][6] Although he received no Emmy nominations for specific guest roles, such as his work in anthology series like Playhouse 90 (1957), his performances in Westerns garnered acclaim. For his role in Intruder in the Dust (1949), Brian received a nomination for the Golden Globe Award for Best Supporting Actor.| Year | Series | Role | Episodes |
|---|---|---|---|
| 1954–1955 | Mr. District Attorney | Paul Garrett | 26 |
| 1955, 1968, 1970 | Gunsmoke | Various (e.g., Tait Cavanaugh, Branch Nelson) | 3 |
| Late 1950s | Perry Mason | Various | 3 |
| 1960–1961 | The Untouchables | Brian O'Malley / Dink Conway | 2 |
| 1961 | Rawhide | Thad Clemens | 1 |
| 1965 | I Dream of Jeannie | P.J. Ferguson | 1 |
| 1968 | Star Trek | John Gill | 1 |
| 1972 | Hec Ramsey | Henry T. Madden | 1 |
| 1976 | Police Story | Borenson | 1 |