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David Hackl

David Hackl (born February 7, 1963) is a Canadian film director, production designer, and executive producer with over 30 years of experience in the international film and television industry. Best known for his contributions to the Saw horror franchise, Hackl served as the production designer for Saw II (2005), Saw III (2006), and Saw IV (2007), where he helped craft the series' distinctive gruesome and trap-filled aesthetic, and later directed Saw V (2008). His work extends beyond horror to include directing thrillers such as Into the Grizzly Maze (2015), a survival film starring James Marsden and Thomas Jane, and Life on the Line (2015), an action-drama featuring John Travolta as a lineman facing storm-related dangers. Additionally, Hackl has taken on production design roles in diverse projects like the science fiction film Outlander (2008) and the rock opera Repo! The Genetic Opera (2008), collaborating with notable actors including Richard Dreyfuss and Mel Gibson. Hackl's career began in the mid-1990s as an on the Mary Silliman's War (1994), before transitioning to production design with films like (1998). Over the years, he has contributed to a wide range of genres, including documentaries, projects, game shows, and musicals, accumulating credits on numerous productions. In television, Hackl served as co-executive producer on the series V-Wars (2019), a adaptation of the comic book series about a outbreak. His directorial efforts continued into the with (2021), a crime thriller starring , demonstrating his versatility in blending suspense and action elements. Throughout his career, Hackl has been recognized for his technical expertise and creative vision, particularly in creating immersive environments for high-stakes narratives. In 2023, he served as Filmmaker in Residence for the Independent Film Critics of . As of , Hackl remains active in the industry, with upcoming directorial projects including the thriller The Drowning Pool starring .

Early life

Upbringing in Toronto

David Hackl was born on February 7, 1963, in , , . Details about Hackl's family background are sparse, though he has spoken of his as a working-class man who spent his career as a cabinet maker in a , reflecting a blue-collar upbringing that later influenced some of his choices. No public information is available regarding his mother, siblings, or extended family dynamics during his early years.

Entry into film industry

David Hackl entered the film industry, gaining practical experience through early roles in Toronto's production community. Born in in 1963, he began his professional career at age 23 as an and , working on hundreds of and commercials for clients including , , and Kraft. This foundational work in the local and music sectors allowed him to develop skills in set design and visual storytelling on a fast-paced, self-directed basis, immersing him in Toronto's emerging film and television scene during the and early . His transition to narrative filmmaking came in 1994 with his debut feature credit as on the historical drama Mary Silliman's War, a Canadian-American production depicting the . Directed by , the film marked Hackl's entry into structured art department roles on scripted content, building on his commercial background to handle period-specific set construction and props. By the late 1990s, after nearly a decade directing commercials, Hackl advanced to on his first feature in that capacity with (1998), a dark comedy starring and . This role represented a pivotal step, where he crafted inventive cinematic transitions and visual signatures inspired by films like , solidifying his expertise in long-format design. Over the subsequent decades, Hackl's career spanned more than 30 years in film and television.

Career

Production design

David Hackl began his career as a production designer in the late 1990s, contributing to a variety of television films and features that spanned dramas, thrillers, and family-oriented stories. His early credits include the erotic thriller Zebra Lounge (2001), where he crafted the film's tense domestic and urban settings, and the family drama Club Land (2001), focusing on authentic nightclub and community environments in Toronto. He continued with the family adventure Cybermutt (2003), designing practical, high-tech laboratory and suburban spaces that supported the story's blend of science fiction and heartfelt narrative. Hackl's transition to horror became defining with his involvement in the Saw franchise, where he served as production designer for Saw II (2005), Saw III (2006), and Saw IV (2007), while also acting as second unit director on all three. In these roles, he played a hands-on part in developing the series' signature trap aesthetics, constructing intricate, claustrophobic sets like the abandoned factory in Saw II and the industrial meatpacking plant in Saw III that amplified the films' themes of moral torment and physical peril. His designs emphasized practical effects and immersive, grimy environments that grounded the in tangible , earning praise for enhancing the franchise's visceral impact. This expertise extended to Repo! The Genetic Opera (2008), where Hackl again handled production design and second unit direction, creating a dystopian urban landscape of biotech clinics and shadowy alleys that blended gothic with elements to support the film's satirical narrative on harvesting. Over more than 30 years in the industry, Hackl has designed immersive environments across genres, with his work particularly noted for influencing visual storytelling in low-budget thrillers. His production design background later informed his approach to directing, emphasizing atmospheric set construction in projects like Saw V (2008).

Directing

David Hackl transitioned to directing after years as a production designer on the Saw franchise, leveraging his expertise in crafting intricate trap mechanisms to helm his feature debut, Saw V (2008). Initially in talks to direct Saw IV, but declined, with Darren Lynn Bousman returning for the project instead. He ultimately directed Saw V, following his work as production designer and second unit director on Saw II through IV. Hackl was later slated to direct Saw VII but was replaced by Kevin Greutert amid production changes by Lionsgate. Hackl's subsequent directorial efforts expanded into thriller and horror genres, including Into the Grizzly Maze (2015), a survival story involving a relentless bear attack; Life on the Line (2015), a drama centered on electrical line workers facing peril; Daughter of the Wolf (2019), a revenge thriller set in harsh wilderness; and Dangerous (2021), an action-thriller featuring a former assassin. These films demonstrate Hackl's ability to handle tense, high-stakes narratives in isolated environments. In 2024, Hackl was announced to direct the dark thriller The Drowning Pool, starring Ruby Rose. Hackl's directing style emphasizes slick, visually dynamic sequences influenced by the elaborate trap designs from his Saw background, creating immersive and experiences through precise camera work and atmospheric tension. While received largely negative critical reception for its formulaic plot and in the franchise, reviewers praised elements of Hackl's direction, such as Digital Spy's note of its "slick direction" delivering clinical yet engrossing thrills. His later works have similarly mixed responses, often commended for technical execution amid critiques of narrative depth.

Producing and other roles

David Hackl has amassed over 30 years of experience in the international industry, serving in multifaceted roles including , , and . In 2017, Hackl took on the role of co- for the Netflix series , a 10-episode adapted from IDW by Jonathan Maberry and Alan Robinson, where he contributed to its development and successful pitch to the streaming platform. The series premiered on December 5, 2019, and achieved #1 ranking in multiple territories upon release. Hackl has also earned writing credits, notably as co-writer on the 2021 thriller , which he directed and executive produced through Minds Eye Entertainment, sharing script duties with Christopher Borrelli. In his early career, starting at age 23, he worked extensively in the art department as an and on hundreds of music videos, commercials, and later television series, documentaries, and feature films.

Filmography

Directed feature films

David Hackl made his directorial debut with Saw V (2008), a horror film that continued the popular Saw franchise known for its intricate traps and psychological tension. The movie stars Scott Patterson as Agent Strahm, alongside returning cast members like Tobin Bell as Jigsaw, and was produced by Twisted Pictures. In 2015, Hackl directed Into the Grizzly Maze, a survival thriller also released under the title Endangered, featuring James Marsden and Thomas Jane as estranged brothers hunted by a massive grizzly bear in the Alaskan wilderness, with Billy Bob Thornton as their father. The film, written by J.R. Reher and Guy Moshe, emphasizes tense outdoor action and family reconciliation themes. That same year, Hackl helmed Life on the Line, a drama centered on electrical linemen in rural , starring as a worker and as his niece. Written by Peter I. Horton, Marvin Peart, and Primo Brown, the project highlights the dangers of the profession following a storm-related . Hackl's 2019 release, Daughter of the Wolf, is an action thriller where a military , played by , whose son is kidnapped, hunts down the perpetrators in the wilderness, with in a supporting role as a grizzled tracker. Written by Nika Agiashvili, it was distributed internationally. In 2021, Hackl directed , an following a reformed criminal () pulled back into peril, co-starring and . Written by Christopher Borrelli, the movie was shot in and released through . Hackl is set to direct the upcoming The Drowning Pool, starring , in development as of . He remains attached to direct the adaptation of Vince Churchill's novel The Butcher Bride, a project in development since 2010 with no confirmed release date.

Production design credits

David Hackl began his career in production design with art direction duties on the historical drama Mary Silliman's War (1994). He transitioned to full on the (1998). This was followed by work on the erotic thriller (2001), the family drama Club Land (2001), and the family sci-fi adventure Cybermutt (2003). In the mid-2000s, Hackl entered the horror genre, designing the industrial, trap-laden sets for Saw II (2005), which helped establish the franchise's signature gritty aesthetic. He continued with the fantasy horror Skinwalkers (2006), Saw III (2006), and Saw IV (2007). His horror contributions extended to the rock opera Repo! The Genetic Opera (2008) and the sci-fi action film Outlander (2008). Later design roles include the horror thriller The Barrens (2012).
YearTitleGenreRole
1994Mary Silliman's WarDramaArt director
1998Comedy/ThrillerProduction designer
2001ThrillerProduction designer
2001Club LandDramaProduction designer
2003CybermuttFamily/Sci-fiProduction designer
2005Production designer
2006SkinwalkersHorror/FantasyProduction designer
2006Production designer
2007Production designer
2008/MusicalProduction designer
2008Sci-fi/ActionProduction designer
2012The BarrensProduction designer

Television work

Hackl directed episodes of the true-crime Real Detective, including Season 1, Episode 1, "," which premiered in 2016 and follows a 's investigation into a double . He also directed Season 1, Episode 3, "," aired in 2016, depicting a Ranger's pursuit of justice in a high-profile case amid political interference. As co-executive producer, Hackl contributed to the development and production of , a horror drama series based on the IDW comic, which consisted of 10 episodes released in 2019 and explored a triggered by a mysterious disease. The series achieved top rankings, reaching #1 in multiple territories upon release. In production design for television, Hackl worked on the Canadian police procedural (2013), creating sets for its psychological drama elements across multiple episodes. He also served as production designer for (2012), handling visual aesthetics for action sequences in the international adaptation of the film franchise. More recently, in 2021, Hackl designed the production for the Lifetime biopic , a television movie chronicling the rise of the duo, earning recognition including a Directors Guild of Canada nomination for best production design in a TV movie. No additional television directing or producing credits for Hackl have been reported through 2025.

References

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