Saw II
Saw II is a 2005 American horror film directed by Darren Lynn Bousman from a screenplay co-written with Leigh Whannell, serving as the direct sequel to the 2004 film Saw and the second entry in the Saw franchise.[1] The story centers on Detective Eric Matthews (Donnie Wahlberg), who leads a SWAT team to apprehend the serial killer Jigsaw (Tobin Bell, reprising his role as John Kramer) after discovering eight victims—including Matthews' son—trapped in a booby-trapped house filled with deadly games designed to test their will to survive.[2] Shawnee Smith returns as Amanda Young, Jigsaw's apprentice from the first film, alongside a supporting cast including Erik Knudsen, Franky G, Glenn Plummer, and Dina Meyer.[3] Produced by Twisted Pictures on a budget of $4 million, Saw II was distributed by Lionsgate Films and released theatrically in the United States on October 28, 2005.[1] Filming took place primarily in Toronto, Ontario, Canada, with Bousman's feature directorial debut expanding the franchise's signature gore, moral dilemmas, and intricate trap sequences while introducing larger-scale ensemble survival horror elements.[1] The film received mixed critical reviews, praising its inventive traps and production design but criticizing some plot contrivances, earning a 39% approval rating from critics on Rotten Tomatoes based on 124 reviews.[2] Despite this, it was a major commercial success, opening at number one at the North American box office with $31.7 million and grossing $87 million domestically and $147.7 million worldwide, solidifying the Saw series as a horror phenomenon.[4]Synopsis and Characters
Plot
The film opens with Michael Marks awakening in a dark room, his head encased in a mechanical Venus flytrap-like mask lined with spikes. A videotape instructs him to retrieve a key implanted behind his right eye within 60 seconds to unlock the device; failing to do so will cause the mask to snap shut and kill him. Marks attempts to gouge out his eye but is too slow, and the mask closes, impaling his skull and face.[5] Detective Eric Matthews, leading a SWAT team, raids an abandoned factory hideout based on clues from the Marks murder. They discover John Kramer—known as Jigsaw—chained to a wall, appearing frail and terminally ill. Kramer reveals that Matthews' estranged son, Daniel, is trapped inside a nearby house with seven other individuals, all exposed to a lethal nerve agent dispersing through the ventilation system. The victims have two hours to locate eight syringes containing the antidote, hidden throughout the house behind a series of deadly traps designed to test their will to survive. Kramer activates a bank of surveillance monitors showing the house's interior, forcing Matthews to watch as the game unfolds while claiming the victims were selected for their moral failings, all having been previously arrested by Matthews in a drug bust.[5][2][6] Inside the house, the eight victims—Daniel Matthews, Amanda Young (a survivor of a prior Jigsaw test), Xavier Chavez (a ruthless drug dealer), Addison Corday (a streetwalker who traded sex for drugs), Obi Tate (an accomplice in a kidnapping), Laura Hunter (a recovering addict), Jonas Singer (a framed ex-convict), and Gus Colyard (a low-level dealer)—awaken disoriented in a main room. A Jigsaw tape explains the nerve gas and the antidote quest, warning that cooperation is key but self-interest will lead to death. The group discovers the front door sealed behind a razor wire maze; Obi volunteers to navigate it, sustaining severe lacerations but unlocking the door for the others. As the gas effects begin—causing coughing, disorientation, and hallucinations—they realize their shared history as participants in Matthews' corrupt raid, where evidence was planted to frame them. They find numbered safe-deposit keys scattered in booby-trapped rooms, each corresponding to a colored door leading to further tests.[6] The group splits up to search. In the blue room's oven trap, Laura is locked inside a gas chamber disguised as an oven; she must recite a safe code within 90 seconds or be incinerated, but she fails and burns to death. Obi and Jonas enter the yellow furnace room; Obi crawls into the furnace to retrieve an antidote vial from a spinning cylinder but becomes trapped, and both are roasted alive when the flames ignite. Gus attempts to read a wall message for the next safe code but misinterprets it, triggering a pistol trap that shoots him through the head. Xavier, increasingly paranoid and aggressive, kills Jonas with a spiked bat. Amanda and Addison, searching the purple room, fall through a trapdoor into the needle pit—a deep pit filled with thousands of used hypodermic syringes. They dive repeatedly to find the key at the bottom; Amanda reaches it first but passes it to Addison, who emerges but later enters a trap requiring her to reach into a razor-lined box for a key, severely lacerating her arms; she is killed when the trap activates fully. Xavier chases the remaining survivors.[6] Meanwhile, at the hideout, Matthews grows desperate watching the carnage and assaults the monitors in frustration. Kramer taunts him about his own sins as a crooked cop who framed innocents, including some victims, to boost conviction rates. Matthews demands the house's location, but Kramer insists he must witness the test's completion to appreciate life's value. Daniel, separated earlier, hides in the tunnels beneath the house, evading Xavier who eventually finds and attacks him. Amanda intervenes, killing Xavier with a circular saw in self-defense. She then reveals herself as Jigsaw's apprentice, confessing she orchestrated the house game under Kramer's guidance. The monitors reveal the events occurred months earlier, pre-recorded for Matthews' test; Kramer was never truly captive during the raid—he allowed his capture. Amanda locks the injured Matthews in the infamous bathroom from the first film, chaining him to a radiator and placing the hacksaw out of reach. Facing his screams, she decides against immediate mercy, shooting him in the shoulder to silence him before departing, leaving his fate ambiguous. Daniel, revealed to have been given an antidote injection by Amanda beforehand (making him immune to the gas), survives hidden in a safe room.[5][6]Cast
The principal cast of Saw II features returning actors from the first film alongside new performers, with Tobin Bell reprising his role as the central antagonist Jigsaw, also known as John Kramer, the terminally ill mastermind who orchestrates deadly games to force his victims to appreciate life.[3] Donnie Wahlberg stars as Detective Eric Matthews, an arrogant and hot-tempered police officer whose investigation into Jigsaw's crimes becomes personal when his teenage son is among the captives.[2] Shawnee Smith returns as Amanda Young, Jigsaw's devoted apprentice and a survivor of his previous test, who aids in setting up the traps while grappling with her own moral conflicts.[7] The film emphasizes an ensemble of victims trapped in a nerve gas-filled house, all selected by Jigsaw as convicted criminals whose "wasted lives" he seeks to redeem through lethal trials; this group includes a diverse mix of backgrounds such as drug-related offenses, fraud, and violent crimes, highlighting themes of redemption and survival dynamics among strangers.[5] Key members of this victim ensemble are portrayed as follows:| Actor | Character | Description |
|---|---|---|
| Franky G | Xavier Chavez | An aggressive and intimidating drug dealer wrongfully framed in a past arrest, who becomes increasingly hostile toward the group in his desperation to survive.[8][7] |
| Emmanuelle Vaugier | Addison Corday | A hotheaded streetwalker and prostitute convicted on dubious charges, driven by self-preservation and sharp verbal confrontations with fellow victims.[8][3] |
| Beverley Mitchell | Laura Hunter | A young woman framed by Detective Matthews for an unspecified crime, depicted as vulnerable and relatable, providing an audience perspective on the escalating terror within the house.[9][7][10] |
| Erik Knudsen | Daniel Matthews | Eric Matthews' troubled teenage son, an innocent bystander pulled into the game due to his father's actions, struggling with fear and dependency on the group.[2][3] |
| Glenn Plummer | Jonas Singer | A charismatic ex-convict framed by Detective Matthews, who attempts to lead the victims but harbors his own survivalist agenda.[3][7][11] |
| Tony Nappo | Gus Colyard | A low-key drug addict and petty thief, representing the quieter, more passive elements of the ensemble before the traps force confrontation with his flaws.[3] |
| Timothy Burd | Obi Tate | An arsonist with a history of burning buildings for insurance fraud, whose guilt manifests in his willingness to risk others for personal gain.[7] |
Production
Development and writing
Following the commercial success of Saw in late 2004, Evolution Entertainment and its horror division Twisted Pictures, led by producers Oren Koules, Mark Burg, and Gregg Hoffman, quickly greenlit a sequel with a $4 million budget to capitalize on the franchise's momentum.[12][13] Darren Lynn Bousman, an aspiring filmmaker and fan of the original film, had independently written a spec script titled The Desperate years earlier, centering on a group of people trapped in a house for a deadly game inspired by whodunit thrillers like Ten Little Indians.[8] After polishing the script in 2003, Bousman pitched it directly to Hoffman and Koules at Twisted Pictures, who recognized its claustrophobic, multi-victim setup as ideal for adaptation into Saw II, reimagining the house as a nerve gas-filled trap to expand the series' ensemble survival dynamic.[14][8] Despite having no prior feature directing credits, Bousman secured the role by demonstrating his passion and vision for a real-time narrative unfolding within the house.[15][14] Leigh Whannell, who co-wrote the original Saw with James Wan, initially resisted involvement due to exhaustion from the first film's promotion but later joined to provide extensive rewrites, transforming Bousman's standalone concept into a direct sequel that tied into the prior ending by deepening Jigsaw's philosophy on life's value and establishing Amanda Young as his apprentice.[16][8] Bousman adapted the script in approximately four weeks in late 2004, after which Whannell's revisions ensured tonal consistency with the franchise, avoiding a generic slasher feel while emphasizing thematic continuity.[8][16] The writing process concluded in early 2005, influenced by Bousman's emphasis on the house's real-time tension and Whannell's integration of core Saw elements, setting the stage for production to begin shortly thereafter.[8][16]Casting
The casting for Saw II was led by Amy Lippens, who assembled a blend of returning performers and emerging talent to expand the franchise's ensemble while adhering to its modest $4 million budget.[3] This approach favored lesser-known actors for the victim roles, allowing focus on character-driven tension over star power.[17] Donnie Wahlberg was cast as Detective Eric Matthews, marking a pivotal leading role in a major horror sequel for the actor, who approached the genre selectively due to dissatisfaction with recent trends in remakes and gore-heavy films.[18] Despite initial hesitation, Wahlberg was drawn to the script's emotional depth, particularly its father-son dynamics, which resonated with his personal experiences as a parent.[19] Tobin Bell returned as Jigsaw (John Kramer), with his role significantly expanded from the late-reveal twist in the original Saw to provide more philosophical monologues and screen presence, solidifying the character as the series' central antagonist. Shawnee Smith reprised Amanda Young, promoted from a brief supporting part in the first film to a co-lead; her expanded involvement included on-set script revisions to refine Amanda's motivations and subtle emotional restraint.[20][21] The supporting cast featured up-and-coming performers to embody the film's archetypes of moral failings, such as drug users and opportunists. Beverley Mitchell, known for her wholesome role on 7th Heaven, transitioned to horror during a series hiatus, initially turning down similar offers before accepting Saw II as a fitting project.[22] Emmanuelle Vaugier brought prior genre experience from films like Wishmaster 3 to her role as Addison.[22] Franky G was selected for Xavier, infusing the aggressive character with a raw intensity that the actor described as enjoyable to portray.[23] Dina Meyer returned as Detective Kerry, leveraging her action credentials from Starship Troopers to lend credibility to the SWAT elements.[3]Filming and post-production
Principal photography for Saw II took place in Toronto, Canada, from May 2 to June 6, 2005, primarily at Cinespace Film Studios, with the nerve gas house set constructed in an abandoned warehouse to evoke a sense of decay and isolation.[24][25] Director Darren Lynn Bousman prioritized practical sets over digital enhancements to amplify the film's claustrophobic tension, completing the shoot over a 25-day schedule that demanded intense, long hours from the cast and crew.[14] The production relied heavily on practical effects for its graphic blood and gore elements, overseen by special makeup effects artists including Greg Nicotero and Howard Berger of KNB EFX Group, who crafted realistic prosthetics and simulated injuries integral to the traps. In post-production, editor Angelo Corrao assembled the footage to preserve the real-time urgency of the house sequences, building suspense through precise cuts that mirrored the victims' escalating peril. Sound designers enhanced the traps' mechanical activations and atmospheric dread with layered audio cues, such as grinding gears and echoing alarms, to heighten auditory immersion.[26] Composer Charlie Clouser initiated score composition during principal photography, weaving in variations of the "Hello Zepp" motif from the original film to maintain sonic continuity across the franchise.[27] With a total budget of $4 million, post-production concluded by early September 2005, enabling the film's theatrical release on October 28, 2005.[4]Trap designs
The trap designs in Saw II were developed through a collaborative process led by production designer David Hackl and prop builder Jason Ehl, with significant input from writer Leigh Whannell and director Darren Lynn Bousman to align the mechanisms with Jigsaw's philosophical tests of victims' morals and survival instincts.[28] Traps were prototyped in Ehl's workshop using AutoCAD for precision parts and tested for realism and safety, incorporating simple mechanics like pneumatics and hydraulics to ensure they could be built with everyday materials while allowing for an escape if the victim acted decisively.[28] Bousman emphasized simplicity in the designs, drawing from real-world inspirations to create visceral, understandable horrors that avoided overly complex engineering.[29] The Venus flytrap trap, also known as the Death Mask, featured hydraulic jaws that clamped around the victim's head, activated by a spring-loaded timer if the key was not retrieved in time; it was inspired by the snapping mechanism of actual carnivorous plants and constructed with lightweight servos for controlled motion during filming.[28] Ehl fabricated the device using custom-machined aluminum components to simulate crushing force safely, with fail-safes like low-torque motors to protect the actor.[28] The needle pit trap consisted of over 120,000 modified syringes embedded in a foam-lined pit, where the base provided cushioning for actor safety while emphasizing psychological dread through the illusion of piercing hazards rather than excessive gore.[30] Production crew replaced real needle tips with fiber optic cables and plastic alternatives over four days, adding Styrofoam filler and slime for fluid movement, creating a nightmarish search environment that tested endurance without risking injury.[30] The razor wire maze, Bousman's homage to the original film's bathroom trap, was built as a full-scale set with barbed wire strung across a confined space, incorporating safety protocols such as dulled edges and padded flooring to allow actors to navigate without harm while evoking moral dilemmas of self-sacrifice.[31] Hackl's team used tensioned cables to mimic razor sharpness, ensuring the structure supported dynamic movement during scenes of desperation.[28] Other traps included the oven, simulated with controlled heating elements and insulated walls to build tension through escalating temperature without real fire risks; the furnace, employing gas-fed flame effects for controlled bursts that heightened the sense of impending doom; and the safe, featuring a combination lock mechanism linked to three syringes for blood extraction, designed with breakaway components to facilitate safe prop handling.[28] These elements collectively reinforced the film's horror by blending mechanical ingenuity with ethical quandaries, prototyped to verify their functionality in testing victims' resolve.[31]Release
Marketing
Lionsgate launched the marketing campaign for Saw II at San Diego Comic-Con in July 2005, where the studio unveiled a teaser trailer highlighting Jigsaw's return and showcased interactive elements to engage horror enthusiasts.[32] The event built early buzz by emphasizing the film's escalation of traps and gore, drawing on the first film's success to attract dedicated fans. Viral marketing efforts included a grassroots online presence through the website Howfuckedup.net, which featured provocative content tied to the film's themes of moral tests and deadly consequences.[33] Lionsgate also organized nationwide blood drives in 10 states, collecting 439 pints of blood while promoting the movie's bloody aesthetic through custom ads.[33] Additional tactics involved auctioning blood-spattered props on eBay to create online chatter and extend the film's immersive horror experience beyond theaters. Promotional materials centered on the film's intense gore and ensemble cast, with posters featuring blood-spattered, severed fingers and the tagline "Oh yes... there will be blood."[34] One such design was rejected by the Motion Picture Association of America for being too graphic, leading to adjustments that still pushed boundaries for an R-rated release.[35] Trailers and TV spots, including creepy self-shot advertisements by Lionsgate's creative team, aired during horror programming to heighten anticipation, focusing on Jigsaw's traps and the victims' desperation.[33] Partnerships with horror outlets amplified reach, including a tie-in with Fangoria magazine, which included an article on Saw II in its November 2005 issue (#248). Retail collaborations, such as with Hot Topic, offered merchandise like themed apparel and accessories to capitalize on the growing fanbase.[36] The overall strategy allocated resources to low-cost, high-impact guerrilla tactics, targeting cult followers of the original Saw with previews of unrated footage to underscore the sequel's amplified violence and moral dilemmas.[33] This approach, released theatrically on October 28, 2005, aimed to differentiate Saw II in a saturated horror market by daring audiences to confront its unrelenting brutality.[34]Soundtrack
The original score for Saw II was composed by Charlie Clouser, who returned from the first film to deliver an industrial-electronic soundscape that intensifies the film's horror elements. Clouser's work expands on the iconic "Hello Zepp" theme introduced in the original Saw, incorporating variations such as slowed tempos and layered distortions to underscore the psychological strain of the traps.[37] Key cues include the "Zepp Overture," a bombastic rendition that opens the film and sets a foreboding tone, while motifs for the nerve gas house countdown feature warped clock ticks, accelerating heartbeats, and metallic scrapes to evoke impending doom. These elements blend synthesizers, processed guitars, and percussive rhythms, creating a relentless atmosphere that mirrors the characters' desperation. Clouser crafted these sounds using custom analog and digital processing during post-production, closely collaborating with director Darren Lynn Bousman to align musical pulses with the traps' mechanical actions and editing cuts.[38][39] The film incorporates licensed songs to punctuate key moments, including "Stuck in a Coma" by Trapt over the end credits, which provides a post-rock edge to the resolution.[40] The official soundtrack album, Saw II (Original Score), was released by Artists and Repertoire on October 25, 2005, comprising 17 tracks from Clouser's composition—such as "Mirror," "Puppet Video," and "Needle Pit"—with no separate album dedicated to licensed songs, emphasizing the score's centrality to the film's auditory identity. An expanded 2-CD edition followed in 2006 via Trisol, adding 39 more cues and inspired tracks for deeper exploration.[41][42]Home media
The home video release of Saw II began with its debut on DVD and VHS in the United States on February 14, 2006, distributed by Lionsgate Home Entertainment.[43] This initial release quickly became a commercial success, with combined DVD and VHS units reaching 3.9 million in the first week through rentals and sell-through sales, surpassing the original Saw's debut week performance and topping the charts as Lionsgate's fastest-selling theatrical DVD at the time.[44] A two-disc unrated special edition followed on October 24, 2006, featuring an extended cut with additional gore and violence not present in the theatrical version.[45] Special features on this edition included two audio commentaries—one with director Darren Lynn Bousman, producer Gregg Hoffman, and executive producer James Wan, and another with Bousman, production designer David Hackl, and makeup effects supervisor David Lester—as well as behind-the-scenes documentaries on trap designs, deleted scenes, and alternate endings that explored different narrative conclusions for key characters.[46] Subsequent releases incorporated Saw II into larger franchise anthology sets, such as the 7-film collection issued on September 23, 2014, and the 10-film 20th anniversary edition released on March 5, 2024, both by Lionsgate.[47][48] A Blu-ray edition of the unrated version arrived on January 23, 2007.[49] In October 2025, Lionsgate launched a 4K UHD Blu-ray steelbook edition exclusive to Amazon, released on October 28, featuring a new 4K remaster with Dolby Vision HDR, an updated Dolby Atmos audio remaster, and a digital copy.[50][51] Internationally, the film saw a VHS release alongside the initial DVD in 2006, though the format was already in decline as DVD adoption accelerated.[43] Digital streaming options emerged soon after, with availability on Netflix in various periods through the late 2000s and 2010s, followed by rotations on platforms like Peacock in the 2020s. As of November 2025, Saw II is available to stream on Hulu and for digital purchase or rental on platforms including Amazon Prime Video and Apple TV.[52][53][54]Reception
Box office
Saw II was released theatrically on October 28, 2005, in 2,949 theaters across the United States by Lionsgate Films.[4] The film opened at number one at the North American box office, earning $31,725,652 over its first weekend and setting a record for the largest opening for Lionsgate at the time, surpassing the original Saw's debut of $18,276,468 the previous year.[4][55][56] It ultimately grossed $87,039,965 domestically and $147,748,505 worldwide on a $4 million budget, delivering a substantial return on investment and marking Lionsgate's biggest horror hit to date.[4] Internationally, the film saw robust performance, including $13,701,335 in the United Kingdom and $4,524,055 in Australia, bolstered by its timely October release aligning with the Halloween horror season.[4] Within the franchise, Saw II became the highest-grossing entry upon release and held the domestic record, though it was later surpassed worldwide by Saw III ($164.9 million); its box office legs showed an average weekend drop of approximately 45%, aided by word-of-mouth appeal from its graphic traps and narrative twists.[4][57]Critical response
Upon its release, Saw II received mixed-to-negative reviews from critics, with aggregate scores reflecting general dissatisfaction. On Rotten Tomatoes, the film holds a 39% approval rating based on 124 reviews, with an average score of 5.3/10.[2] On Metacritic, it scores 40 out of 100 from 28 critics, indicating "mixed or average" reviews.[58] Contemporary critics praised certain elements, including Donnie Wahlberg's intense performance as Detective Eric Matthews, which provided emotional depth amid the chaos, and the film's inventive trap designs that escalated the horror from the original.[59] Reviewers also noted a faster pace and increased tension compared to Saw, with Tobin Bell's expanded role as Jigsaw adding charismatic menace.[60] However, the film faced significant criticisms for its formulaic plot, which juggled a police procedural with victim scenarios but often felt derivative and less intriguing than its predecessor.[59] Over-reliance on graphic gore and torture sequences was a common complaint, with Variety describing it as bloodier but lacking the original's impact, labeling the genre as emerging "torture porn."[59] The ensemble cast beyond Wahlberg and Bell was seen as weak, with victims portrayed as one-dimensional and their acting unconvincing.[60] In retrospective assessments during the 2020s, Saw II has been reevaluated more positively as a solid sequel that elevated the franchise through its scale and twists, with Darren Lynn Bousman's direction commended for relentless pacing and inspired visuals on a modest budget.[61] Despite critical shortcomings, audience reception was stronger, evidenced by a 59% Rotten Tomatoes audience score and a B+ CinemaScore, suggesting appeal to horror fans that contributed to its box office success.[2][62]Accolades
Saw II garnered several accolades, predominantly from horror-focused ceremonies, reflecting its impact within the genre despite lacking mainstream awards such as Oscars or Golden Globes. The film secured 4 wins and 11 nominations in total, highlighting performances and technical elements that resonated with fans and critics in specialized circuits.[63] Tobin Bell's portrayal of Jigsaw earned significant praise, including a win for Best Villain at the 2006 Fangoria Chainsaw Awards, where he was recognized alongside other horror icons for his chilling performance.[64][65] Bell also received a nomination for Best Villain at the 2006 MTV Movie Awards, competing against notable antagonists in a broader entertainment context.[66] The film itself was nominated for Best Horror Film at the 2006 Saturn Awards, presented by the Academy of Science Fiction, Fantasy & Horror Films, underscoring its contribution to the year's horror output.[67] Additionally, Saw II earned nominations at the 2006 Scream Awards, including for Best Sequel and Most Memorable Mutilation, celebrating its narrative twists and signature trap sequences.[63]| Award Ceremony | Category | Recipient | Result | Year |
|---|---|---|---|---|
| Fangoria Chainsaw Awards | Best Villain | Tobin Bell | Won | 2006 |
| MTV Movie Awards | Best Villain | Tobin Bell | Nominated | 2006 |
| Saturn Awards | Best Horror Film | Saw II | Nominated | 2006 |
| Scream Awards | Best Sequel | Saw II | Nominated | 2006 |
| Scream Awards | Most Memorable Mutilation | Saw II | Nominated | 2006 |