David Selby
David Selby (born February 5, 1941) is an American actor and writer renowned for his portrayals of complex characters in television, film, and stage productions.[1] Best known for playing the tormented werewolf-turned-ghost Quentin Collins on the gothic daytime soap opera Dark Shadows from 1968 to 1971, Selby gained widespread recognition for bringing depth to supernatural roles that captivated audiences during the show's original run.[2] He further solidified his status in primetime television as the enigmatic and villainous Richard Channing on Falcon Crest from 1982 to 1990, a role that showcased his versatility in soap opera drama.[2] Over a career spanning more than five decades, Selby has appeared in over 100 film and television projects, earning acclaim for his commanding presence and ability to portray authoritative figures.[3] Born David Lynn Selby in Morgantown, West Virginia, to parents Clyde and Sarah, he grew up in the state and developed an early interest in theater.[1] Selby pursued formal education in the arts, earning a Bachelor of Science and Master of Arts in theater from West Virginia University before obtaining a Ph.D. in drama from Southern Illinois University.[4] After completing his studies, he began his professional career on stage, performing with regional theaters such as the Barter Theatre in Virginia and the Cleveland Play House, where he later became a member of its Hall of Fame.[3] His transition to television came with Dark Shadows, marking his breakthrough after earlier stage work, and he reprised the character in audio dramas and appeared in a cameo in the 2012 Tim Burton film adaptation.[3] Selby is married to Chip, with whom he ran a summer children's musical theater program in New York for a decade before relocating to Los Angeles; the couple has three children.[4] Beyond acting, Selby has distinguished himself as a writer, authoring memoirs, novels, plays, and collections of poetry and nonfiction.[3] His stage career includes notable portrayals of historical figures, such as Abraham Lincoln in The Heavens Are Hung in Black (2009) and Necessary Sacrifices (2012) at Ford's Theatre in Washington, D.C.[2] Selby has received numerous honors, including West Virginia University's first Life Achievement Award from its College of Creative Arts in 1998, an honorary doctorate in 2004, and the Millennium Recognition Award from The Shakespeare Theatre in 1999.[4] As of 2025, he has continued to work steadily, with guest appearances on shows like Chicago Fire and recent projects including The Great Nick D (2024) and After Midnight (2025), while remaining active in community and nonprofit initiatives, including serving on advisory boards for arts programs in West Virginia.[2][4]Early life and education
Family and upbringing
David Selby was born on February 5, 1941, in Morgantown, West Virginia, to Clyde Ira Selby, a carpenter, and Sarah E. McIntyre Selby, who worked various jobs including as a bookkeeper at an office supply store and in retail.[5][6] Raised in a working-class household in Morgantown, Selby grew up in a modest wooden home built by his father, alongside his younger brother Craig, in an environment shaped by strong family bonds, community ties, and the values of rural West Virginia life.[7][8] The supportive dynamics of his family emphasized hard work and creativity, with his mother's meticulous nature and encouragement fostering a nurturing atmosphere for his development.[6] Selby's early exposure to the arts came through films and television, where he developed a passion for narrative and performance.[8] These formative years in a close-knit family setting provided the groundwork for his transition to formal education.[6]Academic background
David Selby attended West Virginia University, where he earned a Bachelor of Science degree in business and economics in 1963 and a Master of Arts degree in communications studies and theater in 1964.[9] During his time at the university, he became involved in theater productions, including a role in the outdoor drama Honey in the Rock at Grandview State Park in 1961, a Civil War-era play produced by Theatre West Virginia.[10] Selby then pursued doctoral studies at Southern Illinois University in Carbondale, earning a PhD in speech communication and theater in 1970.[11] His graduate work focused on theater, shaping his approach to character development and performance versatility throughout his career.[2] This training emphasized depth in portraying complex roles, influencing his later success in stage, television, and film.[2]Acting career
1960s and 1970s
Selby transitioned from academia to professional acting in the mid-1960s, leveraging his theater degrees from West Virginia University and Southern Illinois University to secure stage roles in New York City after moving there in 1967 with his wife's encouragement.[12] He attended open-call auditions while studying under acting coach Wynn Handman, facing the challenges of limited opportunities in West Virginia and the need to leave a teaching position to pursue acting full-time.[13] His breakthrough came in 1968 when casting director Marion Dougherty selected him for the role of Quentin Collins on the ABC gothic soap opera Dark Shadows, marking his first major television appearance.[13] Selby portrayed the enigmatic werewolf and ghost Quentin across multiple timelines, appearing in 312 episodes from 1968 to 1971, which propelled him to heartthrob status among viewers.[14] The character's brooding charm and supernatural elements captured widespread popularity, inspiring enduring fan conventions where Selby frequently reunited with castmates to engage with devoted audiences.[3] Selby reprised the role of Quentin in the 1971 feature film Night of Dark Shadows, a theatrical spin-off directed by Dan Curtis that revisited the Collins family estate with supernatural intrigue. He later returned to the character in early audio dramas produced by Big Finish, extending Quentin's storylines through scripted narratives that appealed to the show's cult following.[3] Following Dark Shadows, Selby navigated concerns about typecasting in gothic roles by diversifying his portfolio, though the intensity of daily soap rehearsals—memorizing extensive dialogue—tested his theater-honed discipline.[13] Notable early film work included playing Barbra Streisand's husband in the 1972 comedy Up the Sandbox, directed by Irvin Kershner, showcasing his range in contemporary settings.[15] By 1977, he earned acclaim for his portrayal of a key figure in the political miniseries Washington: Behind Closed Doors, an adaptation of John Ehrlichman's novel that highlighted his dramatic versatility amid Watergate-era themes.[16]1980s
In the early 1980s, David Selby transitioned into prime-time soap operas, taking on the role of the cunning businessman Michael Tyrone in the second season of Flamingo Road on NBC.[17] Portrayed as a debonair figure driven by revenge against the powerful Titus Semple, Tyrone engaged in intricate plots involving affairs and family vendettas, appearing in 18 episodes from 1981 to 1982.[18] This role capitalized on Selby's established screen presence from earlier gothic series, marking his entry into the high-stakes world of evening dramas centered on wealth and intrigue.[19] Selby's film work during this period included a supporting turn as Dr. Gene Seagram in the 1980 adventure Raise the Titanic, directed by Jerry Jameson, where he played a scientist involved in the high-seas effort to recover the sunken ocean liner for its rare mineral cargo. The film, adapted from Clive Cussler's novel and starring Jason Robards and Richard Jordan, received critical panning for its pacing and effects, leading to Selby's nomination for Worst Supporting Actor at the inaugural Golden Raspberry Awards in 1981.[20] Despite the nomination, the role highlighted Selby's versatility beyond television, though it underscored the challenges of big-budget adaptations at the time. Selby's most enduring 1980s achievement came with his casting as Richard Channing on Falcon Crest, a CBS prime-time soap opera set amid California's wine industry, where he debuted in the second season premiere on October 1, 1982.[21] As the illegitimate son of matriarch Angela Channing, portrayed by Jane Wyman, Richard evolved from a mysterious outsider into a ruthless, ambitious villain who schemed for control of the family's Falcon Crest vineyard estate, appearing in 209 episodes through the series finale in 1990.[22] This long-term role solidified Selby's status as a soap opera antagonist, blending charm with menace in storylines involving corporate takeovers, family betrayals, and romantic entanglements.[2] Behind the scenes on Falcon Crest, Selby formed close professional bonds with co-stars like Wyman, whom he described as a supportive presence on set, often sharing accommodations during location shoots in Napa Valley's wine country.[23] The show's vineyard settings, filmed at real sites such as Spring Mountain Vineyards, immersed the cast in the authentic rural California landscape, which Selby noted enhanced the authenticity of Richard's power struggles tied to the land and legacy.[24] These elements contributed to the series' appeal, with Selby's performance drawing on the location's evocative atmosphere to deepen his character's obsessive drive.[2]1990s and 2000s
In the 1990s and 2000s, David Selby diversified his acting portfolio beyond the soap opera roles that had established his television presence in the 1980s, taking on supporting parts in mainstream films that highlighted his ability to portray nuanced, authoritative figures. In Dying Young (1991), he played Richard Geddes, the concerned father navigating family dynamics amid illness, contributing to the film's emotional depth in a story centered on terminal care and young love. His performance as Francis Beaumont in White Squall (1996), a seafaring adventure directed by Ridley Scott, depicted a father grappling with loss and legacy during a tragic school voyage, earning praise for its understated intensity. Later, Selby made a brief but memorable appearance as Horace Vangilder in the holiday comedy Surviving Christmas (2004), adding wry humor to the ensemble cast led by Ben Affleck.[25] On television, Selby embraced guest roles that allowed for character-driven depth, often in historical or dramatic contexts. A standout was his portrayal of Abraham Lincoln in the episode "Beautiful Dreamer" of Touched by an Angel (1998), where he embodied the president's reflective wisdom during a poignant family visit, drawing on his affinity for the historical figure. He also appeared as Mr. Rohr in Ally McBeal (2001), offering grounded support in a whimsical legal drama, and as Horace Cook Sr. in Mad Men (2009), delivering a subtle performance as a family patriarch in the acclaimed period series. These spots showcased Selby's versatility across genres, from inspirational fantasy to sharp social commentary.[17] Selby returned to the stage with renewed vigor, focusing on regional theater and Lincoln-centric productions that aligned with his interest in American history. In 1999, he starred as Abraham Lincoln in his own play Lincoln and James at Washington, D.C.'s Lincoln Theatre, exploring a Vietnam veteran's imagined conversations with a statue of Abraham Lincoln at the Lincoln Memorial in a play that blended historical themes with personal reflection. This was followed by regional engagements, including James Tyrone in A Long Day's Journey into Night at Houston's Alley Theatre (1998) and Hartford Stage (1999), where his commanding presence anchored Eugene O'Neill's family tragedy, and Benedick in Much Ado About Nothing at Washington's Shakespeare Theatre (1992). By 2009, he reprised the role of Lincoln in The Heavens Are Hung in Black at Ford's Theatre, portraying the president in the White House amid Civil War tensions, a production that underscored his commitment to theatrical storytelling.[26][27] Throughout this period, Selby balanced his acting commitments with an emerging writing career, where roles often fueled creative output. His experiences portraying historical and introspective characters, particularly Lincoln, inspired Lincoln and James, a play he wrote and performed to critical acclaim for its authentic dialogue and emotional resonance. Similarly, his 1999 book In and Out of the Shadows reflected on decades of on-screen work through photographs and personal anecdotes, bridging his acting life with literary expression and marking a pivotal step in his multifaceted career.[28][27]2010s and later
In the 2010s, David Selby reprised his iconic role as Quentin Collins in Tim Burton's Dark Shadows film adaptation, appearing in a brief cameo that paid homage to the original television series. This role connected his early career milestone to modern cinema, emphasizing the enduring appeal of the gothic soap opera. Selby also continued voicing Quentin Collins in Big Finish Productions' audio dramas, a series that began in 2006 and extended into the 2020s with releases such as Bloodline (2019) and various full-cast narratives exploring Collinsport's supernatural lore.[29] Selby's television work during this period included a recurring guest role as Charles Xavier Sr., the father of the X-Men's Professor X, across four episodes of the FX series Legion in 2017, contributing to the show's psychological exploration of mutant family dynamics. He appeared as Tim Larson in an episode of Chicago Fire in 2018, portraying a character involved in the procedural drama's high-stakes emergency scenarios. In 2020, Selby guest-starred as Red Path in NCIS: New Orleans, adding to the series' investigative narrative with a role that highlighted his versatility in ensemble casts. On the film front, Selby took on supporting roles in independent projects, including the dual characters of Emery Janson and Pastor Owen Janson in the thriller Loon Lake (2019), which delved into themes of mystery and rural intrigue. In 2023, he portrayed the enigmatic Lucifer Grey in Todd Tarantula, a dark comedy blending horror and satire. His most recent film appearance came in 2024 as Jim Hatton in The Great Nick D, a biographical drama chronicling the life of comedian Nick Di Paolo. Selby remained active in Dark Shadows fandom through reunions and documentaries, participating in events like the Dark Shadows Festival in Burbank (2018), where he performed dramatic readings and engaged with fans. He featured prominently in the 2019 documentary Master of Dark Shadows, sharing insights on the original series' production and his experiences as Quentin Collins alongside castmates like Lara Parker and Kathryn Leigh Scott. Complementing these, Selby continued stage work, including appearances in productions that revisited classic theater, sustaining his presence in live performance venues into the 2020s. In 2025, Selby appeared in the short film Screening After Midnight, a spooky Halloween special.[30]Writing career
Plays
David Selby has made significant contributions to theater as a playwright, drawing on his extensive acting background to craft original works that explore historical figures, familial dynamics, and regional American experiences. His plays often delve into themes of history, family, and American identity, reflecting his West Virginia roots and academic interest in 19th-century American leaders. Selby's writing process was influenced by his doctoral studies in theater at Southern Illinois University, where he developed an interest in Abraham Lincoln that sparked a deep engagement with historical narratives that informed his scripts.[31] One of Selby's notable plays is Lincoln and James (1997), which examines the personal and intellectual relationship between President Abraham Lincoln and his friend James Speed, highlighting themes of friendship, moral conviction, and the burdens of leadership during the Civil War era. Selby not only authored the play but also starred as Lincoln in its initial productions, including runs in 1997 and 1998 at various venues and a 1999 staging in Washington, D.C. The work later served as the basis for his novel Lincoln's Better Angel, underscoring its exploration of Lincoln's inner life and American historical identity.[32][26][33] Another key work, Final Assault (2003), addresses historical events tied to West Virginia's coal mining industry, focusing on a mountaintop removal tragedy and its impact on family and community, thereby intertwining labor history with themes of loss and regional resilience. The play premiered at the Charleston Stage Company in West Virginia, directed by Selby's son Jamison Selby, with performances on April 10-12 and 17-19, 2003, at the West Virginia State Capitol Center Theater. It has since been staged multiple times, including in Canton, Ohio, and adapted into the novel The Blue Door, emphasizing Selby's commitment to Appalachian American stories.[34][35][36] Selby's earliest play, Where's Nova Scotia? (1989), is a black comedy centered on family dysfunction and inheritance disputes, capturing themes of relational tension and identity within a domestic American context. It received a staged reading by L.A. Theatre Works on November 28, 1989, as part of their play-reading series, with a later reading in 1998. This work exemplifies Selby's ability to blend humor with poignant family explorations, distinct from his historical dramas.[37][38] His extensive stage acting experience also informed his playwriting by providing insight into character development and dramatic structure.[26]Novels, poetry, and memoirs
David Selby's literary contributions extend beyond his acting career into prose fiction, poetry, and autobiographical writing, often exploring themes of personal heritage, introspection, and the American experience. His works frequently draw from his West Virginia roots and reflections on family, history, and identity, blending narrative storytelling with emotional depth. Published primarily through independent presses like Headline Books, his books have garnered appreciation in regional literary communities for their authentic voice and ties to Appalachian culture.[39][40] In his novels, Selby crafts historical and contemporary tales that delve into individual struggles against broader societal backdrops. Lincoln's Better Angel (2007), a fictionalized narrative, centers on an evening shared between an African American Vietnam War veteran employed by the U.S. Parks Service and a spectral visitation from Abraham Lincoln at the Lincoln Memorial, examining themes of racial injustice, war's lingering trauma, and national reconciliation.[40][41] The Blue Door (2010) explores personal introspection through a protagonist's encounters with memory and loss, incorporating motifs of hidden family secrets and emotional healing drawn from Selby's own thematic interests in heritage.[42] Later works include Promises of Love (2015), which traces the life of Daniel Friend from childhood poverty and maternal loss to later successes, highlighting abandonment, resilience, and familial bonds in mid-20th-century America, and A Casualty of Indifference (2019), a murder mystery set in a drug-ravaged family, addressing social indifference and community decay in rural settings.[43][44] These novels have received positive notices in West Virginia literary outlets for their empathetic portrayals of overlooked lives, though they remain niche within broader fiction circles.[45] Selby's poetry collections emphasize lyrical reflections on family, chance encounters, and the shadows of fame, often infused with introspective heritage themes. My Mother's Autumn (2000) is a poignant tribute to his mother and familial legacy, using seasonal imagery to evoke loss, memory, and West Virginia's rural landscapes.[46] Happenstance (2001), dedicated to his wife, features observational pieces on everyday serendipity and personal relationships, blending humor and melancholy to capture life's unpredictable rhythms.[47] In and Out of the Shadows (1999) combines poetry with photographs from his acting career, offering introspective verses on identity and transition, particularly inspired by his role as Quentin Collins.[28] Light and Shadows (2014) is a collection of poems and song lyrics inspired by Dark Shadows, originally performed at fan festivals.[48] These volumes have been praised in poetry readings and regional festivals for their accessible emotional resonance, appealing to audiences interested in actor-turned-writer perspectives.[13] His memoirs provide candid insights into personal and professional growth, rooted in themes of place and self-examination. A Better Place (2005) intertwines memoir with social commentary on his West Virginia upbringing, celebrating the state's natural beauty and community while critiquing economic hardships, serving as a homage to regional heritage.[49] My Shadowed Past (2010) chronicles his experiences on Dark Shadows during the 1960s, reflecting on the era's cultural upheavals, protests, and the surreal demands of soap opera stardom, with introspective notes on career pivots and personal evolution.[50] Both works have been well-received in autobiographical literature focused on entertainment history, with My Shadowed Past noted for its vivid evocation of television's golden age among fan and regional readers.[51]Personal life
Marriage and family
David Selby has been married to Claudeis "Chip" Newman since August 10, 1963.[52] The couple met in Beckley, West Virginia, during Selby's performance in the historical production Honey in the Rock.[12] Newman, also a West Virginia native, provided crucial support throughout Selby's career transitions, including taking positions as an editor and college English instructor to allow him to focus on acting.[6] Selby and Newman have three children: son Jamison Selby, who briefly pursued acting, and daughters Brooke and Amanda.[52] Jamison was named after the Dark Shadows character Jamison Collins, reflecting the family's ties to Selby's early television work.[53] The family maintained a strong commitment to togetherness, with Selby describing himself as a devoted family man who balanced his professional demands with home life.[2] After starting in West Virginia, the Selbys operated a summer children's musical theater program in New York for a decade before relocating to Los Angeles in the early 1980s to accommodate Selby's rising roles in prime-time television.[53] This move to California enabled greater involvement in Hollywood projects while preserving family stability, as evidenced by their enduring partnership spanning over six decades.[52]Philanthropy and interests
David Selby has been recognized for his humanitarian efforts, particularly his longstanding support for fan communities and charitable causes within the entertainment industry. In September 2024, he received the Elizabeth Montgomery Magical Humanitarian Award at the Bewitched FanFare event in North Hollywood, California, honoring his goodwill, humility, generosity, and dedication to improving society through the arts and humanities.[30][54] The award, presented by the Classic TV Preservation Society, highlighted Selby's use of his public persona to support numerous charities, echoing the advocacy spirit of Elizabeth Montgomery.[55] Selby maintains active involvement in theater education, drawing from his academic roots at West Virginia University (WVU) and Southern Illinois University (SIU). He was inducted into the WVU Academy of Distinguished Alumni in 1989 and received the university's College of Creative Arts Life Achievement Award, later serving as the commencement speaker in 2004.[56] At SIU, where he earned his PhD in theater, Selby was honored with a Distinguished Alumni Award in the 1990s.[57] More recently, he and his wife, Chip Selby, have funded a guest artist series at WVU and operated a children's musical theater summer camp in New York for a decade; in August 2025, he hosted "A Celebration of Children’s Theatre" in Morgantown to benefit the Morgantown Theatre Company's programs for schoolchildren.[58] Beyond formal philanthropy, Selby's personal interests include poetry readings and participation in fan reunions tied to his early career. He performed his original poem "Angelique" at the Dark Shadows Remembrance Weekend in July 2024 and recited letters by the late Jonathan Frid at the Sleepy Hollow International Film Festival in October 2024.[30] These events reflect his ongoing engagement with the Dark Shadows community, where he frequently attends reunions to connect with fans and fellow cast members.[59] In the 2020s, Selby has advocated for arts funding through collaborative projects, including the Smartphone Theatre production What Friends Do: The Old and the Restless, released in October 2025, which reunites him with former co-stars to promote accessible theater amid funding challenges.[60]Awards and honors
Acting awards
David Selby's acting career garnered recognition primarily through television and stage accolades, highlighting his versatility in portraying complex characters in soap operas and dramatic theater. In film, Selby received a nomination for Worst Supporting Actor at the inaugural Golden Raspberry Awards for his performance as Dr. Gene Seagram in Raise the Titanic! (1980), an ironic distinction that underscored the film's critical reception despite its high-profile cast.[61] His most notable television honors came from the Soap Opera Digest Awards for his role as the enigmatic Richard Channing on Falcon Crest (1981–1990). Selby was nominated for Outstanding Actor in a Leading Role: Prime Time in 1988, won the award in 1989 for the same category, and earned another nomination in 1990 for Outstanding Villain: Prime Time, reflecting the character's evolution from antihero to antagonist and his impact on the series' popularity.[61][62] On stage, Selby was awarded the Los Angeles Drama Critics Circle Award for Leading Male Performance in 2015 for his portrayal of Tobias in Edward Albee's A Delicate Balance at the Odyssey Theatre Ensemble, where his nuanced depiction of familial tension contributed to the production's revival acclaim.[63][31]Academic and other honors
Selby was honored as a distinguished alumnus of West Virginia University in 1989 through induction into the university's Academy of Distinguished Alumni. In 1998, he received the inaugural Life Achievement Award from WVU's College of Creative Arts, recognizing his contributions to the arts. He further earned an honorary Doctor of Humane Letters from West Virginia University in 2004 during its commencement ceremony, where he delivered the address.[9][56][64] At Southern Illinois University, where Selby earned his Ph.D. in speech communication in 1969, he was awarded the Distinguished Alumnus Award by the College of Communications and Fine Arts in May 1992. This recognition highlighted his academic background and subsequent achievements in theater and the arts.[4] In the theater community, Selby was inducted into the Cleveland Play House Hall of Fame in 1994, acknowledging his early professional stage work and lasting influence. He received the Millennium Recognition Award from the Shakespeare Theatre in Washington, D.C., in 1999, celebrating his contributions to classical theater performance and advocacy.[65][4] For his humanitarian efforts and broader societal impact, Selby was presented with the Elizabeth Montgomery Magical Humanitarian Award in September 2024 at the Bewitched FanFare event, organized by the Classic TV Preservation Society. This honor underscored his lifelong commitment to community service and artistic inspiration beyond acting.[30]Filmography
Films
David Selby's feature film credits span over five decades, beginning with his debut in horror and extending to contemporary independent productions and documentaries related to his early career. The following is a chronological list of his cinematic works, including roles and directors where available.[25]| Year | Title | Role | Director |
|---|---|---|---|
| 1971 | Night of Dark Shadows | Quentin Collins / Charles Collins | Dan Curtis[66] |
| 1972 | Up the Sandbox | Paul Reynolds | Irvin Kershner |
| 1973 | The Girl in Blue Velvet (aka U-Turn) | Scott Laithem | George McCowan[67] |
| 1973 | The Super Cops | Robert Hantz | Gordon Parks |
| 1979 | Rich Kids | Steve Sloan | Robert M. Young |
| 1980 | Raise the Titanic | Dr. Gene Seagram | Jerry Jameson |
| 1981 | Rich and Famous | Doug Blake | George Cukor |
| 1991 | Dying Young | Richard Geddes | Joel Schumacher |
| 1993 | The Shot (short) | Gordon Sunshine | Rob Fresco |
| 1994 | Intersection | Richard Quarry | Mark Rydell |
| 1995 | Headless! Body in Topless Bar | Bradford Lumkin | James Bruce |
| 1996 | White Squall | Francis Beaumont | Ridley Scott |
| 1996 | D3: The Mighty Ducks | Dean Buckley | Robert Lieberman |
| 2003 | Red Salt and Reynolds (short documentary) | Narrator | Daniel Boyd[68] |
| 2004 | The Affair | Vincent | Carl Colpaert[69] |
| 2004 | Shadow of Fear | Steve Palmer | Rich Cowan |
| 2004 | Surviving Christmas | Horace Vangilder | Mike Mitchell |
| 2005 | End Game | Shakey | Andy Cheng |
| 2006 | Unknown | Police Captain Parker | Jaume Collet-Serra |
| 2007 | Spin | Rob Polan | Catherine Cyran |
| 2010 | Inhale (aka Run for Her Life) | Dr. White | Baltasar Kormákur |
| 2010 | The Social Network | Gage | David Fincher |
| 2012 | Dark Shadows | Party Guest | Tim Burton |
| 2012 | Batman: The Dark Knight Returns, Part 1 (animated) | Commissioner James Gordon (voice) | Jay Oliva |
| 2013 | Batman: The Dark Knight Returns, Part 2 (animated) | Commissioner James Gordon (voice) | Jay Oliva |
| 2014 | Are You Here | Karl Stevens | Matthew Weiner |
| 2015 | Earl Hamner: Storyteller (documentary) | Himself | Ray Castro Jr.[70] |
| 2015 | Equals | Leonard | Drake Doremus |
| 2017 | Newness | Artie Hallock | Drake Doremus |
| 2017 | Smartass | Herman | Jena Serbu |
| 2019 | Back Fork | Bill | Larry A. McLean |
| 2019 | Loon Lake | Pastor Owen Janson / Emery Janson | Justin G. Raiser |
| 2019 | Master of Dark Shadows (documentary) | Himself | Richie Owens |
| 2021 | Dark Shadows and Beyond: The Jonathan Frid Story (documentary) | Himself | David Gregory[71] |
| 2023 | Todd Tarantula | Lucifer Grey | Leigh Scott |
| 2024 | The Great Nick D | Jim Hatton | Benjamin Howard |
| 2025 | Screening After Midnight (short) | Mr. Endore | Unknown[72] |