David Troughton
David Troughton (born 9 June 1950) is an English stage, television, and film actor renowned for his classical theatre performances with the Royal Shakespeare Company (RSC) and for key roles in British television series, including Sergeant Dan Scott in the ITV crime drama Midsomer Murders (1997–2000) and multiple characters in the BBC science fiction series Doctor Who.[1][2][3] Born in Hampstead, London, Troughton is the son of the acclaimed Shakespearean actor Patrick Troughton, who portrayed the Second Doctor in Doctor Who, and the elder brother of actor Michael Troughton.[1] He began his acting career at the Unicorn Theatre for Children and trained at the Bristol Old Vic Theatre School before embarking on a professional stage career that included repertory work in Leeds, Manchester, and Bromley, as well as appearances at the Royal Court and National Theatre..[1] Troughton has been married to actress Alison Groves since 1973, with whom he has three sons, including the actors Sam and William Troughton and the former cricketer Jim Troughton.[4] Troughton's theatre credits with the RSC highlight his versatility in Shakespearean roles, such as the Earl of Kent in King Lear (1991), Bolingbroke in Richard II (2000), King Henry IV in Henry IV, Part 1 (2000), Titus in Titus Andronicus (2017), and Sir John Falstaff in The Merry Wives of Windsor (2018)..[5][6][7] On television, beyond Midsomer Murders and Doctor Who—where his roles included an uncredited guard in The Enemy of the World (1967), Private Moor in The War Games (1969), King Peladon in The Curse of Peladon (1972), and Professor Hobbes in Midnight (2008)—he has appeared in series such as A Very Peculiar Practice (1986), Foyle's War (2003), as Tony Archer in BBC Radio 4's long-running soap opera The Archers since 2014, and Tommy Campbell in the ITV series The Bay (2024)..[8][9]#Television) His film work includes supporting roles in Dance with a Stranger (1985) and The Levelling (2016)..[1]Early life and family
Childhood and education
David Troughton was born on 9 June 1950 in Hampstead, London, England.[1] His parents separated during his early years, after which he did not live with his father, the acclaimed Shakespearean actor Patrick Troughton—best known for portraying the Second Doctor in the BBC science fiction series Doctor Who—though the two maintained regular contact.[10] This familial connection to the performing arts played a key role in shaping Troughton's path, as he later described his interest in acting as partly genetic, stemming from his father's storied career.[10] Initially drawn to the physical demands of stunt work, Troughton shifted his focus toward acting as a teenager, reflecting the influence of his upbringing in a theatrical household.[10] His first screen appearance was an uncredited role as a guard in the Doctor Who serial The Enemy of the World (1967–68), marking an early entry into the medium that had already featured his father prominently.[1] This debut at age 17 underscored the intergenerational pull of the profession within his family. Troughton considered pursuing a university degree in the history of the industrial revolution but ultimately opted for hands-on immersion in theatre, viewing formal academia as less aligned with his practical ambitions.[10] In 1969, he joined the Northcott Theatre in Exeter as a student assistant stage manager, earning £5 per week, and over the next three years advanced to acting assistant stage manager before taking on acting roles—a period he regarded as his primary training.[10] Following this foundation, he worked at the Unicorn Theatre for Children under director Caryl Jenner, beginning his dedicated stage career with productions aimed at young audiences.[10][11]Family background
David Troughton has a sister, Joanna Troughton, and is the elder brother of actor Michael Troughton, who has appeared in television series such as Minder and The New Statesman, and has also contributed to Doctor Who-related podcasts.[12][13] He is the son of the renowned English actor Patrick Troughton (1920–1987), who gained international fame for portraying the Second Doctor in the science fiction series Doctor Who from 1966 to 1969.[14][12] Troughton has three sons with his first wife, actress Alison Groves: actors Sam Troughton (born 1977), known for roles in productions like Robin Hood and Black Doves, and William Troughton, who has credits in series including The Archers and Doctors; and former Warwickshire cricketer Jim Troughton.[15][12][10] Additionally, he is the uncle of actor Harry Melling, best recognized for his role as Dudley Dursley in the Harry Potter film series.[12] The Troughton family represents a prominent acting dynasty spanning multiple generations, with Patrick's legacy in theatre and television providing a foundational influence on David's entry into the profession; as David himself noted in a 2009 interview, he followed his father's footsteps, attributing the familial pull to acting as something "in the genes, somewhere."[16][13]Career
Theatre work
David Troughton's stage career began in the early 1970s with repertory work at theatres in Leeds, Manchester, and Bromley, where he honed his skills in a variety of roles following initial appearances at the Unicorn Theatre for Children.[4] During the 1980s, he performed at prestigious venues including the Royal Court Theatre and the National Theatre, taking on supporting parts that showcased his versatility in both classical and contemporary plays.[4][7] Troughton's association with the Royal Shakespeare Company (RSC) intensified from the 1990s onward, marking a pivotal phase in his career as he transitioned to more prominent Shakespearean roles. In 1995, he portrayed the title character in Steven Pimlott's production of Richard III at the RSC, earning the Sir John Gielgud Award for Best Actor at the Shakespeare's Globe Awards for this performance alongside his work in Ben Jonson's The Devil is an Ass.[17][18] This role highlighted his ability to embody the physical and psychological distortions of Shakespeare's villain, contributing to the production's critical acclaim during its run at the Royal Shakespeare Theatre and later at the Barbican.[19] Continuing his RSC tenure, Troughton played the Earl of Kent in Nicholas Hytner's production of King Lear (1991) and King Henry IV in Henry IV, Part 1 (2000). He also portrayed Bolingbroke in Richard II in 2000, directed by Steven Pimlott, opposite Samuel West as the king; the minimalist staging emphasized the political intrigue and Troughton's portrayal of the ambitious usurper as a forceful, understated figure.[6][20] In the 2010s, he took on the lead in Blanche McIntyre's 2017 production of Titus Andronicus at the RSC, delivering a visceral interpretation of the vengeful Roman general in a blood-soaked narrative of decay and retribution.[21][22] The following year, in 2018, he starred as Sir John Falstaff in Fiona Laird's RSC mounting of The Merry Wives of Windsor, bringing comic bravado and pathos to the boastful knight in a modern-dress adaptation that toured to the Barbican.[23][24] Over four decades, Troughton's trajectory evolved from ensemble and character parts in repertory and institutional productions to commanding leads in Shakespearean tragedies and comedies, establishing him as a cornerstone of British classical theatre.[25][26]Television roles
Troughton's television career began in the early 1970s with supporting roles in historical dramas, including his appearance as Hugh Latimer in the BBC miniseries The Six Wives of Henry VIII (1972), where he portrayed the Protestant bishop during the episode focused on Anne Boleyn. This marked one of his initial credited television performances, following uncredited work as a child extra in Doctor Who's "The Enemy of the World" (1967–1968).[27] A significant breakthrough came in the mid-1980s with his portrayal of the opportunistic and affable Dr. Bob Buzzard in the BBC satirical comedy-drama A Very Peculiar Practice (1986–1988), a series depicting the absurdities of life in a fictional university health centre.[28] Troughton reprised the role in the sequel miniseries A Very Polish Practice (1992), which shifted the setting to post-communist Poland and explored themes of Western intervention in Eastern Europe. Throughout the 1990s, Troughton appeared in notable guest spots within period and mystery series, including Sir Arthur Wellesley (the future Duke of Wellington) in the first two episodes of ITV's Sharpe (1993), Sharpe's Rifles and Sharpe's Eagle, bringing authority to the military commander's interactions with the titular rifleman. He also played the suspicious club owner Barton Russell in the Agatha Christie adaptation Poirot: The Yellow Iris (1993), contributing to the episode's tense atmosphere of deception and revenge.[29] Troughton made multiple appearances in Doctor Who, continuing his family's legacy in the series—his father, Patrick Troughton, had played the Second Doctor from 1966 to 1969.[2] His credited roles included King Peladon in "The Curse of Peladon" (1972), a planetary monarch navigating interstellar politics; Private Moor in "The War Games" (1969), a brainwashed soldier; and the ill-fated Professor Hobbes in the claustrophobic thriller "Midnight" (2008). In the 2000s, he gained recognition for recurring as the cunning criminal Ricky Hanson in the BBC police procedural New Tricks (2006–2009), a character linked to multiple cold-case murders and serving as a formidable antagonist to the retired detectives. More recently, Troughton portrayed Charles Lapthorn, the father of a disgraced tennis coach, in the ITV thriller Fifteen Love (2023), delving into themes of abuse and redemption in elite sports.[30] He appeared as the protective grandfather Tommy Campbell in season 5 of ITV's The Bay (2024), supporting the investigation into his granddaughter's disappearance.[31] Additionally, he guest-starred as the ailing patient Alf Cottered in series 14 of BBC's Call the Midwife (2025), highlighting community healthcare challenges in 1960s London.[32]Film roles
David Troughton's film career, though less prolific than his extensive work in television and theatre, features selective roles that highlight his versatility in dramatic and character-driven narratives. His screen debut came in the 1985 biographical drama Dance with a Stranger, directed by Mike Newell, where he portrayed Cliff Davis, a friend of the central character Ruth Ellis in this story of 1950s British social constraints and tragedy.[33] In 1999, Troughton took on a historical role as King George V in the period drama All the King's Men, a film adaptation of the Sandringham Company incident during World War I, emphasizing themes of duty and loss among British soldiers.[34] Troughton appeared in supporting roles in later independent films, including the 2015 horror-comedy Nina Forever, where he played Dan, the father of a deceased character whose undead presence complicates a budding romance, contributing to the film's blend of grief, humor, and supernatural elements.[35] His performance added emotional grounding to the narrative's exploration of mourning.[35] A standout lead role followed in the 2016 rural drama The Levelling, directed by Hope Dickson Leach, in which Troughton portrayed Aubrey, a grieving farmer confronting family secrets after a flood devastates their Somerset farm; critics praised his portrayal for its raw emotional depth and restraint in conveying paternal anguish and resilience.[36][37] That same year, he made a brief cameo as Justin in the comedy ChickLit, a lighthearted tale of friends attempting to save their pub by writing a novel.[38] Overall, Troughton's filmography prioritizes quality and depth over volume, with these roles showcasing his ability to infuse independent and period pieces with nuanced authenticity, often drawing on his stage-honed intensity.[11]Radio and audio work
The Archers
In 2014, David Troughton was cast as Tony Archer in the BBC Radio 4 soap opera The Archers, taking over the role of the longstanding character from Colin Skipp on January 7.[39][9] Tony, born in 1951, is a core figure as a farmer at Bridge Farm, married to Pat Archer, and father to Helen and Tom, with grandchildren including Johnny, Henry, and Jack.[9] The Archers, which began in 1951, holds the distinction of the world's longest-running radio drama, with over 20,000 episodes by 2025.[40][41] Troughton's portrayal emphasizes Tony's grumpy yet resilient personality amid the challenges of rural farming life and family tensions. Early in his tenure, Tony suffered a severe injury from his prize bull Otto, prompting a reconciliation with his mother Peggy after years of estrangement.[9] The character grappled with personal crises, including the heartbreaking decision to sell Bridge Farm's dairy herd in 2013 due to plummeting milk prices and financial strain, which left Tony struggling to adapt to a non-dairy operation.[9][42] Family dynamics intensified through storylines involving his daughter Helen's abusive marriage and subsequent motherhood, as well as conflicts with son Tom over the farm's organic direction. By 2025, Tony faced new pressures from proposed inheritance tax changes threatening Bridge Farm's viability, highlighting intergenerational tensions over land and legacy.[43][44] This role has significantly boosted Troughton's profile in audio media, allowing him to leverage his extensive stage and screen experience—rooted in an acting family heritage—for a format that relies on vocal nuance rather than physical presence. Unlike his visually prominent television appearances, such as in historical dramas, The Archers demands sustained immersion in everyday rural narratives, contrasting with more episodic or character-driven visual work. As of November 2025, Troughton continues in the role, marking over a decade of portrayal and contributing to the soap's ongoing exploration of agricultural and familial issues.[42][45]Doctor Who audio dramas
David Troughton has provided voice work for multiple Doctor Who audio dramas produced by Big Finish Productions, drawing on his familial connection to the series through his father, Patrick Troughton, while establishing his own distinct contributions in guest and recurring roles.[46] His performances often emphasize nuanced vocal characterizations, leveraging the audio format's focus on sound design and dialogue to convey emotion and menace without visual cues.[47] One of Troughton's early audio appearances was in the 2008 Short Trips release "Cuddlesome," where he voiced the alien antagonist known as the Tinghus, a creature central to a plague-like threat in an alternate England storyline featuring the Fifth Doctor.[48] This role showcased his ability to portray otherworldly beings through eerie vocal inflections and sound effects integration, contributing to the story's atmospheric horror elements.[48] In 2009, Troughton reprised his television role as King Peladon from the 1972 serial "The Curse of Peladon" in the Companion Chronicles story "The Prisoner of Peladon," narrated by Izly Kane as the Ice Warrior diplomat Alpha Centauri and reflecting on events post the original adventure.[49] His portrayal captured the character's regal yet conflicted demeanor, blending nostalgia for classic-era Doctor Who with expanded lore on Peladon's political turmoil.[49] Troughton took on the recurring role of the Black Guardian, a cosmic entity of chaos originally portrayed by Valentine Dyall on television, beginning in 2009 with the Divergent Universe storyline. In "The Destroyer of Delights" and its predecessor "The Chaos Pool," both part of the Seventh Doctor range, he voiced the Guardian as a manipulative force disrupting alternate realities and tempting companions with power. His interpretation emphasized a silky, persuasive menace, differing from Dyall's booming presence while maintaining the character's eternal antagonism toward the White Guardian. The Black Guardian role continued in the Fourth Doctor Adventures series, with Troughton appearing in 2016's "The Pursuit of History" and "Casualties of Time," where the entity schemes across timelines to ensnare the Doctor and his companions in a web of historical anomalies and traps.[50] These stories highlighted the audio medium's strengths in multi-Doctor crossovers and layered soundscapes, with Troughton's vocal performance driving the Guardian's philosophical taunts and reality-warping schemes. By these releases, Troughton's tenure as the Black Guardian spanned at least four stories, adding depth to the character's lore through new narratives that explored themes of balance and corruption in the universe.[46] In 2022, Troughton returned to the Peladon saga in the special release "Doctor Who: Peladon," a four-story anthology marking the 50th anniversary of the planet's introduction, reprising King Peladon amid interstellar intrigue involving the Doctor, Ice Warriors, and galactic federation politics.[51] This production blended archival elements with original tales, allowing Troughton's voice to anchor the nostalgic revival while adapting the role to audio's intimate storytelling style.[51] Through these works up to 2025, Troughton's audio contributions have totaled around a dozen appearances across various Doctor Who ranges, fostering connections between the show's television legacy and expansive sound-based adventures.[46]Awards and honors
Theatre awards
David Troughton received the Sir John Gielgud Award for Best Actor at the 1995 Shakespeare's Globe Awards for his portrayal of Richard III in the Royal Shakespeare Company's production.[18] This accolade also recognized his performance as Face in Ben Jonson's The Devil is an Ass during the same season.[26] In 2017, Troughton's lead role as Titus in the RSC's production of Titus Andronicus, directed by Blanche McIntyre, earned widespread critical praise for its visceral intensity and emotional depth.[52] Reviewers highlighted his ability to embody the character's descent into vengeful madness, with The Telegraph noting how he "shines" amid the production's bold staging.[53] Troughton's versatility across Shakespearean roles, particularly in historical dramas such as King Lear (2016, RSC) and Richard II (2000, RSC), has drawn consistent recognition from critics for his commanding presence and nuanced interpretations of complex figures like Gloucester and Bolingbroke. These performances underscore his reputation for bringing psychological depth to tragic and villainous archetypes in Elizabethan and Jacobean theatre.[25]Other recognitions
In 2013, Troughton received the Best Supporting Actor award at the BBC Audio Drama Awards for his performance in the radio play Singles and Doublets by Martyn Wade, broadcast on BBC Radio 3.[54] The short film Frank & Mary (2019), a suburban reimagining of Frankenstein produced by Evil Hypnotist Productions, in which Troughton starred, won Best Under 20 Minutes at the Haunted House FearFest in 2021, with Troughton as a semi-finalist for Best Actor.[55]Filmography
Film
- Dance with a Stranger (1985) – Cliff Davis, directed by Mike Newell[56]
- Captain Jack (1999) – Emmett, directed by Robert Young[57]
- Battle of the Brave (2004) – English General, directed by Jean Beaudin[58]
- The Tape (2005) – Dark Figure, directed by Steven Alan Hall[59]
- Nina Forever (2015) – Dan, directed by Ben Blaine and Chris Blaine[60]
- ChickLit (2016) – Justin, directed by Tony Britten[38]
- The Levelling (2016) – Aubrey, directed by Hope Dickson Leach[61]
Television
David Troughton's television career spans over five decades, encompassing guest roles, recurring characters, and lead performances in British drama, comedy, and historical series. His early appearances often featured in period pieces and literary adaptations, while later work included prominent guest spots in long-running crime and mystery shows.- 1967–1968: Doctor Who ("The Enemy of the World") – Guard (uncredited).
- 1969: Doctor Who ("The War Games") – Private Moor.
- 1972: Doctor Who ("The Curse of Peladon") – King Peladon.
- 1979: Crime and Punishment (miniseries) – Razumihin.[62]
- 1981: Hi-de-Hi! (series 2, episode 5: "A Night Not to Remember") – Sergeant Pritchard.
- 1982: Sorry! (series 2, episode 3: "Sons and Lovers") – Brinsley.
- 1984: The Chain – Dudley.
- 1986–1988: A Very Peculiar Practice – Dr. Bob Buzzard.[28]
- 1989: Tales of Sherwood Forest – Det. Sgt. Terry.
- 1990: Rab C. Nesbitt – Doctor.
- 1990: Drop the Dead Donkey – Roy Merchant Jnr.
- 1991: Performance – Detective Inspector Luff.
- 1993: Sharpe ("Sharpe's Rifles") – Sir Arthur Wellesley.
- 1997: Underworld – Martin.
- 1998: Midsomer Murders (series 1, episode 2: "Written in Blood") – Brian Clapper.[63]
- 1999: All the King's Men (TV film) – King George V.
- 2000: Madame Bovary – Homais.
- 2001: Diana: Story of a Princess – Narrator (voice).
- 2002: The Secret – Tony.
- 2002: Ted and Alice (miniseries) – Stan.
- 2002: Paradise Heights – Jack Edwards.
- 2003: Foyle's War (series 2, episode 2: "Among the Few") – Michael Bennett.
- 2003: Born and Bred – Fred Mills.
- 2006–2009: New Tricks – Ricky Hanson (recurring, 4 episodes).
- 2006: Heartbeat (series 16, episode 7: "C'est la Vie") – Les Cooper.
- 2007: Midsomer Murders (series 10, episode 2: "The Animal Within") – Miles King.
- 2008: Doctor Who (series 4, episode 10: "Midnight") – Professor Hobbes.
- 2015: Unforgotten (series 1) – Geoff (5 episodes).[64]
- 2019: The Bay (series 1) – Tommy Campbell.
- 2020: Life (series 1, 4 episodes) – Robert.
- 2023: Fifteen-Love (3 episodes) – Charles Lapthorn.
- 2025: The Bay (series 5) – Tommy Campbell (6 episodes).[65]
- 2025: Call the Midwife (series 14, episode 3) – Alf Cottered.[66]