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Derek Hay

Derek Hay (born c. 1964), known professionally as Ben English, is a British former pornographic actor and talent agent who founded the adult modeling agency LA Direct Models. Hay performed in more than 800 adult films during his acting career before establishing LA Direct Models, which represented numerous performers in the industry. The agency faced multiple lawsuits alleging sexual abuse, coercion, and labor violations by Hay and associates, culminating in his guilty plea in May 2024 to conspiracy to commit pandering and perjury related to falsifying employment records and pressuring performers into uncontracted acts. In July 2024, during sentencing, affected performers provided emotional impact statements detailing exploitation, leading to probation and fines for Hay. In December 2024, five former clients prevailed in a civil labor case against him, securing damages for violations including unauthorized commissions and contract manipulations.

Early Life

Birth and Upbringing

Derek Andrew Hay was born on 12 August 1964 in , . He is a British national who later adopted the stage name Ben English for his professional work in the adult entertainment industry. Publicly available details on his family background, childhood, or early education remain scarce, with sources primarily focusing on his later career transitions rather than formative years. Prior to entering the adult industry, Hay worked as a stage manager, though specifics of this period or its relation to his upbringing are not documented in reliable biographical accounts.

Entry into Adult Industry

Derek Hay, known professionally as Ben English, initially entered the adult entertainment industry in 1995 through his relationship with adult model and feature dancer Tawny Peaks, whom he began dating that year. Accompanying her to photo shoots for Score magazine, primarily in and later , Hay was repeatedly encouraged by photographers to participate actively rather than observe. Though initially reluctant, he began performing in scenes during these sessions, marking his transition from bystander to participant. Hay's early performances, starting in the late , focused on group and feature work with Score productions, where he completed around 60 scenes, often alongside girlfriend Jordan Lee. These initial efforts were sporadic and tied to his travels and relationships within the modeling circuit, rather than a structured career entry. By approximately 1997, he had committed more fully to on-camera work, leveraging his British background and physical presence in a for male performers. Prior to this involvement, Hay had pursued a career in the music industry during the mid-1980s, which provided no direct pathway into adult work but informed his later entrepreneurial approach. His relocation to in 2001 solidified his presence in the U.S. adult film scene, shifting from occasional shoots to more consistent professional engagements.

Career as Performer

Professional Debut and Filmography

Derek Hay, using the stage name Ben English, entered the adult film industry in 1995 after starting a relationship with performer Tawny Peaks and accompanying her to shoots, where he began participating in scenes. Prior to this, Hay had worked in the music industry, including as a stage manager for acts like . English's performing career extended into the late 2000s, during which he appeared in over 800 adult films across various production companies. Early credited works include 18 and Confused 7 (2002) from Heatwave, focusing on younger performers. His filmography encompassed gonzo, all-sex, and narrative features, with later notable roles in parodies such as Pirates II: Stagnetti's Revenge (2008), Superman XXX: A Porn Parody (2011) as , and Official Silence of the Lambs Parody (2011) as Dr. . English also directed some productions starting around 2002, though his primary output was as a performer.

Notable Roles and Performances

Performing under the stage name Ben English, Derek Hay appeared in over 1,300 adult film scenes from 2003 onward, spanning , , and genres. His performances often emphasized dominant roles in scenes, contributing to his reputation as a prolific male performer in the industry. A standout role came in the 2008 high-budget feature Pirates II: Stagnetti's Revenge, a to the award-winning , where English portrayed a supporting pirate character amid action-adventure plotlines and explicit sequences involving stars like and . This performance garnered the 2009 AVN Award for Best Supporting Actor, highlighting his acting in narrative-driven adult cinema. English also took lead parody roles, including Dr. Hannibal Lecter in Official Silence of the Lambs (2011) and in Superman XXX: A Porn (2011), blending scripted with sexual content in mainstream film homages.

Business Ventures

Founding LA Direct Models

Derek Hay founded in 2000 through a with a friend, establishing the agency initially as London-based Direct Models to represent performers in the adult entertainment industry. The venture began by booking adult work primarily in the and , drawing on Hay's experience as a performer under the stage name Ben English, in which he appeared in hundreds of films. Approximately one year later, Hay expanded operations by launching the branch of , positioning it as the first international agency to represent adult stars for bookings in the United States. The agency's early model focused on , negotiating contracts and securing scene bookings for clients, which differentiated it from domestic U.S. agencies at the time by facilitating cross-Atlantic opportunities. Hay served as the , leveraging his industry connections to build a roster that would grow significantly in subsequent years. This founding laid the groundwork for LA Direct Models' relocation to and its emergence as a major player in global adult talent representation.

Agency Operations and Industry Impact

LA Direct Models, founded by Derek Hay in 2000, functions as a licensed talent agency representing performers in the adult entertainment industry, primarily by securing bookings for explicit film scenes with production companies and managing related logistics. The agency operates on a commission-based model, typically retaining 15% of performers' gross earnings from represented work, as stipulated in standard contracts. Initially headquartered in before relocating to and eventually , it holds talent agency licenses in (license 446) and (TA1427), enabling operations across U.S. jurisdictions. The agency's roster has included prominent female performers such as , Lexi Belle, , , and , positioning it as a gateway for aspiring talent to high-profile productions. Hay, as owner and CEO, oversaw negotiations for scene rates—often ranging from $800 to $2,000 per appearance for established actresses—and emphasized performer reliability, including punctuality and preparation, to maintain strong relationships with studios. In terms of industry impact, emerged as one of the dominant agencies in the $1 billion adult sector, representing a significant share of top-tier talent and influencing booking standards during its peak influence in the 2000s and 2010s. Hay's leadership in the Licensed Adult Talent Agency (LATATA) advanced regulatory efforts to agents and curb unlicensed operations, fostering greater professionalism and accountability among agencies while advocating for performer protections against exploitative practices by smaller, unregulated entities. This role helped standardize commission structures and contract terms, reducing variability in talent representation and enabling more efficient matching of performers to productions.

Awards and Recognition

AVN and XRCO Honors

Derek Hay, performing under the stage name Ben English, earned recognition from the and primarily for his on-screen performances in the adult film industry. These honors reflect his early career contributions as an actor before transitioning to talent representation. In 2004, Ben English received the AVN Award for Best Male Newcomer, acknowledging his debut impact in the field. That same year, he won the XRCO Award for Best New Stud, highlighting his standout entry among emerging male performers. English later secured the 2009 AVN Award for Best Supporting Actor for his role in Pirates II: Stagnetti's Revenge, a high-budget that received multiple accolades. In 2014, he was inducted into the AVN Hall of Fame, recognizing his overall body of work as a performer and industry figure.
YearAwardOrganizationCategory/Film
2004Best Male NewcomerN/A
2004Best New StudXRCON/A
2009Pirates II: Stagnetti's Revenge
2014Hall of FamePerformer/Executive

Other Industry Accolades

Hay was inducted into the NightMoves Hall of Fame in 2023, recognizing his long-standing role as a performer under the stage name Ben English and as founder of . The , established in 1997 and presented annually in , blend fan-voted and editor-selected categories to honor achievements in adult entertainment, including performer legacies and industry figures. Beyond major honors like and XRCO, Hay's agency operations drew informal industry acknowledgment for representing high-profile talent, such as multiple performers featured in magazine's "Top 12 Porn Stars" lists in the late and early . However, verifiable awards specific to Hay or remain limited outside performance-related accolades tied to his Ben English persona.

Controversies

Allegations of Sexual Abuse and Trafficking

In 2018, four adult film performers filed a with the Labor Commissioner accusing Derek Hay, founder of , of , coercion into , and related labor violations. The accusers included Hadley Viscara and Sofi Ryan, who alleged that Hay sexually assaulted them as a means of exerting control and securing better booking opportunities within the agency. Viscara specifically claimed she was pressured into sexual acts with Hay under the pretense of advancing her career, stating that "nobody should have to have sex with someone in power to get better work." Additional allegations emerged from other performers, including Lydia Dupra, who accused Hay of through manipulative tactics that led her into unaware participation in activities years earlier, describing it as "horrifying" upon realization and crediting Hay's skill at deception. The 2018 complaint further detailed patterns of , where Hay allegedly threatened to performers' involvement in escorting or their careers if they refused, effectively forcing them into non-consensual outside legal adult film productions. Hay and his legal representatives have disputed the veracity of the claims, maintaining they were not substantiated in related proceedings. In March 2020, the Attorney General's Office filed criminal charges against Hay, alleging involvement in a operation from 2017 to 2018 that included 12 counts of pimping and pandering. Prosecutors claimed Hay facilitated by referring female clients from to associates operating an escort service called The Luxury Companion, pressuring at least one performer into via agency contract exclusivity clauses, and profiting from arranged sex appointments. These charges framed the activities as exploitative labor practices intertwined with , though they emphasized procurement and financial gain over direct by Hay himself. The allegations drew from investigations into industry-wide vulnerabilities but centered on Hay's role in leveraging his agency position for illicit arrangements.

Claims of Fraud and Industry Exploitation

In July 2018, four adult performers—Charlotte Cross, Alana Cruise, and two others identified as Jane Does—filed a civil complaint against Derek Hay and LA Direct Models, alleging fraud in talent representation. The plaintiffs claimed Hay misrepresented booking opportunities, failed to disclose the full nature of proposed work, and did not properly account for earned fees, leading to underpayment and financial losses for the performers. They asserted that Hay's agency took excessive commissions—up to 20% on legitimate bookings and additional cuts on off-book earnings—while pressuring clients into uncontracted activities without transparent compensation structures. Additional performers expanded these in subsequent reports, describing a pattern where Hay allegedly used deceptive practices to secure representation, such as promising high-profile legitimate work while steering talent toward unregulated side gigs that benefited the agency disproportionately. One account detailed Hay withholding payment details from clients, claiming bookings as "favors" or low-value when evidence suggested higher earnings, effectively skimming profits without performer consent. These claims positioned as exploiting the power imbalance in the adult industry, where new entrants relied on agents for access but faced retaliation—such as blacklisting—if they questioned financial discrepancies. The June 2020 determination in the Jane Does v. Hay labor controversy affirmed elements of the claim, noting violations of California Labor Code § 1700.31 for talent misconduct, including of terms. Performers alleged broader industry through Hay's model, which allegedly normalized opaque structures and coerced participation in high-risk, unregulated work to maximize , contributing to performer and career instability. Hay's legal team denied systemic , arguing isolated disputes did not reflect practices, though no criminal charges materialized alongside his 2024 guilty to unrelated pimping counts.

Criminal Charges and Investigations

In March 2020, the Attorney General's Office filed criminal charges against Derek Hay, along with associates Karine Michmichian and Dwight Cunningham, accusing them of operating an illegal scheme through LA and a related business entity. The initial complaint included 12 felony counts of pimping and pandering under sections 266h and 266i, stemming from an investigation into allegations that the defendants pressured film performers into engaging in outside of consented industry work. Prosecutors alleged the scheme involved deriving financial benefit from performers' activities, with the bulk of the conduct occurring between 2017 and 2018. The investigation reportedly originated from complaints by former clients of , who accused Hay and his associates of , including threats to blacklist performers or withhold bookings if they refused extralegal sexual services. Public allegations against Hay predated formal charges, with four adult performers detailing claims of and trafficking-like in a July 2018 report, prompting further scrutiny by law enforcement. These accounts described Hay arranging non-consensual encounters and exploiting power imbalances inherent in talent representation, though the Attorney General's probe focused primarily on pandering and financial exploitation rather than federal statutes. By February 2023, a County issued a superseding against Hay, Michmichian, and Cunningham, expanding the charges to 20 counts that incorporated to commit pandering (Penal Code §182(a)(1)), , and additional pimping offenses. The proceedings, sealed until unsealed post-, were based on evidence gathered by the , including witness testimonies from over a dozen affected performers who described a pattern of agency-orchestrated rings disguised as legitimate modeling and talent services. Hay pleaded not guilty to all counts at his on February 27, 2023, with the case centered in Superior Court. The investigation highlighted systemic vulnerabilities in the adult industry, where talent agents wield significant influence over performers' careers, though critics of the charges, including Hay's legal team, have argued that the activities blurred lines between consensual adult work and criminal coercion without sufficient evidence of force.

Guilty Plea and Sentencing

In May 2024, Derek Hay pleaded guilty to counts of to commit pandering under section 266i(a) and , the latter involving false testimony under oath regarding discussions of escorting services and related agency activities. The plea agreement, reached with the General's office, resolved a multi-year case originating from a March 2020 complaint and September 2022 that initially charged Hay and two associates with 12 counts of pimping and pandering tied to an alleged operation disguised as talent representation through . Under the deal, additional charges were dismissed, with sentencing recommendations capping exposure at 270 days in jail. The sentencing hearing began on July 17, 2024, in before Charmaine F. Olmeda, where five adult performers—Charlotte Cross, Shay Evans, Sofi Ryan, Andi Rye, and Hadley Viscara—delivered victim impact statements detailing into non-consensual sex work, threats of industry blacklisting, financial exploitation, and enduring including and career . Jeff Segal emphasized Hay's lack of genuine and prior criminal history, including a 2016 firearm conviction, while defense attorney Richard Freeman argued for leniency, citing Hay's purported regret and family circumstances. On August 2, 2024, Hay received the maximum recommended sentence of 270 days in County jail, followed by two years of , protective no-contact orders for witnesses, and potential early release contingent on or good behavior. No fines or restitution amounts were specified in the sentencing, though civil claims against Hay remain ongoing. Co-defendants Dwight Cunningham and Karine Michmichian entered similar pleas in the case.

Civil Litigation Outcomes

In June 2020, the Labor Commissioner issued a decision ruling in favor of five former clients of , finding that Derek Hay and his agency violated the California Talent Agencies Act by procuring employment without a license for certain activities, including steering performers toward services, and by engaging in fraudulent practices such as submitting incomplete contracts for state approval while enforcing fuller versions with clients. The ruling ordered Hay to pay civil penalties, including back commissions and fees totaling over $300,000, though enforcement was complicated by Hay's appeals and the agency's operations. Hay and appealed the Labor Commissioner's decision to , where, on December 10, 2024, Judge Anne K. Richardson granted in favor of the plaintiffs on five causes of action, affirming violations of the Talent Agencies Act for unlicensed procuring, fraud in contract submission, and failure to pay owed commissions. The court rejected Hay's defenses, including claims that his actions fell under licensed agency activities or were protected speech, determining that the evidence—including performer testimonies and agency records—demonstrated systemic exploitation rather than isolated incidents. Subsequently, on September 5, 2025, Judge Gail Killefer awarded the plaintiffs over $400,000 in attorneys' fees and court costs, citing the prevailing parties' entitlement under California law and the case's complexity, which involved extensive and opposition to Hay's motions. Hay's argued the fees were excessive, but the judge found the plaintiffs' legal efforts reasonable given the defendant's protracted resistance, including attempts to relitigate settled facts from the criminal proceedings. No further appeals or settlements in this matter have been publicly resolved as of October 2025, leaving Hay liable for the cumulative penalties exceeding $700,000. Separate civil claims filed by Hay against unnamed Jane Does in June 2020, alleging wage disputes, did not yield reported favorable outcomes for him and appear ancillary to the primary labor actions initiated by performers. These proceedings underscore patterns of contractual overreach documented in earlier complaints to the Labor Commissioner dating back to 2018, where performers accused Hay of multi-year contracts that bypassed regulatory review and facilitated unlicensed bookings.

Legacy and Industry Perspectives

Contributions to Adult Talent Representation

Derek Hay founded in 2000, initially based in , as a specialized representing performers in the adult entertainment industry. The focused on booking talent for adult film productions, particularly facilitating opportunities in the United States market for international performers. Under Hay's ownership and operation, expanded to offices in and , developing into one of the industry's leading agencies by securing placements for a substantial roster of clients. This growth provided structured representation in a sector often characterized by informal or fragmented booking arrangements, enabling performers to access higher-profile scenes and related work. Hay's prior experience as an adult film performer, appearing in over 800 productions under the pseudonym Ben English, positioned the agency to prioritize efficient between talent and producers, contributing to its reputation as a high-volume booking operation. By , the agency reportedly represented more than 120 performers, underscoring its scale in facilitating industry employment.

Criticisms and Defenses in Broader Context

Hay's conviction for conspiracy to commit pandering and perjury has intensified criticisms of systemic exploitation within adult talent agencies, where operators leverage career gatekeeping to coerce performers into illegal under the guise of "private bookings" or "fan meets." Accusers, including former clients like Charlotte Cross and Andi Rye, described a of threats to non-compliant performers, financial manipulation via inflated commissions (up to 20-30% on escort fees), and normalization of abuse, mirroring broader industry vulnerabilities such as power imbalances and inadequate oversight. These practices, critics contend, exploit performers' economic —adult film shoots often pay $500-1,500 per scene, insufficient for sustainability—driving reliance on riskier, unregulated sex work that exposes participants to , STDs, and trafficking-like without . Advocacy groups frame such agency dynamics as de facto pimping, enabled by lax regulation of California's Talent Agencies Act, which fails to address adult-specific hazards like blurred in agent-performer relationships. In defense, industry observers and some participants argue that escorting represents voluntary economic agency for capable adults navigating a consensual market, where performers retain control over client selection and boundaries to maximize earnings far exceeding porn rates. During 2019 labor board hearings on Hay's practices, witnesses like portrayed interactions as personal friendships rather than exploitative arrangements, denying financial dependencies or pressure, which Hay's legal team used to challenge coercion claims. The (FSC), while distancing itself from Hay (noting his non-membership and rejection of mandatory STD testing via programs like ), condemns isolated abuses but defends broader sex worker autonomy, advocating decriminalization to foster safe reporting over punitive measures that stigmatize and isolate victims. This perspective posits that performers, often entering via platforms like Inspire (FSC's newcomer support), exercise informed choice in a field where high earners like Hay's clients (e.g., ) built careers through diversified income streams, including self-directed escorting. The case underscores causal tensions: empirical patterns of performer reveal coercion risks amplified by agency monopolies on bookings, yet defenses highlight in complaints, with successful alumni crediting Hay's model for career launches amid an industry where 70-80% of performers exit within a year due to rather than forced exit. Ultimately, Hay's downfall—culminating in a 2020 Labor Commissioner ruling awarding back wages to five plaintiffs and his 2024 sentencing to 270 days jail—exposes regulatory gaps, prompting calls for enhanced licensing and performer education without undermining transactional freedoms.

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