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Double Face

Double Face (Italian: A doppia faccia) is a 1969 Italian-West German co-production giallo thriller film directed by Riccardo Freda.^[1] Based on the Edgar Wallace story "A Face in the Night," it stars Klaus Kinski as the protagonist John Alexander, a wealthy businessman, whose descent into paranoia and self-destruction follows his wife Helen's apparent death in a car accident—only for evidence to suggest she may still be alive amid a web of deceit involving his associates.^[2] Produced on a modest budget by Mega Film, it blends elements of psychological horror, crime drama, and proto-psychedelic visuals, set against a Swinging London backdrop.^[3] The supporting cast includes Margaret Lee as Helen, Christiane Krüger as John's secretary Christine, and Annabella Incontrera as Helen's friend Liz, whose relationships drive the film's exploration of infidelity, sexuality, and betrayal.^[1] Running 88 minutes, Double Face exemplifies the giallo genre's signature style with its emphasis on mystery, murder, and atmospheric tension, though it incorporates influences from German crime films—marking it as part of the krimi series—and features limited special effects, such as a model-based car crash sequence.^[3] Freda, known for earlier horror works like The Horrible Dr. Hichcock (1962), delivers a narrative that evokes paranoia and decadence, drawing comparisons to contemporaries like Lucio Fulci's A Lizard in a Woman's Skin (1971).^[3] Critically, the film is noted for Kinski's restrained performance amid its twisted portrayal of sexuality and moral ambiguity, though its low production values and uneven pacing have tempered its acclaim within the giallo canon.^[3] First released in West Germany and Italy in 1969, Double Face has gained a cult following through restorations and home video releases, highlighting Freda's versatility in transitioning from gothic horror to modern thrillers.^[4]

Synopsis and cast

Plot

John Alexander, a prosperous industrialist based in London, endures a troubled marriage to the heiress Helen Brown, whose open lesbian affair with her friend Liz mirrors his own indiscretions with secretary Alice; divorce is impossible without financial devastation, as Helen holds 90% of the company shares.^[5]^[6] When Helen departs alone for Liverpool, her car explodes in a sabotage-induced crash amid foggy roads, leaving her body (later revealed to be that of another woman, Judith) charred and unidentified, allowing John to inherit her stake and consolidate control.^[6]^[7] Devastated by grief, John vacations on the English coast to recover, only to return and discover the enigmatic Christine, a young runaway, installed in his home, who swiftly seduces him and escorts him to a dimly lit Soho club pulsating with seedy underworld energy.^[8]^[9] There, Christine compels John to view a clandestine pornographic film in which she performs alongside a veiled partner unmistakably resembling Helen—evidenced by her unique ring and a telltale scar on the hand—filmed just days before the accident and manipulated to deceive him, shattering John's certainty of her death and igniting suspicions of a faked demise.^[5]^[6] Desperate for validation, he presents the reel to Inspector Gordon, but forensic scrutiny reveals the incriminating details excised, fueling John's paranoia as Christine secretly doses him with the hallucinogen Senex, blurring reality in the club's hazy, narcotic-laden atmosphere.^[6]^[7] Entangled with shadowy operatives including the blackmailer Mr. Brown, Helen's father and company owner, John navigates blackmail schemes aimed at forcing an undervalued sale of his business, uncovering Helen's initial survival through a web of infidelity and deceit orchestrated by Mr. Brown with Liz and others to frame him for her murder and seize control of the fortune.^[9]^[8]^[10] The narrative escalates through John's tormented pursuit across London's industrial underbelly and Liverpool's grim docks, where revelations expose Mr. Brown's calculated scheme: Helen faked her death to escape the marriage but was later murdered by her father to facilitate the frame-up.^[5]^[7] In a climactic confrontation within a cavernous cathedral shrouded in mist, identities unravel amid betrayal—a disfigured Helen unmasked, begging John for death—leading Inspector Gordon to expose Mr. Brown's plot, resulting in his arrest for the murder and conspiracy, allowing John to evade the frame-up and reclaim his life.^[6]^[9]^[10] Klaus Kinski portrays Alexander as a man unraveling under psychological torment, his arc from composed tycoon to vengeful antihero driving the film's exploration of deception and moral ambiguity.^[8]

Cast

The principal role of John Alexander, a wealthy industrialist entangled in personal and professional intrigue, is portrayed by Klaus Kinski, whose atypically restrained and low-key performance conveys the character's inner turmoil through subtle expressions rather than overt intensity.^[11]^[12] Margaret Lee plays Helen Alexander, John's unfaithful wife, bringing a poised elegance to the role of the affluent heiress. Christiane Krüger portrays Christine, a mysterious young runaway who intrudes into John's life and develops a romantic involvement with him, marked by a manipulative yet enigmatic dynamic that heightens the tension in their interactions.^[13]^[10] In the supporting cast, Annabella Incontrera appears as Liz, Helen's close confidante and film actress, contributing to the film's atmosphere of suspicion and allure. Sydney Chaplin embodies Mr. Brown, Helen's father and the manipulative mastermind whose antagonistic schemes drive conflict, delivering a sly and opportunistic presence.^[14]^[15] Günther Stoll serves as Inspector Gordon, the investigating authority whose methodical approach adds procedural depth.^[15] Barbara Nelli rounds out key roles as Alice, John's secretary and a peripheral figure in the social circle surrounding the Alexanders.^[15] The film's Italian-German co-production assembled a multinational ensemble, featuring German actors like Kinski and Krüger alongside Italian and British performers, reflecting the era's cross-border cinematic collaborations.^[16] Uncredited appearances include minor roles such as party guests, enhancing the ensemble's lively backdrop without drawing focus.

Production

Development

The film Double Face was marketed in Germany as an adaptation of Edgar Wallace's 1924 novel The Face in the Night to tie into the popular German krimi series inspired by Wallace's works, though it is an original story involving blackmail and mysterious identities.^[17]^[11]^[18] The screenplay was credited to director Riccardo Freda (under the pseudonym Robert Hampton) and Paul Hengge, while the story treatment was developed by Lucio Fulci, Romano Migliorini, and Gianbattista Mussetto, with an emphasis on integrating elements of mystery, blackmail, and subtle eroticism to heighten the narrative tension.^[15]^[19] Initiated by Freda in late 1968, the project was structured as an Italian-West German co-production involving Colt Produzioni Cinematografiche and Mega Film from Italy alongside Rialto Film from West Germany, specifically designed to leverage the established popularity of Wallace-inspired krimi adaptations in the German market.^[19] Key creative decisions during development included blending the krimi tradition with emerging giallo-style suspense techniques, such as psychological ambiguity and shadowy intrigue, along with psychedelic undertones in visual and thematic elements to enhance its international appeal.^[19]^[11] Freda, drawing on his prior experience directing thrillers like The Horrible Dr. Hichcock (1962), shaped the script to emphasize atmospheric dread over straightforward detection.

Filming

Principal photography for Double Face commenced on January 20, 1969, and wrapped on March 15, 1969, with the majority of scenes shot at Cinecittà Studios in Rome. Location work was conducted in London, capturing foggy streets and industrial areas to evoke the film's noir atmosphere, as well as in Liverpool for key port sequences that underscored the story's themes of isolation and intrigue.^[20] The film's cinematography was handled by Gábor Pogány, who employed Eastmancolor stock to create a moody thriller aesthetic through atmospheric lighting that blended shadowy interiors with the gritty realism of urban exteriors. This technical approach contributed to the visual tension central to the narrative. Runtime differences emerged from post-production editing, with the German version clocking in at 80 minutes and the Italian cut extending to 90 minutes, reflecting adjustments for cultural sensitivities and pacing.^[17]^[6] Production faced logistical hurdles due to the international collaboration between Italian and German teams, requiring careful coordination of schedules, languages, and workflows across borders. Klaus Kinski's volatile on-set demeanor added further tension, as he reportedly clashed with director Riccardo Freda and briefly abandoned the production, prompting threats to use a stand-in before returning. The inclusion of erotic and violent elements necessitated meticulous handling to navigate 1960s censorship standards in both Italy and West Germany, influencing shot compositions and scene durations.^[13]^[20] In post-production, editor Anna Amedei, under Freda's supervision, refined the cuts to amplify suspense through rhythmic pacing and selective reveals. The sound design emphasized urban isolation, incorporating ambient noises of London and Liverpool alongside Nora Orlandi's score to heighten psychological unease without overpowering the dialogue.^[19]

Release

Theatrical release

Double Face premiered in West Germany on July 4, 1969, under the title Doppeltes Gesicht, marketed as part of the popular Edgar Wallace krimi series despite not being a direct adaptation of his work.^[21]^[22] The film opened in Italy on July 26, 1969, as A doppia faccia, positioning it within the emerging giallo tradition.^[21]^[23] Produced as a co-production between Italian and West German companies, including Colt Produzioni Cinematografiche and Rialto Film, the movie was distributed theatrically in its respective markets with versions dubbed into English and other languages for broader European export.^[17] Promotional efforts in Germany tied the release to the established Wallace adaptations, leveraging the series' familiarity to draw mystery enthusiasts.^[14]^[12] The German cut runs approximately 80 minutes, while the Italian version extends to 91 minutes, incorporating additional explicit scenes such as nudity and lesbian undertones to heighten its appeal to giallo viewers.^[6]^[19] Marketing materials, including posters, prominently featured Klaus Kinski's intense portrayal alongside thriller motifs like shadowy figures and intrigue, targeting audiences across Europe drawn to psychological mysteries and emerging horror-thriller hybrids.^[24]^[25]

Home media

The film first became available on home video in the 1990s through a censored, English-dubbed VHS release by Unicorn Video in North America, running approximately 84 minutes and presented in a hard-shell clamshell case.^[24]^[26] DVD editions emerged in the 2000s, primarily in Region 2 format for European markets, though these were limited in distribution and quality compared to later restorations.^[24] A significant modern release came in 2019 with Arrow Video's Blu-ray edition for the UK and US markets, featuring a new 2K restoration from the original 35mm camera negative of the uncut 90-minute Italian version, presented in high definition with uncompressed mono 1.0 LPCM audio tracks in both original English and Italian, along with newly translated English subtitles for the Italian track and optional English subtitles for the deaf and hard of hearing for the English track.^[27] This edition restored previously excised footage from international versions, preserved the original score by composer Nora Orlandi, and included bonus materials such as a new audio commentary by Tim Lucas, a video interview with Orlandi, a feature on her work, and a video essay on director Riccardo Freda by critic Amy Simmons.^[27]^[28] Region-free Blu-ray imports of this release have also been available for international viewers.^[29] As of 2025, the film is accessible via streaming on platforms including Tubi, offering the restored version for free with advertisements.^[30] The growing interest in the film's cult status as an early giallo has supported these expanded home media options.^[19]

Reception

Critical reception

Upon its release in 1969, Double Face received mixed reviews in Italy, where it was appreciated for its erotic elements amid the post-sexual revolution era but criticized for loose plotting and lack of innovation in the thriller genre.^[31]^[32] Italian critics noted the film's contribution to pre-Argento sexy-thrillers, though some faulted its pacing and originality.^[33] Aggregate Italian critic scores averaged around 2.7 out of 5, reflecting appreciation for its atmospheric tension but disappointment in pacing and originality.^[32] In Germany, where the film was marketed as part of the Edgar Wallace krimi series despite not being a direct adaptation, reviewers praised its suspenseful Wallace-style intrigue and Klaus Kinski's charismatic performance as the tormented husband John Alexander, though they critiqued the uneven pacing and reliance on familiar tropes.^[11]^[6] The direction by Riccardo Freda was commended for blending krimi procedural elements with proto-giallo stylistics, particularly through effective use of color cinematography and shadowy compositions that enhanced the psychological thriller aspects.^[16]^[24] Internationally, coverage was limited, with the film finding a niche in U.S. grindhouse circuits where its psychedelic visuals and erotic undertones were highlighted, contributing to its cult appeal among exploitation audiences.^[34] User-generated retrospectives provide a baseline, with an IMDb average rating of 5.8 out of 10 from over 1,200 votes (as of 2025), underscoring its modest but enduring reputation for stylish suspense over narrative depth.^[1]

Box office performance

Double Face was produced on a limited budget typical of 1960s Italian-German co-productions, allowing for filming in multiple locations including London, Rome, and Berlin despite financial constraints.^[6] The film achieved reasonable commercial performance in Italy, where its thriller elements aligned with the rising popularity of giallo films. In West Germany, however, it flopped when released as a krimi tied to the Edgar Wallace brand, failing to capture the same audience enthusiasm as earlier entries in the series.^[6] The absence of a significant theatrical rollout in the United States restricted its overall global revenue, keeping totals primarily European. Klaus Kinski's growing fame as a versatile actor helped drive ticket sales in European markets. That said, it fell short of the box office heights reached by leading Wallace adaptations like The Fellowship of the Frog (1959), which had ignited the krimi cycle's commercial success.^[35]

Legacy and analysis

Cultural impact

Double Face (1969), directed by Riccardo Freda, represents an early hybrid of the German krimi tradition and the emerging Italian giallo genre, blending Edgar Wallace-inspired crime intrigue with erotic elements that influenced subsequent thrillers. Marketed in West Germany as a krimi adaptation of Wallace's The Face in the Night, the film incorporated proto-giallo motifs such as blackmail and psychological deception, paving the way for later Italian works featuring similar plots of infidelity and hidden identities.^[36]^[11] This fusion is noted in analyses of 1960s European horror transitions, where Freda's work bridged gothic horror and the colorful, suspense-driven style that defined the giallo boom.^[37] The film played a key role in elevating the profiles of its lead actors during pivotal career moments. For Klaus Kinski, Double Face marked one of his earliest prominent leading roles outside collaborations with Werner Herzog, occurring just three years before his international breakthrough in Aguirre, the Wrath of God (1972), and helping establish his reputation for intense, enigmatic performances in international thrillers.^[38] For Freda, it served as his first foray into the vibrant aesthetics of the giallo, solidifying his status as a pioneer who had already revolutionized Italian horror with I Vampiri (1957); this thriller was among his final major contributions to the genre before shifting focus.^[24] Culturally, Double Face has been referenced in film scholarship for its bold inclusion of a stag film sequence, noted as emblematic of the era's boundary-pushing eroticism.^[37] The movie receives occasional mentions in biographies of Kinski, underscoring its place in his pre-Herzog oeuvre, and in retrospectives on Wallace adaptations, where it exemplifies the cross-pollination of British pulp with Continental styles.^[38]^[39] On a broader scale, Double Face contributed to the 1970s wave of psychedelic-inflected thrillers by emphasizing themes of marital betrayal and duplicity.^[36] This thematic continuity helped shape the giallo's evolution into more hallucinatory narratives during the decade.^[36]

Modern reappraisal

In the 2010s, Double Face experienced a significant rediscovery, largely driven by Arrow Video's 2019 Blu-ray release, which provided the first high-definition presentation of the film in its original Italian and English versions. This edition prompted a wave of contemporary reviews that highlighted the film's stylish visuals, atmospheric tension, and status as a proto-giallo, praising director Riccardo Freda's innovative use of color to enhance psychological suspense and the film's blend of thriller elements with early giallo tropes like mysterious deaths and erotic undertones.^[24]^[28]^[40] User-generated platforms reflected this renewed interest, with Double Face earning an average rating of 3.0 out of 5 on Letterboxd based on over 1,400 ratings, where viewers frequently noted its strengths in mood and Klaus Kinski's restrained performance amid the film's psychedelic intrigue.^[41] Scholarly analyses have positioned Double Face within the evolution of Italian horror-thrillers, examining it in studies of the giallo genre's origins for its pioneering fusion of visual flair—particularly Freda's dynamic color palette and sound design to build paranoia—and narrative complexity, bridging krimi influences with emerging giallo conventions.^[42]^[3] As of 2025, the film's availability on streaming platforms such as Tubi and Prime Video has further increased its accessibility and viewership, contributing to its reevaluation as a key link in the development of Euro-thrillers, underscoring Freda's role in advancing genre experimentation during the late 1960s.^[43]^[30]^[44]

References

[1]
Double Face (1969) - IMDb
Rating 5.8/10 (1,166) After a businessman's unfaithful wife is seemingly killed in a car accident, he is led by several unscrupulous characters to believe that she is actually alive.
[2]
Double Face | Rotten Tomatoes
Synopsis Soon after a rich Englishwoman (Margaret Lee) leaves her husband (Klaus Kinski) she dies in a car crash, perhaps not by accident.
[3]
double face - American Genre Film Archive
Double Face is about John, a wealthy industrialist, who enters a world of proto-psychedelic sexuality and self-destruction after his wife's death, slipping ...
[4]
Amazon.com: Double Face [Blu-ray]
30-day returnsPsychological, psychedelic, and at times just plain psychotic, Double Face stands as one of the most engaging and enjoyable films in Freda's lengthy and ...
[5]
Double Face - The Giallo Files
John Alexander (Klaus Kinski) discovers that she is having an affair with her friend Liz (Annabella Incontrera), but divorce would mean financial ruin.<|control11|><|separator|>
[6]
DOUBLE FACE [1969]: On Blu-ray June 24th | Horror Cult Films
Jun 20, 2019 · Rich industrialist John Alexander is married to Helen, who openly carries on an affair with Liz, though he can't talk because he's sleeping with ...Missing: summary - | Show results with:summary -
[7]
Double Face (1969) - Plot - IMDb
After a businessman's unfaithful wife is seemingly killed in a car accident, he is led by several unscrupulous characters to believe that she is actually alive.
[8]
DOUBLE FACE - The Hitless Wonder Movie Blog
Feb 23, 2025 · Helen goes off on a trip by herself, but her car is destroyed in an explosion. Devastated by his wife's death, John takes a much-needed vacation ...Missing: summary - | Show results with:summary -
[9]
Double Face (1969) - Blood Brothers
Jul 11, 2019 · Double Face is a strange and stylish spin on the usual murder mystery film. The narrative tends to get muddled underneath what it feels is a relatively clever ...Missing: summary - | Show results with:summary -
[10]
Kinski Finds Kinky in Freda's "Double Face" (1969) | Blu-ray Review
Jun 25, 2019 · Several weeks after recuperating his odd 1971 Irish giallo The Iguana with the Tongue of Fire, they unleash his London set Double Face, which ...Missing: summary - | Show results with:summary -
[11]
DOUBLE FACE (1969) - STARBURST Magazine
Double Face is a serviceable thriller, with inspired moments of direction by Freda, art design and performance to commend. Kinski in particular is great and at ...Missing: debut | Show results with:debut
[12]
Double Face (1969) – Klaus.Kinski.us
May 4, 2020 · He plays John Alexander, who married into wealth after wedding Helen (Margaret Lee), the owner of a successful company, who inherited it from her mother.
[13]
Double Face (A doppia faccia) - Internet Movie Firearms Database
Brown (Sydney Chaplin) suspect that John stands behind the deadly incident. Meanwhile, John meets a certain Christine (Christiane Krüger), who lets him know ...
[14]
Double Face (1969) – Film Review - Yorkshire Magazine
Rating 7/10 · Review by Sarah MorganJul 7, 2019 · Klaus Kinski, in a remarkably low key performance, stars in Riccardo Freda shocker Double Face from 1969, restored for Blu-ray by Arrow.<|control11|><|separator|>
[15]
Double Face - The Grindhouse Cinema Database
Nov 13, 2019 · Released in 1969 | Color; Runtime: 88 min (uncut); Production Co ... Starring: Klaus Kinski, Christiane Krüger, Günther Stoll, Annabella ...Missing: debut | Show results with:debut<|separator|>
[16]
Double Face (1969) - Full cast & crew - IMDb
Lucio Fulci · Lucio Fulci. story. Riccardo Freda · Riccardo Freda. screenplay (as Robert Hampton) and. Paul Hengge · Paul Hengge. screenplay. Edgar Wallace.
[17]
DOUBLE FACE (1969) - Frame Rated
Jun 20, 2019 · The murder of a millionaire's lesbian wife sucks him into the sleazy underbelly of 1960s London. Remy Dean<|control11|><|separator|>
[18]
Double Face - The Art and Popular Culture Encyclopedia
Apr 29, 2024 · Cast ; Klaus Kinski as John Alexander ; Christiane Krüger as Christine ; Günther Stoll as Inspector Stevens ; Annabella Incontrera as Liz ; Sydney ...
[19]
Double Face (1969) - Release info - IMDb
Release date · West Germany. July 4, 1969 · Italy. July 26, 1969 · France. August 9, 1973(Paris) ...Missing: theatrical | Show results with:theatrical
[20]
Facts about "Double Face" : Classic Movie Hub (CMH)
Though not an adaption of original material by Edgar Wallace, this film was advertised in Germany as part of the famous Edgar Wallace Series. It was such a huge ...
[21]
https://www.imdb.com/title/tt0063979/releaseinfo/
[22]
Double Face Blu-ray Review - Genre Grinder
Jun 24, 2019 · When wealthy businessman John Alexander's (the legendary Klaus Kinski, giving an atypically restrained performance) unfaithful wife Helen ...Missing: summary - | Show results with:summary -<|control11|><|separator|>
[23]
DOUBLE FACE German 1-sheet poster Giallo FREDA Klaus Kinski
$$49.99 In stock $9 deliveryGerman co-production, COUNTRY OF ORIGIN. Condition of this item: A- , used, 2 pinholes, light wear, 1969 release poster . Shipping is $9.00 ...Missing: marketing | Show results with:marketing
[24]
DOUBLE FACE VHS UNICORN VIDEO CLAMSHELL KLAUS ... - eBay
This used vhs video is the 1969 film DOUBLE FACE. See the pics for further details. The video runs appx 84 mins in color & comes in the original hard shell ...
[25]
Double Face Blu-ray | Arrow Video US
Psychological, psychedelic, and at times just plain psychotic, Double Face stands as one of the most engaging and enjoyable films in Freda's lengthy and diverse ...Missing: VHS DVD
[26]
Double Face (Blu-ray Review) - The Digital Bits
Aug 13, 2019 · Helming Double Face (a nonsensical title if ever there was one) was no easy task as he was given a very limited budget and a short amount of ...
[27]
Double Face (1969) - Blu-ray.com
Rating 3.0 (22) · 730-day returnsRelease date, Germany Jul 04, 1969. France Aug 09, 1973. Italy Jul 26, 1969 ; Country, Italy ; Language, Italian ; Runtime, 88 min ; Rated, Not rated.Missing: VHS | Show results with:VHS
[28]
Watch Double Face (1969) - Free Movies | Tubi
After a man's unfaithful wife is seemingly killed in an accident, a spotting of her in a recently shot film convinces him that she may still be alive.Missing: English dub
[29]
A doppia faccia (1969) | FilmTV.it
Rating 5/10 (16) Intrighi, doppigiochi, scambi di persona, morti tutt'altro che accidentali: A doppia faccia non rappresenta di sicuro una ventata di novità nel cinema, ma ha…
[30]
A doppia faccia - Film (1969) - MYmovies.it
Rating 2.7 (7) A doppia faccia ; Consigliato nì! 2,67/5. MYMOVIES 2,00. ; Consigliato nì! 2,67/5 · CRITICA. ; Consigliato nì! 2,67/5 · PUBBLICO 3,33. ; Consigliato nì!
[31]
Recensione su A doppia faccia (1969) di nicola81 | FilmTV.it
Rating 6/10 · Review by nicola81La recensione su A doppia faccia. di nicola81. 6 stelle. Negli anni in cui in Italia imperavano i sexy-thriller preargentiani, ecco che anche Riccardo Freda si ...
[32]
Double Face/Fun Facts - The Grindhouse Cinema Database
Mar 4, 2024 · Though not an adaption of original material by Edgar Wallace, this film was advertised in Germany as part of the famous Edgar Wallace Series. It ...
[33]
Top-Grossing Movies of 1969 - The Numbers
Top Grossing Movies of 1969. Our Theatrical Market pages are based on the Domestic Theatrical Market performance only.
[34]
Frog Masks and Blind Killers: The Edgar Wallace Films
Nov 10, 2015 · ... The Fellowship of the Frog (Der Frosch mit der Maske) in 1959, based on the novel of the same title. When the film became a box-office smash ...<|separator|>
[35]
http://www.electricsheepmagazine.co.uk/2015/11/10/frog-masks-and-blind-killers-the-edgar-wallace-films/
[36]
The Kurious Kase of a Kinski Krimi: Riccardo Freda's Double Face
Jul 24, 2019 · New to Blu-ray from Arrow Video, Double Face is hardly Kinski's only krimi – that is, German for “crime story,” which the commentary from Video ...
[37]
Double Face (1969) - Giallo Reviews
Jul 10, 2022 · Two years after a whirlwind romance culminated in her marrying John Alexander, heiress Helen Brown is dallying with her special friend Liz.Missing: summary - | Show results with:summary -
[38]
http://www.gialloreviews.com/blog/october-07th-2022
[39]
Blu-Ray Review | Double Face (Blu-ray)
Sep 5, 2019 · The budget for the film becomes obvious to the viewer during a ... TAGGED: 1969, Double Face (Blu-ray), mono, rating-not rated ...
[40]
Double Face (1969) - Riccardo Freda - Letterboxd
Rating 3.0 (1,448) After a businessman's unfaithful wife is seemingly killed in a car accident, he is led by several unscrupulous characters to believe that she is actually alive.
[41]
[PDF] THE AMERICAN GIALLO - Netlibrary
THE AMERICAN GIALLO – THE GIALLO INFLUENCE ON NORTH-AMERICAN CINEMA .... ... aly/West Germany 1969, dir.: Riccardo Freda, DOUBLE FACE), L'CCHIO DEL RAGNO (It-.
[42]
Double Face streaming: where to watch movie online? - JustWatch
Runtime. 1h 28min. Production country. Germany, Italy. Cast. Klaus Kinski. John Alexander. Christiane Krüger. Christine.Missing: German | Show results with:German
[43]
Watch Double Face | Prime Video - Amazon.com
Rating 4.2 (67) · 30-day returnsAfter a few months, John sees an X-rated movie in which a veiled woman stars has a mark on her neck equal to the one his wife had.