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Dreamkeeper

Dreamkeeper is a 2003 American two-part television miniseries directed by Steve Barron and written by John Fusco, centering on the journey of an elderly Lakota storyteller, Pete Chasing Horse, portrayed by August Schellenberg, and his troubled teenage grandson, Shane, played by Shawn Elliott, from the Pine Ridge Indian Reservation in South Dakota toward self-discovery and cultural reconnection.^[1]^[2] During their cross-country travels by car and horseback, Pete shares embedded legends drawn from diverse Native American nations, including Lakota, Cheyenne, Pawnee, and Blackfoot traditions, illustrating themes of heritage, identity, and ancestral wisdom.^[3]^[4] Produced by Hallmark Entertainment for ABC, the miniseries features extensive Native American casting, such as Tantoo Cardinal and Nathaniel Arcand, and emphasizes authentic storytelling to bridge generational and cultural divides.^[5] It garnered acclaim for its evocative visuals and respect for oral histories, earning a Primetime Emmy Award for Outstanding Special Visual Effects in 2004, as well as Best Film at the 2003 American Indian Film Festival.^[6]^[7] While praised for highlighting underrepresented myths without evident fabrication, the production faced no major controversies, though its episodic structure blending modern realism with fantastical elements drew mixed viewer responses on pacing.^[8]

Synopsis

Main Narrative

Dreamkeeper centers on the journey of Pete Chasing Horse, a Lakota elder and storyteller living on the Pine Ridge Indian Reservation in South Dakota, and his estranged grandson Shane Chasing Horse. Shane, a troubled young man indebted to local gang members over gambling losses, is compelled by his mother to escort Pete on a road trip to the All Nations powwow in Albuquerque, New Mexico, approximately 1,000 miles away.^[4]^[9]^[10] As the pair travels in Pete's old pickup truck, pursued intermittently by Shane's creditors who seek repayment through intimidation, Pete recounts ancient tribal legends to bridge the generational and cultural divide. These narratives, drawn from diverse Native American traditions, serve as metaphors for the challenges they face, gradually transforming Shane's indifference into appreciation for his heritage. Pete, nearing the end of his life and guided by visions, emphasizes the role of dreamkeepers in preserving oral histories against modern erosion.^[4]^[11]^[12] The narrative builds tension through encounters with mythical elements bleeding into reality, such as spirit animals and prophetic dreams, culminating in Shane's confrontation with his pursuers and a personal reckoning at the powwow. This resolution underscores themes of redemption, cultural continuity, and the enduring power of storytelling, as Shane assumes the mantle of dreamkeeper.^[4]^[13]^[14]

Interwoven Legends

The Dreamkeeper miniseries interweaves approximately ten traditional legends drawn from diverse Native American tribes, including Cheyenne, Pawnee, Lakota, Blackfeet, Kiowa, Mohawk, and Crow, into the central road trip narrative of Lakota elder Pete Chasing Horse and his grandson Shane. These stories manifest as vivid, hallucinatory visions triggered by the landscape or Pete's storytelling, each employing distinct casts and visual styles to evoke tribal-specific aesthetics and environments, filmed across varied Canadian locations to simulate American Indian territories.^[12]^[15] The legends function as didactic interludes, conveying moral, cosmological, and cautionary themes central to oral traditions, while paralleling Shane's personal struggles with identity and modernity.^[9]^[16] Prominent among the sequences is a Lakota trickster tale featuring Iktomi, the spider-like mischief-maker played by Gary Farmer, and Coyote, embodied by John Trudell, who collaborate in deceptive schemes that underscore the chaotic, transformative roles of these archetypal figures in Plains cosmology.^[4] Another Lakota narrative centers on the Blue Bird Woman legend, where a young warrior named High Horse (Sean Wei Mah) pursues the titular woman (Sage Galesi) despite her father's refusal, exploring motifs of unrequited desire, supernatural aid, and the consequences of hubris in courtship rituals.^[4] Pawnee contributions include the Dun Horse story, which imparts lessons on loyalty and the perils of greed through a horse's vengeful journey, and the tale of Dirty Belly, a ridiculed figure who redeems himself via an encounter with an abandoned child, blending humor with themes of communal restoration.^[17]^[4] A Chinook legend depicts a woman's self-sacrifice to avert a village-devastating illness, emphasizing communal welfare over individual survival in Pacific Northwest traditions.^[10] These vignettes, sourced from tribal oral histories as adapted by screenwriter John Fusco, prioritize entertainment and visual spectacle, though their fidelity to original variants—varying by tribe and teller—remains subject to dramatization for narrative cohesion.^[16]

Production

Development and Writing

The screenplay for Dreamkeeper was written by John Fusco, a screenwriter with prior experience in Native American-themed narratives, including the 1992 film Thunderheart.^[18] Fusco's script integrates traditional stories from tribes such as the Lakota, Cheyenne, Pawnee, and Blackfeet into a framing narrative of a Lakota elder, Pete Chasing Horse, guiding his estranged grandson Shane on a journey to the All Nations Gathering of the Tribes.^[9] This structure allows interwoven legends to illustrate themes of heritage, responsibility, and cultural continuity, with Fusco defining interpretive meanings for each tale in educational materials associated with the production.^[19] Development of the project was initiated in early 2002 by Hallmark Entertainment, under executive producers Robert Halmi Sr. and Robert Halmi Jr., as a high-budget miniseries for ABC with an announced cost of around $30 million.^[20] The initiative aimed to retell Native American folk tales in a fantastical format, building on Hallmark's success with prior miniseries like Merlin.^[21] Fusco, a Vermont-based writer with a focus on epic Americana, was selected for the script due to his established portfolio, which also encompassed Young Guns and Hidalgo.^[22] Steve Barron was attached as director contemporaneously, leveraging his background in visually ambitious Hallmark projects such as Arabian Nights (2000).^[21] Fusco's approach prioritized sourcing authentic legends while adapting them for dramatic cohesion, though as a non-Native writer, his work drew criticism for potential cultural interpretation by outsiders; nonetheless, production notes and participant accounts highlighted efforts toward accuracy through consultation with tribal members.^[23]^[12] The script's completion aligned with pre-production announcements in January 2002, enabling filming to commence later that year in Alberta, Canada.^[20]

Filming and Locations

Principal photography for Dreamkeeper spanned four months, longer than typical for a television movie, to accommodate the expansive narrative and diverse settings required for the interwoven Native American legends.^[12] The production, directed by Steve Barron, prioritized authentic landscapes to visually represent the stories' mythical and historical elements, involving shoots across multiple regions.^[14] Filming occurred primarily in Alberta, Canada, which provided vast prairies and rugged terrains suitable for the film's road journey and epic sequences.^[14] Additional principal locations included Saguaro National Park in Arizona, USA, for desert scenes evoking southwestern tribal environments.^[24] In New Mexico, shoots took place at Ghost Ranch in Abiquiu and Jemez Pueblo, leveraging the area's dramatic red rock formations and cultural sites to depict pueblo and ancestral settings.^[25] These choices reflected a deliberate effort to match geographic authenticity with the legends' origins, though some interiors and effects were handled separately.^[12]

Cultural Authenticity and Tribal Involvement

The production of Dreamkeeper prioritized cultural authenticity through consultations with Native American communities, employing 15 advisors from Native American and Native Canadian backgrounds to verify details including regalia, ceremonies, and narrative elements drawn from tribal oral traditions.^[12] These advisors ensured fidelity to specific legends, such as a Kiowa tale involving a rabbit character and a Cheyenne story of a warrior's vision quest, by cross-referencing with tribal knowledge keepers.^[12] While the screenplay by John Fusco incorporated stories from approximately ten distinct Native nations—including Lakota, Pawnee, and Blackfoot—the advisors' role mitigated potential inaccuracies arising from non-Native creative leads, though some critiques noted the framing narrative's modern Lakota focus might overshadow lesser-represented tribes.^[26] Tribal involvement extended to casting and crew, with roughly 2,500 Native individuals participating across roles, including 95 speaking parts portrayed by actors of tribal descent such as Lakota (Eddie Spears as Shane), Cree (August Schellenberg as Pete Chasing Horse), and Cayuga (Gary Farmer as Coyote).^[27] Production drew performers and extras from reservations and First Nations communities, culminating in a powwow sequence featuring 600 Canadian Native participants to depict intertribal gatherings realistically.^[27] Advisors from tribes like Lakota, Kiowa, Cheyenne, Pawnee, Blackfeet, and Mohawk contributed to on-set guidance, fostering representation absent in many prior Hollywood depictions of Native lore.^[13] This approach contrasted with earlier films criticized for generic "Indian" portrayals, as Dreamkeeper's tribal-specific sourcing aimed for granular accuracy in linguistics, symbolism, and worldview integration.^[17]

Cast and Characters

Principal Cast

The principal cast of Dreamkeeper features Indigenous actors in lead roles, emphasizing cultural representation in the storytelling narrative. August Schellenberg plays Grandpa Pete Chasing Horse, an elderly Lakota storyteller who guides his grandson on a road trip while sharing Native legends.^[1] Eddie Spears portrays Shane Chasing Horse, the troubled young grandson grappling with personal and cultural disconnection.^[1]^[28] Gary Farmer embodies Iktome, the trickster spider figure from Lakota mythology who weaves through the interwoven tales.^[1]^[29] John Trudell depicts Coyote, the cunning archetype central to several Native American myths depicted in the film's anthology structure.^[1]^[28] Chaske Spencer stars as Eagle Boy, a heroic figure in one of the embedded legends confronting supernatural challenges.^[1]^[30] These performances anchor the film's blend of contemporary journey and mythological vignettes, with Schellenberg's role earning particular recognition for its depth in conveying oral tradition.^[1]

Supporting Roles and Tribal Representations

The supporting cast of Dreamkeeper comprises numerous Native American actors portraying figures from the interwoven tribal legends, such as Gary Farmer as the trickster spider Iktome, John Trudell as the coyote spirit, and Chaske Spencer as Eagle Boy.^[28] Other key supporting performers include Sheila Tousey as First Woman, Gerald Auger as Red Deer Man, and Michael Greyeyes in various ensemble roles across the mythic sequences.^[5] These actors, many of Indigenous descent, lent authenticity to the depictions of supernatural and ancestral characters drawn from oral traditions.^[4] Tribal representations extend beyond the Lakota Sioux protagonists, with the miniseries incorporating nine distinct legends sourced from multiple Native nations, including Pawnee, Cheyenne, Kiowa, and Blackfeet traditions, each featuring tribe-specific costumes, languages, and rituals.^[4] To achieve cultural accuracy, the production employed fifteen Native American and Native Canadian advisors who guided elements like dialect pronunciation, regalia design, and narrative fidelity.^[27] Approximately 2,500 Native participants contributed overall, encompassing 95 speaking parts and 600 extras in the climactic powwow scene filmed in Canada.^[27] This involvement helped differentiate tribal-specific elements, such as distinct creation myths and trickster archetypes, rather than homogenizing them under a generic "Indian" framework.^[12]

Release

Broadcast and Distribution

Dreamkeeper premiered as a two-part miniseries on ABC in the United States, with the first installment airing on December 28, 2003, from 9 to 11 p.m. ET, and the second on December 29, 2003, in the same time slot.^[12]^[14] The production was undertaken by Hallmark Entertainment, which managed distribution to ABC for its initial network broadcast.^[14] Hallmark, known for producing television films and miniseries for broadcast networks, facilitated the event as a four-hour epic drawing on Native American storytelling traditions.^[9] While primarily targeted at the U.S. audience, international releases followed in video and DVD formats in markets including Russia and Japan starting in 2004, though specific overseas television broadcasts remain undocumented in primary sources.^[31]

Home Media and Streaming

Dreamkeeper was first released on DVD by Hallmark Home Entertainment on March 1, 2004, in a fullscreen format containing the complete miniseries.^[32] The two-disc set featured the full 180-minute runtime, including both parts of the production, and was distributed primarily in Region 1 for North American markets.^[33] No official wide-release Blu-ray edition has been issued in the United States, though limited Blu-ray versions, such as a combo pack imported from Germany, became available in select international markets starting September 29, 2023.^[34] As of October 2025, the miniseries is accessible via multiple streaming platforms, including Amazon Prime Video, where it is offered as a complete season for subscribers.^[35] It is also streamable on Peacock, including through its premium tier, and on ad-supported services like Freevee (via Prime Video) and The Roku Channel.^[36] Additional options include Apple TV for purchase or rental, reflecting ongoing digital distribution efforts to reach broader audiences beyond physical media.^[37] Availability may vary by region and platform licensing agreements, with no free ad-supported television (FAST) service like Tubi offering the full series consistently.^[38]

Reception

Critical Reviews

Dreamkeeper received mixed reviews from critics upon its premiere as a two-part ABC miniseries on December 28 and 29, 2003.^[14] While praised for its visual grandeur and authentic portrayal of Native American folklore, it faced criticism for uneven storytelling and performances.^[14] ^[39] Aggregate critic scores were limited due to its television format and modest promotional push, but audience reception was notably positive, with a 95% approval rating on Rotten Tomatoes based on over 100 user reviews.^[8] Variety's review highlighted the production's strengths in cinematography and effects, describing it as "lyrical, visually splendid and lavishly produced," with stunning sequences involving giant serpents, magical horses, and buffalo stampedes that compared favorably to prior Hallmark spectacles like Merlin.^[14] The publication commended the central performances, particularly August Schellenberg's portrayal of the grandfather as engaging and cagey, and noted the miniseries' value in drawing from richly detailed Native American legends suitable for educational use.^[14] However, it critiqued the narrative as "hokey and predictable," with uneven acting from the predominantly Native American cast attributed to their limited prior screen experience, and occasional silly dialogue.^[14] Overall, Variety viewed it as a commendable breakthrough for Native representation despite flaws, though ABC's scheduling against major competition hindered broader success.^[14] In contrast, The New York Times found the miniseries lacking in substance, calling it "long [and] unnecessarily incoherent" with special effects and editing that obscured the parables' content rather than enhancing them.^[39] Critic Alessandra Stanley acknowledged impressive dreamscapes, such as swirling smoke and double-vision elks, but argued they failed to convey genuine power or magic, resulting in exhausting rather than evocative sequences.^[39] The review appreciated simpler elements like present-day reservation scenes for their unadorned pleasure but faulted the overall romanticized vision of Lakota traditions for prioritizing atmosphere over narrative clarity.^[39] Other outlets echoed a balanced perspective; Moria Reviews lauded director Steve Barron's adaptation of multiple Native myths as "beautifully made" and "extremely well written," emphasizing its impressive craftsmanship akin to his earlier Arabian Nights.^[4] The Los Angeles Times praised its historical accuracy and use of authentic tribal input, positioning it as a vivid alternative to drier documentaries.^[12] These views underscored the miniseries' ambition in blending contemporary framing with legendary tales, though its episodic structure and fantastical elements divided opinions on coherence.^[4]

Audience and Cultural Response

Dreamkeeper received positive feedback from audiences, earning a 7.5 out of 10 rating on IMDb based on 1,841 user votes, with many reviewers highlighting its engaging storytelling and visual appeal despite its television production constraints.^[1] Audience scores on Rotten Tomatoes stood at 95% approval from 102 ratings, where viewers commended the film's integration of diverse indigenous narratives into a cohesive modern tale.^[8] Feedback often emphasized the movie's ability to captivate viewers interested in Native American lore, with one IMDb reviewer noting it held attention for its full three-hour runtime due to its cultural depth and execution.^[40] Cultural responses varied by demographic, with Native American viewers generally expressing stronger approval for the film's respectful portrayal of tribal legends and authenticity, as evidenced by enthusiastic discussions in Native-focused forums praising specific stories like the Thunder Boy legend for evoking cultural familiarity.^[26]^[41] Non-Native audiences showed more mixed reactions, sometimes critiquing elements as predictable or overly sentimental, though the production's use of an almost exclusively Native cast lent it credibility in representing indigenous perspectives.^[26]^[9] The film has been recognized for its role in educating broader audiences about the significance of oral traditions in Native cultures, where stories serve not merely as entertainment but as repositories of history, spirituality, and moral guidance, contributing to discussions on indigenous media representation.^[42] Its emphasis on intergenerational storytelling resonated in therapeutic contexts, with educators and counselors citing it as a tool for exploring Native identity and resilience.^[43] Overall, Dreamkeeper fostered appreciation for tribal diversity while highlighting the challenges of translating sacred narratives to screen without dilution.^[27]

Awards and Recognition

Emmy Awards

Dreamkeeper earned one Primetime Emmy Award at the 56th Annual Primetime Emmy Awards, presented on September 19, 2004, for programming from the 2003–2004 eligibility period.^[44] The miniseries won in the category of Outstanding Special Visual Effects for a Miniseries, Movie or a Special, honoring the technical achievements in creating mythical and cultural elements integral to its storytelling, including dream sequences and tribal visions.^[44] ^[45] The award went to visual effects supervisor Nicholas Brooks, along with producers Sophie Leclerc, Pierre Bonnet, and visual effects designer Eve Ramboz, among others, for their work on effects that blended practical and digital elements to depict Native American legends.^[46] ^[47] Additionally, Dreamkeeper received a nomination in the Outstanding Hairstyling for a Miniseries, Movie or a Special category, recognizing the period-specific and culturally authentic hairstyles across diverse tribal representations in the production.^[48] This nomination highlighted the attention to detail in portraying characters from various Indigenous nations, though it did not result in a win. No further Emmy nominations or wins were accorded to the miniseries in major categories such as directing, writing, or outstanding miniseries.

Other Honors

DreamKeeper won Best Film at the 2003 American Indian Film Festival, organized by the American Indian Film Institute.^[17] August Schellenberg earned the Best Actor award for his portrayal of Pete Chasing Horse at the same event.^[46] Delanna Studi received Best Supporting Actress for her role as Janine Chasing Horse.^[46] The production was also nominated for a Saturn Award for Best Television Presentation by the Academy of Science Fiction, Fantasy & Horror Films in 2004.^[46]

Legacy and Impact

Influence on Native American Media Representation

Dreamkeeper advanced Native American media representation through its extensive involvement of indigenous participants in production, employing approximately 2,500 Native Americans across roles from actors to cultural advisors, which ensured a degree of authenticity rare in earlier depictions. Producers Robert Halmi and John Fusco resided on the Pine Ridge Reservation for two years, consulting elders and incorporating input from 15 tribal advisors to adapt legends from tribes including Lakota, Cheyenne, and Blackfeet. This collaborative process resulted in portrayals that integrated traditional myths with contemporary Native life, such as reservations featuring modern vehicles alongside oral storytelling, thereby humanizing characters as multifaceted individuals rather than adhering to tropes like the "magical Indian."^[49]^[12] The miniseries eschewed common stereotypes by grounding supernatural elements in cultural narratives without romanticizing or exoticizing them, as evidenced by the protagonist Pete Chasing Horse—a World War II veteran and storyteller—whose insights derive from lived experience rather than mysticism. Featuring a predominantly Native cast, including actors like August Schellenberg (Mohawk) and Eddie Spears (Lakota), it presented diverse tribal stories through a coming-of-age framework, emphasizing oral traditions' role in preserving history and spirituality. This approach educated mainstream audiences on indigenous heritage while fostering cultural pride among Native viewers, with Halmi noting the production's intent to affirm that "young Indians today know that they have a great culture."^[49]^[9]^[12] In the broader context of early 21st-century television, Dreamkeeper exemplified efforts to undermine reductive representations, serving as a model for future projects by prioritizing Native consultation and casting over non-indigenous approximations. Academic analyses highlight its distinction in delivering three-dimensional characters from a Native perspective, contributing to a gradual shift toward indigenous-led storytelling in media, though it remained an outlier amid persistent Hollywood underrepresentation. Its Emmy recognition further validated these practices, potentially encouraging networks to invest in authentic indigenous content.^[49]^[14]

Educational and Storytelling Value

Dreamkeeper serves an educational function by presenting a compilation of traditional Native American legends drawn from multiple tribes, including Lakota, Cheyenne, and Pawnee mythologies, thereby exposing audiences to diverse indigenous narratives that reflect historical, cultural, and spiritual elements central to these communities.^[12] The miniseries illustrates the role of oral storytelling in preserving tribal histories and moral teachings, as the grandfather figure recounts tales during a contemporary journey, emphasizing intergenerational transmission of knowledge that mirrors real Native practices where stories encode ethical lessons and ancestral wisdom.^[42] Educational guides associated with the production highlight its utility in fostering appreciation for Native American history and figurative language in oral traditions, encouraging viewers to explore cultural contexts beyond entertainment.^[19] In terms of storytelling value, the film's structure embeds mythical vignettes within a framing narrative of a Lakota elder and his grandson's road trip to the Wounded Knee Massacre site—completed on December 29, 1890—creating a layered epic that blends realism with fantasy to evoke the immersive quality of indigenous lore.^[3] This technique, akin to traditional Native methods of weaving stories to convey deeper truths, uses visual effects to animate legends like spirit quests and trickster figures, though some critiques note dilution through stylized production choices rather than strict authenticity.^[26] The narrative's focus on redemption and cultural reconnection through shared tales underscores storytelling's therapeutic potential, as analyzed in applications to counseling where such films model relational healing via metaphorical indigenous narratives.^[43] By prioritizing an almost exclusively Native American cast, including performers like Gerald Auger as the elder and Nathaniel Arcand as supporting roles rooted in tribal authenticity, Dreamkeeper enhances its credibility in depicting cultural continuity, offering a counterpoint to mainstream portrayals often criticized for external biases.^[9] Overall, its value lies in bridging entertainment with cultural education, prompting reflection on the enduring relevance of oral histories in maintaining identity amid modernization, without fabricating unified tribal homogeneity across its sourced myths.^[4]

References

[1]
DreamKeeper (2003) - IMDb
Rating 7.5/10 (1,841) A century-old storyteller and his grandson, a troubled 17-year-old boy, embark on a cross-country journey toward self-discovery.Full cast & crew · Quotes · User reviews · Plot
[2]
Dreamkeeper - Prime Video
Rating 7.5/10 (1,841) "Dreamkeeper" is a heartfelt miniseries in which the legends of the Native American nations come to life. Grandpa (August Schellenberg, "Free Willy") wants to ...
[3]
DreamKeeper (2003) - Plot - IMDb
An old storyteller Indian asks his grandson Shane, who is in trouble owing money to some bad guys, to take his old pony and him to Albuquerque to the great ...
[4]
Dreamkeeper (2003) - Moria Reviews
Mar 13, 2006 · Dreamkeeper is a beautifully made Hallmark tv mini-series based on several different Native American myths and legends.
[5]
DreamKeeper (2003) - Full cast & crew - IMDb
DreamKeeper (2003) - Cast and crew credits, including actors, actresses, directors, writers and more.
[6]
Nominees & Winners | Television Academy
Dreamkeeper. Winner. Dreamkeeper. ABC. Nicholas Brooks. Visual Effects Supervisor. Ludo Fealy. CGI Supervisor. Luc Froehlicher. CGI Supervisor. Alastair Hearsum.
[7]
Dreamkeeper: The Myths & Legends of the American Indian
** 2003 ABC Television Mini-Series. Date: Nov. 15. Time: Family Matinee Noon ... Award Ceremonies. RNCI Red Nation Awards · RNCI Awards Show Broadcasts ...
[8]
DreamKeeper | Rotten Tomatoes
Rating 95% (102) Excellent quality and superb story. Amazing editing weaves evocative stories from many different indigenous nations into a contemporary one.
[9]
Stories of 'Dreamkeeper' educate and entertain - Toledo Blade
Dec 26, 2003 · The movie is the tale of an old man at the end of his road and a young man on a road to nowhere. They are Pete Chasing Horse and his grandson, Shane Chasing ...Missing: plot | Show results with:plot
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Native American Film Gems: Dreamkeeper - Mike Sirota
Jan 22, 2018 · The excellent, Emmy Award-winning 2003 film, Dreamkeeper, began life as a two-part Hallmark mini-series, which accounts for its three-hour length.<|separator|>
[11]
Dreamkeeper (Stephen Warbeck) - Filmtracks
Mar 15, 2009 · It is a tale of generational conflict and understanding, involving a trek made by a Native American elder and his grandson from South Dakota to ...
[12]
Legends Are Living On in 'Dreamkeeper' - Los Angeles Times
Dec 28, 2003 · The Hallmark Entertainment epic that airs Sunday and Monday pulls off the tricky feat of entertaining while educating viewers about Native American legends.Missing: synopsis | Show results with:synopsis
[13]
Dreamkeeper (2003) - A Shroud of Thoughts
Nov 8, 2024 · Dreamkeeper centred on Lakota storyteller Peter Chasing Horse ((August Schellenberg) and his grandson Shane Chaing Horse (Eddie Spears) as they ...Missing: synopsis | Show results with:synopsis
[14]
Dreamkeeper - Variety
it's still the kind of family yarn that resonates ...<|control11|><|separator|>
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Dreamkeeper, Ancient Myths from the American Indians.
The main plot of the film is the conflict between a Lakota elder and storyteller named Pete Chasing Horse (August Schellenberg) and his Lakota grandson, Shane ...Missing: summary | Show results with:summary<|separator|>
[16]
'Dreamkeeper' is pleasant surprise - Deseret News
Dec 27, 2003 · It's the best broadcast network miniseries this year as it spins the legends of various American Indian tribes into the larger story of a modern ...<|separator|>
[17]
Must see TV moves to ABC with 'Dreamkeeper'
The Lakota legend of the Bluebird Woman has an especially funny sequence, as does the later Pawnee legend of the Dun Horse. Though not American Indian, nor even ...
[18]
A Reel Revolution: Vermont's John Fusco Resurrects Ethan Allen on ...
Jan 9, 2002 · ... Fusco at the writer's home near Stowe. ... In April, his Dreamkeeper script will be made into a Hallmark Hall of Fame miniseries for ABC.
[19]
[PDF] A KIDSNET GUIDE FOR EDUCATORS A grandfather who believes ...
Each legend comes from a specific Native American culture, which is indicated in parentheses. The meaning of each story, as defined by screenwriter John Fusco, ...
[20]
ABC pow-wowed by $30 mil Halmi mini - Variety
Jan 16, 2002 · Script for the tentatively-titled “Dreamkeeper” is from John Fusco (“Thunderheart”). Steve Baron (“Merlin”) will direct, with ABC senior VP for ...
[21]
ABC and Hallmark to retell folk tales | News | C21Media
... script for the show is being written by John Fusco (Thunderheart) and Steve Barran (Merlin, Arabian Nights) will direct. David Jenkinson 22-01-2002 ...<|separator|>
[22]
John Fusco - What History Has Taught ME - True West Magazine
Mar 12, 2012 · Most known for writing and producing the box office hit Young ... miniseries DreamKeeper, 2004's Hidalgo and the 2002 animated film ...
[23]
Native American Representation and Performance in Contemporary ...
The screenplay was written by a non-Indian, John Fusco. Fusco, who also ... Dreamkeeper” has a connection to the Lakota Community from his “adopted ...
[24]
DreamKeeper (2003) - Filming & production - IMDb
What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news ... Filming locations. Saguaro National Park, Arizona, USA · Tucson, ...
[25]
Dreamkeeper - New Mexico Film Office
While traveling, Grandpa tells mysterious Indian tales of love, friendship and magic. Details. Year: 2003. Genre: Drama, Fantasy. Visit IMDB Website.Missing: script development<|separator|>
[26]
Blue Corn Comics -- <I>Dreamkeeper</I> Keeps the Faith
Mar 18, 2004 · John Trudell as Coyote and Gary Farmer as Iktomi are perfect for the roles, and act off of each other well. Delanna Studi, who plays a sincere ...
[27]
'Dreamkeeper': TV mini-series premiere at NAJA convention
The ABC mini-series “Dreamkeeper” made its premiere June 20 at the Native American Journalist Association (NAJA) Convention in Green Bay, Wis.
[28]
DreamKeeper | Cast and Crew - Rotten Tomatoes
Cast & Crew ; August Schellenberg · Grandpa ; Eddie Spears · Shane ; Gary Farmer · Iktome ; John Trudell · Coyote ; Chaske Spencer · Eagle Boy.Missing: Hallmark | Show results with:Hallmark
[29]
Dreamkeeper (2003) - Cast & Crew — The Movie Database (TMDB)
Michael Wale. Camera Operator · Jon Joffin. Director of Photography · Kieran Humphries. First Assistant Camera · Simon Jori. First Assistant Camera · John Trapman.<|separator|>
[30]
DreamKeeper (2003) - Steve Barron | Cast and Crew - AllMovie
Cast ; August Schellenberg. Grandpa ; Chaske Spencer. Eagle Boy ; Eddie Spears. Shane ; Gary Farmer. Iktome ; Alex Rice. She Crosses The Water.
[31]
DreamKeeper (2003) - Release info - IMDb
Release date ; United States. December 28, 2003(American Indian Film Festival) ; Russia. January 30, 2004(DVD premiere) ; Japan. June 4, 2004(video premiere).Missing: miniseries network distribution
[32]
Dreamkeeper - Amazon.com
A century-old storyteller and his grandson, a troubled 17-year-old boy, embark on a cross-country journey toward self-discovery.
[33]
Dreamkeeper DVD (2003) Eddie Spears Hallmark Family Native ...
Rating 5.0 (33) Hi! Here's a US Region-1 DVD of Steve Barron's 2003 Hallmark film "Dreamkeeper" starring Eddie Spears and August Schellenberg. Fullscreen disc is in good shape.
[34]
DreamKeeper Blu-ray (Germany)
Sep 29, 2023 · DreamKeeper Blu-ray Release Date September 29, 2023. Blu-ray reviews, news, specs, ratings, screenshots. Cheap Blu-ray movies and deals.
[35]
Watch Dreamkeeper | Prime Video - Amazon.com
Rating 4.8 (208) "Dreamkeeper" is a heartfelt miniseries in which the legends of the Native American nations come to life. Grandpa (August Schellenberg, "Free Willy") wants to ...
[36]
DreamKeeper: Where to Watch and Stream Online | Reelgood
Rating 51% (17) Currently you are able to watch DreamKeeper streaming on Prime Video, Prime Video, Freevee (Via Prime Video), Peacock, Peacock Premium, The Roku Channel, and ...
[37]
‎Dreamkeeper - Apple TV
two generations--a century-old storyteller and his grandson, a troubled 17-year-old boy--embark on a cross-country journey toward self-discovery ...
[38]
Watch Dreamkeeper S01:E01 - Episode 1 - Free TV Shows - Tubi
You'll be notified via email when this becomes available. "Dreamkeeper" is a heartfelt miniseries in which the legends of the Native American nations come to ...Missing: streaming | Show results with:streaming
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TELEVISION REVIEW; How Indians Would Dream (if Indians Had ...
Dec 26, 2003 · Undeterred, ''Dreamkeeper,'' a two-part television film about a Lakota grandfather and grandson that starts Sunday night on ABC, aims high.Missing: tribes | Show results with:tribes
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DreamKeeper (2003) - User reviews - IMDb
This film is a great, educational experience. It combines stories from ten different tribes related to love, courage and redemption.Missing: involvement | Show results with:involvement
[41]
What do yalls think of the movie “Dreamkeeper”? : r/NativeAmerican
Jul 14, 2022 · I loved that movie, especially the first story about thunder Boy. I'm Mohawk from Akwesasne and watching thunder Boy legend was like watching a taste of home.
[42]
The Significance of Storytelling in "Dreamkeeper": Keeping
The film illustrates how traditional knowledge is passed down, moral values are conveyed, and intergenerational relationships are maintained via storytelling.
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Walking the Good Red Road: Storytelling in the Counseling ...
Aug 7, 2025 · The film, Dreamkeeper, presents a series of American Indian legends woven throughout the main story of a journey undertaken by a young man ...Missing: summarized | Show results with:summarized
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List of 2004 Emmy winners - Pittsburgh Post-Gazette
Sep 19, 2004 · But does the explanation make sense? Highmark ... Special Visual Effects for a Miniseries, Movie or a Special: "Dreamkeeper: Part 1," ABC.<|separator|>
[45]
RE:Vision Effects founders to receive Academy Award.
Jan 22, 2007 · RE:Vision Effects was also instrumental in the making of the miniseries Dreamkeeper, which won the 2004 Emmy for Outstanding Special Visual ...
[46]
Awards - DreamKeeper (2003) - IMDb
5 wins & 7 nominations. Academy of Science Fiction, Fantasy & Horror Films, USA. DreamKeeper (2003). 2004 Nominee Saturn Award. Primetime Emmy Awards.Missing: recognition | Show results with:recognition
[47]
Eve Ramboz I Turbulence
For her work on the miniseries DREAMKEEPER (Steve Baron), she won the 2004 Primetime Emmy for Outstanding Special Visual Effects for a Miniseries, Movie or a ...
[48]
Dreamkeeper | Television Academy
Dreamkeeper. Awards & Nominations News & Features. 2 Nominations. 1 Emmy. Nominee. Outstanding Hairstyling For A Miniseries, Movie Or A Special - 2004.Missing: 2003 | Show results with:2003
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[PDF] Native Americans on Television In the Late 20 and Early 21 Centuries
Mar 25, 2011 · The construction of a coherent Indian image has required the sacrifice of authenticity and the reality of a vast number of tribal ethnicities, ...<|control11|><|separator|>