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Duck Butter

Duck Butter is a 2018 American independent comedy-drama film directed by from a screenplay co-written with , who stars alongside as two women dissatisfied with relational dishonesty who agree to spend 24 consecutive hours together, engaging in sexual intercourse every hour to accelerate intimacy. The film premiered at the in April 2018 before a on April 27 by The Orchard, featuring supporting performances from actors including , , and . It received mixed reviews for its bold premise and explicit depiction of female sexuality, with critics praising the performances but critiquing the execution for lacking deeper resonance or symbolic depth despite its experimental structure. Notable for its unfiltered portrayal of physical and emotional vulnerability, Duck Butter explores themes of authenticity in modern dating but has been faulted for prioritizing gimmickry over substantive character development.

Development

Conception and Screenplay

and co-wrote the screenplay for Duck Butter, with development originating from Arteta's desire to craft a showcasing Shawkat's performative range, building on their prior collaboration in the 2011 film Cedar Rapids. The project evolved from an initial outline focused on the emotional turbulence of rushed romantic connections, drawing on Arteta's personal reflections on disastrous past relationships to infuse the narrative with raw, therapeutic realism. At its core, the screenplay centers on two women disillusioned by superficial dynamics who enter a to spend 24 consecutive hours together, committing to every hour as an experiment in unfiltered and accelerated bonding—a satirical lens on the haste of contemporary emotional entanglements. Originally scripted for a heterosexual couple, the story shifted to a dynamic after prospective male leads expressed unease with the script's explicit intimacy requirements, a decision that Shawkat, in her debut, embraced to enhance narrative authenticity. Shawkat's dual contributions as writer and directly shaped the character's introspective vulnerability, allowing improvisational freedom within a structured outline to capture relational friction. This collaborative process, underway by mid-2017, prioritized character-driven exploration over conventional plotting, eschewing polished resolutions in favor of the pact's inherent chaos.

Pre-production

_Duck Butter's pre-production emphasized efficient planning to accommodate its independent status and experimental structure, which required capturing a continuous 24-hour arc. Co-writer and star collaborated with director to cast in the role of Sergio, prioritizing on-screen chemistry to convincingly depict two strangers rapidly forming an intense emotional and physical connection. This decision stemmed from auditions focused on natural rapport, enabling improvised dialogue built atop a detailed outline rather than a rigid . Financing was secured through independent channels, primarily via , with executive producers Mark and leveraging their network for a micro-budget production typical of their low-fi ethos. Development accelerated around 2017, allowing to wrap efficiently despite constraints that limited resources and crew size, underscoring the feasibility challenges of indie filmmaking where creative risks hinge on minimal financial backing. Location scouting centered on Los Angeles residences to achieve realistic, confined domestic environments, selecting two primary houses—one for each lead character's space—to mirror the story's intimate progression without expansive sets. This approach aligned with the film's budgetary limits, favoring practical, accessible venues that supported the planned real-time shooting logistics while maintaining authenticity in portraying everyday urban isolation.

Production

Filming Process

for Duck Butter occurred over 10 days, with the core of the film's second act filmed in real-time across a continuous 24-hour period to mirror the narrative's compressed timeline of accelerating their relationship through nonstop intimacy. This approach divided the marathon shoot into two 12-hour segments using alternating crews, enabling sustained energy while managing exhaustion, including a brief 20-minute for actors and key personnel midway. Director prioritized improvisation to capture unscripted authenticity, providing actors and with a detailed outline of scene beats but no written dialogue, allowing organic character development and spontaneous interactions that emphasized vulnerability in dialogue-heavy sequences. A minimal size further enhanced raw performances by reducing external influences, particularly during intimate scenes where Hillary Spera often operated alone with the performers to avoid artificial staging. Shooting took place primarily in Los Angeles interiors, including Shawkat's personal home as the character's residence and the historic Oil Can Harry's bar for early scenes, leveraging these confined spaces to heighten the film's claustrophobic focus on interpersonal dynamics without expansive location moves. The low-budget constraints necessitated this efficient, contained process, concentrating efforts on capture to evoke the protagonists' escalating emotional and physical fatigue.

Technical Aspects

The film was shot by cinematographer Hillary Spera, employing a aesthetic that emphasizes observational intimacy and unadorned visuals, consistent with traditions of capturing unscripted, lived-in moments. This approach avoids polished setups, fostering a sense of immediacy in the confined spaces of the narrative's 24-hour span. Editing by Christopher Donlon adheres closely to the story's chronology, reflecting the production's method of filming principal events continuously over hours to mirror the characters' pact. Minimal intercutting in extended sequences preserves temporal flow, minimizing disruptions to the unfolding interactions and underscoring the experiment's relentless pace without artificial acceleration. Sound design prioritizes the raw, overlapping quality of improvised dialogue, evoking mumblecore's emphasis on verbal authenticity over contrived emotional cues. A score composed by Kaitlyn Aurelia Smith provides subtle electronic undertones but remains secondary to the unfiltered vocal exchanges and ambient noises, avoiding overt manipulation of viewer sentiment. This restraint enhances the film's grounded , allowing conversational rhythms to drive the auditory experience.

Cast and Characters

Principal Performers

stars as Naima, the American musician disillusioned with modern dating, leveraging her background in independent cinema and television that includes her early breakout role as Maeby Fünke in the series (2003–2006; revived 2013–2019). 's prior credits in indie projects, such as Whip It (2009), informed her involvement, as she co-wrote the screenplay alongside director . Laia Costa portrays Sergio, the Spanish performer seeking genuine connection, building on her European film experience highlighted by her lead role in the 2015 real-time thriller , filmed in a single 134-minute take across Berlin locations. Costa's multilingual capabilities, including fluent English, supported her casting in this English-language production following earlier international work like (2017). The performers' preparation emphasized during the film's , which unfolded over 24 actual consecutive hours to capture the script's compressed of intimacy and .

Supporting Cast

The supporting cast of Duck Butter features a sparse ensemble of secondary characters, primarily friends and brief acquaintances whose interactions provide external perspectives on the protagonists' 24-hour intimacy pact. appears in a as , an encounter that introduces a fleeting male viewpoint, serving as a foil to the central duo's dynamic. Mae Whitman portrays Ellen, a roommate figure offering pragmatic interruptions to the experiment's isolation. plays Glow, and enacts Kathy, both in limited roles that accentuate relational tensions through short, contrasting dialogues. appears as Kate, contributing to the film's understated social backdrop. Additional cameos include and , leveraging indie film connections for authentic, non-intrusive presences that reflect the production's low-budget constraints and emphasis on core intimacy over ensemble depth. also features briefly, reinforcing the narrative's contained scope.

Synopsis

Detailed Plot

Naima, an aspiring , participates in a commercial shoot directed by Jay and , alongside co-stars and , where she feels alienated by the performative insincerity of the process. Later that evening, at a , she encounters Sergio, a free-spirited performing a song in the style of and freely kissing women in the audience, sparking an immediate attraction. The two women connect over shared frustrations with superficial modern relationships, proceed to Sergio's apartment for sex, and engage in candid conversation that leads Sergio to propose an experimental pact: spending the next 24 consecutive hours together, having sex precisely every hour, maintaining absolute honesty with no lies or omissions, avoiding sleep, and limiting phone use to emergencies only. Naima initially rejects the idea but reconsiders and agrees the following morning, arriving at Sergio's cluttered apartment to commence the challenge. They immerse themselves in domestic routines, including cleaning the space, preparing and eating meals like buttered noodles, and painting, interspersed with hourly sexual encounters that grow increasingly awkward and strained. Deep revelations emerge during their unfiltered dialogues: Naima discloses insecurities from past relationships and career setbacks, while Sergio shares vulnerabilities tied to her nomadic lifestyle and familial estrangement, particularly a tense phone call with her mother that exposes unresolved emotional wounds. As the day progresses, mundane errands and attempts at normalcy amplify conflicts; they venture out for groceries and briefly interact with outsiders, but the pact's intensity fosters paranoia and accusations of insincerity. In a bid to deepen their bond, Sergio suggests involving another couple in a four-way encounter, which Naima initiates but abruptly terminates amid rising discomfort and jealousy. Emotional breakdowns ensue, marked by heated arguments, tears, and a momentary abandonment where one leaves the apartment, only for reconciliation attempts to reveal irreconcilable differences in their approaches to intimacy and vulnerability. By the 24-hour mark, after fulfilling the final sexual obligation, the women acknowledge the experiment's toll, parting ways without commitment to a future together, though each reflects on subtle personal transformations gained from the raw exposure.

Themes and Realism

Portrayal of Relationships

In Duck Butter, the central relationship between and Sergio originates from a casual encounter marked by mutual attraction and frustration with the performative dishonesty of typical scenarios, prompting them to devise a for uninterrupted 24-hour involving hourly sexual encounters to "condense" relational development and expose authentic compatibilities. This setup causally links initial optimism—fueled by and a rejection of superficial —to subsequent discord, as the enforced proximity rapidly unmasks personal insecurities, such as Naima's emotional guardedness and Sergio's impulsive tendencies, which erode the idealized bond. The portrayal emphasizes how accelerated intimacy functions as a flawed remedial response to perceived relational artifice, yet empirically demonstrates its counterproductive effects: behaviors like evasion of deeper emotional disclosure during lulls between encounters breed resentment, while physical and psychological fatigue from the regimen heighten sensitivities to minor incompatibilities, such as differing communication styles and unmet dependency needs. Vulnerabilities surface through depicted actions—Naima's into self-doubt and Sergio's escalating demands—illustrating causal pathways where rushed vulnerability-sharing, absent gradual trust-building, amplifies conflicts rather than resolving them, as early harmony devolves into arguments over authenticity and reciprocity. Contrasting the characters' starting premise of utopian efficiency in bonding with the emergent frictions, conveys relational through observable dynamics: the pact's , intended to circumvent dating's deceptions, instead replicates them internally via unspoken assumptions, leading to a breakdown where physical closeness fails to bridge emotional gaps, evidenced by sequences of failed reconciliations and mutual disillusionment. This depiction underscores the inherent limits of engineered intensity in human interactions, where behavioral mismatches—rooted in unaddressed individual histories—persistently undermine contrived acceleration, culminating in relational collapse despite professed intentions.

Critique of Intimacy Experiments

In Duck Butter, the protagonists and Sergio embark on an experimental to have every hour for 24 hours, aiming to compress the emotional deepening of a typical into a single day. This setup, initiated after an initial attraction at a on an unspecified recent date prior to the film's events, quickly devolves into physical and emotional strain, with the characters experiencing fatigue, irritability, and revelations of personal incompatibilities rather than profound bonding. The film's portrayal underscores that such accelerated intimacy yields superficial encounters, as the rigid schedule overrides natural relational pacing, leading to performative acts over genuine vulnerability. This depiction aligns with psychological evidence indicating that in romantic relationships emerges gradually through consistent, low-stakes interactions that allow for , rather than through high-intensity or frequent physical proximity alone. Studies emphasize that relational , particularly in early stages, requires repeated demonstrations of reliability over extended periods—often months—to mitigate risks of , as rapid escalation can amplify uncertainties without resolving them. In the film, the pact's failure to foster depth manifests causally through and escalating conflicts, such as Sergio's intrusive family visit and Naima's resentment over unreciprocated , mirroring how enforced repetition without foundational rapport breeds disillusionment instead of connection. The narrative subverts common assumptions by illustrating the downstream effects of fatigue and unmet expectations, where initial passion gives way to mundane irritants like bodily odors and mismatched communication styles, without resolving into idealized harmony. Unlike tropes in that often romanticize spontaneous couplings as transformative, Duck Butter highlights universal pitfalls—such as the illusion that physical novelty substitutes for temporal investment—resulting in the experiment's collapse into mutual exhaustion by dawn. This realism critiques the notion of "fast-forward" relationships as viable, portraying them as prone to absent incremental trust-building, consistent with observations that over-reliance on immediacy erodes .

Release

Premiere and Distribution

Duck Butter had its world premiere at the Tribeca Film Festival on April 20, 2018, as part of the U.S. Narrative Competition. The film screened multiple times during the festival, including a with cast and crew on April 29, 2018. Following its festival debut, the film received a in the United States on April 27, 2018, expanding to a maximum of two theaters. It grossed $2,797 in its opening weekend and a total of $6,877 domestically before concluding its run on May 17, 2018. The distribution strategy emphasized independent channels, aligning with the film's low-budget production by . Digital and streaming availability began shortly after the premiere, with video-on-demand options from April 24, 2018, and subsequent acquisition by for broader platform distribution. This approach facilitated access beyond limited theatrical markets, prioritizing on-demand viewing over wide cinema rollout.

Home Media and Availability

Duck Butter received a and DVD release on May 1, 2018, distributed by The Orchard . No Blu-ray edition was produced. Internationally, the DVD premiered on the same date and on May 14, 2018. As of October 2025, the film streams on in the United States, following its initial partnership with the platform for distribution. It remains available for rent or purchase on digital platforms including and at Home. Availability on other services has varied over time, with no major platform shifts reported since its Netflix integration.

Reception and Analysis

Critical Reviews

Duck Butter received mixed reviews from critics, earning a 55% approval rating on based on 38 reviews, with the consensus highlighting its raw exploration of intimacy alongside criticisms of sluggish pacing and underdeveloped narrative depth. The film's low-key, improvisational style drew praise for authenticity in depicting female relationships and sexuality, yet some reviewers found it veered into tedium, lacking sufficient dramatic tension to sustain viewer engagement. Nick Allen of awarded the film 2.5 out of 4 stars, commending the "poignant idea" of compressing a romance into 24 hours and the "superb, often quite funny and raw performances" by and , while noting that the understated execution risked becoming "too much so," resulting in a story that felt more observational than compelling. Similarly, Peter Debruge in described it as "a of empty intimacy," critiquing the vérité-style between the protagonists as an experiment that crammed relational milestones into a single day but ultimately yielded sparse emotional payoff despite strong acting. Other outlets echoed this ambivalence; The Guardian's reviewer appreciated the film's "comfortably uncensored" portrayal of lesbian sex and the female body—daring even in 2018—but concluded it proved "difficult to fall for" due to its heady theme overshadowing broader appeal. On , aggregating 12 reviews, it scored 58 out of 100, with mixed sentiments balancing innovative elements against perceptions of repetitive, aimless dialogue and character motivations that failed to evolve beyond surface-level quirks. Critics generally agreed on the leads' chemistry as a highlight, enabling genuine moments of vulnerability, though the film's minimalistic structure often left it feeling more like an endurance test than a cohesive character study.

Audience and Commercial Performance

Duck Butter achieved minimal commercial success at the , grossing $6,877 domestically and worldwide during its from April 27 to May 17, 2018, across a maximum of two theaters. Its opening weekend earned $2,797, underscoring the film's niche positioning within the market rather than broad appeal. As a low-budget production relying on improvisational techniques, the movie's earnings failed to generate significant , exemplifying the financial risks inherent in experimental films that prioritize artistic experimentation over accessibility. Audience reception, as measured by user-submitted ratings, reflected a lukewarm and divided response. On , the film holds a 5.2 out of 10 rating based on approximately 5,000 user votes, suggesting limited enthusiasm among viewers exposed to it via streaming or limited screenings. User reviews highlight polarization, with some commending the performances of leads and for their raw intensity, while others critiqued the narrative's aimlessness and explicit content as detracting from emotional depth. This modest viewership footprint, evidenced by the rating volume relative to higher-profile indies, aligns with the film's targeted appeal to audiences interested in unconventional explorations of intimacy, rather than achieving crossover traction.

Awards and Nominations

Duck Butter received limited recognition primarily within circuits. At the 2018 , where the film premiered, Alia won the award for in a U.S. Feature for her lead performance as Nima. The film itself was nominated for Best Feature at the same festival but did not win, with Diane taking the Founders Award for top honors. No nominations or wins were recorded from major industry awards such as the , , or , reflecting the film's niche release and modest commercial footprint outside festival screenings. This scarcity of broader accolades underscores the challenges faced by low-budget productions in securing from bodies, which often prioritize films with wider distribution and marketing support.

Legacy

Cultural Context

Duck Butter emerged in the landscape of independent cinema, a decade marked by the evolution of mumblecore influences into more experimental, dialogue-heavy explorations of personal relationships, often with low budgets and naturalistic performances. This period saw filmmakers prioritizing emotional authenticity over polished narratives, continuing a trend from the mumblecore wave while incorporating perspectives in films that examined intimacy without overt ideological framing. The film's 2018 release aligned with a surge in queer indie productions that depicted same-sex dynamics as facets of universal human experience rather than vehicles for , distinguishing it from more identity-focused works. Its avoidance of explicit politicization positioned it within a niche subset of , emphasizing interpersonal vulnerabilities amid broader cultural shifts. This context reflected 2010s-wide skepticism toward conventional , fueled by dating apps' dominance—Tinder launched in 2012 and by 2018 facilitated over 1.6 billion swipes daily—and a growing distrust of superficial connections. Post-#MeToo, which exploded in October 2017 with allegations against , dating discourse in 2018 emphasized hyper-awareness of , leading to reported confusion among 51% of single Americans under 30 who felt "extremely confused" about romantic norms. Such realism in indie portrayals countered optimistic mainstream views of effortless bonds, highlighting instead the era's experimental, often fraught quests for authenticity in relationships.

Retrospective Assessments

By 2025, Duck Butter has elicited no major revivals or widespread reevaluations, with its critic approval holding steady at 55% from 38 reviews, indicative of persistent mixed-to-negative consensus. Audience scores and ratings have similarly remained low and stable, around 5.3/10, signaling a lack of or broadened appreciation despite niche availability on streaming platforms. Sporadic online discussions, particularly in Reddit communities focused on indie films and lesbian cinema, highlight divided retrospective views: some users in 2022 praised its intimate rawness in depicting experimental relationships, while others in 2021 and 2023 dismissed it as portraying dysfunctional, toxic dynamics that reinforce stereotypes of relational instability. A 2024 group discussion in r/movieaweek reiterated its bold but uncomfortable exploration of accelerated bonding, without shifting broader perceptions. A 2023 DIVA magazine piece affirmed its enduring relatability, framing the protagonists' 24-hour pact as a cynical-naive lens on alternative queer relationships that realistically captures ensuing fatigue and discord rather than idealized success. Echoing this, a late 2025 Instagram review described the film as a "raw study" challenging instant intimacy's viability, where contrived intensity yields exhaustion over connection. Such assessments align with psychological research on relationship burnout, documenting how excessive or forced intimacy triggers emotional depletion, reduced communication, and detachment—patterns mirroring the film's causal progression from novelty-driven experiment to inevitable breakdown. This underscores empirical caution against over-romanticizing non-traditional bonds, prioritizing evidence of higher failure risks from unsustainable intensity over aspirational narratives.

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