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Edward Herrmann

Edward Kirk Herrmann (July 21, 1943 – December 31, 2014) was an American actor, director, and writer, best known for his Emmy- and Tony-winning performances in television, film, and theater. Born in Washington, D.C., Herrmann began his career on Broadway, earning a Tony Award in 1976 for his role in Mrs. Warren's Profession. His distinctive baritone voice and commanding presence led to frequent portrayals of authoritative figures, including Franklin D. Roosevelt in the 1976 miniseries Eleanor and Franklin, for which he received an Emmy nomination, and numerous History Channel documentaries. Herrmann's film roles spanned comedies and dramas, including the progressive editor Max Eastman in Warren Beatty's Reds (1981), the aristocratic husband in Woody Allen's The Purple Rose of Cairo (1985), and the quirky inventor in Overboard (1987). On television, he gained widespread recognition as the erudite patriarch Richard Gilmore in Gilmore Girls (2000–2007), a role that showcased his dry wit and warmth over seven seasons. He also narrated extensively for educational programming, contributing his resonant narration to series on the History Channel, enhancing public understanding of American history. Herrmann died of brain cancer at age 71 in , leaving a legacy of versatile character work that bridged stage, screen, and voiceover mediums without major controversies. His career, spanning over four decades, exemplified reliable craftsmanship in supporting roles that often elevated ensemble casts.

Early life and education

Family background and childhood

Edward Kirk Herrmann was born on July 21, 1943, in , to John Anthony Herrmann and Jean Eleanor (née O'Connor) Herrmann. His father worked as an for automobile and railroad companies, later transitioning to roles in the automotive advertising sector. The family relocated shortly after his birth to , an affluent suburb of , where Herrmann spent his childhood. Herrmann's paternal ancestry was , while his maternal side included roots through his mother's O'Connor lineage. Raised in the stable, upper-middle-class environment of , he experienced a conventional Midwestern upbringing amid the post-World War II economic boom, with his father's industry ties reflecting the region's automotive dominance. Limited public details exist on specific childhood experiences, though the move aligned with professional opportunities in Michigan's industrial heartland.

Academic training

Herrmann attended in , where he began performing in theater productions during his first year. He graduated from Bucknell in 1965 with a in English. Following graduation, he pursued acting training at the Dallas Theater Center. In 1968–1969, Herrmann studied drama at the London Academy of Music and Dramatic Art () on a Fulbright scholarship. This postgraduate program provided specialized instruction in classical and contemporary theater techniques, building on his undergraduate foundation.

Professional career

Stage performances

Herrmann commenced his professional stage career in the early 1970s with the U.S. premiere of Michael Weller's Moonchildren at in His New York debut occurred off-Broadway in 1971, portraying the soldier Hinkle in David Rabe's The Basic Training of Pavlo Hummel at . The Moonchildren production transferred to Broadway in 1972, where Herrmann reprised his role as Cootie (also known as Mel), a college student navigating post-adolescent aimlessness amid the era; the play opened at the Royale Theatre on February 21 and closed after 20 previews and 16 performances on March 4. In 1976, he earned acclaim as Frank Gardner, the opportunistic son of a clergyman, in the Broadway revival of George Bernard Shaw's Mrs. Warren's Profession at the , which ran from February 18 to April 4; for this performance, Herrmann won the for Best Performance by an Actor in a Featured Role in a Play at the 30th Annual Tony Awards. Herrmann continued with leading roles in subsequent Broadway productions, including Mike Connor, the cynical journalist, in the 1980 revival of Philip Barry's The Philadelphia Story at the Cort Theatre (November 14, 1980–January 4, 1981). He portrayed the British diplomat Raymond Brock in David Hare's Plenty at the Plymouth Theatre in 1983 (January 6–March 27), a role that drew a Tony Award nomination for Best Actor in a Play. Later appearances included a replacement stint as Andrew Makepiece Ladd III opposite in A.R. Gurney's epistolary drama Love Letters at the Promenade Theatre in 1989 (October 31, 1989–January 21, 1990). In 1998, Herrmann starred as the tormented husband William Collyer in Terence Rattigan's The Deep Blue Sea revival at the Roundabout Theatre Company's , which opened on March 26 and closed on May 10 after limited engagement. Over his theater career, he garnered two Tony Award nominations, with his 1976 win highlighting his versatility in classical and modern repertoire.

Film roles

Herrmann debuted in feature films with the role of law student Thomas Craig Anderson in The Paper Chase (1973), a drama about students directed by . He continued with supporting parts in period pieces such as the idle Klipspringer in (1974), adapted from F. Scott Fitzgerald's novel, and a pilot in (1975), directed by . Throughout the 1980s, Herrmann frequently portrayed authoritative or eccentric figures, including journalist Max Eastman in Warren Beatty's epic Reds (1981), which chronicled the life of communist sympathizer John Reed and earned Beatty a Best Director Oscar. He appeared as Franklin D. Roosevelt in the musical adaptation Annie (1982), directed by John Huston, and as the video store-owning vampire leader Max in the horror-comedy The Lost Boys (1987), Joel Schumacher's tale of teenage vampires in California. That same year, he played the snobbish shipping magnate Grant Stayton III in Garry Marshall's romantic comedy Overboard (1987), opposite Goldie Hawn and Kurt Russell. In the 1990s, Herrmann took on roles like Ed Devery in the remake Born Yesterday (1993) and the title character's father, Richard Rich Sr., in the family adventure Richie Rich (1994), a vehicle based on the comic strip. He portrayed in Oliver Stone's biographical drama Nixon (1995), which received four Academy Award nominations. Later films included in The Cat's Meow (2001), a period drama about a 1924 yacht scandal; in Martin Scorsese's The Aviator (2004), earning the film five Oscars; and Randy Stratton, a corporate executive, in The Wolf of Wall Street (2013), directed by Scorsese and starring , which garnered nine Oscar nominations. Herrmann's film work often emphasized his resonant voice and patrician demeanor, casting him as establishment types or villains in over 50 productions spanning dramas, comedies, and historical epics.

Television roles

Herrmann achieved early television prominence with his portrayal of President in the ABC miniseries Eleanor and Franklin (1976), for which he received an Emmy nomination for Outstanding Supporting Actor in a Limited Series. He reprised the role in the sequel Eleanor and Franklin: The White House Years (1977), earning another Emmy nomination. Throughout the and early , Herrmann appeared in guest and recurring capacities on several drama series, including five episodes as defense attorney Anderson Pearson on (1997–2004). He also played Dr. Norman Shales, a cardiothoracic surgeon, in five episodes of (2006–2007). His most extensive television role came as the patriarch Richard Gilmore in the / series (2000–2007), appearing in 154 episodes as the Yale-educated, conservative head of the Gilmore family, whose refined demeanor and occasional clashes with his independent daughter provided central dramatic tension. Herrmann's performance contributed to the show's blend of rapid-fire dialogue and family dynamics, making Richard a fan-favorite character known for his intellectual pursuits and subtle humor. He briefly returned as Richard in archival footage for the 2016 revival . Herrmann made additional guest appearances on programs such as , , and , often in authoritative or historical roles that leveraged his resonant voice and patrician presence.

Voice work and narration

Herrmann frequently provided narration for documentary films and television series, leveraging his resonant baritone voice to deliver authoritative and engaging commentary. He served as the primary narrator for numerous History Channel productions, including the 2000 documentary Horror in the East, which examined wartime atrocities in the Pacific theater, and the multi-volume Presidents series chronicling American chief executives. In 1994, he previewed the launch of The itself in promotional segments, establishing his association with historical programming. In collaboration with filmmaker , Herrmann voiced in the 2014 PBS miniseries The Roosevelts: An Intimate History, reprising elements of his earlier on-screen portrayal of the president. His final professional engagement was narrating the 2015 PBS miniseries Cancer: The Emperor of All Maladies, a three-part adaptation of Siddhartha Mukherjee's book; Herrmann collapsed during recording sessions but completed the work despite his own terminal brain cancer diagnosis, which he disclosed to the production team. Herrmann was a prolific audiobook narrator, credited with over 300 titles spanning history, , and . He received multiple from the Audio Publishers Association, including recognition for works like the 2004 Audio Collection, a finalist for Audiobook of the Year, as well as 22 Earphones Awards from AudioFile magazine for exceptional performances. Notable narrations included Story of Survival, Resilience, and Redemption by , emphasizing themes of endurance, and by , capturing the 1936 Olympic rowing team's underdog triumph. He also voiced historical figures in audiobooks, such as biographies of , , and . Posthumously, Herrmann was inducted into Audible's Narrator Hall of Fame in 2017 for his enduring contributions to the medium. Though his voice work extended to occasional animated and commercial projects, Herrmann's strengths lay predominantly in narration rather than character voicing, with credits including additional voices in the 2005 Adult Swim series Tom Goes to the Mayor.

Awards and recognition

Theater awards

Herrmann earned the Tony Award for Best Featured Actor in a Play for his portrayal of Frank Gardner in the Broadway revival of George Bernard Shaw's Mrs. Warren's Profession, which opened on April 23, 1976, at the Vivian Beaumont Theater. He received a Drama Desk Award nomination in the same category for this performance. In 1983, Herrmann was nominated for the Tony Award for in a Play for his role as Brook in David Hare's Plenty, which premiered on January 20 at the Plymouth Theatre. For his performance as Mr. Crawford in the 1996 Broadway production of , Herrmann garnered a nomination for Outstanding Featured Actor in a Play and an Outer Critics Circle Award nomination for Outstanding Featured Actor in a Play.
YearAwardCategoryProductionResult
1976Tony AwardBest Featured Actor in a PlayMrs. Warren's ProfessionWinner
1976Featured Actor in a PlayMrs. Warren's ProfessionNominee
1983Tony Award in a PlayPlentyNominee
1997Outstanding Featured Actor in a PlayNominee
1997Outer Critics Circle AwardOutstanding Featured Actor in a PlayNominee

Television and film accolades

Herrmann earned one Primetime Emmy Award out of five nominations for his television work. He won Outstanding Guest Actor in a Series in 1999 for portraying Anderson Pearson in The Practice. His Emmy nominations also included Outstanding Lead Actor in a or Comedy Special in 1976 for Eleanor and Franklin, the same category in 1977 for Eleanor and Franklin: The White House Years, Outstanding Guest Performer in a Series in 1986 for , and Outstanding Guest Actor in a Series in 1987 for . In film, Herrmann's accolades were more limited, primarily consisting of ensemble recognition rather than individual honors. He received a nomination for Outstanding Performance by a Cast in a Motion Picture at the 3rd Screen Actors Guild Awards in 1996, shared with the ensemble of Nixon.
YearAwardCategoryWorkResult
1999Primetime Emmy AwardOutstanding Guest Actor in a Drama SeriesThe PracticeWon
1976Primetime Emmy AwardOutstanding Lead Actor in a Drama or Comedy SpecialEleanor and FranklinNominated
1977Primetime Emmy AwardOutstanding Lead Actor in a Drama or Comedy SpecialEleanor and Franklin: The White House YearsNominated
1986Primetime Emmy AwardOutstanding Guest Performer in a Drama SeriesSt. ElsewhereNominated
1987Primetime Emmy AwardOutstanding Guest Actor in a Drama SeriesSt. ElsewhereNominated
1996Screen Actors Guild AwardOutstanding Performance by a Cast in a Motion PictureNixonNominated

Personal life

Marriages and family

Herrmann's first marriage was to actress and screenwriter Leigh Curran on September 9, 1978; the union produced one daughter, Ryen Alaire Herrmann, and ended in divorce in 1992. In 1994, he married Star Lynn Hayner, his second wife; they had one daughter together, Emma Madison Herrmann, and Herrmann became stepfather to Hayner's son from a previous marriage, Rory William Herrmann (formerly Rory Ryan). The couple remained married until Herrmann's death in 2014, and the family maintained close ties, with Ryen working in merchandising for , Emma based in , and Rory pursuing a career as a chef in .

Interests in automobiles

Herrmann developed a lifelong passion for classic automobiles, influenced by his upbringing in , near Detroit's hub. He became an avid collector and restorer, focusing on American classics such as and Auburns. His collection included notable vehicles like a Victoria by LeBaron, featuring unique custom aluminum coachwork on a junior and a 282 cu. in. L-head inline eight-cylinder engine producing 120 bhp. Herrmann achieved concours success with entries from his garage, including a 1929 Auburn 8-90 Boattail Speedster, which he acquired on the recommendation of a friend and showcased prominently. He also owned a SB Two Door , praising its "elegant simplicity of line and balance" in a published article. As an honorary trustee of the Motor Car Foundation, he supported preservation efforts for the brand's legacy. Beyond collecting, Herrmann immersed himself in the automotive community, serving as at the Pebble Beach for over 15 years, including a reduced role in 2014 despite health challenges. He narrated events and hosted television series like Ultimate Autos (1999–), which profiled desirable classics such as , , and models, and Classic Cars With Edward Herrmann. His enthusiasm extended to practical industry ties, including a decade-long stint as Dodge's spokesman in the 1990s with the campaign "The New Dodge. We've changed everything," where his refined delivery lent a cerebral tone to advertisements. Herrmann once reflected that automobiles had always been integral to his life, evoking a profound emotional response through their design and history. In December 2014, Edward Herrmann filed a $14.5 million lawsuit in against CohnReznick LLP, his former accounting firm, alleging professional , , and of duty in managing his personal and business finances from 2005 to 2014. The complaint claimed the firm failed to pay taxes on time, resulting in substantial IRS penalties and interest exceeding $2 million, and mismanaged investments, leading to financial losses that contributed to Herrmann's reported near-bankruptcy. Following Herrmann's death on December 31, 2014, his widow Star and estate executors sought to amend and pursue the case, but the dismissed the second amended complaint in 2016 for failing to plead claims with sufficient particularity under applicable professional malpractice standards. The Appellate Division, First Department, affirmed the dismissal on November 2, 2017, ruling that the allegations of tax errors and other negligences were conclusory and did not establish proximate causation or specific breaches beyond general averments. No other significant involving Herrmann as a party were publicly documented during his lifetime.

Illness, death, and legacy

Health struggles

In late 2013, Edward Herrmann was diagnosed with a grade 4 , an aggressive form of brain cancer. He chose to keep the diagnosis private, with even close colleagues from learning of it only through media reports after his condition worsened. Herrmann underwent treatment at in , but the tumor's rapid progression led to his admission to intensive care in the weeks before his death. The actor's health decline was marked by the cancer's terminal nature, with known for its resistance to standard therapies and median survival of 12-15 months post-diagnosis in such advanced cases. Despite his privacy, Herrmann continued limited professional engagements until his condition rendered further work impossible, reflecting a approach to his illness amid a career spanning theater, , and narration. No prior major health disclosures appear in , suggesting the cancer emerged without documented precursors.

Death

Edward Herrmann died on December 31, 2014, at the age of 71, from brain cancer. He had been diagnosed earlier that year and spent the final three-and-a-half weeks of his life in intensive care at in . His son, Herrmann, confirmed the cause of death as brain cancer and announced that Herrmann passed peacefully at 8:30 a.m. following months of treatment. Herrmann's representatives described him as having "valiantly braved" the illness, noting his continued professional commitments, including voice work for documentaries, up until shortly before his death.

Posthumous impact

Herrmann's narration for the documentary series Cancer: The Emperor of All Maladies, directed by Barak Goodman and based on Siddhartha Mukherjee's book, premiered on March 30, 2015, marking his final professional credit released posthumously. The six-hour production, which chronicled the history and of , drew on Herrmann's established voice work for educational content, though it was completed amid his health decline. The revival : , released November 25, 2016, addressed the absence of Herrmann's character Richard Gilmore by depicting his funeral and family mourning, providing an on-screen tribute that mirrored real sentiments from the cast. Co-stars such as and issued statements emphasizing Herrmann's gentlemanly demeanor and profound influence on the series, with Bishop attending his bedside in the final days. Herrmann's body of work, including over 100 roles plus extensive and documentary narrations on American history, continues to circulate via streaming platforms and archives, sustaining his reputation as a versatile with a authoritative suited to authoritative figures. Annual fan commemorations, particularly around anniversaries, underscore enduring appreciation for his portrayal of Richard Gilmore, often cited as a stabilizing paternal force in the show's ensemble.

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