Element Pictures
Element Pictures is an Irish film and television production company founded in 2001 by producers Ed Guiney and Andrew Lowe, with offices in Dublin and London.[1][2] The company specializes in developing and producing independent feature films and drama series, often collaborating with acclaimed international directors and securing funding from Irish and European sources.[3][4] Renowned for its support of auteur-driven cinema, Element Pictures has built a reputation as a European powerhouse through long-term partnerships with filmmakers such as Yorgos Lanthimos and Lenny Abrahamson.[4] Notable film productions include Poor Things (2023, directed by Lanthimos), which won four Academy Awards—including Best Actress for Emma Stone—along with five BAFTAs, two Golden Globes, and the Golden Lion at the Venice Film Festival; Room (2015, directed by Abrahamson), earning an Academy Award for Best Actress for Brie Larson and additional Golden Globe and BAFTA honors; and The Favourite (2018, directed by Lanthimos), which secured an Academy Award for Best Actress for Olivia Colman.[5][4][3] Other standout titles encompass The Lobster (2015), The Killing of a Sacred Deer (2017), and On Becoming a Guinea Fowl (2024, directed by Rungano Nyoni), for which Nyoni won the Best Director award in Un Certain Regard at Cannes.[6][7] In television, Element Pictures has produced high-profile series such as the BAFTA-winning Normal People (2020), adapted from Sally Rooney's novel, and projects like My Father's Shadow (2025), which premiered at the 2025 Cannes Film Festival, receiving the Caméra d'Or Special Mention, and garnered 12 British Independent Film Award nominations.[8][9] The company's success at major festivals, including multiple Cannes prizes in recent years—such as Jesse Plemons' Best Actor win for Kinds of Kindness (2024), the Caméra d'Or Special Mention for My Father's Shadow (2025), and Best Screenplay for Pillion (2025)—underscores its role in elevating Irish storytelling on the global stage.[10][11][8]History
Founding and early years
Element Pictures was established in Dublin in 2001 by producers Ed Guiney and Andrew Lowe as a film and television production company focused on developing and financing independent projects.[3][12] The company opened its first office in the Irish capital, operating on a modest scale with limited budgets to support emerging talent and stories rooted in Irish culture.[1] From its inception, Element emphasized independent Irish cinema, often through co-productions with UK and international partners to leverage resources in a small domestic industry.[13] In its early years, Element built a reputation for backing gritty, character-driven narratives that highlighted social issues and personal struggles. Key productions included The Magdalene Sisters (2002), directed by Peter Mullan, which explored the harsh realities of Ireland's Magdalene laundries.[1] This marked the start of a long-term collaboration with Mullan, whose work aligned with the company's commitment to provocative Irish storytelling. Subsequent releases encompassed Boy Eats Girl (2004), a dark comedy-horror; Adam & Paul (2004), a raw depiction of addiction in Dublin; and Omagh (2004), a television drama recounting the aftermath of the 1998 bombing.[1][14] By 2005, Element had expanded its early output to include family-oriented and genre films, such as Lassie, a remake of the classic tale set against the backdrop of the Great Depression, and Isolation, a horror thriller involving experimental farming gone awry on an Irish farm.[1] These projects exemplified the company's initial approach: modest, budget-conscious endeavors that prioritized authentic Irish perspectives while fostering co-production ties to broaden distribution.[15]Expansion and international success
Following its early successes with films like The Magdalene Sisters, Element Pictures began scaling operations in the mid-2000s to pursue broader European and international co-productions.[1] In 2012, the company took over management of the Light House Cinema in Dublin, Ireland's premier art house venue, reopening it after a brief closure and establishing a key exhibition arm to support independent film distribution and audience engagement.[16] This move complemented the development of its distribution capabilities, including the launch of the Volta VOD platform in 2012, which Element Pictures acquired and expanded to showcase Irish and international independent titles.[17][18] By the early 2010s, Element Pictures had solidified its presence in the UK with a London office, incorporated as Element Pictures UK Ltd in 2003 but operationally expanded to facilitate cross-border collaborations and access to European funding.[19] This infrastructure enabled a pivot toward high-profile international partnerships, notably beginning with director Yorgos Lanthimos on The Lobster in 2015, a dystopian black comedy that premiered in competition at Cannes and marked the start of a prolific creative alliance.[20] The company's growth accelerated with breakout productions such as Room (2015), directed by Lenny Abrahamson and earning widespread acclaim for its intimate storytelling, and The Favourite (2018), another Lanthimos collaboration that blended historical drama with sharp satire.[21][22] In 2022, Fremantle acquired a majority stake in Element Pictures, providing additional resources for global expansion while retaining founders Ed Guiney and Andrew Lowe as co-CEOs.[1] This infusion supported a surge in high-impact projects, culminating in a historic triple presence at the 2024 Cannes Film Festival with Kinds of Kindness (Lanthimos's anthology fable), Emilia Pérez (Jacques Audiard's musical drama), and The Apprentice (Ali Abbasi's biopic).[4] Building on this momentum, Element Pictures secured two entries for the 2025 Cannes Official Selection: Harry Lighton's Pillion, and Akinola Davies Jr.'s My Father's Shadow, a poignant coming-of-age story.[23] By 2025, the company had grown its staff to around 35, emphasizing diverse genres from arthouse dramas to genre-bending narratives, with a notable commitment to female-led stories exemplified by projects like Herself (2020) and ongoing initiatives to amplify women in front of and behind the camera.[24][25][26][27]Operations
Production divisions
Element Pictures operates distinct production divisions for film and television drama, each focused on developing and producing feature-length narratives, documentaries, series, limited series, and mini-series. The film division handles cinematic projects ranging from independent features to larger-scale productions, while the television division emphasizes scripted drama for broadcasters and streaming platforms. These divisions maintain separate pipelines but collaborate under the company's unified creative vision, with offices in Dublin and London facilitating both Irish-rooted and international work.[1] The development process begins with in-house script acquisition, where the company identifies and secures original material or adaptations, often investing profits into building a diverse slate of projects. Talent scouting prioritizes emerging Irish and international directors, alongside established collaborators, to foster innovative storytelling, as seen in their support for fresh voices at budgets under $5 million. Financing is sourced through a mix of public funding from Screen Ireland's tax incentives, co-productions with entities like BBC Film and the BFI, and private equity backing from majority owner Fremantle since 2022, alongside partners such as Mubi.[15][1][28][29] Current leadership is provided by co-CEOs and founders Ed Guiney and Andrew Lowe, Chief Operating Officer Annette Waldron, who oversee both divisions. The film division is led by Anna Stevens as Head of Development, supported by Ina Remme as Film Development Executive, while the television division is headed by Chris Aird, with Kate Harwood serving as Executive Producer for TV. Additional key roles include Paula Heffernan as Head of Production and producers such as Chelsea Morgan Hoffmann, Emma Norton, and Rachel Dargavel, forming a core team of five full-time producers alongside the founders.[30][15] Element Pictures demonstrates a commitment to diversity through initiatives like partnerships with The Lir Academy to enhance equality of access and inclusion in training the next generation of filmmakers, as well as support for disability bursaries and writers' awards promoting underrepresented voices in Northern Ireland. These efforts aim to amplify diverse narratives without a formalized quota system.[31][32][33] The company typically produces 2–3 films and 2–3 television projects annually, with budgets varying from around €5 million for independent endeavors to $35 million for major features such as Poor Things. This output reflects a balanced approach to scale, prioritizing quality and artistic risk over volume.[15][34]Distribution and exhibition arms
Element Pictures' distribution arm, Volta Pictures, was established in 2007 as Element Distribution to handle the Irish release of the company's film Garage, marking the beginning of its involvement in film commercialization.[28] In 2022, the division rebranded to Volta Pictures while remaining under the ownership of Element Pictures founders Ed Guiney and Andrew Lowe, who continue as sole shareholders and directors.[35] As one of Ireland's leading independent distributors, Volta manages theatrical releases for Element's own productions as well as third-party titles, with a focus on Irish films and international arthouse imports from studios like A24.[36] Notable releases include the critically acclaimed God's Creatures (2023), starring Paul Mescal and Aisling Franciosi, which Volta brought to Irish cinemas in March 2023.[37] The company's exhibition operations are centered on the Light House Cinema in Dublin, which Element Pictures took over and reopened in January 2012 after a period of closure.[38] Element Pictures also operated the Pálas Cinema in Galway from February 2018 until its closure in February 2025 due to financial losses.[39] Featuring three screens, the Light House specializes in independent, arthouse, and festival programming, serving as a key hub for diverse cinematic experiences in Ireland.[16] The Light House has become integral to Element Pictures' ecosystem, hosting premieres of the company's films and providing a platform to nurture emerging talent within the Irish independent scene.[15] Integration between production, distribution, and exhibition allows Element Pictures to maintain control over the Irish market for its output, ensuring seamless rollout from creation to audience delivery. This vertical structure has supported the company's growth, particularly following international successes like The Favourite (2018).[28] In recent years, Volta has expanded into digital channels through its video-on-demand platform, Volta VOD, which streams Irish and international independent titles, complementing traditional theatrical releases.[40]Productions
Feature films
Element Pictures has established itself as a prominent force in independent cinema, particularly through its production and co-production of feature films that often explore Irish narratives, themes of personal resilience, and surreal human experiences. Founded in 2001 by Ed Guiney and Andrew Lowe, the company initially focused on Irish-centric stories before expanding into international collaborations, serving as lead producer on most projects while co-producing with global partners like Film4 and Searchlight Pictures.[1] Their portfolio emphasizes character-driven dramas and arthouse works, with a notable emphasis on female-led stories of empowerment and survival.[4] The company's early breakthrough came with The Guard (2011), directed by John Michael McDonagh, where Element Pictures acted as lead producer on the black comedy starring Brendan Gleeson and Don Cheadle. Set in rural Ireland, the film satirized small-town policing and drug trafficking, grossing $19.6 million worldwide on a $6 million budget and marking a commercial success for Irish independent cinema.[41] This was followed by co-productions like Shadow Dancer (2012) and What Richard Did (2012), both delving into Irish social tensions, but Element's international profile rose with Room (2015), directed by Lenny Abrahamson. As co-producer alongside No Trace Camping and others, Element contributed to the adaptation of Emma Donoghue's novel, focusing on a mother's empowerment in captivity and escape; the film earned an Academy Award nomination for Best Picture and grossed $35.4 million globally.[42][21] A defining partnership emerged with director Yorgos Lanthimos, beginning with The Lobster (2015), an Irish-Greek co-production led by Element Pictures that introduced surreal dystopian themes of love and conformity. Filmed in County Kerry, it won the Jury Prize at Cannes and explored absurd societal pressures through Colin Farrell's performance.[20] This collaboration continued with The Killing of a Sacred Deer (2017), another Element-led surreal thriller co-produced with Film4, delving into guilt and retribution, and The Favourite (2018), a period drama on power and female rivalry that grossed $95.9 million worldwide on a $15 million budget.[43] Element's role as lead producer facilitated these films' financing and distribution, blending Irish talent with international appeal.[4] Subsequent projects highlighted themes of female empowerment and Irish identity, including Disobedience (2017), co-produced with BBC Films, which examined forbidden love in an Orthodox Jewish community, and Herself (2020), directed by Phyllida Lloyd, where Element served as lead producer on the story of a single mother's quest for housing and autonomy in Dublin.[1] The Wonder (2022), directed by Sebastián Lelio and co-produced with BBC Film, adapted an Irish folktale of faith and starvation, starring Florence Pugh and reinforcing Element's focus on women's inner strength. The partnership with Lanthimos reached its pinnacle with Poor Things (2023), Element Pictures' largest production at $35 million, co-financed by Searchlight Pictures and TSG Entertainment. As lead producers, Guiney and Lowe developed the film from Alasdair Gray's novel, portraying a woman's fantastical journey of self-discovery and surreal rebirth, starring Emma Stone; it grossed $117.6 million globally, becoming the company's highest-earning title.[15] The collaboration extended to Kinds of Kindness (2024), an anthology triptych fable co-produced with Film4 and Searchlight Pictures, featuring Emma Stone, Jesse Plemons, and Willem Dafoe in stories of control, identity, and belief; it premiered in Cannes official selection, where Plemons won Best Actor.[44] Element Pictures also supported emerging voices with On Becoming a Guinea Fowl (2024), directed by Rungano Nyoni and co-produced with BBC Film and Fremantle, a black comedy-drama about family secrets and sisterhood in Zambia starring Susan Chardy; it premiered at Cannes Un Certain Regard, winning the Caméra d'Or for best first feature and Best Director for Nyoni.[45] Looking ahead as of November 2025, the company released My Father's Shadow earlier in the year, directed by Akinola Davies Jr. and co-produced with BBC Film, BFI, and Fatherland Productions, a semi-autobiographical drama set in 1993 Lagos during election unrest, starring Sope Dirisu; it premiered at Cannes 2025, received a Caméra d'Or Special Mention, 12 British Independent Film Award nominations, and was selected as the UK's Oscar entry for International Feature Film.[46] Element continues this trajectory with Bugonia (2025), a Lanthimos-directed absurdist thriller co-produced with CJ ENM, starring Emma Stone and Jesse Plemons, which premiered at the Venice Film Festival.[47] Pillion (2025), directed by Harry Lighton and financed by BBC Film and the BFI, explores queer romance and submission with Alexander Skarsgård and Harry Melling; it premiered in Un Certain Regard at Cannes 2025 and is scheduled for UK release on November 28, 2025.[48] These efforts underscore Element's commitment to innovative storytelling and international co-productions.[49]Television series
Element Pictures has established itself as a key player in television drama production, specializing in limited series and serialized formats that often adapt Irish literature or explore social and historical themes. The company frequently collaborates with international broadcasters such as BBC, Hulu, and Apple TV+, enabling global distribution while maintaining a focus on Irish narratives and talent. These co-productions emphasize character-driven stories addressing contemporary issues like relationships, family dynamics, and national history, with a production style that prioritizes intimate, atmospheric direction and authentic location shooting in Ireland. A landmark project is the 2020 limited series Normal People, adapted from Sally Rooney's novel and co-produced with BBC Three and Hulu. Directed by Lenny Abrahamson and Leanne Welham, the 12-episode series follows the on-off relationship between two young Irish protagonists, starring Paul Mescal and Daisy Edgar-Jones. It garnered over 62 million streams on BBC iPlayer in its launch year, marking it as the platform's most-watched series of 2020 and contributing to global viewership exceeding 50 million across platforms.[50][51][1] Building on this success, Element Pictures produced Conversations with Friends in 2022, another 12-episode adaptation of Rooney's debut novel, again for BBC Three and Hulu. Directed by the same team as Normal People, the series examines complex relationships among Dublin college students, featuring Alison Oliver, Joe Alwyn, and Jemima Kirke. It continued the company's emphasis on Rooney's introspective style, exploring themes of infidelity and personal growth within Irish literary contexts.[52][53][54] In the realm of original content, Bad Sisters (2022–present), an Apple TV+ black comedy created by Sharon Horgan, stands out for its blend of thriller elements and dark humor. Co-produced with Apple, the series follows five Irish sisters entangled in a suspicious death, with Season 1 comprising 10 episodes and Season 2 adding 8 more, totaling 18 episodes as of 2025. It addresses social issues like domestic abuse and female solidarity, earning acclaim for its sharp scripting and ensemble cast including Horgan, Sarah Greene, and Anne-Marie Duff. Audience demand metrics indicate it outperforms the average TV series by over 10 times in key markets, reflecting strong streaming performance.[55][56] Earlier television efforts include the historical miniseries Rebellion (2016), a five-part co-production with RTÉ and SundanceTV that dramatizes the Easter Rising of 1916 through fictional characters' perspectives. Directed by Aku Louhimies, it highlights themes of independence and rebellion central to Irish identity. Complementing this, Red Rock (2015–2018), a long-running crime soap co-produced with Virgin Media One (formerly TV3), spanned over 100 episodes set in a fictional Dublin suburb, focusing on Garda investigations and community tensions. These projects underscore Element Pictures' versatility in serialized formats tackling social issues.[57][58][59] Looking ahead, Element Pictures continues its co-production model with BBC for upcoming series like The Listeners (2024–2025), a psychological drama adapted from Jordan Tannahill's novel and starring Rebecca Hall as a teacher experiencing mysterious auditory phenomena. Directed by Janicza Bravo, the series delves into themes of perception and collective delusion, aligning with the company's interest in introspective, issue-driven narratives. By 2025, streaming metrics for recent releases like Bad Sisters Season 2 show sustained global engagement, with demand levels remaining elevated in major territories.[60][61][62]Awards and recognition
Major wins
Element Pictures' productions have achieved significant recognition at major international awards ceremonies, particularly in acting, technical, and narrative categories. The company's collaboration with director Yorgos Lanthimos has been especially fruitful, yielding multiple high-profile victories. By 2025, Element Pictures' projects had amassed at least 6 Academy Awards, 14 BAFTAs (including television), and several festival prizes, underscoring its impact on global cinema.[1] At the Academy Awards, Element Pictures' most notable success came with Poor Things (2023), which secured four Oscars in 2024: Best Actress for Emma Stone, Best Production Design for James Price and Shona Heath, Best Costume Design for Holly Waddington, and Best Makeup and Hairstyling for Nadia Stacey, Mark Coulier, and Josh Weston.[5][63] This marked the company's third Best Actress win, following Olivia Colman's victory for The Favourite (2018) in 2019 and Brie Larson's for Room (2015) in 2016.[4][64] The British Academy Film Awards have been a stronghold for Element Pictures, with Poor Things earning five wins in 2024: Leading Actress for Emma Stone, Costume Design for Holly Waddington, Makeup and Hair for Nadia Stacey, Mark Coulier, and Josh Weston, Production Design for James Price, Shona Heath, and Zsófia Tasnádi, and Special Visual Effects for Simon Hughes, Andrew Simon, and Ming Qiu.[65] Earlier, The Favourite (2018) dominated the 2019 ceremony with seven awards, including Outstanding British Film, Leading Actress for Olivia Colman, Supporting Actress for Rachel Weisz, Original Screenplay for Deborah Davis and Tony McNamara, Costume Design for Sandy Powell, Production Design for Fiona Crombie and Alice Felton, and Makeup and Hair for Christine Blundell and Josh Weston.[66] Additionally, Room claimed the Leading Actress award for Brie Larson in 2016.[67] In television, Normal People (2020) won the Leading Actor award for Paul Mescal at the 2021 BAFTA Television Awards.[68] Element Pictures has also excelled at the Cannes Film Festival, with consecutive successes in recent years. In 2024, the company achieved a double win: Kinds of Kindness saw Jesse Plemons win Best Actor, and On Becoming a Guinea Fowl (directed by Rungano Nyoni) earned Nyoni the Best Director award in Un Certain Regard.[69][70] It repeated this double win in 2025, as Pillion (directed by Harry Lighton) took the Best Screenplay award in Un Certain Regard, and My Father's Shadow (directed by Akinola Davies Jr.) received a Special Mention for the Caméra d'Or.[8] At the Venice Film Festival, Poor Things claimed the Golden Lion for Best Film in 2023.[71] On the domestic front, Element Pictures' television work has garnered acclaim at the Irish Film & Television Awards (IFTA). Normal People (2020) swept nine awards in 2021, including Best Drama Series, Best Actor for Paul Mescal, and Best Actress for Daisy Edgar-Jones. The company has accumulated over 20 IFTA wins across its projects by 2025, often in drama and acting categories.[72] These victories highlight Element Pictures' strength in fostering talent and delivering critically acclaimed storytelling.Notable nominations
Element Pictures has garnered significant recognition at major international awards ceremonies, with its productions receiving a total of 25 Academy Award nominations as of 2024.[5] These nominations span films and television series, highlighting the company's role in elevating Irish and international storytelling on global stages. The company's film Poor Things (2023), directed by Yorgos Lanthimos, achieved a landmark 11 nominations at the 96th Academy Awards, including Best Picture, Best Director, Best Actress for Emma Stone, and Best Adapted Screenplay.[73] It also secured 11 nominations at the 77th British Academy Film Awards (BAFTAs), covering categories such as Best Film, Best Director, and Best Actress.[74] Additionally, Poor Things earned nominations at the 81st Golden Globe Awards, including Best Motion Picture – Musical or Comedy and Best Actress.[75] Earlier successes include The Favourite (2018), another Lanthimos collaboration, which received 10 Academy Award nominations, including Best Picture, Best Actress for Olivia Colman, and Best Supporting Actress for Emma Stone and Rachel Weisz.[76] It led BAFTA nominations with 12, spanning Best Film, Best British Film, and multiple acting and technical categories.[77] The film also garnered 5 Golden Globe nominations, including Best Motion Picture – Musical or Comedy.[78] Lenny Abrahamson's Room (2015) marked an early breakthrough with 4 Academy Award nominations, including Best Picture, Best Director, Best Actress for Brie Larson, and Best Adapted Screenplay.[79] On television, the Hulu series Normal People (2020), adapted from Sally Rooney's novel and directed by Abrahamson and Hettie Macdonald, received 4 Primetime Emmy nominations, including Outstanding Limited Series, Lead Actor for Paul Mescal, and Directing for a Limited Series.[80] It also earned 2 Golden Globe nominations for Best Limited Series and Best Actress for Daisy Edgar-Jones.[81] Other notable mentions include Calm with Horses (2019), which received 4 BAFTA nominations, including Supporting Actress for Niamh Algar.[82] More recently, My Father's Shadow (2025, directed by Akinola Davies Jr.) received 12 nominations at the 2025 British Independent Film Awards, including Best British Independent Film and Best Director.[83] Element Pictures productions have also been frequently nominated at the Irish Film & Television Academy (IFTA) Awards, though these are more localized in scope.[84]| Production | Award Ceremony | Year | Number of Nominations | Key Categories |
|---|---|---|---|---|
| Poor Things | Academy Awards | 2024 | 11 | Best Picture, Best Director, Best Actress |
| Poor Things | BAFTAs | 2024 | 11 | Best Film, Best Director, Best Actress |
| The Favourite | Academy Awards | 2019 | 10 | Best Picture, Best Actress, Best Supporting Actress (x2) |
| The Favourite | BAFTAs | 2019 | 12 | Best Film, Best British Film, Best Actress |
| The Favourite | Golden Globes | 2019 | 5 | Best Motion Picture – Musical or Comedy, Best Actress |
| Room | Academy Awards | 2016 | 4 | Best Picture, Best Director, Best Actress |
| Normal People | Primetime Emmys | 2020 | 4 | Outstanding Limited Series, Lead Actor, Directing |
| Normal People | Golden Globes | 2021 | 2 | Best Limited Series, Best Actress |
| Calm with Horses | BAFTAs | 2020 | 4 | Supporting Actress, Original Screenplay |
| My Father's Shadow | British Independent Film Awards | 2025 | 12 | Best British Independent Film, Best Director |