Elizabeth Spriggs
Elizabeth Spriggs (18 September 1929 – 2 July 2008) was an English character actress renowned for her versatile performances across theatre, television, and film.[1][2] Born Elizabeth Jean Williams in Buxton, Derbyshire, Spriggs initially trained in opera at the Royal College of Music before transitioning to drama, teaching theatre and speech at Coventry Technical College in her early career.[1][2] She began her professional acting career in 1953 with the Bristol Old Vic theatre company and later joined the Birmingham Repertory Theatre, where she took on challenging roles such as Cleopatra and Ranevskaya in The Cherry Orchard (1958).[1][2] Spriggs achieved prominence in the 1960s with the Royal Shakespeare Company (RSC), debuting there in 1962 and earning acclaim for roles including the Nurse in Romeo and Juliet (1968), Gertrude in Hamlet (1965 and 1968 productions), and Beatrice in Much Ado About Nothing (1971).[1][2] Her work extended to the National Theatre, where she portrayed Madame Arcati in Noël Coward's Blithe Spirit (1976) and Lady Fidget in William Wycherley's The Country Wife (1977), and she won the Society of West End Theatre Award for Best Supporting Actress for her performance in Love Letters on Blue Paper (1978).[1][2] On television and film, Spriggs became widely recognized for her role as the gossipy Mrs. Jennings in the film adaptation of Jane Austen's Sense and Sensibility (1995), for which she received a BAFTA nomination for Best Supporting Actress,[3] as well as Nan in the sitcom Shine on Harvey Moon (1982–1985) and the enigmatic Fat Lady in Harry Potter and the Philosopher's Stone (2001).[1][2] She was married three times and passed away in Oxford at the age of 78.[1][2]Early life and education
Childhood
Elizabeth Spriggs was born Elizabeth Jean Williams on 18 September 1929 in Buxton, Derbyshire, England.[4] She was the second of four children in a family marked by emotional distance.[5] Her childhood in Buxton was profoundly unhappy, shaped by a lack of warmth and support from her parents, particularly her distant and domineering father, who worked as a master builder and farmer.[5] Spriggs later reflected on this period, stating that she "grew up entirely without affection."[5] These formative experiences in Buxton, amid a challenging family environment, left a lasting impact on her early years before her family relocated to the Coventry area, where she attended Wheatley Street High School for Girls.[1]Training and early career
After an unhappy childhood marked by family discord, Elizabeth Spriggs sought outlets for self-expression through the arts.[1] Possessing a natural mezzo-soprano voice, she pursued formal studies in opera at the Royal College of Music in London during her teenage years, though bronchial asthma ultimately curtailed her singing ambitions.[1][2] Relocating to Coventry, Spriggs balanced practical employment with her growing interest in performance. She participated in amateur dramatics with the local Little Players group.[1] Following additional training as a teacher of speech and drama, she secured a position at Coventry Technical College, where she instructed students privately and in formal classes, though the role left her feeling unfulfilled.[6][1][2] At age 21, Spriggs entered her first marriage to Kenneth Spriggs, with whom she had a daughter, Wendy.[5] The union proved disastrous, and by 1953, when Wendy was about one year old, Spriggs made the agonizing choice to leave her husband and child to commit fully to an acting career—a decision she later described as "the most painful decision of my life" and one driven by an inner compulsion she feared would otherwise "destroy" her.[5][6] This pivotal step marked her transition from amateur pursuits and teaching to professional aspirations in the theatre.Stage career
Royal Shakespeare Company
Elizabeth Spriggs joined the Royal Shakespeare Company (RSC) in 1962, marking her entry into professional theatre as part of Peter Hall's ensemble at a pivotal time for the company.[7] Her initial roles included Mrs Vixen in The Beggar's Opera, directed by Peter Wood, during the Aldwych season.[2] These early appearances helped her integrate into the RSC's collaborative environment, where she contributed to the company's innovative approach to classical and contemporary works under Hall's leadership.[1] Throughout the mid-1960s, Spriggs took on significant Shakespearean roles that showcased her versatility in classical theatre. In 1965, she portrayed Gertrude in Peter Hall's production of Hamlet at Stratford, opposite David Warner as the prince, delivering a performance noted for its emotional depth and subtlety; the production was revived in 1968.[2] In 1967, at Stratford, she played the Nurse in Romeo and Juliet and Mistress Quickly in Henry IV, Parts I and II, roles that highlighted her skill in embodying earthy, comedic maternal figures.[2] She also appeared as the Courtesan in Clifford Williams's The Comedy of Errors (1965) and as an asylum inmate in Peter Brook's groundbreaking Marat/Sade (1964) at the Aldwych, further establishing her as a reliable ensemble player capable of handling both farce and intensity.[2] In the early 1970s, Spriggs continued to build her reputation with commanding performances in RSC productions that blended Shakespeare and modern drama. She played Beatrice in Much Ado About Nothing at Stratford in 1971, bringing a mature vulnerability to the role that resonated with audiences.[2] Earlier, in 1970, she starred as Lady Britomart Undershaft in George Bernard Shaw's Major Barbara at the Aldwych, a portrayal praised for its authoritative presence, and as Lady Gay Spanker in Dion Boucicault's London Assurance, directed by Ronald Eyre, which transferred to New York in 1975 alongside Donald Sinden and Judi Dench.[2] These roles, along with others like Claire in Edward Albee's A Delicate Balance (1969) with Peggy Ashcroft and Michael Hordern, solidified Spriggs' status as a leading figure in the RSC's classical repertoire.[1]National Theatre and later stage work
In 1976, Elizabeth Spriggs joined the National Theatre as it transitioned to its new South Bank home under Peter Hall's direction, bringing her established stage presence from prior ensemble work.[1] Her tenure there began prominently with the role of the eccentric medium Madame Arcati in Noël Coward's Blithe Spirit, a performance that showcased her flair for comedic timing and character depth in the company's inaugural season.[1] She further contributed to that season with appearances in Ben Jonson's Volpone, William Wycherley's The Country Wife, and William Shakespeare's Macbeth, roles that underscored her adaptability across Restoration comedy and classical tragedy.[1] Spriggs' work at the National Theatre reached a career highlight in 1978 when she earned the Olivier Award for Best Supporting Actress for her portrayal of the patient wife Sonia in Arnold Wesker's contemporary drama Love Letters on Blue Paper, staged at the Cottesloe Theatre.[8][1] This accolade affirmed her skill in nuanced, emotionally layered supporting roles within modern British playwriting.[8] That same year, she appeared in Ödön von Horváth's Tales from the Vienna Woods (translated by Christopher Hampton), further demonstrating her command of ensemble dynamics in European dramatic traditions.[1] Beyond the National Theatre, Spriggs' later stage career continued to exhibit her broad range, blending classical and contemporary pieces. In 1986, she starred in a West End revival of J.B. Priestley's When We Are Married, bringing vitality to the ensemble comedy of manners.[1] She also took on a role in George Bernard Shaw's Misalliance that year with the Royal Shakespeare Company, reaffirming her affinity for witty, intellectual Edwardian satire.[1] By 1991, she appeared as Abby Brewster in Joseph Kesselring's Arsenic and Old Lace at the Chichester Festival Theatre, a dark comedy that highlighted her talent for portraying delightfully macabre matriarchs.[1] These productions illustrated Spriggs' enduring versatility, allowing her to navigate from Shakespearean intensity to Priestley's domestic humor with equal authority.[1]Screen career
Television
Elizabeth Spriggs had a prolific television career spanning over four decades, with roles in series, mini-series, TV movies, and specials. Below is a chronological list of her television credits.| Year | Title | Role | Notes |
|---|---|---|---|
| 1968 | All's Well That Ends Well | Widow | TV movie |
| 1972 | The Double Dealer | Lady Plyant | TV movie |
| 1982 | Spider's Web | Mildred Peake | TV movie |
| 1982 | Frost in May | Mother Radcliffe | Mini-series, 2 episodes |
| 1982–1985, 1995 | Shine on Harvey Moon | Nan | TV series, 41 episodes[9] |
| 1983 | Those Glory Glory Days | School Mistress | TV movie |
| 1984 | The Jewel in the Crown | Mildred Layton | Mini-series, 2 episodes |
| 1987 | Doctor Who (Paradise Towers) | Tabby | TV series, 2 episodes (Season 24, Episodes 2–3) |
| 1987–1988 | Simon and the Witch | The Witch | TV series, 25 episodes[10] |
| 1988–1991 | Watching | Aunty Peggy | TV series, 5 episodes |
| 1988 | A Kind of Living | Mo | TV series, recurring role |
| 1989 | Oranges Are Not the Only Fruit | May | Mini-series, 3 episodes[11] |
| 1990–1991 | Jeeves and Wooster | Aunt Agatha | TV series, 2 episodes |
| 1992 | The Old Devils | Alice | TV mini-series |
| 1994 | Martin Chuzzlewit | Mrs. Gamp | Mini-series, 6 episodes[12] |
| 1994 | Middlemarch | Mrs. Cadwallader | Mini-series, 6 episodes |
| 1995 | Henry IV | Mistress Quickly | TV movie (part of the BBC Shakespeare series) |
| 1996 | The Tenant of Wildfell Hall | Mrs. Markham | Mini-series, 3 episodes |
| 1997 | Midsomer Murders (The Killings at Badger's Drift) | Iris Rainbird | TV series, Season 1, Episode 1 |
| 1998–2002 | Playing the Field | Mrs. Mullen | TV series, recurring role over 5 seasons[13] |
| 1998 | Casualty | Barbara Thomas | TV series, 1 episode (Series 13, Episode 1) |
| 1999 | Alice in Wonderland | The Duchess | Mini-series, 2 episodes |
| 2000 | The Sleeper | Cath | Mini-series, 4 episodes |
| 2003 | Sparkling Cyanide | Mrs. Winter | TV movie |
| 2004 | The Royal | Dolly Smith | TV series, 1 episode (Series 4, Episode 9) |
| 2005 | Jericho | Grandma Pinnock | TV series, 1 episode (Series 1, Episode 4: "The Hollow Men") |
| 2005 | Agatha Christie's Poirot (Taken at the Flood) | Mrs. Leadbetter | TV series, 1 episode (Series 9, Episode 4) |
| 2005 | Heartbeat | Mrs. Winstanley | TV series, 1 episode (Series 15, Episode 6: "Yesterday Once More") |
| 2006 | Midsomer Murders (The Creeper) | Ursula Gooding | TV series, Season 9, Episode 7 |
| 1998 | This Is Your Life | Herself | TV special[14] |
Film
Work Is a 4 Letter Word (1968) as Mrs. Murray.[15] Three Into Two Won't Go (1969) as Marcia.[15] The Europeans (1979) as Mrs. Young.[15] Richard's Things (1980) as Mrs. Sells.[15] Lady Chatterley's Lover (1981) as Lady Eva.[15] An Unsuitable Job for a Woman (1982) as Miss Markland.[15] Impromptu (1991) as Baroness Laginsky.[15] The Hour of the Pig (1993) as Beggar at the Inn.[15] Sense and Sensibility (1995) as Mrs. Jennings.[15] The Secret Agent (1996) as Winnie's Mother.[15] Paradise Road (1997) as Mrs. Roberts.[15] The Barber of Siberia (1998) as Perepelkina.[15] Harry Potter and the Philosopher's Stone (2001) as The Fat Lady.[15] Is Anybody There? (2008) as Prudence.[15]Personal life and death
Marriages and family
Elizabeth Spriggs was first married to Kenneth Spriggs in 1951, with whom she had a daughter, Wendy, born in 1952.[16] The marriage, described by Spriggs as disastrous, ended in divorce in 1964 after she made the painful decision to leave her husband and young daughter to pursue her acting career in London.[17] Her second marriage was to Marshall Jones, a fellow Royal Shakespeare Company actor, from 1965 to 1977; it also ended in divorce.[4][1] In 1978, Spriggs married Murray Manson, a classical guitarist whom she met in 1972 when he worked as a minicab driver; the couple remained together until her death in 2008, and he survived her.[6][4] Details on her family life are limited, though Spriggs maintained a relationship with her daughter Wendy, who later married and had a son-in-law named Chris.[1][18]Illness and death
Elizabeth Spriggs died on 2 July 2008 in Oxford, Oxfordshire, at the age of 78.[1] She was survived by her husband of many years, Murray Manson.[7] Her funeral service took place on 15 July 2008 at St Mary's Church in Thame, Oxfordshire, drawing notable figures from the acting world, including Jeremy Irons, Robert Hardy, Peter Vaughan, Sinead Cusack, James Ellis, and Lesley Sharpe, as well as her daughter Wendy.[19] The ceremony featured hymns such as "Morning Has Broken" and "Lord of the Dance," a lone piper performing "Amazing Grace," and tributes that highlighted her profound impact on the profession. Peter Vaughan described her as a "warm and generous" performer who fully "inhabited" her characters, while Robert Hardy recalled their shared stage history and recited lines from John Masefield's poetry in her honor.[19] Jeremy Irons spoke of her enduring influence, quoting Shakespeare, and a tribute from Alan Rickman—read by David Fielder—praised her as an "inspiration" and a "true artist," referencing her role as Lady Gay Spanker in a production of London Assurance.[19] Spriggs was subsequently buried in the adjacent Saint Mary the Virgin Churchyard in Thame.[20]Filmography
Film
Work Is a 4 Letter Word (1968) as Mrs. Murray.[15] Three Into Two Won't Go (1969) as Marcia.[15] The Europeans (1979) as Mrs. Young.[15] Richard's Things (1980) as Mrs. Sells.[15] Lady Chatterley's Lover (1981) as Lady Eva.[15] An Unsuitable Job for a Woman (1982) as Miss Markland.[15] Impromptu (1991) as Baroness Laginsky.[15] The Hour of the Pig (1993) as Beggar at the Inn.[15] Sense and Sensibility (1995) as Mrs. Jennings.[15] The Secret Agent (1996) as Winnie's Mother.[15] Paradise Road (1997) as Mrs. Roberts.[15] The Barber of Siberia (1998) as Perepelkina.[15] *Harry Potter and the Sorcerer's Stone* (2001) as The Fat Lady.[15] Is Anybody There? (2008) as Prudence.[15]Television
Elizabeth Spriggs had a prolific television career spanning over four decades, with roles in series, mini-series, TV movies, and specials. Below is a chronological list of her television credits.| Year | Title | Role | Notes |
|---|---|---|---|
| 1968 | All's Well That Ends Well | Widow | TV movie |
| 1972 | The Double Dealer | Lady Plyant | TV movie |
| 1982 | Spider's Web | Mildred Peake | TV movie |
| 1982 | Frost in May | Mother Radcliffe | Mini-series, 2 episodes |
| 1982–1985, 1995 | Shine on Harvey Moon | Nan | TV series, 41 episodes[9] |
| 1983 | Those Glory Glory Days | School Mistress | TV movie |
| 1984 | The Jewel in the Crown | Mildred Layton | Mini-series, 2 episodes |
| 1987 | Doctor Who (Paradise Towers) | Tilda | TV series, 2 episodes (Season 24, Episodes 2–3) |
| 1987–1988 | Simon and the Witch | The Witch | TV series, 25 episodes[10] |
| 1987–1993 | Watching | Aunty Peggy | TV series, 5 episodes |
| 1988 | A Kind of Living | Mo | TV series, recurring role |
| 1989 | Oranges Are Not the Only Fruit | May | Mini-series, 3 episodes[11] |
| 1994 | Martin Chuzzlewit | Mrs. Gamp | Mini-series, 6 episodes[12] |
| 1995 | Henry IV | Mistress Quickly | TV movie (part of the BBC Shakespeare series) |
| 1996 | The Tenant of Wildfell Hall | Mrs. Markham | Mini-series, 3 episodes |
| 1997 | Midsomer Murders (The Killings at Badger's Drift) | Iris Rainbird | TV series, Season 1, Episode 1 |
| 1998 | This Is Your Life | Herself | TV special[14] |
| 1998 | Casualty | Barbara Thomas | TV series, 1 episode (Series 13, Episode 1) |
| 1998–2002 | Playing the Field | Mrs. Mullen | TV series, recurring role over 5 seasons[13] |
| 1999 | Alice in Wonderland | The Duchess | Mini-series, 2 episodes |
| 2000 | The Sleeper | Cath | Mini-series, 4 episodes |
| 2003 | Sparkling Cyanide | Mrs. Winter | TV movie |
| 2004 | The Royal | Dolly Smith | TV series, 1 episode (Series 4, Episode 9) |
| 2005 | Jericho | Grandma Pinnock | TV series, 1 episode (Series 1, Episode 4: "The Hollow Men") |
| 2005 | Agatha Christie's Poirot (Taken at the Flood) | Mrs. Leadbetter | TV series, 1 episode (Series 9, Episode 4) |
| 2005 | Heartbeat | Mrs. Winstanley | TV series, 1 episode (Series 15, Episode 6: "Yesterday Once More") |
| 2006 | Midsomer Murders (Dead Letters) | Ursula Gooding | TV series, Season 9, Episode 2[21] |