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Lionsgate Canada

is a Toronto-based company and of Studios, specializing in the production, acquisition, and distribution of scripted and unscripted television content as well as s for Canadian and international audiences. Formerly operating as Entertainment One (eOne) , the company was acquired by from in a deal valued at $375 million, which closed on December 27, 2023, adding eOne's extensive and TV assets to 's portfolio. On June 7, 2024, eOne was officially rebranded as to align with the parent company's global strategy and capitalize on market opportunities in . The rebranding integrates eOne's Canadian operations into 's broader ecosystem, enhancing collaboration on and while maintaining a focus on high-quality, award-winning programming. Canada now manages a significant portion of 's 20,000-title library, incorporating eOne's 6,500 films and TV titles, making it home to Canada's largest library. Under the leadership of Jocelyn Hamilton as President of Television and Kerry Appleyard as Senior Vice President of Scripted and , the company continues to produce and coproduce diverse , including current projects like the holiday series Mistletoe Murders for W Network. Its portfolio features notable titles such as The Rookie and Yellowjackets, underscoring its role in delivering premium entertainment to global markets.

History

Establishment and early development

Lionsgate Canada's origins trace back to the Canadian music industry, where the company began as Records on Wheels Limited, established in 1973 as a music distributor. Founded by brothers Vito Ierullo and Don Ierullo in , it initially operated as a record retailer, competing with established chains like and adopting the slogan "Wheels Has the Deals." In its early years, Records on Wheels focused on the wholesale and retail distribution of recorded music, leveraging innovative approaches such as mobile sales from a bus to build its market presence. By the 1980s, the company rebranded as ROW Entertainment and expanded its scope to include broader media distribution. The transition to home entertainment came in the late 1990s and early 2000s, following its acquisition by the music retail chain CD Plus, which integrated ROW into a larger operation handling CDs, DVDs, and . By 2001, it had ventured into online distribution of CDs and DVDs. In 2005, the entity restructured and went public as Entertainment One Income Fund, shifting focus toward diversified entertainment content and establishing itself as Canada's largest distributor of formats. This period marked the foundational shift from music-centric operations to a platform poised for film and television involvement.

Expansion through acquisitions

Lionsgate Canada's expansion through acquisitions began in the mid-2000s under its former incarnation as Entertainment One (eOne), transforming it from a music and distribution-focused entity into a major player in , television, and family entertainment across and internationally. These strategic purchases bolstered its content library, distribution networks, and production capabilities, particularly in , enabling broader market reach and diversified revenue streams. A pivotal early acquisition occurred in June 2005 when eOne purchased , a leading distributor and home entertainment publisher in , for an undisclosed sum. This move significantly expanded eOne's footprint in the U.S. and Canadian markets, integrating Koch's catalog of over 3,000 music titles and DVD releases, which enhanced its physical and infrastructure. By , eOne targeted theatrical and home entertainment growth with the $225 million acquisition of , a prominent independent distributor in and the . The deal, completed in 2013, added Alliance's robust slate of Canadian and international films, including distribution rights to major titles, and solidified eOne as the largest distributor in both countries, with expanded theatrical, TV, and digital platforms. In 2014, eOne further strengthened its family and independent film divisions by acquiring Phase 4 Films for approximately $24.8 million. This Toronto-based studio specialized in low-budget features, mockbusters, and children's content, bringing a library of over 200 titles and enhancing eOne's U.S. home entertainment and video-on-demand operations, while Berry Meyerowitz, Phase 4's CEO, assumed leadership of eOne's U.S. business. Television production saw substantial growth in January 2015 through eOne's $133 million purchase of a 51% stake in , a U.S.-based producer known for hits like and . This partnership created a new independent studio for film and TV development, adding high-profile scripted content and production expertise; eOne later acquired the remaining 49% in 2018 for $209 million, fully integrating the company and appointing as president of eOne Television. These acquisitions, among others like the 2014 purchase of Paperny Entertainment for unscripted , collectively grew eOne's library to over 80,000 hours of programming and films by the late , positioning it for global scalability before its 2019 acquisition by and subsequent 2023 sale to .

Hasbro ownership period

On December 30, 2019, , Inc. completed its acquisition of Entertainment One Ltd. (eOne) in an all-cash transaction valued at approximately (C$4.93 billion), integrating eOne's global operations, including its Canadian subsidiary eOne Ltd., which encompassed the film and television assets previously acquired from in 2013. This move aimed to bolster 's capabilities around its toy and game brands, such as leveraging eOne's production expertise for family-oriented programming. eOne 's operations, based in and , continued to focus on , television production, and licensing in the Canadian market, maintaining a library of over 6,500 titles with a strong emphasis on independent and local . Under 's ownership, eOne Canada underwent significant restructuring to align with cost-efficiency goals outlined in Hasbro's Blueprint 2.0 strategy, which prioritized core intellectual properties like and over broader film and TV diversification. In February 2021, eOne implemented a 10% reduction across its global film and television teams, affecting a portion of Canadian staff involved in and . By June 2022, eOne ceased theatrical film in (and ), leading to a small number of layoffs primarily in sales and marketing roles; this shift ended operations for subsidiary in , though non-theatrical , licensing, and production continued unabated. In October 2022, closed eOne's Toronto-based Secret Location, a studio acquired in , as part of broader cutbacks totaling around 20% of eOne's film and TV workforce globally. Despite these contractions, eOne Canada sustained key productions during the period, emphasizing scripted drama and factual content for Canadian broadcasters. Notable examples include the CTV original series (2023), a family crime drama co-produced with Buffalo Gal Pictures and starring , which explored intergenerational detective work and aired on in the U.S. Another was the Original documentary series (2023), a four-part investigative project based on the podcast, examining systemic racism and Indigenous deaths in , produced in collaboration with APTN and the . These projects highlighted eOne Canada's role in leveraging Canadian tax credits and co-production incentives to deliver culturally resonant content. In November 2022, announced plans to divest eOne's film and television divisions to refocus on high-margin consumer products and gaming, citing underperformance in the entertainment segment amid industry challenges. The Canadian operations, valued for their access to government incentives but representing a minor portion of eOne's overall library revenue, were included in the sale process, which required regulatory approvals from bodies like Investment and the . On August 3, 2023, agreed to sell these assets to for US$500 million (US$375 million in cash plus additional considerations), a deal that closed on December 27, 2023, marking the end of 's four-year stewardship of eOne .

Acquisition by Lionsgate and rebranding

In December 2023, completed its acquisition of Entertainment One (eOne) from , purchasing the Canadian-based entertainment company's film and television assets for $375 million in cash, subject to purchase price adjustments, along with the assumption of approximately $134 million in production financing loans. The deal, valued at around $500 million in total consideration, integrated eOne's extensive portfolio—including scripted series like Yellowjackets and The Rookie—into 's operations, expanding the parent company's library by over 6,500 film and television titles. This acquisition marked 's strategic entry into a broader global content ecosystem, particularly strengthening its presence in through eOne's established production and distribution infrastructure. Following the merger's closure, initiated a reorganization of eOne's Canadian television division in early to streamline operations and foster synergies across its global structure. Key changes included the appointment of Kerry Appleyard as senior of scripted and content for eOne Canada (effective April 1, ), where she oversees both creative teams and reports to Jocelyn Hamilton, president of television at the entity. This restructuring unified production under 's alternative television division while preserving eOne Canada's focus on developing a full slate of , including both scripted and projects tailored for domestic and international markets. The integration aimed to leverage 's resources for increased investment in Canadian storytelling, positioning the operations as a key hub for talent-driven content amid evolving industry dynamics. By June 2024, approximately six months after the acquisition, eOne's Canadian operations underwent a formal rebranding to , signaling a new phase of growth and alignment with the parent company's global brand. The rebrand consolidated eOne's 6,500-title library into 's broader 20,000-title catalog under the umbrella, establishing as the holder of the largest content library in the country. Under Hamilton's leadership and with oversight from Kevin Beggs, chair and chief creative officer of Group, the entity committed to expanding its production pipeline, including the Toronto-based holiday series Mistletoe Murders for , while enhancing global reach through unified creative teams. The series was renewed for a second season, which premiered on November 7, 2025. This transition not only re-established 's direct footprint in but also emphasized a commitment to award-winning, audience-focused entertainment for both local and worldwide .

Business divisions

Film production and distribution

Lionsgate Canada's film division, integrated from Entertainment One (eOne) following Lionsgate's $375 million acquisition in December 2023, focuses on the acquisition, financing, production, and distribution of feature films targeting Canadian and international audiences. This operation, based in , leverages a vast library of nearly 6,500 titles, including , , and , to support theatrical, home entertainment, and digital releases. The division emphasizes partnerships with local and global studios to bring diverse films to market, prioritizing high-impact projects that blend commercial appeal with cultural significance. A cornerstone of the division's growth was eOne's 2013 acquisition of Alliance Films for C$225 million, which significantly expanded its distribution footprint in Canada and added a robust slate of domestic productions to its portfolio. Through Alliance, the company handled distribution for notable Canadian films such as Passchendaele (2008), a World War I drama directed by and starring Paul Gross that earned approximately C$4.5 million domestically, making it the highest-grossing Canadian film of 2008. Similarly, Barney's Version (2010), an adaptation of Mordecai Richler's novel starring Paul Giamatti, was distributed in Canada by eOne, receiving critical acclaim and an Academy Award nomination for Best Makeup. These efforts underscore the division's role in promoting Canadian cinema while building international sales networks. In distribution, Lionsgate Canada has been instrumental in launching major Hollywood franchises in the Canadian market, including The Twilight Saga, The Hunger Games, and Divergent, through long-term agreements with Lionsgate that extended into the post-acquisition era. More recently, the division co-financed and supported international releases like The Woman King (2022), a historical action film starring Viola Davis that grossed $97 million worldwide and highlighted eOne's involvement in diverse, female-led narratives. To enhance theatrical reach, Lionsgate Canada signed a multi-year deal with Cineplex Pictures in January 2023, entrusting the Canadian exhibitor with distributing its 2023 slate of 11 films, including John Wick: Chapter 4 and Plane, thereby streamlining access to over 1,600 screens nationwide. On the production side, while the division's strengths lie more in financing and acquisition than full-scale origination, it has co-produced select features through eOne Features, contributing to projects like via equity investment and international rights management. The acquisition of eOne also brought active film productions and a pipeline of independent titles, enabling Lionsgate Canada to develop content that aligns with global trends in genre and prestige filmmaking. This integrated approach allows the company to nurture emerging Canadian talent while distributing established hits, fostering a balanced portfolio that supports both artistic and commercial goals.

Television production

Lionsgate Canada's television production division specializes in developing and producing scripted and content for Canadian broadcasters and platforms, with a focus on dramas, procedurals, and reality formats. The division maintains a robust pipeline of original series, leveraging co-production partnerships and tax incentives to create programming that resonates domestically while achieving global distribution. Under the leadership of Jocelyn Hamilton, President of , the team emphasizes diverse , including thrillers and family-oriented unscripted shows, supported by executives such as Kerry Appleyard, SVP of Scripted and Unscripted Programming. The roots of the division trace back to Entertainment One's (eOne) Canadian operations, which expanded significantly in the early through strategic acquisitions. In 2013, eOne acquired , a key player in Canadian TV production, integrating its capabilities and library to bolster scripted content development. This growth positioned eOne as a leading indie producer in , with output including high-profile series for networks like , CTV, and . Following Hasbro's acquisition of eOne in 2019 and subsequent divestiture, Lionsgate completed its purchase of eOne's film and TV assets in December 2023 for $375 million USD, retaining and enhancing the Canadian television arm. The rebranding to occurred in June 2024, aligning the division with 's global infrastructure while preserving its Toronto-based headquarters and focus on Canadian talent and stories. Notable scripted productions highlight the division's strength in character-driven procedurals and legal dramas. Rookie Blue (2010–2015), a police drama starring Missy Peregrym, aired on ABC and Global Television, following rookie officers in Toronto's 15th Division; produced in association with IFC Films, it ran for six seasons and garnered international acclaim for its blend of action and personal narratives. Similarly, Cardinal (2017–2020), based on Giles Blunt's novels and starring Billy Campbell, explored gritty crime investigations in northern Ontario; co-produced with Sienna Films for CTV, the series earned multiple Canadian Screen Awards and was distributed widely in Europe by eOne. Other key titles include Private Eyes (2016–2021), a lighthearted detective series featuring Jason Priestley and Cindy Sampson, which aired on Global and ION Television, emphasizing Toronto locales and buddy-cop dynamics; and Burden of Truth (2018–2021), a legal thriller led by Kristin Kreuk, tackling social issues like environmental justice in small-town Manitoba for CBC and The CW. In unscripted programming, the division has produced lifestyle and reality formats such as Project Bakeover, a home renovation series blending and , and Arctic Vets, documenting veterinary work in remote northern communities. Recent developments include Thunder Bay (2023–), a dramatic set in a lakeside town, and The Spencer Sisters (2023–), a mother-daughter detective procedural starring . These projects underscore Lionsgate Canada's commitment to innovative co-productions, with ongoing partnerships like those with and to expand reach across streaming and linear platforms. In December 2024, Lionsgate Canada partnered with and to develop a new original scripted series for and CTV. The division's integration into Lionsgate's broader television group has facilitated synergies, such as merging unscripted assets into Lionsgate Alternative Television in early 2024, enhancing global distribution for Canadian content.

Family entertainment and brands

Lionsgate Canada's engagement in family entertainment traces its roots to the Family & Brands division of its predecessor, Entertainment One (eOne), which specialized in the development, licensing, distribution, and marketing of family-oriented intellectual property targeting children and younger audiences. This division played a pivotal role in eOne's portfolio, leveraging acquisitions to build a robust slate of animated and live-action content suitable for family viewing. A key expansion came in 2014 when eOne acquired Phase 4 Films, a Toronto-based independent distributor and producer of children's animated features, for approximately C$27 million (US$25 million), integrating its operations to strengthen North American distribution networks for family titles. Under eOne, the division oversaw production and global rollout of notable family properties, including the animated series and preschool hits like and , which generated significant licensing revenue through merchandise, broadcasting, and digital platforms. These brands emphasized educational and entertaining content for young children, often co-produced with international partners to maximize reach across TV, home entertainment, and streaming. The division's focused on evergreen IPs that supported cross-media exploitation, contributing to eOne's position as a leader in preschool and kids' programming prior to Hasbro's 2019 acquisition. Following Hasbro's purchase of eOne in 2019 for US$4 billion, the Family & Brands division was restructured to align with Hasbro's toy and gaming ecosystem, amplifying synergies with existing IPs like and Transformers. However, in the 2023 sale of eOne's film and television operations to , which closed for US$375 million, Hasbro retained ownership of the core Family Brands division and its key children's IPs, including , , , , and other preschool franchises central to its branded entertainment strategy. This retention allowed Hasbro to maintain control over high-value licensing and merchandising opportunities tied to these properties. As a result, Lionsgate Canada's current family entertainment activities center on the exploitation of the acquired eOne library, which encompasses over 6,500 titles, including family-oriented animated films and series from and other integrated units. Following the May 2024 formation of Studios, which encompasses Lionsgate Canada's operations, the company continues to explore family projects under its broader umbrella. Representative examples include the franchise (2014–2017), a computer-animated adventure series that grossed over US$120 million worldwide and targeted family audiences with themes of teamwork and community, as well as (2016), a sci-fi blending live-action and for tween viewers. These assets support Lionsgate Canada's distribution efforts in theatrical, , and streaming markets, particularly in and select international territories, while the company explores new family projects under its broader Studios umbrella. Quantitative impacts from the library, such as the 6,500-title addition, underscore the scale available for family content programming without ongoing brand ownership.

Notable productions

Feature films

Lionsgate Canada, through its predecessor Entertainment One (eOne) and earlier acquisitions like Alliance Films, has been involved in the and of a diverse range of feature films, emphasizing alongside international co-productions and genre-driven titles. The company's film slate spans dramas, comedies, horror, and biographical works, often leveraging tax incentives and bilingual markets to support domestic storytelling while achieving global reach. One of the company's early notable Canadian distributions was (2006), a bilingual action-comedy directed by Érik Canuel that became the highest-grossing Canadian film at the time, earning over CAD $10 million domestically and fostering cross-cultural appeal between English and French-speaking audiences. Acquired via in 2013, the film's success highlighted Lionsgate Canada's role in amplifying Quebec-Ontario collaborations. Its sequel, (2017), further extended this franchise, grossing CAD $7 million domestically and reinforcing the company's commitment to accessible, high-impact Canadian cinema. In historical dramas, (2008), written, directed, and produced by , stands out as a landmark Canadian production distributed by the company. Budgeted at CAD $20 million—the most expensive Canadian film to date at release—it depicted the World War I from a Canadian perspective, receiving praise for its authentic portrayal and earning nine Genie Award nominations. Lionsgate Canada's handling of its distribution underscored its focus on patriotic narratives with international potential. On the horror front, eOne's production of (2014), directed by , marked a critical breakthrough, blending psychological terror with themes of grief. Made on a modest AUD $2 million budget, it premiered at Sundance and achieved 98% approval on , grossing $10.7 million worldwide and influencing modern "elevated horror" subgenre. Entertainment One's involvement as a key producer facilitated its North American release through . Biographical films like (2017), Aaron Sorkin's directorial debut produced by eOne, showcased the company's prowess in prestige projects. Starring , the film about poker impresario earned an Oscar nomination for Best Adapted Screenplay and grossed $59 million globally on a $30 million budget, distributed internationally by . This project exemplified Lionsgate Canada's integration of high-profile talent with narrative-driven content. Additionally, (2018), a biographical comedy-drama produced by Entertainment One and directed by , celebrated the comedy duo , starring and . It premiered at the London Film Festival, earning BAFTA nominations and grossing $25 million worldwide, highlighting the company's support for character-focused period pieces with broad appeal. More recently, (2024), a co-production starring based on a true story of and an unlikely companionship with a stray dog, underscores Canada's continued involvement in uplifting, globally appealing narratives. These films illustrate Canada's evolution from regional distributor to global producer, prioritizing stories that resonate culturally while delivering commercial viability, with ongoing emphasis on Canadian talent and co-productions post-2023 rebranding.

Television series

Lionsgate Canada, through its television division, develops and produces a diverse slate of scripted and unscripted content for Canadian broadcasters and international platforms, focusing on genres such as dramas, medical procedurals, and family-oriented series. The division, which incorporates assets from the former Entertainment One (eOne) Television Canada following Lionsgate's acquisition, emphasizes high-quality, talent-driven storytelling that appeals to both domestic and global audiences. Notable scripted productions include the crime thriller , a four-season series that aired on CTV from 2017 to 2020, following detective John Cardinal as he investigates murders in the fictional town of Algonquin Bay while confronting personal demons. Adapted from Giles Blunt's novels and executive produced by Jocelyn Hamilton, the show garnered critical acclaim for its atmospheric tension and performances by and , and was distributed internationally by Lionsgate. Another key series is , a three-season that premiered on in 2017, centering on an ER doctor who secretly assists terminally ill patients in ending their lives. Produced in association with Cameron Pictures and backed by the , the series starred and explored ethical dilemmas around , earning praise for its nuanced portrayal of moral ambiguity and leading to U.K. distribution on Channel 4. In the procedural genre, Private Eyes ran for five seasons on and ION from 2016 to 2021, featuring a former hockey player and a private investigator solving cases in . Co-produced with Shaftesbury Films, it highlighted buddy-cop dynamics with humor and action, contributing to Lionsgate Canada's reputation for accessible, binge-worthy entertainment. Lionsgate Canada also ventures into unscripted formats, such as Arctic Vets, a reality series documenting veterinary work in remote northern communities, which underscores the company's commitment to regionally authentic content. Recent developments include co-productions like , a lighthearted drama starring that debuted on CTV in 2023, blending family ties with mystery-solving. Overall, Lionsgate Canada's television output has expanded post-acquisition, with ongoing projects like Thunder Bay and Moonshine reflecting a focus on Canadian narratives that resonate internationally, often in partnership with networks like Bell Media.

Digital and emerging media

Lionsgate Canada, formerly operating as Entertainment One (eOne), has expanded into digital and emerging media through strategic investments and productions tailored for streaming and short-form platforms. In 2018, eOne participated in a funding round for Quibi, a mobile-first streaming service developed by Jeffrey Katzenberg that focused on premium, episodic content limited to 10 minutes per installment to suit smartphone viewing habits. Although Quibi ceased operations in 2020 after raising over $1.75 billion, the investment highlighted eOne's early commitment to innovative, bite-sized digital entertainment formats. The company has also produced original content for digital streaming services, including the series Youth & Consequences (2018), a teen dramedy co-produced with that satirized high school influencers and culture through eight episodes. This marked eOne's entry into ad-free, premium video-on-demand programming on emerging platforms like YouTube's subscription service. In the animated , eOne co-produced the trilogy Transformers: War for Cybertron (2020–2021), a series depicting ' and ' civil war on Cybertron, which served as Hasbro's inaugural project under its animation division. The series, available exclusively on , emphasized mature storytelling and to appeal to global streaming audiences. Similarly, eOne produced the special Mighty Morphin Power Rangers: Once & Always (2023), a 30th-anniversary reunion featuring original cast members in a live-action narrative exploring mentorship and legacy within the Power Rangers universe. Post-acquisition by in 2023, Lionsgate Canada has integrated into broader digital initiatives, including the expansion of (FAST) channels. 's MovieSphere, launched in 2023, curates movies and series from its library for ad-supported viewing on platforms like and , with Nielsen measurement introduced in 2024 to track viewership metrics comparable to linear TV. This move positions Lionsgate Canada to leverage its content catalog in the growing FAST ecosystem, which has seen rapid adoption among cord-cutters seeking accessible, no-cost streaming options.

Corporate structure

Key acquisitions and integrations

Lionsgate's acquisition of Entertainment One (eOne) marked a pivotal expansion into the market, completed on December 27, 2023, for $375 million in cash plus the assumption of production financing loans totaling approximately $125 million. This deal integrated eOne's extensive film, television, and family brands portfolio into Lionsgate's operations, enhancing its global content distribution capabilities, particularly in and the . The acquisition included eOne's Canadian business units, which were rebranded as on June 7, 2024, aligning them under the Lionsgate Studios umbrella to streamline production and distribution synergies. Prior to the Lionsgate merger, eOne had built its Canadian dominance through strategic acquisitions, most notably the purchase of on January 8, 2013, for approximately C$225 million. This integration transformed eOne into the largest distributor in and the , incorporating Alliance's robust theatrical, home entertainment, and networks, as well as its library of over 3,500 titles. The move bolstered eOne's presence in English-language Canadian content and international co-productions, facilitating broader market reach for titles like . Another key integration occurred with the acquisition of on June 2, 2014, for C$27 million, which strengthened eOne's family and children's entertainment division. 's kaboom! Entertainment label brought a specialized focus on animated and live-action kids' content, including hits like Niko & The Way to the Stars, and its U.S. distribution arm was merged into eOne's operations under CEO Berry Meyerowitz, expanding theatrical and capabilities across . This acquisition integrated over 200 family-oriented titles, enhancing eOne's appeal to global broadcasters and platforms. eOne further diversified its television production slate through the initial 51% acquisition of on January 5, 2015, for $133 million, followed by the remaining 49% on January 29, 2018, for $209 million. This full integration elevated eOne's scripted content pipeline, incorporating Gordon's acclaimed projects such as Grey's Anatomy and , and positioned as president of eOne's film, television, and digital divisions to oversee creative synergies across the combined entity. The merger amplified eOne's U.S. market footprint, leading to co-productions like The Rookie and reinforcing its role in high-profile network and streaming series.

Former divisions and closures

Under Hasbro's ownership of Entertainment One (eOne), which included its Canadian operations, several divisions were divested or shuttered as part of strategic reviews and cost-cutting measures. In April 2021, eOne sold its global music publishing and distribution division to The Blackstone Group for $385 million, with the deal closing in June 2021; this unit, previously handling artist management and label services, was rebranded as MNRK Music Group and operated independently thereafter, effectively removing it from eOne's (and later Lionsgate Canada's) portfolio. In June 2022, eOne ceased its theatrical film distribution operations in and , leading to a small number of layoffs in the Canadian team while preserving non-theatrical distribution channels. This closure reflected a broader pivot away from cinema releases amid shifting market dynamics and Hasbro's focus on core toy and family entertainment synergies. A notable Canadian-specific closure occurred in October 2022, when eOne shut down Secret Location, its Toronto-based (VR) and immersive media studio acquired fully in 2016. The studio, known for projects like interactive experiences tied to eOne's , was closed as part of Hasbro's ongoing asset review, resulting in the loss of approximately 50 jobs and ending eOne's dedicated VR production arm in Canada. Following 's acquisition of eOne's film and television assets in December 2023, which formed the basis of Lionsgate Canada, additional restructurings occurred without major new closures but included workforce reductions. In June 2023, implemented a 20% cut to eOne's global staff, impacting Canadian operations, and further layoffs hit in December 2023 ahead of the deal's closure. Post-acquisition, reorganized the Canadian TV division in February 2024, replacing key executives and streamlining scripted and unscripted teams to integrate with its broader studio structure, though no full divisions were eliminated at that stage. In September 2025, implemented an additional 5% workforce reduction company-wide, affecting approximately 50 positions, as part of ongoing restructuring efforts.

Leadership and headquarters

Lionsgate Canada's headquarters are located in , , serving as the primary hub for its Canadian production, distribution, and operational activities. This location supports the company's focus on developing and distributing content tailored to Canadian and international markets, leveraging the city's vibrant media ecosystem. The parent company, Lionsgate Studios Corp., maintains its corporate domicile in , , at 250 Howe Street, 20th Floor, but Toronto remains central to Lionsgate Canada's day-to-day leadership and creative endeavors. The leadership of Lionsgate Canada is headed by key executives overseeing television, distribution, and global business strategies, reporting within the broader Lionsgate Television Group structure. Jocelyn Hamilton serves as President of Television, leading strategic planning, content development, and production for both scripted and unscripted programming, with notable credits including series like Mistletoe Murders and Trailer Trash. Susan Hummel holds the position of Executive Vice President and Managing Director of Distribution and Ventures, responsible for expanding Lionsgate's presence in through sales, channel management, and venture initiatives; she played a pivotal role in establishing the company's initial Canadian distribution office and continues to drive rebranding efforts post the 2023 acquisition of Entertainment One. Additional senior leaders include as Executive Vice President of Global Business and Development, focusing on international partnerships and content licensing; Kate Hurl as head of unscripted content; Hamed Lackpour in business affairs; Carla Couto for finance; Kerry Appleyard as Senior Vice President of Scripted and Unscripted, managing creative teams since the 2024 post-merger reorganization; and Darren Giblin in operations. These executives collaborate to integrate Lionsgate Canada's operations with the global Lionsgate portfolio, under the oversight of , CEO of Lionsgate Studios Corp.

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