Fall Out Boy
Fall Out Boy is an American rock band formed in 2001 in Wilmette, Illinois, a suburb of Chicago, by bassist Pete Wentz and guitarist Joe Trohman, who soon recruited vocalist and rhythm guitarist Patrick Stump and drummer Andy Hurley.[1] The current lineup—Stump, Wentz, Trohman, and Hurley—has remained stable since 2003, blending pop-punk, emo, and alternative rock with Wentz's confessional lyrics and Stump's melodic songwriting.[2] Known for anthemic choruses and theatrical live performances, the band rose to prominence in the mid-2000s emo revival. The band's breakthrough came with their second studio album, From Under the Cork Tree (2005), which debuted at No. 9 on the Billboard 200 and was certified five-times platinum by the RIAA for sales exceeding 5 million units in the U.S.[3] Hits like "Sugar, We're Goin Down" and "Dance, Dance" propelled them to mainstream success, earning MTV Video Music Awards and establishing their signature sound of intricate instrumentation and emotional intensity.[4] Subsequent albums Infinity on High (2007) and Folie à Deux (2008) also achieved platinum status, with the former featuring a collaboration with Jay-Z, and the latter with Lil Wayne.[3] After a hiatus from 2010 to 2013 during which members pursued solo projects—Stump releasing his debut album Soul Punk (2011) and Wentz forming Black Cards—Fall Out Boy reunited with Save Rock and Roll (2013), a No. 1 Billboard 200 debut featuring guest appearances from Elton John and Foxes.[4] The comeback album marked an evolution toward stadium rock, followed by American Beauty/American Psycho (2015), MANIA (2018), So Much (for) Stardust (2023), and the anniversary edition of From Under the Cork Tree (2025).[5] Fall Out Boy has sold over 9 million albums worldwide, secured a No. 1 hit on the Billboard Alternative Songs chart with "Love From the Other Side" in 2023, and earned two Grammy nominations, both for Best Rock Album (Infinity on High in 2008 and MANIA in 2019).[6][7][8] Their influence extends to fashion, literature (via Wentz's books), and philanthropy, while maintaining a dedicated fanbase through extensive touring and innovative releases.History
2001–2002: Formation and early years
Fall Out Boy was formed in 2001 in the Chicago suburb of Wilmette, Illinois, by bassist Pete Wentz and guitarist Joe Trohman, who were longtime friends immersed in the local hardcore punk scene. Wentz, a prominent figure in Chicago's underground music community, had previously fronted the metalcore band Arma Angelus, where Trohman briefly played bass, and had been involved in other hardcore acts such as First Born and Racetraitor.[1][9] Seeking to explore pop-punk influences beyond their heavier roots, Wentz and Trohman recruited vocalist and rhythm guitarist Patrick Stump after encountering him at a local bookstore and inviting him to jam; Stump, who had drummed in suburban Chicago bands like Public Display of Infection but lacked formal singing experience, impressed them with his vocal abilities and took over lead vocals and guitar duties. Drummer Andy Hurley, a veteran of the Chicago punk scene from bands like Rival Schools and Burned Up Records, joined shortly thereafter to solidify the lineup.[1][10] The band's name originated during their second performance in late 2001, when, lacking a permanent moniker, Wentz asked the audience for suggestions; a fan shouted "Fallout Boy," referencing the sidekick character from the comic book storyline in The Simpsons, and the group adopted a spaced-out variation of it that stuck through initial name experiments inspired by literature, including Saul Bellow's Adventures in the Liars' Club. Their debut show occurred on October 9, 2001, at a small venue in the Chicago area, marking the start of frequent local gigs amid the vibrant Midwestern punk and emo scenes.[11] In 2002, Fall Out Boy immersed themselves in the Chicago music ecosystem, performing at venues like the Fireside Bowl and Subterranean, often opening for hardcore acts such as Rise Against and Every Time I Die at festivals and all-ages shows that drew from the straight-edge and punk communities. They self-recorded and released their debut EP, Fall Out Boy's Evening Out with Your Girlfriend, which captured their raw, energetic sound and circulated within local circles. Following demo submissions, the band caught the attention of Fueled by Ramen co-founder John Janick, who had discovered an early track online and reached out directly, leading to their signing with the independent label in late 2002.[12][13][14]2003–2004: Breakthrough with Take This to Your Grave
Fall Out Boy's debut full-length album, Take This to Your Grave, was recorded over several months spanning late 2002 to early 2003 with producer Sean O'Keefe, primarily at Smart Studios in Madison, Wisconsin, and with additional sessions at Gravity Studios in Chicago. The band operated on a shoestring budget during this period, often crashing in Chicago basements and borrowed spaces while navigating a tense creative process marked by arguments between vocalist Patrick Stump and bassist Pete Wentz over lyrics and song contributions. Stump's vocal approach evolved notably during these sessions, shifting from the raw screaming prominent in the band's prior EP Evening Out with Your Girlfriend toward a more melodic singing style featuring bluesy croons, falsettos, and elongated phrasing influenced by artists like Elvis Costello and Nat King Cole. This change helped define the album's pop-punk sound, blending high-energy riffs with emotionally charged hooks. Released on May 6, 2003, via the independent label Fueled by Ramen, Take This to Your Grave featured 12 tracks that captured the band's youthful angst and intricate arrangements. Standout songs included the opener "Dead on Arrival," with its driving guitars and urgent tempo, and the single "Grand Theft Autumn/Where Is Your Boy," a fan favorite known for its soaring chorus and themes of heartbreak. The album's production emphasized tight instrumentation, with drummer Andy Hurley's addition bringing a polished rhythm section that elevated the material beyond their earlier demos. The band promoted the record through relentless touring, including a pivotal five-day stint on the 2004 Vans Warped Tour, where they gained exposure alongside other punk acts and built a grassroots following. Early music video airplay for "Grand Theft Autumn/Where Is Your Boy" on MTV's college-focused mtvU and Fuse further amplified their visibility in the alternative scene. Commercially, the album started modestly but achieved steady growth, eventually certified Gold by the RIAA on February 7, 2006, for 500,000 units shipped, and peaking at No. 11 on the Billboard Independent Albums chart in early 2005. This success marked Fall Out Boy's breakthrough into the national pop-punk landscape, laying the groundwork for major-label attention ahead of their sophomore effort.2005–2006: From Under the Cork Tree and rising fame
Following the success of their debut album, Fall Out Boy signed with Island Records in 2004, marking their transition to a major label.[15] The band began recording their sophomore effort, From Under the Cork Tree, in early 2005 with producer Neal Avron at studios in Los Angeles and Wisconsin, focusing on a polished pop-punk sound that amplified their energetic riffs and introspective lyrics.[15] Avron's production emphasized clear, anthemic arrangements, drawing from his prior work with bands like New Found Glory and Weezer to elevate the group's accessibility while retaining their raw edge.[15] The album was released on May 3, 2005, through Island Records, debuting at No. 9 on the Billboard 200 chart and eventually certified 5× Platinum by the RIAA as of August 2025 for shipments exceeding 5 million units in the U.S.[16][17] Key singles "Sugar, We're Goin Down" (released April 2005) and "Dance, Dance" propelled the band's mainstream breakthrough, both peaking in the Top 10 on the Billboard Hot 100 and featuring music videos directed by Hiro Murai and Marc Webb, respectively, that showcased choreographed dance sequences and narrative storytelling to broaden their appeal beyond punk audiences.[18][19] The album's success culminated in a Grammy nomination for Best New Artist at the 2006 awards, highlighting Fall Out Boy's rapid emergence as a defining act in pop-punk.[16] To capitalize on the album's momentum, Fall Out Boy embarked on extensive touring throughout 2005 and 2006, including slots on the Nintendo Fusion Tour and Warped Tour in 2005, where they shared stages with acts like Motion City Soundtrack and The Starting Line.[20] In 2006, they headlined their own arena tour, the Black Clouds and Underdogs Tour, from March to May, supported by The All-American Rejects, Hawthorne Heights, and From First to Last, drawing thousands to venues across North America and concluding in the UK.[21] These performances solidified their live reputation for high-energy sets blending new material with fan favorites. The band's rising fame attracted significant media attention, with features in Rolling Stone capturing their journey from Chicago suburbs to stardom, including a March 2006 profile on bassist Pete Wentz's personal struggles and the group's emotional songwriting.[22] Publications like Alternative Press also spotlighted their evolution, with interviews emphasizing the album's role in connecting with disaffected youth through clever, confessional lyrics.[23] This coverage, alongside radio play and MTV rotation for the singles' videos, transformed Fall Out Boy into pop-punk icons, setting the stage for broader commercial dominance.[22]2007–2008: Infinity on High and mainstream success
Fall Out Boy entered the studio in mid-2006 to record their third major-label album, Infinity on High, at The Pass Studios in Los Angeles from July to October, with mixing completed at Paramount Recording Studios in Hollywood. The project was primarily produced by Neal Avron, who had helmed their previous effort, while R&B legend Babyface contributed production to two tracks: "The Take Over, the Breaks Over" and "I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me & You)." Additional production on "Golden" came from Butch Walker and vocalist Patrick Stump. The album was released on February 6, 2007, through Island Records, marking a deliberate expansion of the band's sound with orchestral elements, hip-hop influences, and guest features to build on their rising profile.[24][25][26][27] The lead single, "This Ain't a Scene, It's an Arms Race," released in November 2006, propelled Infinity on High to mainstream dominance, peaking at No. 2 on the Billboard Hot 100 and becoming the band's highest-charting single to date. Follow-up single "Thnks fr th Mmrs," released in May 2007, also received significant radio play and peaked at No. 11 on the Hot 100, further solidifying the album's pop-punk accessibility with its blend of catchy hooks and satirical lyrics. The record debuted at No. 1 on the Billboard 200 with 260,000 first-week sales, the band's first chart-topper and a testament to their evolving appeal beyond core emo audiences.[28][29][27] Infinity on High achieved multi-platinum status internationally, certified platinum by the RIAA in the U.S. on March 12, 2007, for over one million units shipped, and eventually surpassing two million worldwide sales. It reached No. 1 on the UK Albums Chart and topped charts in Australia, while earning platinum certifications in Canada, the UK, Ireland, and New Zealand. High-profile collaborations underscored the album's crossover ambitions, including a spoken-word introduction by Jay-Z on the opening track "Thriller," which highlighted the band's genre-blending ethos. At the 2007 MTV Video Music Awards, Fall Out Boy won Best Group for "This Ain't a Scene, It's an Arms Race," with a nomination for Best Rock Video, positioning them as frontrunners in the pop-punk scene amid media coverage praising their maturation into arena-ready leaders.[17][30][31][25][32][33][34] As fame intensified, the band grappled with internal pressures from relentless touring and public scrutiny, particularly on bassist Pete Wentz, whose high-profile personal life drew tabloid attention. Wentz expanded into side ventures during this period, including authoring the 2007 book The Boy with the Thorn in His Side: A Pop-Punk Autobiography and launching the clothing line Wolf in Sheep's Clothing, which amplified his role as the band's entrepreneurial face but strained group dynamics amid their commercial peak.[35]2009–2012: Folie à Deux, hiatus, and side projects
The band's fourth studio album, Folie à Deux, was recorded from July to September 2008 at studios in Hollywood, California, with producer Neal Avron, who had helmed their previous two records. Released on December 16, 2008, by Island Records, the album featured a more elaborate production style incorporating guest appearances from artists like Debbie Harry, Lil Wayne, and Travis McCoy, alongside orchestral elements and layered instrumentation that marked a departure from their earlier pop-punk sound.[36] Despite the creative ambition, Folie à Deux underperformed commercially compared to its predecessor Infinity on High. It debuted at number eight on the Billboard 200, selling 149,000 copies in its first week—a decline from the prior album's number-one debut and 267,000 first-week sales. It was later certified Gold by the RIAA on January 27, 2009.[37][17] The lead single, "I Don't Care," achieved moderate success, peaking at number 21 on the Billboard Hot 100 and topping the UK Rock Chart, but subsequent singles like "What a Catch, Donnie" failed to replicate the chart dominance of earlier hits. The album's mixed reception, coupled with the pressures of constant touring and fame, contributed to internal tensions within the band. In November 2009, Fall Out Boy announced an indefinite hiatus following the completion of their supporting tour, with the final shows taking place in early 2010.[4] Bassist Pete Wentz cited burnout and the need to "decompress" as key reasons, emphasizing that the break was intended to prevent further strain on the members' personal lives and creative processes.[38] During this period, each member pursued individual endeavors: Wentz formed the electronic band Black Cards in 2010, releasing the EP The Spin in 2011; vocalist Patrick Stump debuted his solo album Soul Punk on October 18, 2011, via Island Records, exploring soul, funk, and pop influences; while guitarist Joe Trohman and drummer Andy Hurley co-founded the supergroup The Damned Things, issuing their debut album Ironiclast in December 2010 on Razor & Tie Records, blending hard rock and heavy metal elements.[4]2013–2015: Reunion and Save Rock and Roll
After a three-year hiatus, Fall Out Boy announced their reunion on February 4, 2013, surprising fans with the immediate release of their lead single "My Songs Know What You Did in the Dark (Light Em Up)" and the revelation of a new album in the works. The full original lineup—vocalist Patrick Stump, bassist Pete Wentz, guitarist Joe Trohman, and drummer Andy Hurley—reconvened without prior public indication, having secretly written and recorded material during the break to avoid the pressures that led to their 2009 split. This abrupt return marked a deliberate shift, as the band aimed to recapture their creative synergy while evolving their sound.[4] The band's fifth studio album, Save Rock and Roll, was produced by Butch Walker and released on April 12, 2013, through Island Records, featuring high-profile guest artists including Elton John on the title track, Foxes on "Just One Yesterday," Courtney Love on "Rat a Tat," and Big Sean on "Just One Yesterday." Recorded in a collaborative environment that emphasized experimentation, the album blended pop, R&B, and electronic elements with the band's pop-punk roots, diverging from their earlier work to create anthemic tracks that addressed themes of redemption and reinvention. The lead singles "My Songs Know What You Did in the Dark (Light Em Up)," which peaked at No. 13 on the Billboard Hot 100, and "The Phoenix" propelled the album to No. 1 on the Billboard 200 upon debut, selling 154,000 copies in its first week and signaling a triumphant comeback, and was certified Platinum by the RIAA on February 18, 2016. In support of the album, Fall Out Boy launched the Save Rock and Roll Arena Tour in May 2013, followed by the co-headlining Monumentour in summer 2014 alongside Paramore, with New Politics as a special guest on select dates. The tours showcased the band's revitalized energy, drawing massive crowds and fostering a sense of communal revival among fans, while critics noted the album's role in reevaluating Fall Out Boy's position within contemporary rock, positioning them as innovators bridging pop accessibility with punk ethos amid a shifting music landscape.[17] Concurrently, Wentz released his novel Gray on February 19, 2013, a semi-autobiographical work co-written with James Montgomery that explored the darker undercurrents of fame, addiction, and personal turmoil in the rock world, echoing the introspective themes of the band's hiatus and reunion narrative. The book, framed as a fictional memoir, provided deeper context to Wentz's experiences and the motivations behind Fall Out Boy's return, reinforcing their story as one of resilience and artistic rebirth.2016–2018: American Beauty/American Psycho and Mania
Following their 2013 reunion and the success of subsequent releases, Fall Out Boy entered 2016 with ongoing promotion of their sixth studio album, American Beauty/American Psycho, released on January 16, 2015, via Island Records. The record marked a stylistic evolution, blending pop-punk with hip-hop elements such as trap-style beats and brass samples, particularly on tracks like "Irresistible" and the title song.[39] The lead single "Centuries," released in September 2014 ahead of the album, peaked at No. 24 on the Billboard Hot 100 and featured orchestral swells inspired by classical influences, helping propel the band's arena-rock sound into broader pop territory.[39] The album debuted at No. 1 on the Billboard 200, selling 218,000 equivalent album units in its first week, and was later certified Platinum by the RIAA on February 24, 2016.[40][41] In support, the band launched the Wintour is Coming Tour in early 2016, a North American arena run that included stops at major venues like the United Center in Chicago on March 12, emphasizing high-energy performances of new material alongside fan favorites.[42] This period solidified their post-hiatus momentum, with the album's hip-hop-infused production—co-produced by J.R. Rotem—drawing from contemporary urban sounds to refresh their established emo-punk roots.[43] Shifting focus to new material, Fall Out Boy began recording their seventh studio album in 2017 with producers including Dave Sardy, Butch Walker, and Jesse Shatkin, alongside self-production.[44] Dissatisfied with the initial sessions, the band scrapped the project in July 2017 and rewrote it entirely, delaying the release from September 2017 to January 19, 2018, when it emerged as M A N I A (stylized without vowels) via Island Records and DCD2.[45] The album leaned heavily into electronic pop, with synth-driven tracks and frenetic production marking a further departure from their rock origins, as heard in singles like "The Last of the Real Ones," a piano-led pop-rock anthem released in September 2017, and "Church," which arrived in February 2018 with its pulsating electronic beats and themes of disillusionment.[46] Critics offered mixed responses to M A N I A, praising its bold pop experimentation and energetic hooks—such as on the stadium-ready "Champion"—while critiquing its occasionally chaotic shifts and departure from the band's punk edge, though it debuted at No. 1 on the Billboard 200 with 167,000 equivalent units and was certified Gold by the RIAA on July 10, 2023.[45][46][17] The accompanying Mania Tour, spanning 2018 across North America, Europe, and South America, integrated the new electronic sound with pyrotechnics and guest appearances, culminating in a triumphant homecoming headline at Chicago's Wrigley Field on September 8, 2018, before 40,000 fans.[47]2019–2022: Hella Mega Tour and interim activities
In September 2019, Fall Out Boy joined Green Day and Weezer for the announcement of the Hella Mega Stadium Tour, a co-headlining trek planned for summer 2020 across North American stadiums to celebrate each band's recent album releases.[48][49] The tour was positioned as a major rock event, emphasizing high-energy performances in large venues without arena dates.[50] The COVID-19 pandemic forced the postponement of the entire tour shortly after its announcement, with initial 2020 dates canceled amid global lockdowns and health concerns.[51] It resumed in July 2021 for the North American leg, spanning 20 stadium shows that attracted 659,000 attendees and grossed $67.3 million, setting new career highs for ticket sales and revenue for all three bands.[52] The European portion followed in June and July 2022, extending the tour's success with additional sold-out stadium performances.[53] Amid touring preparations, Fall Out Boy released their second greatest hits compilation, Believers Never Die – Volume Two, on November 15, 2019, via Island Records.[54] The album collected tracks from their post-hiatus era, including hits from Save Rock and Roll and Mania, alongside the new single "Dear Future Self (Hands Up)" featuring Wyclef Jean, which addressed themes of perseverance.[55] Band members engaged in various solo endeavors during this interval. Patrick Stump expanded into television composition, creating the theme and score for Disney Junior's Spidey and His Amazing Friends, which debuted in August 2021 and became the network's highest-rated preschool series premiere.[56] Pete Wentz maintained his longstanding activism, supporting UNICEF initiatives for children's rights and the Elizabeth Glaser Pediatric AIDS Foundation through fundraising and awareness efforts.[57] Joe Trohman released his memoir None of This Rocks in September 2022, candidly exploring his experiences with mental health challenges within the music industry.[58]2023–2025: So Much (for) Stardust and anniversary celebrations
Fall Out Boy began recording their eighth studio album, So Much (for) Stardust, in early 2022, reuniting with longtime producer Neal Avron and incorporating contributions from Blink-182's Mark Hoppus on select tracks, marking a deliberate return to the band's pop-punk and rock roots after more experimental electronic sounds on prior releases.[59][60] The album was released on March 24, 2023, via Fueled by Ramen, debuting at No. 6 on the Billboard 200 chart with 64,000 equivalent album units in its first week, the band's highest chart position since 2018.[7][61] Preceding the full release, the band issued lead singles "Love from the Other Side" on January 18, 2023, which showcased a blend of anthemic guitars and introspective lyrics, and later "We Didn't Start the Fire" on June 28, 2023, an updated cover of Billy Joel's 1989 hit incorporating modern cultural references from the 1980s to the 2020s, such as the Mars Rover and the COVID-19 pandemic.[62][63] To support the album, Fall Out Boy launched the So Much For (Tour) Dust in June 2023, a North American arena outing that extended into 2024 with additional dates announced in September 2023, featuring opening acts like Bring Me the Horizon and alkaline trio, and including festival appearances such as a last-minute addition to the 2024 Alter Ego festival.[64][65] In 2025, the band celebrated the 20th anniversary of their breakthrough album From Under the Cork Tree with a super deluxe edition released on October 17, featuring remastered tracks, previously unreleased demos, a letter from bassist Pete Wentz, and exclusive merchandise including a "Dance, Dance" prom photo frame and a comic book inspired by Sixteen Candles.[66] The edition highlighted the album's enduring legacy without plans for a dedicated anniversary tour, as confirmed by Wentz in interviews.[16] Later that year, guitarist Joe Trohman announced on July 7, 2025, that he would step away from touring for the remainder of the year to undergo surgery on his right hand, addressing long-term pain to prevent permanent damage, with the band affirming their commitment to continuing performances through adjustments and support for his recovery, and he returned to the band in October 2025 after recovery.[67]Musical style and influences
Core elements and evolution
Fall Out Boy's signature sound is rooted in emo-tinged pop-punk, characterized by fast tempos, intricate wordplay in lyrics penned primarily by bassist Pete Wentz, and dynamic vocals delivered by frontman Patrick Stump, often building to anthemic choruses that blend emotional intensity with catchy hooks.[68][69] This core style emerged from their Chicago origins, where the band fused punk energy with pop accessibility, creating songs that resonate through Stump's versatile range—from raw shouts to soaring melodies—and Wentz's clever, metaphor-heavy phrasing.[68] Instrumentally, the band's foundation relies on guitarist Joe Trohman's riff-driven leads, which provide the punk edge and melodic structure; Wentz's prominent bass lines, which drive the rhythm and add depth to the arrangements; and drummer Andy Hurley's precise, high-speed patterns that propel the fast-paced tracks with relentless energy.[68][69] These elements create a tight, layered sound that balances aggression and polish, allowing the group to transition seamlessly between verse tension and explosive choruses. Over their career, Fall Out Boy's style has evolved significantly, starting with the raw, high-energy punk of their 2003 debut Take This to Your Grave, which emphasized straightforward pop-punk riffs and tempos.[68] By the mid-2000s, albums like From Under the Cork Tree refined this into a more polished pop sensibility with broader production, incorporating smoother melodies and radio-friendly sheen.[69] The 2010s saw further experimentation, blending hip-hop beats and electronic elements into their sound on releases such as American Beauty/American Psycho (2015) and M A N I A (2018), prioritizing synth-driven hooks and genre fusion to adapt to evolving pop landscapes.[68] In the 2020s, they circled back to rock-centric roots on So Much (for) Stardust (2023), re-emphasizing guitars, anthemic structures, and live-band vitality while retaining subtle electronic textures for a mature, nostalgic edge.[70] Lyrically, Wentz's contributions center on themes of heartbreak, the burdens of fame, and self-deprecation, often employing literary references and sharp wordplay to convey vulnerability and irony—for instance, dissecting betrayal in lines like "The person that you'd take a bullet for is behind the trigger."[71][68] These motifs, drawn from personal experiences, use allusions to literature and pop culture to elevate everyday angst into poetic narratives, as seen in self-reflective quips about identity and regret that underscore the band's emo heritage.[71]Key influences and genre contributions
Fall Out Boy's musical influences draw from a diverse array of rock, punk, and later non-rock genres, shaping their energetic and eclectic sound. Early inspirations included classic rock acts like Queen, whose operatic flair and theatrical elements influenced the band's ambitious song structures and vocal dynamics, as noted by bassist Pete Wentz in a 2015 Rolling Stone feature on his formative albums.[72] Additionally, new wave influences from the Police, evident in the band's cover of "Roxanne" on their debut album's enhanced CD content, contributed to their rhythmic precision and pop sensibilities.[73] As Fall Out Boy evolved, hip-hop and R&B elements became prominent, particularly through lead vocalist Patrick Stump's contributions. Stump has cited R&B icons like Michael Jackson and Prince as key influences on his vocal style and production, integrating soulful falsettos and groove-oriented rhythms into the band's later work, as discussed in a 2011 Billboard interview about his solo album Soul Punk.[74] While direct ties to groups like Wu-Tang Clan are less documented, the band's broader engagement with hip-hop—through collaborations and sampling—reflects Wentz's affinity for the genre's lyrical complexity and beat-driven innovation, helping to infuse their pop-punk with urban flair.[75] Fall Out Boy played a pivotal role in pioneering pop-punk's mainstream crossover during the 2000s, blending emo introspection with accessible hooks to achieve widespread radio and chart success. Their 2005 album From Under the Cork Tree exemplifies this shift, merging punk aggression with pop polish to broaden the genre's appeal beyond underground scenes.[76] This approach influenced subsequent acts such as Paramore and Panic! at the Disco, who adopted similar genre-mixing strategies to transition from niche emo-punk to broader pop-rock audiences, as highlighted in analyses of the era's pop-punk evolution.[77] In the 2010s, Fall Out Boy contributed to revitalizing rock radio by reintroducing hybrid sounds that bridged rock with electronic and pop elements, particularly through albums like Save Rock and Roll (2013), which debuted at number one on the Billboard 200 and featured high-profile guests to reinvigorate the format amid declining traditional rock airplay. Stump's genre-fluid production techniques, drawing on R&B layering and hip-hop beats, enabled this reinvention, allowing the band to maintain relevance in a streaming-dominated landscape. Critical reception has often debated their innovation against perceptions of commercialization, with some praising their boundary-pushing authenticity—such as in Mania (2018), which Forbes lauded for balancing experimental pop with core rock identity—while others critiqued the shift toward top-40 accessibility as diluting punk roots.[45] This tension underscores their enduring impact as adapters rather than purists.[78]Band members
Current lineup
The current lineup of Fall Out Boy consists of the four core members who have been with the band since its early years, providing stability through their defined roles and collaborative creative process.[79] Patrick Stump serves as the lead vocalist, rhythm guitarist, and primary songwriter, handling much of the band's musical composition and arrangement. Born Patrick Martin Stumph on April 27, 1984, in Evanston, Illinois, Stump grew up in Glenview and attended Glenbrook South High School, where he developed his early interest in music by playing drums in local bands before switching to guitar and vocals.[80] His multifaceted contributions, including production on recent albums like So Much (for) Stardust, have shaped the band's evolution from pop-punk roots to a broader rock sound.[16] Pete Wentz is the bassist and backing vocalist, renowned as the band's primary lyricist, whose introspective and often confessional writing drives the thematic depth of their songs. Born Peter Lewis Kingston Wentz III on June 5, 1979, in Wilmette, Illinois, he attended DePaul University studying political science but dropped out just short of graduation to focus on music. Wentz has also built a significant business portfolio, founding Decaydance Records (later rebranded as DCD2 Records) in 2005, which has signed and nurtured acts like Panic! at the Disco and Gym Class Heroes, extending his influence beyond Fall Out Boy.[81] Joe Trohman plays lead guitar and provides backing vocals, delivering the band's intricate guitar riffs and solos that complement its energetic live performances. Born Joseph Mark Trohman on September 1, 1984, in Hollywood, Florida, he relocated to the Chicago area during his youth and has been a founding member since 2001. Trohman has faced recent health-related tour absences, including a temporary step-back in 2023 for mental health reasons and, as of July 2025, another for surgery on his right hand to avoid permanent damage, during which the band has continued touring with a substitute guitarist while affirming his permanent role.[58][82] Andy Hurley is the drummer, known for his powerful and precise style that anchors the band's rhythm section and supports its dynamic shifts in tempo. Born Andrew John Hurley on May 31, 1980, in Milwaukee, Wisconsin, he joined as a permanent member in 2003 after playing in Chicago hardcore and punk scenes. Hurley is a prominent vegan activist and straight-edge advocate, promoting animal rights through his lifestyle and side projects, including the supergroup The Damned Things.[83][84] Collectively, these members' complementary strengths—Stump's melodic innovation, Wentz's lyrical vision, Trohman's guitar textures, and Hurley's rhythmic foundation—have fostered the band's longevity, enabling it to navigate hiatuses, lineup stresses, and genre shifts while maintaining a unified creative dynamic that emphasizes mutual support and evolution, as evidenced by their ongoing tours and 2023 album release in 2025.[16]Former members and touring personnel
Fall Out Boy's lineup underwent several changes during its early formation in 2001. The original drummer, Ben Rose, departed shortly after the band's inception, having participated in its first performance, which band members later described as informal and exploratory.[85] Mike Pareskuiewicz then served as drummer from late 2001 through 2003, contributing to the band's initial recordings, including elements of their debut EP Fall Out Boy's Evening Out with Your Girlfriend, before leaving to focus on other musical endeavors such as his band Subsist.[86] Additional early members included rhythm guitarist John Flamandan, who played in the band's sole 2001 performance alongside Rose, as well as T.J. Kunasch on rhythm guitar from 2001 to 2002 and Brandon Hamm briefly in 2002; these roles were filled as the group solidified its sound amid the Chicago punk scene.[86] Since the core quartet of Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley stabilized in 2003, there have been no permanent departures from this lineup. However, touring personnel have stepped in during absences, such as in early 2023 when Trohman took a hiatus for mental health treatment; the band's longtime guitar technician, Ben Young, filled in as touring guitarist from January to May, enabling the group to complete dates on their Hella Mega Tour leg.[87] As of July 2025, with Trohman's ongoing hiatus for hand surgery extending through the remainder of the year, the band planned to proceed with scheduled shows, though no specific replacement was detailed at the announcement; Ben Young has been speculated as a likely substitute based on prior experience.[88][89] These adjustments have stemmed from personal and health-related reasons, while Hurley has maintained involvement in side projects like The Damned Things, occasionally overlapping with Fall Out Boy commitments without altering the primary roster.[38]Discography
Studio albums
Fall Out Boy's debut studio album, Take This to Your Grave, was released on May 6, 2003, through Fueled by Ramen. The album consists of 12 tracks: "Tell That Mick He Just Made My List of Things to Do Today," "Dead on Arrival," "Grand Theft Autumn (Where Is Your Boy?)," "Saturday," "Homesick at Space Camp," "A Little Less Sixteen Candles, a Little More 'Touch Me,'" "Chicago Is So Two Years Ago," "The Pros and Cons of Breathing," "Grenade Jumper," "Calm Before the Storm," "Rreinventing the Wheel to Run Myself Over," and "The Patron Saints of Liars and Fakes." It peaked at number 31 on the US Heatseekers Albums chart and was certified Gold by the RIAA on August 7, 2006, for 500,000 units sold.[90][91][92] The band's second studio album, From Under the Cork Tree, arrived on May 3, 2005, via Island Records and marked their major-label breakthrough. It debuted at number 9 on the Billboard 200, selling 68,000 copies in its first week, and has been certified 5× Platinum by the RIAA as of August 27, 2025, for equivalent sales of 5 million units in the US. The album earned key awards, including MTV Video Music Awards for "Sugar, We're Goin Down" in categories like Best Group Video and Viewer's Choice. A 20th anniversary super deluxe edition was released on October 17, 2025, featuring remastered audio and 13 bonus tracks including live and acoustic performances.[3][93][94] Infinity on High, Fall Out Boy's third studio album, was released on February 6, 2007, by Island Records. It debuted at number 1 on the Billboard 200 with 260,000 first-week sales and topped charts in several international markets, including Australia, Canada, and the UK. The album was certified Platinum by the RIAA on March 12, 2007.[95][31][96] The fourth album, Folie à Deux, came out on December 16, 2008, through Island Records and debuted at number 8 on the Billboard 200, selling 150,000 copies in its debut week. By 2013, it had sold over 500,000 copies in the US, earning a Gold certification from the RIAA on January 27, 2009.[97] After a hiatus, Fall Out Boy returned with Save Rock and Roll on April 16, 2013, via Island Records, which debuted at number 1 on the Billboard 200 with 154,000 first-week units. The album featured prominent guest vocalists including Elton John on the title track, Courtney Love on "Rat a Tat," Big Sean on "Just One Yesterday," and Foxes on "Alone Together," blending rock with diverse influences. It was certified Platinum by the RIAA on February 18, 2016.[98][99] American Beauty/American Psycho, the sixth studio album, was released on January 16, 2015, by Island Records and debuted at number 1 on the Billboard 200 with 218,000 units. It incorporated hip-hop elements such as sampling and beats, notably on tracks like "Irresistible" and "Uma Thurman," which drew from electronic and rap influences. The album achieved Platinum status from the RIAA on February 24, 2016.[100][101][102] The seventh album, Mania (stylized as M A N I A), followed on January 19, 2018, via Island Records after a delayed release from an initial scrapped version, debuting at number 1 on the Billboard 200 with 130,000 units. The title's unconventional spacing and the album's experimental pop direction sparked debate among fans and critics regarding the band's evolving sound. It was certified Gold by the RIAA on July 10, 2023.[100][103][104] Fall Out Boy's eighth studio album, So Much (for) Stardust, was released on March 24, 2023, by Fueled by Ramen/Elektra Records, debuting at number 6 on the Billboard 200 with 64,000 units and signaling a return to the band's rock roots with heavier guitar-driven tracks and orchestral elements. It has been praised for recapturing their earlier pop-punk energy while exploring mature themes.[105][106]Singles and extended plays
Fall Out Boy's singles have been central to their commercial breakthrough and enduring popularity, often blending pop-punk energy with radio-friendly hooks to achieve strong chart performance. The band's 2005 single "Sugar, We're Goin Down," from the album From Under the Cork Tree, marked their first major hit, peaking at No. 8 on the Billboard Hot 100 and spending 128 weeks on the chart. It was certified 9× Platinum by the RIAA on August 27, 2025, reflecting over 9 million units sold or streamed in the U.S.[107] This track's success helped propel Fall Out Boy into mainstream stardom, combining introspective lyrics with anthemic choruses that resonated widely.[108] Building on this momentum, "This Ain't a Scene, It's an Arms Race" from 2007's Infinity on High became one of their highest-charting singles, reaching No. 2 on the Billboard Hot 100 and topping the UK Singles Chart. Certified Platinum by the RIAA on December 4, 2023, the song's satirical take on fame and its guest verse by Travis McCoy of Gym Class Heroes contributed to its crossover appeal across rock and pop formats.[109] These early hits established Fall Out Boy's pattern of releasing singles that drive album sales while standing strong independently. The band's extended plays include early efforts that captured their raw pop-punk roots. Evening Out with Your Girlfriend, released on March 25, 2003, via Uprising Records, served as their debut EP and featured tracks like "Dead on Arrival," showcasing the group's initial sound before major-label refinement.[110] Later, Leaked in London, a live EP recorded at London's Hammersmith Palais on January 29, 2007, was issued digitally on February 6, 2007, as a response to the online leak of their album Infinity on High; it was reissued digitally in 2020 for broader accessibility.[111] These EPs highlight transitional phases, from independent origins to live captures of peak popularity. Fall Out Boy has also issued compilation albums focusing on their singles. Believers Never Die – Greatest Hits Volume One, released in 2013, collected early hits like "Sugar, We're Goin Down" and "This Ain't a Scene, It's an Arms Race" to chronicle their pre-hiatus era.[112] The follow-up, Believers Never Die – Greatest Hits Volume Two, arrived in 2020, emphasizing post-2013 material such as "Centuries" and new tracks, underscoring their evolution in the streaming landscape.[113] In the streaming era, singles continue to thrive through digital platforms and viral promotion. The 2023 release "We Didn't Start the Fire," an updated cover of Billy Joel's classic, debuted at No. 94 on the Billboard Hot 100, driven by 4.7 million U.S. streams in its first tracking week and strong performance on rock charts, illustrating how modern metrics amplify Fall Out Boy's reach beyond traditional radio.[114]Tours and live performances
Major headlining tours
Fall Out Boy's Black Clouds and Underdogs Tour, launched in early 2006, marked one of the band's earliest major headlining efforts, supporting their breakthrough album From Under the Cork Tree. The North American outing featured co-headliners The All-American Rejects, with opening acts including Hawthorne Heights and From First to Last, and spanned dozens of arena dates starting March 15 in Albany, New York.[21][115] The tour's success helped solidify the band's pop-punk prominence, drawing large crowds and leading to a special "Black Clouds and Underdogs" edition re-release of the album with bonus tracks.[116] In 2007, Fall Out Boy embarked on the Friends or Enemies Tour, an international headlining run promoting Infinity on High. The tour included U.S. theater and arena shows in January, such as at The Warfield in San Francisco, and extended to Asia with performances in Indonesia in September, showcasing the band's growing global reach.[117] Spanning at least 17 dates, it emphasized high-energy sets blending new singles like "This Ain't a Scene, It's an Arms Race" with earlier hits.[118] The Monumentour in 2014 was a co-headlining summer trek with Paramore, supported by New Politics, covering over 30 North American amphitheater and arena stops from June to September.[119][120] Billed as a celebration of rock resilience, the tour featured alternating sets and collaborations, though Paramore canceled select dates due to illness; Fall Out Boy performed select solo shows to complete the routing.[121] Highlights included dynamic live renditions of tracks from Save Rock and Roll and Paramore, fostering a shared fanbase experience.[122] A pivotal milestone came in 2018 with Fall Out Boy's headline show at Chicago's Wrigley Field on September 8, during their M A N I A Tour, drawing over 40,000 attendees and marking their first stadium concert in their hometown.[123]) This performance featured elaborate production, guest appearances, and a career-spanning setlist, underscoring the band's evolution to stadium-scale rock. The So Much (for) Stardust Tour (2023-2024), supporting their eighth studio album, ran from June 2023 through March 2024 across North American arenas.[124] Setlists evolved from heavy emphasis on new tracks like "Love From the Other Side" and "Hold Me Like a Grudge" in early dates to incorporating more classics such as "Sugar, We're Goin Down" and "The Phoenix" by late 2023, reflecting fan demand and album reception.[125] The tour featured support from acts like Alkaline Trio and encompassed over 50 dates, emphasizing theatrical elements and career-spanning medleys.[124]Festival appearances and collaborations
Fall Out Boy gained significant breakthrough exposure through their appearances on the Vans Warped Tour in 2004 and 2005, where they performed alongside other emerging punk and emo acts on multiple dates across North America.[126] In 2004, their set at the Detroit stop was notably interrupted early due to an uncontrollable crowd response, highlighting their growing popularity just ahead of the release of their major-label debut album.[127] The 2005 tour further amplified their visibility, with performances like the one at Riverbend Music Center in Cincinnati featuring key tracks from From Under the Cork Tree, contributing to the band's transition into mainstream success within the emo and pop-punk scenes.[128] The band co-headlined the Hella Mega Tour with Green Day and Weezer from 2021 to 2022, a stadium tour originally planned for 2020 but postponed due to the COVID-19 pandemic.[129] The rescheduling allowed for safety protocols amid ongoing health concerns, with dates spanning North America and select international stops, drawing massive crowds and marking one of Fall Out Boy's largest collaborative endeavors post-hiatus.[130] Despite occasional disruptions, such as Fall Out Boy missing two U.S. dates in 2021 after a team member tested positive for COVID-19, the tour was praised for its high-energy shared billings and revival of rock festival spirit.[131] Fall Out Boy made notable festival appearances at Lollapalooza throughout the 2000s and 2010s, evolving from supporting slots to prominent performances that showcased their pop-punk anthems to diverse audiences in Chicago and beyond.[132] Similarly, at the Reading and Leeds Festivals, they progressed from mid-tier sets in the late 2000s—such as their 2009 appearance at Reading—to co-headlining in 2016 alongside Biffy Clyro and fully headlining in 2018 with Kings of Leon and Kendrick Lamar.[133] These UK festival slots in the 2010s, including career-spanning sets at Reading, solidified their international draw and ability to command large outdoor crowds.[134] Key collaborations included joint stage performances with Taylor Swift, notably during her Red Tour in 2013, where Patrick Stump joined her for a rendition of Fall Out Boy's "My Songs Know What You Did in the Dark (Light Em Up)."[135] The band also shared extensive live synergies with Panic! at the Disco, including co-headlining the Save Rock and Roll Arena Tour in 2013 and earlier joint appearances on the 2005 Nintendo Fusion Tour, often featuring mashup performances of each other's hits like "This Ain't a Scene, It's an Arms Race" blended with Panic!'s "I Write Sins Not Tragedies."[136] These onstage pairings highlighted mutual influences within the pop-punk and emo genres, with surprise guest spots enhancing festival and tour energy.[137] Amid celebrations for the 20th anniversary of From Under the Cork Tree in 2025, including a super deluxe reissue release, Fall Out Boy continued festival engagements with headlining slots at events like Oceans Calling in Ocean City, Maryland, on September 28, 2025, and Boston Calling from May 23–25, 2025.[138] Earlier in 2024, they headlined Riot Fest in Chicago, tying into anniversary promotions with performances of classic tracks.[139] Additional 2025 appearances, such as at Innings Festival in Tempe, Arizona, in February, underscored their ongoing festival presence during this milestone year.[140]Awards and nominations
Major music awards
Fall Out Boy has garnered recognition from major industry award shows, including nominations at the Grammy Awards and wins at the MTV Video Music Awards, reflecting their commercial success and influence in rock music. The band received a Grammy nomination for Best New Artist at the 48th Annual Grammy Awards in 2006. They also earned a nomination for Best Rock Album for MANIA at the 61st Annual Grammy Awards in 2019.[141] These nominations underscored the band's breakthrough and later evolution in rock music. At the 2007 MTV Video Music Awards, Fall Out Boy won Best Group Video for "This Ain't a Scene, It's an Arms Race", highlighting the song's innovative video concept and cultural impact.[142] The track, a lead single from Infinity on High, peaked at No. 2 on the Billboard Hot 100 and solidified the band's crossover status. The band also secured Top Rock Artist honors at the Billboard Music Awards in 2014 and 2015, recognizing their chart dominance during key career peaks with albums like Save Rock and Roll and American Beauty/American Psycho.[143] In recent years, Fall Out Boy continued to receive nods for tracks from their 2023 album So Much (For) Stardust. At the 2023 MTV Video Music Awards, "Hold Me Like a Grudge" was nominated for Best Alternative, while "Love from the Other Side" earned a nomination for Best Visual Effects.[144][145] In 2024, they won Alternative Artist of the Year at the iHeartRadio Music Awards.[146] These nominations and wins highlight the band's evolution toward more experimental rock sounds while maintaining visual and sonic innovation. The following table summarizes key major award wins and nominations:| Award Show | Year | Category | Work | Result |
|---|---|---|---|---|
| Grammy Awards | 2006 | Best New Artist | Fall Out Boy | Nomination |
| Grammy Awards | 2019 | Best Rock Album | MANIA | Nomination |
| MTV Video Music Awards | 2007 | Best Group Video | "This Ain't a Scene, It's an Arms Race" | Win |
| Billboard Music Awards | 2014 | Top Rock Artist | Fall Out Boy | Win |
| Billboard Music Awards | 2015 | Top Rock Artist | Fall Out Boy | Win |
| MTV Video Music Awards | 2023 | Best Alternative | "Hold Me Like a Grudge" | Nomination |
| MTV Video Music Awards | 2023 | Best Visual Effects | "Love from the Other Side" | Nomination |
| iHeartRadio Music Awards | 2024 | Alternative Artist of the Year | Fall Out Boy | Win |