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Fastlove

"Fastlove is a song by English singer-songwriter George Michael, released on 22 April 1996 as the second single from his third studio album, Older. An uptempo R&B track produced by Michael and Jon Douglas, it interpolates the 1982 single "Forget Me Nots" by Patrice Rushen and addresses themes of casual sex and emotional avoidance following personal loss. The lyrics reflect Michael's experiences after the 1993 death of his partner Anselmo Feleppa from AIDS-related illness, using "fast love" as a metaphor for fleeting encounters to mask heartbreak. The song marked a stylistic shift for toward mature, introspective pop with influences, contrasting the album's predominant ballads of and longing. Initially envisioned with a laid-back Latin rhythm, the final version adopted an energetic groove featuring electronic elements, from Kurtis Blow's "AJ Scratch," and Michael's layered vocals. Its , directed by and Anthea Benton, depicts Michael in a surreal white room navigating sequences of androgynous dancers, culminating in him dancing under falling water to symbolize release. Commercially, "Fastlove" achieved significant success, debuting at number one on the UK Singles Chart and holding the position for three weeks, becoming Michael's seventh and final solo UK chart-topper. In the United States, it peaked at number eight on the Billboard Hot 100, marking his last entry on that chart, and reached number 44 on the Hot R&B/Hip-Hop Songs chart. Internationally, it topped charts in Australia, Hungary, and Italy, and performed strongly in Canada, reaching number four on the RPM Top Singles chart and number one on the Adult Contemporary chart. The track's legacy endures through live performances, including during Michael's tour in 2008, and covers, such as Adele's rearranged at the following his death. It also inspired a long-running show, Fastlove: The Musical, touring globally since 2017 to celebrate Michael's music.

Background and production

Development and recording

The development of "Fastlove" began in spring 1995 as part of the sessions for George Michael's album , during a period when he was emerging from profound personal grief following the death of his partner, Anselmo Feleppa, from an AIDS-related illness in 1993. Michael collaborated closely with producer and programmer Jon Douglas, whom he first met at Sarm West Studios in while Douglas was working on Lisa Moorish's album I've Gotta Have It All. The pair shared production duties, with recording taking place over several months primarily at Sarm West Studio 2 for Michael's contributions and Studio 4 for Douglas and his engineering team. Initial work focused on constructing the track's rhythmic foundation, employing the MPC3000 sampler for drum programming, effects, and scratches, alongside Cubase sequencing software running on an Apple PowerMac 7100 to build the bossa nova-inspired rhythm and bassline. handled most keyboard and parts himself, emphasizing an in-studio creative process with limited pre-written material, supported by Paul Gomersall. The production evolved iteratively, with displaying meticulous attention to vocal details, insisting on re-recording takes without pitch correction to preserve authenticity. A pivotal change occurred late in the process when the team incorporated an of the bassline from Patrice Rushen's 1982 track "," with Jo Bryant performing the vocals for this section, which required clearing samples and necessitated a two-week production halt to integrate it seamlessly into the groove. This addition, credited to Rushen alongside , Freddie , and Terri McFadden for writing contributions, ultimately defined the song's infectious, escapist pulse and extended the overall timeline.

Composition and influences

"Fastlove" is a blend of , , and R&B genres, incorporating a rhythm in its initial demo version before evolving into a more upbeat arrangement. The song is written in the key of , with a moderate of approximately 104 beats per minute, and the album version has a duration of 5:26. It employs a standard verse-chorus structure, featuring an extended introductory section with repetitive vocal hooks and a bridge that integrates sampled elements for dynamic contrast. A key influence on the track's sound is the interpolation of the bassline and lyric hooks from Patrice Rushen's 1982 funk hit "Forget Me Nots," which provides the song's infectious groove and is explicitly credited in the composition alongside writers Freddie Washington and Terri McFadden. This sampling nods to disco-funk traditions, grounding "Fastlove" in a heritage of rhythmic, dance-oriented R&B. The lyrics center on themes of seeking non-committal sexual gratification as an antidote to the frustrations of contemporary relationships, capturing a hedonistic pursuit tempered by emotional vulnerability. These themes draw inspiration from George Michael's personal experiences after the 1993 death of his partner Anselmo Feleppa from AIDS-related complications, reflecting a period of grief and coping through casual encounters as explored throughout the Older album. Michael's vocal performance underscores the song's ironic tension, delivering lines with a seductive, playful tone that highlights hedonistic release while subtly conveying the underlying pain of unfulfilled connection. The bridge includes spoken-word-like elements in its narrative flow, building to the interpolated chorus for emphatic release.

Release and formats

Commercial release

"Fastlove" was commercially released on 22 April 1996 in the United Kingdom by Virgin Records and served as the second single from George Michael's third studio album, Older. In the United States, DreamWorks Records handled the distribution, with the single following radio promotion and a physical release in 1996. The release highlighted Michael's transition to more introspective and mature solo material after his time with Wham! and legal disputes with previous label Sony Music. The single featured a B-side remix titled "I'm Your Man '96," a reworking of Michael's earlier Wham! track, which tied into the album's themes of personal growth and relationships aimed at adult listeners. This inclusion helped promote the overall narrative of , emphasizing emotional depth over youthful pop sensibilities. Regional variations included an emphasis on airplay to build anticipation before the physical single's launch. In , the single was issued on 22 May 1996 by , featuring bilingual packaging to appeal to local markets. Initial marketing focused on radio premieres and interviews underscoring Michael's artistic , positioning "Fastlove" as a danceable yet reflective return to form.

Track listings

"Fastlove" was released across various physical formats worldwide, including , cassettes, and records, each featuring different combinations of the lead track, B-sides, and remixes. All versions credit production to and Jon Douglas. The CD single (VSCDT 1579) included the core tracks. Corresponding cassette and 12" variants (VST 1579) offered similar content adapted for those media.
No.TitleDuration
1Fastlove Part I5:27
2I'm Your Man '964:04
3Fastlove Part II (fully extended mix)9:28
In the , the promotional CD (PRO-CD-4867) featured versions for .
No.TitleDuration
1 (radio edit)4:39
2Fastlove (full version)5:24
International editions incorporated region-specific remixes to suit local markets, such as club-oriented variants in and promotional mixes elsewhere. The B-side "I'm Your Man '96" functioned as a promotional , re-recording the classic Wham! track for renewed exposure. No dedicated digital-only releases existed prior to the .

Promotion and visuals

Music video

The music video for "Fastlove," directed by and Anthea Benton, was shot in 1996 and exemplifies early adoption of virtual reality-inspired aesthetics through innovative . In the video, appears seated on a black leather sofa in a dimly lit, futuristic club environment, manipulating a to cycle through holographic projections of seductive, diverse dancers that evoke transient, impersonal encounters. These sequences are intercut with dynamic shots of androgynous performers in elaborate costumes, culminating in Michael joining a rain-drenched dance routine that underscores the song's pursuit of momentary pleasure. Running 5:04 in length, the narrative employs surreal, dreamlike imagery to parallel the lyrics' exploration of hedonistic detachment in modern romance. The production received critical acclaim for its bold visuals and choreography, earning nominations for Best Video at the 1997 and three categories at the , including Best Dance Video and Best Choreography. It ultimately won the International Viewer's Choice Award— Europe, highlighting its impact as a promotional cornerstone for the single.

Live performances

"Fastlove" debuted live in an acoustic arrangement during George Michael's performance on October 11, 1996, at Three Mills Studio in , where it featured stripped-down instrumentation emphasizing the song's lyrical themes of fleeting relationships. The performance was later released on the 2019 album , highlighting Michael's intimate vocal delivery. Following its unplugged debut, "Fastlove" transitioned to a full band arrangement in live settings, notably during the tour from 2006 to 2008, which celebrated 25 years of Michael's solo career and included energetic renditions with brass sections and backing vocals to capture the track's upbeat elements. The tour's version, recorded at in , preserved the original's groove while adapting it for arena crowds, often opening the post-intermission segment as a high-energy pivot from ballads. The song appeared in key concerts such as the NetAid at on October 9, 1999, where it opened the set to reinvigorate audiences. It was also performed at in 2007 as part of the tour's stadium leg, marking one of the venue's inaugural major pop concerts and drawing over 80,000 attendees across two nights. During the tour's European and North American dates, "Fastlove" consistently positioned as an early-set energizer, typically following an and preceding hits like "Father Figure," with minimal alterations to the arrangement beyond venue-specific lighting and visuals. Posthumously, "Fastlove" featured prominently in tributes following Michael's death on December 25, 2016, including Adele's emotional, piano-led medley at the 59th on February 12, 2017, which slowed the tempo to underscore its poignant undercurrents and earned a . This rendition, part of a larger segment, was praised for its raw vulnerability and became a moment, streamed millions of times online.

Critical reception and accolades

Contemporary reviews

Upon its release in April 1996, "Fastlove" received generally positive reviews from critics, who praised its infectious groove and George Michael's charismatic delivery. Rolling Stone described the track as a "bouncy disco concoction," highlighting its upbeat energy within the more introspective context of the Older album. Similarly, Larry Flick of Billboard commended the song's "sleek groove that recalls the best of Chic’s 'Good Times,'" noting how Michael deftly balances the sweet and the sexy in his vocals over the funky bassline. The Los Angeles Times called it a "breezy, hip-hop-laced" standout. Some reviewers offered mixed assessments, appreciating the song's slick production but critiquing it as somewhat soulless compared to Michael's earlier pop hits. Entertainment Weekly observed that tracks like "Fastlove," with its bold suggestion of casual encounters, "suffer most from these arrangements," implying an overindulgent polish that dulled the emotional edge amid the era's push toward maturity. Cash Box's Daina Darzin, however, leaned positive, labeling it a "terminally danceable" cut with an "ultra-lush and opulent vibe," though she situated it as consistent with Michael's evolving, more reflective rather than a radical departure. Overall, the single was seen as a mature evolution, blending escapism with subtle depth in the context of . Critics frequently highlighted the song's themes as a candid exploration of beneath its hedonistic surface, with the upbeat facade masking grief over lost love. echoed this, praising the daring lyrical frankness about one-night stands as a gutsy move in an era of romantic idealism, even if the production somewhat muted its rawness.

Awards and nominations

"Fastlove" was nominated for Best British Single at the 1997 , where it competed against tracks such as Oasis's "" and The Prodigy's "," but lost to the Spice Girls' "." The accompanying music video, directed by and Anthea Benton, won the International Viewer's Choice Award at the for its Europe category, recognizing its popularity among European viewers. It was also nominated for the MTV Amour award at the 1996 and for British Video of the Year at the 1997 . At the 1997 , "Fastlove" won the Most Performed Work, highlighting its extensive radio and public airplay. The song did not receive any Grammy Award nominations. Overall, "Fastlove" garnered three nominations and two wins across major industry honors, underscoring 's artistic resurgence following a period of personal challenges and a four-year hiatus from recording.

Commercial performance

Chart performance

"Fastlove" debuted at number one on the on 4 May 1996, holding the top position for three consecutive weeks and remaining on the chart for a total of 20 weeks, marking the longest chart run of any solo single up to that point. The track's success was bolstered by heavy rotation of its on and synergy with the chart-topping album Older, released shortly after. It ranked number 11 on the UK year-end chart for 1996. In the United States, "Fastlove" entered the at number 25 in early May 1996, climbing steadily to a peak of number eight, where it spent two weeks before descending, for a total chart run of 13 weeks. The song finished at number 62 on the US Hot 100 for 1996. The single achieved number one status on the Australian ARIA Singles Chart for two weeks in May and June 1996, debuting at number two before ascending to the top. Its performance was driven by strong radio airplay and video exposure, contributing to its placement at number 20 on the ARIA year-end chart. Internationally, "Fastlove" topped the charts in several European markets, including Hungary, Italy, and Spain, while reaching number two on the Dutch Top 40. In other regions, it peaked at number two in the Netherlands' Single Top 100 and entered the top ten in countries such as France (number two), New Zealand (number three), and Sweden (number five). The song's global trajectory from April to July 1996 reflected its broad appeal, with consistent top-ten entries across more than 20 countries, aided by its upbeat production and timely release aligning with summer programming.
CountryPeak PositionWeeks at PeakTotal Weeks on ChartSource
1320
(Hot 100)8213
(ARIA)1222ARIA
Netherlands (Top 40)2111
France2118
1N/AN/AFIMI
1N/AN/APROMUSICAE
1N/AN/AMahasz

Certifications and sales

"Fastlove" achieved notable commercial certifications in several markets. In the , the (BPI) certified the single 2× Platinum in 2023, equivalent to 1.2 million units including physical sales, downloads, and streaming equivalents. In the United States, the (RIAA) awarded it Platinum certification in 2006 for 1 million units shipped. The song received 2× Platinum certification from the Australian Recording Industry Association (ARIA), representing 140,000 units, and Gold status from the Syndicat National de l'Édition Phonographique (SNEP) in France for 250,000 units. By 1997, "Fastlove" had surpassed 2 million global sales. Certifications began incorporating streaming data after 2016, reflecting ongoing digital plays. This performance helped propel its parent album to multi-platinum status worldwide, including 4× Platinum in the UK from the BPI.

Legacy and usage

Usage in media

"Fastlove" has been licensed for use in various media, highlighting its upbeat and energetic appeal for opportunities. The song features in the of the 2019 Last Christmas, directed by and starring and , where it underscores a key scene emphasizing themes of and fleeting connections. In television, the track appeared in the 2017 documentary George Michael: Freedom!, a narrated by the artist himself, providing context to his career and personal life through performances and interviews. Additionally, "Fastlove" was performed live during the 1997 Brit Awards ceremony, integrating it into a high-profile broadcast event that celebrated achievements.

Covers and tributes

Adele closed her medley tribute to with an acoustic rendition of "Fastlove" at the on February 12, 2017, transforming the upbeat track into a poignant, slowed-down performance that highlighted its underlying emotional vulnerability. The rendition, during which Adele restarted after a vocal mishap and fought back tears, was widely praised for its raw depth and sincerity in honoring the singer who had passed away in December 2016. Other covers of "Fastlove" include Australian singer Anthony Callea's version on his 2014 tribute album Ladies & Gentlemen: The Songs of , artist Jimmy Robert's experimental take titled "Fast Love" from his 2017 album Is This Love, and a smooth jazz adaptation by the Smooth Jazz All Stars in 2017. The song's distinctive , interpolated from Patrice Rushen's hit "," has influenced subsequent tracks, notably Robin Thicke's 2002 single "," which directly samples the same source material to evoke a similar funky, seductive vibe. "Fastlove" featured prominently in posthumous tributes to , including performances at 2017 memorial events following his death, such as the Grammy tribute. The track also inspired the long-running stage production Fastlove: A Tribute to George Michael, a celebratory show that debuted in London's West End and has toured globally since 2018, recreating the song alongside Michael's other hits. In 2023, the production announced an expanded schedule to mark ongoing anniversaries of Michael's work, and it continues touring with dates through 2026 in the , , and as of November 2025. Thematically, "Fastlove" has left a mark on pop music's treatment of casual romance, with its candid about fleeting connections resonating in later works, though no major new covers emerged in or 2025. It continues to gain traction on streaming platforms through curated playlists dedicated to pop and George Michael's catalog.

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