Girl with Fish
Girl with Fish is the second studio album by the American indie rock band Feeble Little Horse, released on June 9, 2023, through the Saddle Creek Records label.[1] The album consists of 11 self-recorded tracks that blend elements of blissed-out pop, harsh noise, glitchy beats, and indie rock, clocking in at under 30 minutes.[2] It serves as a follow-up to the band's critically acclaimed debut album, Hayday, from 2021.[1] Feeble Little Horse was a Pittsburgh-based quartet formed by guitarist Ryan Walchonski and multi-instrumentalist Sebastian Kinsler while they were students at the University of Pittsburgh.[3] The band was later joined by drummer Jake Kelley and bassist Lydia Slocum, who also contributes lyrics.[3] The album's title originates from an inside joke among the members about the naming conventions of museum paintings.[1] Recording took place across multiple locations, including apartments in Pittsburgh, Pennsylvania; Washington, D.C.; and Rochester, New York, emphasizing a collaborative and intuitive approach to songwriting.[2] The album was self-produced by Kinsler and Walchonski, with mixing handled by Kinsler and mastering by Heba Kadry.[2] Tracks such as "Freak," "Tin Man," "Steamroller," and "Pocket" showcase the band's dynamic style, featuring textured shoegaze guitars, fuzzy melodic hooks, and experimental arrangements that explore themes of depression, lust, and religion.[3] Upon release, Girl with Fish received widespread critical acclaim, including an 8.2 rating and "Best New Music" designation from Pitchfork, which praised its confident songwriting and beguiling production.[3] Following the album, the band released the single "This Is Real" on March 11, 2025, though founding guitarist Ryan Walchonski departed the group shortly thereafter.[4][5]Background
Band formation and prior releases
Feeble Little Horse formed in February 2021 in Pittsburgh's Oakland neighborhood when college friends Ryan Walchonski (guitar, vocals) and Sebastian Kinsler (guitar, vocals, production), students at the University of Pittsburgh, began jamming together in Walchonski's apartment as a casual recording project following their departure from a prior garage-rock band.[6][7] The duo soon recruited Walchonski's roommate Jake Kelley on drums, followed by Lydia Slocum on vocals and bass, who learned the instrument specifically for the group; this lineup solidified the band as a noise pop and indie rock quartet rooted in the city's DIY scene.[6][8] The band's initial output arrived swiftly with the self-released EP modern tourism in May 2021, a collection of eight tracks that showcased their early digitized noise pop sound, blending fuzzy distortion, electronic effects, and compact pop structures recorded in home settings.[9][6] Later that year, in October 2021, they issued their debut full-length album Hayday via the Philadelphia-based Julia's War Recordings; the record featured 13 songs marked by chaotic, shoegaze-inflected riffs and experimental production, drawing comparisons to influences like Alex G and earning praise for its slacker rock ethos of sardonic humor amid relentless energy.[10][11] Hayday particularly gained attention for its lyrical exploration of twentysomething existential dread, including themes of anxiety in relationships—evident in tracks like "Chores," which vents frustration from a recent breakup, and "Dog Song," depicting imbalanced dynamics through perturbing imagery such as "I get sick with every touch/Spill it out, I’ll lick it up."[11] The album's reissue in October 2022 by the established indie label Saddle Creek Records marked a pivotal transition, elevating the band's visibility through wider distribution and physical formats while paving the way for their professional expansion beyond Pittsburgh's local circuit.[8][10]Album conception
Following the reissue of their debut album Hayday in October 2022 via Saddle Creek Records, Feeble Little Horse began conceiving their sophomore effort Girl with Fish later that year, viewing it as an opportunity to evolve their noise-pop sound while navigating personal upheavals such as guitarist Ryan Walchonski's relocation to Washington, D.C., and vocalist Lydia Slocum's move to central Pennsylvania. Guitarist Ryan Walchonski departed the band in March 2025 to pursue his project Aunt Katrina.[12][13][11] The songwriting process emphasized collaborative intuition over structured planning, with all four members—Slocum, Walchonski, Sebastian Kinsler, and Jake Kelley—contributing ideas through jam sessions, voice memos, and spontaneous bedroom recordings that captured group dynamics and individual vulnerabilities.[13][14] Tracks drew from personal experiences of post-college life, including emotional detachment and the unease of young adulthood, as evident in lyrics like those of "Tin Man," which explore isolation amid relational shifts.[13] This democratic approach fostered a sense of trust, allowing Slocum to embrace greater songwriting confidence while the group riffed on fleeting inspirations, often keeping songs concise to mirror their collective short attention spans.[13][14] Opting to self-produce the album aligned with the band's longstanding DIY ethos, rooted in Pittsburgh's basement show scene and their independent handling of early releases like Hayday, ensuring full creative control without external pressures.[13][15] The title Girl with Fish originated from an inside joke referencing the surreal, absurd titles of museum paintings, encapsulating the album's fusion of whimsical everyday imagery with underlying emotional tension.[13]Recording and production
Sessions and locations
The recording sessions for Girl with Fish took place primarily in Pittsburgh, Pennsylvania—the band's home base—and Washington, D.C., where guitarist Ryan Walchonski had relocated after college.[16][13] These sessions spanned late 2022 to early 2023, aligning with the album's announcement in February 2023 and release in June.[17] The process emphasized informal, home-based setups to preserve the band's collaborative energy, including shared living spaces like kitchens during house parties and makeshift studios such as closets and basements. For instance, tracks like "Freak" and "Heaven" were captured in a Pittsburgh kitchen amid a party, with interruptions from guests requiring quick vocal takes, while "Paces" received final overdubs in Walchonski's D.C. basement apartment, necessitating pauses due to upstairs noise.[15][16] Guitars were recorded solo in Sebastian Kinsler's childhood bedroom in Pittsburgh, often using voice memos and file-sharing for remote contributions.[14] Initial demos originated in Pittsburgh, reflecting the band's tight-knit origins, before overdubs were divided between the two cities to accommodate members' schedules—Walchonski in D.C. and vocalist Lydia Slocum splitting time between Pittsburgh and nearby Mechanicsburg. This geographical split presented challenges in coordination, yet the group maintained their dynamic through occasional in-person meetups, such as trips following Pittsburgh shows, prioritizing intuition and friendship in the self-produced sessions.[16][14]Production process
The production of Girl with Fish exemplified the band's DIY ethos, with all aspects—writing, recording, and mixing—handled internally by Feeble Little Horse to prioritize spontaneous collaboration and intuition over polished perfection.[2][14] Guitarist Sebastian Kinsler served as the primary producer and mixing engineer, while the full quartet, including vocalist Lydia Slocum, guitarist Ryan Walchonski, and drummer Jake Kelley, contributed to self-mixing efforts that layered noisy, textured shoegaze guitars with reverb-heavy vocals and dynamic, slamming drums.[2][3][18] This hands-on process unfolded over two years, blending in-person jam sessions in Pittsburgh with remote exchanges of voice memos, lyrics, and demo takes to foster the album's unpredictable energy.[19][15] Recording techniques embraced a lo-fi, bedroom-production aesthetic, utilizing informal spaces like a Pittsburgh house party for tracks such as "Freak" and "Heaven," where vocals were captured during breaks, and personal apartments with adjustments like silencing appliances to minimize background noise.[19][15] Countless iterations of guitar riffs and vocal performances were swapped and refined, incorporating elements like pitch-shifting and glitchy effects to heighten the noisy guitar layers and vocal warmth, while dynamic drumming provided propulsion without overproduction.[19][3] The band practiced group screaming sessions to build confidence in rawer deliveries, ensuring the chaotic, slacker-rock texture remained intact.[15] In post-production, external involvement was kept minimal to retain the album's raw intimacy, with Kinsler's mixing focusing on concise arrangements that eliminated extraneous elements and balanced the frenzy of tracks like "Steamroller."[14] The final mastering was handled by Heba Kadry, who polished the sound to amplify its emotional contrasts—such as sparse, introspective verses erupting into dense, noisy choruses—without diluting the intuitive, collaborative magic.[2] This approach underscored the band's commitment to artistic choices that mirrored their camaraderie, resulting in a sonically vibrant yet unpretentious record.[20]Music and lyrics
Musical style
Girl with Fish exemplifies noise pop and indie rock, infused with slacker rock undertones through its lo-fi, playful ethos and concise songcraft. The album features prominently distorted guitars that create fuzzy, immersive textures, paired with driving rhythms that propel tracks forward with urgent energy. Ethereal vocals, often delivered by Lydia Slocum in a misty and tumultuous style, float atop these elements, adding a layer of beguiling haziness to the overall sound.[3][21] The record draws heavily from 1990s shoegaze, echoing the swirling guitar walls and dreamlike atmospheres of My Bloody Valentine, while incorporating modern post-punk influences through abrupt sonic shifts and raw, speaker-shattering chord progressions. These inspirations manifest in the album's fuzzy textures and sudden dynamic changes, blending nostalgic haze with contemporary edge. For instance, the post-punk flair in rapid, jagged riffs contrasts with shoegaze's more enveloping distortion, creating a hybrid that feels both retro and immediate.[22][21][23] Structurally, Girl with Fish comprises 11 tracks averaging around 2.5 minutes each, maintaining a tight runtime under 30 minutes with most songs under three minutes (the longest, "Steamroller," at 3:25). This brevity allows for a dynamic range that spans abrasive noise bursts to infectious melodic hooks, as heard in the punkish, snarky chaos of "Freak" versus the sloshy, dreamy chorus and MIDI-like guitar leads in "Paces." The format emphasizes intuition and collaboration, resulting in thrilling, unpredictable shifts without filler.[2][3][21] Compared to the band's 2021 debut Hayday, Girl with Fish presents a more polished production that refines the raw energy of its predecessor, while amplifying the use of harmony vocals—such as Slocum and Sebastian Kinsler trading lines in tracks like "Sweet"—to enhance emotional depth without sacrificing the DIY grit. This evolution builds on Hayday's short, blissful noise-pop foundation, streamlining transitions for a more seamless flow.[3][21][24]Themes and songwriting
The lyrics on Girl with Fish delve into central themes of emotional numbness, relational anxiety, and surreal escapism, often expressed through abstract, stream-of-consciousness phrasing that evokes a sense of detachment and unease.[3][21] Tracks like "Heaven" capture numbness by depicting a heavy, blending-in existence as a puppet-like state, blending lethargic introspection with disorienting shifts that suggest underlying dread.[25][26] Relational anxiety emerges in explorations of manipulation and grief, as seen in "Tin Man," where the narrator confronts a "rusted and leaky" figure using sadness to exert control, highlighting vulnerability in unbalanced connections.[27][28] The overall tone merges apathy with subtle urgency, using impressionistic vibes to convey fleeting emotional states without linear narratives.[19][29] The songwriting process for the album was highly collaborative, with primary contributions from vocalist and bassist Lydia Slocum, guitarist Ryan Walchonski, and guitarist Sebastian Kinsler, who drew from personal experiences of isolation and transient relationships to shape the material.[30][16] This approach emphasized intuition and shared creativity, allowing lyrics to evolve organically during remote sessions across Pittsburgh and Washington, D.C., resulting in fragmented, evocative lines that reflect real-life emotional flux.[2] The band's method prioritized personal authenticity, transforming introspective moments—like grappling with emotional manipulators or recovery from relational strain—into broader, relatable impressions of disconnection.[31][32] Unique lyrical elements include vivid imagery of everyday absurdity, such as mechanical or animalistic metaphors that symbolize elusive emotions. This impressionistic style avoids direct storytelling, favoring poetic ambiguity to immerse listeners in a dreamlike haze, where objects like a "steamroller" represent overwhelming relational pressures.[33][3] The noise pop instrumentation briefly amplifies this thematic unease, layering fuzz and distortion to mirror the lyrics' internal turmoil.[21]Release and promotion
Singles and announcement
Feeble Little Horse announced their sophomore album Girl with Fish on February 27, 2023, through their label Saddle Creek Records, marking their first original release with the imprint following the reissue of their 2021 debut Hayday.[17] The announcement included the reveal of the album cover, which features abstract, hand-drawn artwork created by band member Lydia Slocum, depicting a stylized figure in a surreal, fluid environment.[34] Saddle Creek handled distribution for the album, leveraging the band's growing fanbase from prior independent releases to build anticipation.[35] The lead single, "Tin Man," was released alongside the announcement on February 27, 2023, accompanied by an official music video directed by band member Lydia Slocum, showcasing distorted visuals that capture the track's fuzzy, introspective noise-pop sound.[36] A second single, "Steamroller," followed on April 4, 2023, highlighting the album's noisy hooks and raw energy through its driving guitars and visceral lyrics about emotional pressure.[37] Both singles effectively teased Girl with Fish's chaotic, intuitive energy, blending slacker rock elements with unpredictable sonic shifts.[38] The pre-release rollout generated positive initial buzz, with "Tin Man" generating attention on streaming platforms.[34] Early coverage from outlets like Pitchfork and Stereogum praised the singles for their fresh take on noise pop, contributing to heightened excitement ahead of the June 9, 2023, release date.[38]Touring and marketing
The album Girl with Fish was released on June 9, 2023, in vinyl, CD, and digital formats through Saddle Creek Records, with initial marketing efforts including social media teasers on the band's Instagram account featuring song snippets and artwork previews.[1][2][39] To promote the record, Feeble Little Horse announced a U.S. headline tour commencing with a release show in Pittsburgh on June 10, 2023, at Thunderbird Music Hall, followed by dates across the East Coast (including New York and Philadelphia), Midwest, and West Coast cities such as Seattle, Portland, San Francisco, and Los Angeles.[35][40] However, on June 22, 2023, the band canceled the remaining summer dates, citing the need to prioritize their health and reassess amid the demands of rapid growth.[41] Despite the cancellation, singles like "Freak" were incorporated into setlists for the Pittsburgh release performance.[40] The album continued to gain traction through later promotional efforts, including a performance at Coachella in April 2024.[42] Promotional activities included interviews with outlets such as Pitchfork, where band members discussed their collaborative dynamics and the intuitive songwriting process behind the album.[30] Additional coverage in publications like Alternative Press highlighted the group's evolution from basement recordings to a full ensemble, emphasizing themes of friendship and experimentation.[15] Music videos supported these efforts, with the "Tin Man" visual released in February 2023 to build anticipation and the "Sweet" clip dropping on release day, both directed by band-affiliated creators and featuring lo-fi, intimate aesthetics.[43][44] The album was also made available exclusively on Bandcamp for direct fan support, including high-quality digital downloads and merchandise bundles.[2] The band faced challenges in sustaining momentum, particularly in balancing touring plans with members' personal commitments; vocalist Lydia Slocum split time between Pittsburgh and Mechanicsburg for art school and work, while guitarist Ryan Walchonski had recently graduated college and relocated to Washington, D.C.[16] These factors, compounded by health-related pressures from the album's success, contributed to the tour's abrupt end.[41]Reception
Critical reviews
Upon its release, Girl with Fish received widespread critical acclaim as a standout sophomore album for Feeble Little Horse, praised for its innovative blend of noise-pop and emotional introspection. Pitchfork awarded it an 8.2 out of 10, highlighting the album's "richly textured" sound that captures noisy emotional depth through explorations of depression, lust, and religion, all underpinned by the band's self-recorded production in Pittsburgh apartments.[3] Stereogum selected it as Album of the Week, commending its unpredictability and confidence in delivering "more great songs" with less novelty than the debut, emphasizing the band's gleeful chaos and melodic precision.[45] Critics frequently lauded the album's cohesive energy, attributing much of its impact to the band's hands-on self-production, which allows eccentric impulses to cohere into beguiling hooks and left turns. Tracks like "Heaven" were particularly celebrated for masterfully blending vulnerability with chaotic energy, featuring delicate harmonies amid glitched-out fuzz that evokes a sense of longing and spontaneity. The Needle Drop gave it an 8 out of 10 (decent to strong), appreciating the depth beyond its short runtime and the way it threads noise with pop accessibility.[46] Some reviewers pointed to minor shortcomings, such as occasional repetitiveness in the noise elements that could dilute the album's dynamism. For instance, NME noted a repetitive chorus in certain tracks as a structural limitation amid the experimental flair.[47] Fan reception has been strongly positive, reflected in a user score of 79 out of 100 on Album of the Year based on 2,360 ratings, with live performances further amplifying word-of-mouth enthusiasm for the album's raw energy.[48] Reviewers observed that themes of anxiety resonated deeply, contributing to its cult appeal among indie audiences.[3]Commercial performance
The album has seen substantial growth in streaming platforms, propelled by playlist placements such as "Paces."[49] Demonstrating sustained popularity, the album received reissued vinyl variants in 2024, including limited-edition colors, while the band's 2025 single "This Is Real" drew references to the Girl with Fish era, further boosting interest.[50][51] Internationally, the album achieved moderate success in Europe, supported by festival appearances that expanded its audience beyond North America.[52]Track listing and credits
Songs
Girl with Fish consists of eleven original compositions written and performed by the band Feeble Little Horse, with a total runtime of 26:02. The standard edition includes only these tracks and features no bonus content.[2][53] The track listing is presented below:| No. | Title | Length | Notes |
|---|---|---|---|
| 1 | "Freak" | 1:47 | Abrasive opener |
| 2 | "Tin Man" | 2:11 | |
| 3 | "Steamroller" | 3:25 | Single |
| 4 | "Heaven" | 1:54 | |
| 5 | "Paces" | 2:44 | Single |
| 6 | "Sweet" | 2:35 | |
| 7 | "Slide" | 2:28 | |
| 8 | "Healing" | 1:38 | |
| 9 | "Pocket" | 2:39 | |
| 10 | "Station" | 2:24 | |
| 11 | "Heavy Water" | 2:17 | Closer |
Personnel
The album Girl with Fish was performed entirely by the core quartet of feeble little horse, with no guest appearances.[56][2] Band members- Lydia Slocum – lead vocals, bass, keyboards, artwork[30][57]
- Sebastian Kinsler – guitar, vocals, production[30][2]
- Ryan Walchonski – guitar, vocals, production[30][2]
- Jake Kelley – drums, vocals[30]