Grand Romantic
Grand Romantic is the debut solo studio album by American singer-songwriter Nate Ruess, best known as the lead vocalist of the indie pop band Fun. and previously the indie rock band The Format. Released on June 16, 2015, through the record label Fueled by Ramen, the album was co-produced by Jeff Bhasker and Emile Haynie.[1][2][3] The record features collaborations with musicians such as Beck, who duets on the track "What This World Is Coming To," and Jeff Tweedy, who provides a guitar solo on "Take It Back." Blending elements of pop, R&B, stadium rock, and adult contemporary, Grand Romantic explores themes of love, heartbreak, and personal introspection, with Ruess's distinctive falsetto vocals driving arena-hero anthems reminiscent of influences like Van Morrison and Bruce Springsteen. The album's tracklist includes the lead single "Nothing Without Love," alongside other notable songs such as "AhHa," "Moment," and "Harsh Light."[4][2] Upon release, Grand Romantic received generally favorable reviews from critics, earning a Metascore of 61 out of 100 on Metacritic based on 10 reviews, with praise for Ruess's vocal performance and songcraft but some criticism for generic elements in its production. It debuted at number 7 on the US Billboard 200 chart, marking a solid but not blockbuster solo outing following Fun.'s mainstream success with hits like "We Are Young."[1][4][5]Background and recording
Conception and development
Following the indefinite hiatus of Fun. in 2015, after the band's breakthrough success with hits like "We Are Young," Nate Ruess decided to pursue a solo project to achieve greater personal artistic expression unbound by group dynamics.[6] He described the shift as akin to "marriage versus being single," emphasizing the creative freedom it afforded after years of collaborative constraints within the band.[7] This move allowed Ruess to explore his songwriting in a more introspective manner, free from the need to compromise with bandmates.[8] Ruess drew significant influences from his earlier work with The Format, the indie rock duo he co-founded in 2001, which shaped a theatrical and vulnerable approach to songwriting that carried into his solo material.[8] The Format's emphasis on narrative-driven, emotionally raw compositions provided a foundational blueprint, marking a departure from Fun.'s anthemic pop toward something more personal and stage-like in its drama.[6] The inception of the collaboration with producer Jeff Bhasker, who had previously co-produced Fun.'s "Some Nights," began in informal sessions around 2013-2014, where Ruess and Bhasker started in a basement setting and co-wrote early tracks like "AhHa," establishing core themes of romance and emotional vulnerability.[6] These initial songwriting efforts focused on blending Ruess's classic influences with modern production, laying the groundwork for the album's sound.[8] Ruess's personal life changes, including a serious relationship with designer Charlotte Ronson and struggles with depression and heartbreak from prior breakups, deeply inspired the album's conceptual framework.[9] These experiences fueled a desire to create positive love songs amid vulnerability, leading to the album's title Grand Romantic, which Ruess selected early on to reflect an optimistic yet realistic view of romance.[7] He later reflected that the phrase encapsulated his aim to acknowledge love's "worst-case scenarios" while embracing its grandeur.[10]Recording sessions
The recording sessions for Grand Romantic spanned over two years, beginning in 2012 during a period of reduced activity for Ruess's band Fun. following their 2012 album Some Nights, with the official indefinite hiatus announced in 2015 and the bulk of work occurring in 2013 and 2014 across New York City, Los Angeles, and London. Primary tracking took place at Electric Lady Studios in New York City from late 2014 to early 2015, complemented by additional sessions at The Village and Ocean Way Recording in Los Angeles, as well as RAK Studios in London.[10][11][12] Ruess co-produced the album alongside longtime collaborator Jeff Bhasker, who handled production on multiple tracks, with additional production from Emile Haynie and Greg Kurstin. Engineering duties included mixing by Manny Marroquin on tracks such as "Nothing Without Love" and "Great Big Storm," while assistant engineers like Chris Galland and Ike Schultz supported sessions at various locations. Session musicians contributed significantly, including guitarist Josh Klinghoffer (Red Hot Chili Peppers) on several tracks, drummer James Gadson on "AhHa," and bassist Nate Harold across much of the record; backing vocals were provided by Bhasker and others, with guest appearances from Beck on "What This World Is Coming To" and Jeff Tweedy on guitar for "Take It Back." Ruess performed all lead vocals, emphasizing a hands-on role in the process.[10][11][12] Production techniques focused on live instrumentation blended with experimental elements, such as layered vocal harmonies to achieve a theatrical depth and orchestral swells for dramatic effect, often built around bombastic organs, doo-wop snaps, and tambourines. Specific processes included looping background laughter on the intro track and constructing walls of strings and vocals on songs like "A Great Big Storm." These sessions presented logistical challenges, including extensive travel between coasts and coordinating schedules with high-profile collaborators amid Ruess's transition to solo work.[10][12]Music and lyrics
Musical style and production
Grand Romantic blends indie pop, orchestral rock, and doo-wop revival elements, characterized by prominent strings, horns, and dramatic builds reminiscent of Queen.[4][13][14] The production, led by Jeff Bhasker, emphasizes lush arrangements with falsetto-heavy vocals and dynamic shifts from intimate ballads to anthemic choruses, creating a theatrical pop aesthetic.[15][4] Ruess's vocal style, marked by theatrical falsetto, evolved from his Fun. era while retaining its soaring quality.[16] Instrumentation highlights piano-driven intros, such as in "Nothing Without Love," where delicate keys build into fuller orchestration, alongside electronic flourishes in tracks like "Take It Back" that add modern texture to the retro influences.[17][18] Strings and horns provide sweeping dramatic swells throughout, enhancing the album's cinematic scope without overpowering the core pop structures.[4][14] Spanning 46:17 across 12 tracks, Grand Romantic follows a cohesive narrative arc, opening with energetic anthems like "AhHa" and transitioning to more reflective closers such as "Brightside," mirroring the emotional journey through its sonic palette.[19][4]Themes and songwriting
The album Grand Romantic explores central themes of grand yet flawed romance, marked by vulnerability and self-doubt, which stem directly from Nate Ruess's personal relationships and periods of emotional turmoil.[10] Ruess has described the songwriting as a cathartic outlet for processing heartbreak and depression, allowing him to reconnect with a more open emotional state after years of feeling numb.[9] These motifs recur across the tracks, portraying love as an all-encompassing force that amplifies both joy and pain, influenced by Ruess's experiences in a serious romance that shaped the album's introspective core.[10] Specific songs illustrate these themes through vivid lyrical narratives. For instance, "Nothing Without Love" serves as an ode to emotional dependency in romance, with Ruess reflecting on the human need for connection to feel whole, drawn from his own relational insecurities.[10] In "AhHa," the lyrics delve into an epiphany amid heartbreak, capturing moments of sudden clarity about personal flaws and relational failures, infused with self-doubt and a sense of ironic revelation.[10] Similarly, "Great Big Storm" depicts the chaos of turbulent relationships, using stormy metaphors to convey the destructive intensity of love's conflicts and the vulnerability exposed in their wake.[10] Ruess's songwriting process for the album involved capturing raw ideas spontaneously, often refining them through collaboration with producer Jeff Bhasker to amplify dramatic irony and emotional depth.[20][8] He typically begins with melodies and lyrics that emerge in everyday moments, then iterates in sessions where Bhasker's input helps heighten the theatrical tension in the words, turning personal turmoil into universally resonant confessions.[20] This approach underscores Ruess's emphasis on honesty, even when revisiting familiar ground like heartbreak, as a means to explore growth amid ongoing self-doubt.[8] Overall, the album's narrative arc traces love's dual nature—euphoric highs giving way to destructive lows—echoing influences from literary romanticism in its dramatic, poetic treatment of passion and loss.[21][10] Ruess has noted that the title Grand Romantic encapsulates this sweeping vision, framing the songs as a bittersweet journey through romance's complexities rather than a linear resolution.[21]Release and promotion
Singles
The lead single from Grand Romantic, "Nothing Without Love", was released on February 23, 2015, as a digital download through Fueled by Ramen. Featuring backing vocals from Lykke Li and guitar by Josh Klinghoffer of the Red Hot Chili Peppers, the track served as an introduction to Ruess's solo sound, blending upbeat pop-rock with introspective lyrics about emotional dependency in romance. Its accompanying music video, directed by Anthony Mandler, depicts Ruess in surreal, dreamlike scenarios—such as exploding pianos and underwater embraces—symbolizing the pursuit of love amid chaos, and premiered the same day on YouTube.[22][23][24][25] The second single, "AhHa", followed on April 27, 2015, also available digitally via major streaming platforms like Spotify and iTunes. Co-written with Jeff Bhasker, Emile Haynie, and Josh Klinghoffer, the song explores themes of self-doubt and creative breakthrough, aligning with the album's overarching romantic motifs of personal redemption through relationships. A visualizer video, featuring abstract and colorful animations to evoke emotional turmoil and epiphany, was released on June 10, 2015, coinciding with the album's pre-release streaming on MTV.[26][27][28] Several promotional singles were issued to build anticipation for the album. "Great Big Storm" debuted digitally on May 11, 2015, showcasing a melancholic piano-driven arrangement that reflects on inner conflict and resilience, with an official music video directed by James Lees released on July 14, 2015. "What This World Is Coming To", featuring guest vocals from Beck, arrived on June 1, 2015, as a digital single emphasizing apocalyptic worries tempered by hope, accompanied by a lyric video. Post-album, "Take It Back" was released on January 12, 2016, in digital format, highlighting a somber ballad style with a guitar solo by Jeff Tweedy; its music video, starring actor Patrick Fischler, premiered the same day and delves into themes of regret and reconciliation. All singles were primarily distributed as digital downloads and streams, without physical B-sides or remixes noted in official releases.[29][30][31][32]Marketing campaigns
The marketing campaign for Grand Romantic emphasized Nate Ruess's transition to a solo artist, leveraging digital streaming, live television appearances, and thematic visuals to build anticipation ahead of its June 16, 2015, release through Fueled by Ramen. A key element was the full album streaming premiere, which launched exclusively on VH1 and MTV First on June 10, 2015, providing listeners a week-long early access to the 12-track project. This digital-first strategy aligned with contemporary music promotion trends, allowing fans to engage with the introspective pop sound prior to physical availability.[33] Physical and digital formats were rolled out simultaneously on release day, including standard CD editions, limited-edition vinyl pressings in colors like translucent deep purple, and digital bundles via platforms such as iTunes, often bundled with exclusive content like digital booklets or bonus tracks. In June 2024, a limited-edition deep green vinyl pressing was reissued.[15][34][33][35] Promotional efforts extended to live performances, with Ruess debuting tracks from the album on major television outlets; for instance, he performed selections during appearances on ABC's Jimmy Kimmel Live! on June 25, 2015, and NBC's Late Night with Seth Meyers on July 13, 2015. These spots highlighted the album's anthemic singles and served as previews for his ensuing tour.[15][34][33] Tour announcements formed a cornerstone of the campaign, with Ruess revealing a spring/summer showcase run in early 2015—featuring sold-out dates in New York City, Toronto, and Los Angeles—followed by a full North American fall tour kicking off September 12, 2015, in St. Louis. These outings, under the banner of Nate Ruess & The Band Romantic, included festival slots and aimed to showcase the album's live energy, with tickets going on sale shortly after the release announcement.[36] Visual marketing centered on dramatic, romantic imagery to evoke the album's title and themes of love and self-discovery. The cover artwork, an oil-on-canvas portrait of Ruess painted by artist Teresa Oaxaca, depicts him in a theatrical pose amid symbolic elements like roses and a skull, capturing a sense of grandeur and vulnerability; it was prominently featured in promotional materials, including billboards and music video integrations for singles like "AhHa." Additional licensed sketches and palette studies by Oaxaca appeared on the album's interior packaging, reinforcing the artistic narrative across physical and digital assets.[37]The Grand Romantic film
Production
The short film The Grand Romantic was produced in 2015 as a companion piece to Nate Ruess's debut solo album of the same name. Commissioned by Apple Music, it was directed by Anthony Mandler, who had previously helmed Ruess's music video for "Nothing Without Love," and aimed to extend the album's themes of love, longing, and personal struggle through a blend of music video aesthetics and narrative storytelling.[38][39][40] The production faced challenges of being over budget and under time constraints while prioritizing cinematic visuals to echo the album's theatrical tone. Ruess described the effort as a passion project intended to feel like a full movie, incorporating new musical performances from tracks such as "AhHa," "Great Big Storm," and "Nothing Without Love."[39][38] Nate Ruess was cast in the lead role, portraying a semi-autobiographical version of himself, supported by actors including Tessa Thompson as a concerned secretary and Jeff Bhasker. The soundtrack prominently featured songs from the album, integrating them seamlessly into the film's structure to enhance its role as a visual narrative companion.[41][42]Synopsis and release
The Grand Romantic is a 28-minute short film starring Nate Ruess as a fictionalized version of himself on a fantastical journey through love and loss within a stylized 1970s music industry setting. The narrative depicts Ruess as an aspiring solo artist grappling with creative blocks and industry pressures while attempting to record an album centered on romance; during this adventure, he falls in love with his record label boss's assistant, portrayed by Tessa Thompson, who aids him in rediscovering his authentic voice and passion. Songs from the album, including "Nothing Without Love," are integrated as key narrative devices, punctuating pivotal moments in the story to underscore themes of vulnerability and redemption.[43][39][41] Directed by Anthony Mandler, the film premiered exclusively on Apple Music on August 25, 2015, approximately two months after the album's release on June 16, 2015, serving as an extension of its promotional campaign. It was later uploaded to YouTube by the label Fueled by Ramen, where it garnered significant online engagement as a companion piece to the record. The visual style features dreamlike sequences blending retro aesthetics with surreal elements, amplifying the album's romantic motifs through metaphorical storytelling rather than literal interpretations of the lyrics.[38][40][42]Critical reception
Professional reviews
Grand Romantic received mixed reviews upon its release, with critics praising Nate Ruess's vocal performances while debating the album's overall cohesion and departure from his Fun. sound. On aggregate review site Metacritic, it earned a score of 61 out of 100 based on 10 critic reviews, reflecting generally favorable but divided opinions.[1] Several reviewers highlighted the album's theatrical elements and emotional sincerity as strengths. Rolling Stone commended the production, noting how collaborators Jeff Bhasker and Emile Haynie "help Ruess create richly orchestrated bombast with the right amount of sonic wanderlust," evoking a sense of heartfelt grandeur akin to theatrical ballads. AllMusic emphasized the record's engaging pop sensibilities, stating that it could "leave you reeling with joy from the intensity of Ruess' romantic fervor" through its infectious hooks and earnest delivery.[44] However, others criticized the album for feeling overproduced and insufficiently innovative. Pitchfork awarded it 5.5 out of 10, arguing that Grand Romantic "often feels so preoccupied with grandiose gestures that it loses sight of the little details," resulting in a lack of edge and generic stadium-rock tropes. It shows how Ruess might succeed on his own as a good-hearted Midwestern boy--not quite a star, but someone capable of appreciating their light. Despite these divides, a common thread across reviews was acclaim for Ruess's vocal prowess, described as soaring and emotive, though opinions varied on whether the album successfully carved out a unique solo identity.[4][45]Accolades and retrospective views
Upon its release, Grand Romantic did not receive any Grammy Award nominations, despite Ruess's prior successes with fun. and collaborations like "Just Give Me a Reason."[46] However, in 2015, Ruess was honored with the Hal David Starlight Award from the Songwriters Hall of Fame for his songwriting contributions, an accolade announced amid the album's promotion and recognizing his broader body of work.[47] In the years following its debut, Grand Romantic has garnered retrospective appreciation as an underrated entry in Ruess's discography, often highlighted for its theatrical pop sensibilities and emotional depth. A 2023 review in AltWire described the album as "truly a work of art" that balances beauty and tragedy, capturing the highs and lows of Ruess's personal storytelling.[48] This perspective aligns with its growing cult status among fans, particularly for tracks like "AhHa," which showcases Ruess's signature bombastic style and has contributed to the album's enduring appeal. The album's influence is evident in Ruess's subsequent solo output, where he continued exploring grand, introspective themes in singles released in the late 2010s and early 2020s, maintaining the whimsical yet heartfelt tone established on Grand Romantic. Fan reception has sustained its visibility through streaming, with the album accumulating over 96 million plays on Spotify as of late 2025, reflecting steady engagement a decade after release.[49] Despite the absence of major awards, these metrics underscore its lasting niche impact within indie pop circles.Commercial performance
Chart positions
Grand Romantic debuted at number 7 on the US Billboard 200 chart dated June 27, 2015, marking Nate Ruess's first solo entry on the ranking and propelled by robust initial consumption.[5] The album also achieved modest international placements, including number 94 on the Italian FIMI Albums Chart, and number 56 on the Swiss Hitparade Albums Chart.[50][51] Its singles similarly registered on various US charts, with "Nothing Without Love" peaking at number 25 on the Billboard Adult Pop Songs airplay chart. "AhHa" charted on the Billboard Alternative Digital Song Sales chart, reflecting strong digital download performance in the alternative genre. Other tracks, such as "Take It Back," appeared on alternative airplay charts, underscoring the album's crossover appeal in rock and pop formats.| Chart (2015) | Peak Position |
|---|---|
| Album: US Billboard 200 | 7 |
| Album: Italian FIMI Albums | 94 |
| Album: Swiss Hitparade Albums | 56 |
| Single: "Nothing Without Love" – US Billboard Adult Pop Songs | 25 |
| Single: "AhHa" – US Billboard Alternative Digital Song Sales | Charted |
| Single: "Take It Back" – US Alternative Airplay | Charted |
Sales and certifications
Upon its release, Grand Romantic debuted with 28,000 pure album sales in the United States during its first week, contributing to 31,000 total equivalent album units according to Nielsen SoundScan data.[5][52] Internationally, sales were modest, with the album registering low figures in key markets such as Europe and Australia, where it failed to crack major year-end tallies. Digital streaming played a significant role in extending its longevity, particularly on platforms like Spotify, where the full album has garnered nearly 97 million streams as of November 2025, helping to sustain listener engagement beyond initial sales.[49] The album received no major certifications, such as RIAA Gold status, underscoring its underwhelming commercial footprint compared to benchmarks from Ruess's prior work. For context, Fun.'s Some Nights (2012) sold 1.6 million copies in the US alone, highlighting the challenges of Ruess's transition to a solo act.[53][54]Track listing and credits
Track listing
The standard edition of Grand Romantic features 12 tracks with a total runtime of 46:15.[19]| No. | Title | Duration | Writer(s) |
|---|---|---|---|
| 1 | "Grand Romantic (Intro)" | 0:43 | Nate Ruess[55] |
| 2 | "AhHa" | 4:24 | Nate Ruess, Jeff Bhasker, Emile Haynie, Josh Klinghoffer[56] |
| 3 | "Nothing Without Love" | 3:56 | Nate Ruess, Jeff Bhasker, Emile Haynie[57] |
| 4 | "Take It Back" | 4:23 | Nate Ruess, Jeff Bhasker, Emile Haynie[58] |
| 5 | "You Light My Fire" | 3:13 | Nate Ruess, Jeff Bhasker, Emile Haynie[59] |
| 6 | "What This World Is Coming To" | 4:03 | Nate Ruess, Jeff Bhasker, Emile Haynie, Beck[60] |
| 7 | "Great Big Storm" | 4:01 | Nate Ruess, Jeff Bhasker, Emile Haynie[61] |
| 8 | "Moment" | 4:13 | Nate Ruess, Jeff Bhasker, Emile Haynie[62] |
| 9 | "It Only Gets Much Worse" | 4:18 | Nate Ruess, Jeff Bhasker, Emile Haynie[63] |
| 10 | "Harsh Light" | 4:51 | Nate Ruess, Jeff Bhasker, Andrew Dost, Jack Antonoff, Nate Harold[64] |
| 11 | "Win It All" | 3:31 | Nate Ruess, Jeff Bhasker, Emile Haynie[65] |
| 12 | "Engines" | 4:00 | Nate Ruess, Jeff Bhasker, Emile Haynie[66] |