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Guy Busick

Guy Busick (born November 1, 1975) is an American screenwriter and producer renowned for his work in the horror genre. Best known for co-writing critically acclaimed films such as Ready or Not (2019), Scream (2022), Scream VI (2023), Abigail (2024), and Final Destination: Bloodlines (2025), Busick has established himself as a key figure in modern horror cinema through sharp, character-driven scripts that blend suspense, satire, and gore. Born in , Busick began his career in television, contributing as a on series like (2016–2018) and episodes of the adaptation Castle Rock season 2, including "Restore Hope" and "The Word" (2019). His transition to feature films marked a significant breakthrough with (2016), but it was his collaboration with directors and —collectively known as —that propelled him to prominence, starting with the Ready or Not, which earned praise for its inventive premise and ensemble cast. Busick's subsequent projects expanded his influence in franchise horror, co-writing the meta-sequels Scream and Scream VI alongside James Vanderbilt, which revitalized the long-running series with fresh kills and social commentary while grossing over $250 million combined worldwide. He continued his partnership with Radio Silence on Abigail, a vampire thriller that received an 83% approval rating on Rotten Tomatoes for its playful tone and practical effects. Looking ahead, Busick is penning Scream 7 (2026), directed by Kevin Williamson.

Early life

Birth and upbringing

Guy Busick was born on November 1, 1975, in Grand Island, Nebraska, USA. He spent his formative years growing up in Grand Island, a mid-sized city in central Nebraska serving as the county seat of Hall County and a hub for agricultural activity. With a population of 53,131 according to the 2020 United States Census, the community is characterized by its location along the Platte River and its historical ties to farming, including crop production and food processing industries like meatpacking. Public information regarding Busick's family background, such as details about his parents' occupations or siblings, is scarce, with no extensive personal accounts available from interviews or biographical sources.

Education and early influences

Busick attended Barr Junior High School in , where he first met future collaborator Ryan Murphy in an eighth-grade class at the age of 13. This early friendship fostered a shared passion for storytelling, as the two began experimenting with creative projects during their school years. He graduated from Grand Island Senior High School in 1994, where he and Murphy continued collaborating on film-related endeavors, including a short film that earned an award at a local festival. As teenagers, they dreamed of seeing their own work screened in a local theater like , an aspiration that highlighted their budding interest in and . Following high school, Busick moved to to attend college, a decision that marked the beginning of his immersion in the film industry. There, he transitioned from academic pursuits to professional creative work, building on the foundational influences from his upbringing and early collaborations.

Career

Early work

Busick entered the scene around age 30, drawn to as an accessible avenue for new writers to gain experience and credits in a collaborative format. His debut credits arrived on the Desire (2006–2007), where he wrote 12 episodes and served as a . The series, produced by Productions for , centered on family drama and intrigue in . These early contributions marked Busick's initial foray into scripted content, honing his skills in episodic storytelling amid the fast-paced production of daily serialized television.

Television contributions

Busick transitioned from early television work on soap operas like Desire to genre-focused projects in the mid-2010s. In 2016, Busick began contributing to Stan Against Evil, an IFC horror-comedy series following a retired sheriff and his successor as they combat demons in a cursed New Hampshire town. He co-wrote three episodes alongside R. Christopher Murphy: season 1, episode 4, "Life Orr Death," which involves the characters investigating a haunted house and demonic possessions amid comedic rivalries; season 2, episode 3, "Curse of the Werepony," centering on a supernatural horse curse that mixes slapstick humor with escalating body horror; and season 2, episode 7, "The Demon Who Came in From the Heat," where a demon infiltrates the town under a false identity, building suspense through deception and witty banter. These scripts highlighted Busick's knack for integrating absurd, humorous scenarios with genuine supernatural tension, a hallmark of the series' tone that allowed for character-driven comedy within horror tropes. Busick's television career advanced further in 2019 with his involvement in the second season of Hulu's Castle Rock, a inspired by King's interconnected universe, focusing on themes of , , and the . Serving as story editor for all 10 episodes, he helped shape the season's overarching narrative about a young woman's return to Castle Rock and the town's dark secrets. Busick also penned two key installments: season 2, episode 4, "Restore Hope," which delves into a character's desperate flight from pursuers amid revelations of cult-like horrors, emphasizing building dread through interpersonal conflicts; and the , episode 10, "The Word," resolving the arc with intense confrontations involving faith, memory, and otherworldly forces in a suspenseful, twist-laden climax. His contributions emphasized serialized progression, layering subtle humor—often through ironic dialogue and quirky town dynamics—with mounting , refining his approach to long-form that sustains across episodes. Through and Castle Rock, Busick developed proficiency in serialized horror by navigating tonal shifts between levity and terror, as evidenced by the episodic structures that advanced broader mythologies while delivering self-contained thrills—skills that underscored his evolution as a genre writer capable of sustaining audience engagement in television formats.

Film screenwriting and collaborations

Busick entered feature film writing with a story credit on the 2016 thriller , directed by , which marked his debut in theatrical cinema. His first full screenplay credit came with the 2019 horror-comedy Ready or Not, co-written with R. Christopher Murphy and directed by the filmmaking collective (Matt Bettinelli-Olpin and ). The film blended sharp social satire on wealth and family dynamics with tense elements, establishing Busick's collaborative approach of infusing genre tropes with witty commentary. Busick continued his partnership with on (2024), where he co-wrote the screenplay with Stephen Shields, again merging horror with satirical undertones in a vampire-themed ensemble . This project highlighted his role in refining narratives to balance gore, humor, and character-driven tension within the directors' high-energy style. In a shift to franchise revival, Busick co-wrote the screenplays for Scream (2022) and Scream VI (2023) alongside James Vanderbilt, reinvigorating the slasher series with meta-commentary on modern horror trends and fan culture. Their scripts maintained the franchise's self-aware tone while escalating the stakes through ensemble casts and urban settings. In January 2022, Busick was hired to co-write Final Destination: Bloodlines (2025) with Lori Evans Taylor, based on a story by , Taylor, and Busick himself; the film was released on May 16, 2025, grossing $138 million domestically and earning a 92% approval rating on for its elaborate death sequences and thrills, bringing his expertise to the long-dormant supernatural series. Looking ahead, Busick is penning the sequel to Ready or Not, slated for 2026 release and again directed by Radio Silence, continuing his signature blend of satire and survival horror. He is also contributing to Scream 7 (2026), directed by Kevin Williamson, further solidifying his impact on the horror genre through targeted collaborations. He has contributed to additional genre efforts like the high school horror project at MGM.

Filmography

Feature films

Busick received his first feature film credit for the story of Urge (2016), directed by Aaron Kaufman, in which a group of friends vacationing on an island try a mysterious new designer drug that unleashes their darkest impulses, leading to deadly consequences. He co-wrote the screenplay for Ready or Not (2019) with R. Christopher Murphy, directed by Matt Bettinelli-Olpin and Tyler Gillett, where Busick's script crafts a bride's harrowing wedding night survival game against her wealthy in-laws bound by a satanic family ritual. Busick shared screenplay credit with on Scream (2022), again directed by Bettinelli-Olpin and Gillett, revitalizing the meta-horror franchise through a of a new targeting Woodsboro teens linked to past survivors. The duo reunited for (2023), directed by Bettinelli-Olpin and Gillett, with Busick and Vanderbilt's script following the core group to , where urban anonymity heightens the tension of 's latest killing spree. In (2024), Busick co-wrote the screenplay with Stephen Shields under directors Bettinelli-Olpin and Gillett, blending elements with as kidnappers discover their young captive's monstrous secret during a night-long siege. Busick co-wrote the screenplay for Bloodlines (2025) with Lori Evans Taylor, directed by Zach Lipovsky and Adam B. Stein, centering on a college student's premonitions of familial deaths tied to a 1960s disaster, extending the series' theme of inescapable fate across generations. He is set to write the screenplay for the sequel Ready or Not: Here I Come (2026), directed by Bettinelli-Olpin and Gillett, continuing Grace Le Domas's story as she faces renewed threats from the remnants of her cursed in-law family. Busick is credited as a on Scream 7 (2026), directed by Kevin Williamson, where a fresh terrorizes Sidney Prescott's quiet suburban life, endangering her daughter and forcing a confrontation with the franchise's enduring legacy of trauma.

Television series

Busick's television writing credits began with the telenovela Desire (2006–2007), where he served as a writer and producer for all 12 episodes of the series, which aired on MyNetworkTV and followed the dramatic entanglements of immigrant families in Miami. He later contributed to the comedy-horror series Stan Against Evil (2016–2018) on IFC, writing three episodes: "Life Orr Death" (season 1, episode 4), "Curse of the Werepony" (season 2, episode 3), and "The Demon Who Came in From the Heat" (season 2, episode 7). In 2019, Busick co-wrote two episodes of the anthology Castle Rock on with R. Christopher Murphy—"Restore Hope" (season 2, episode 4) and "The Word" (season 2, episode 7)—and served as a story editor for the season's 10 episodes, adapting elements from Stephen King's multiverse.

Accolades

Fangoria Chainsaw Awards

The , established in 1992 by the horror magazine , recognize outstanding achievements in films and television through categories such as Best , Best , and Best Wide Release. The awards emphasize fan-voted selections, allowing horror enthusiasts to honor the genre's most innovative and impactful works, with ceremonies often highlighting both mainstream and independent productions. In 2020, Guy Busick earned a for Best at the for Ready or Not, shared with co-writer R. Christopher Murphy. This recognition underscored the screenplay's sharp blend of and dark , contributing to the film's critical acclaim within the , where it garnered an 89% approval rating on and grossed $57.6 million worldwide on a $6 million . The highlighted Busick's emerging prominence in following his breakthrough collaboration on the project.

Saturn Awards

The Saturn Awards, established in 1972 by the Academy of Science Fiction, Fantasy and Horror Films, annually recognize excellence in science fiction, fantasy, and horror across film and television, with categories such as Best Writing honoring innovative screenplays that advance genre storytelling. In 2022, at the 47th Saturn Awards, Guy Busick was nominated for Best Writing for the 2022 film Scream, shared with co-writer James Vanderbilt. This nomination celebrated the duo's screenplay, which revitalized the Scream franchise after an 11-year hiatus since Scream 4 (2011), blending legacy elements with fresh meta-commentary on horror tropes to deliver a critically praised requel. The film's success, grossing $137 million worldwide on a $24 million budget, underscored its impact in reinvigorating slasher cinema amid a post-pandemic box office. Busick's recognition from the emphasizes his contributions to horror's evolution, particularly through self-reflexive narratives that engage both longtime fans and new audiences in the franchise's ongoing legacy.

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