Guy J, born Guy Judah in 1986 in Tel Aviv, Israel, is an electronic music producer and DJ renowned for his contributions to progressive house, techno, and electro genres.[1][2] Growing up immersed in Israel's vibrant dance music scene, characterized by epic underground parties and influential radio shows, he began producing tracks at age 14 and started DJing at 15, drawing early inspiration from trance music and artists like John Digweed.[1][3]His professional breakthrough came in 2007 with the release of the "Save Me / Night Loss" EP on Bedrock Records, signed by John Digweed, marking his entry into the international electronic music landscape.[1] Guy J's debut album, Esperanza (2008), blended progressive house, techno, electro, and electronica, establishing his reputation for emotive and sophisticated sound design.[1] Subsequent full-length releases include the expansive two-disc 1000 Words (2011) and The Trees, The Sea & The Sun (2015), a dual-part album exploring uptempo dancefloor tracks alongside downtempo ambient pieces, both issued on Bedrock.[1][3] In 2017, he released Two, further showcasing his versatility across house, techno, and ambient styles.[4]Guy J has collaborated with labels such as Turbo and Cocoon, and in 2012, he founded his own imprint, Lost & Found, under Bedrock, to nurture innovative electronic sounds.[1] His production style emphasizes sensual, hypnotic house grooves, deeply textured techno rhythms, and wondrous ambient textures, often infused with emotional depth and storytelling elements that reflect his trance-influenced roots.[1][5] With over 15 EPs and a global touring presence, including performances at major festivals and clubs, he continues to evolve, as seen in 2025 releases including the Everyday EP, A Moment Of Clarity EP, Worlds Apart / Surreal, and his mix compilation for Global Underground's #GU48 Córdoba.[6][7][8][9]
Biography
Early life
Guy Judah, known professionally as Guy J, was born circa 1986 in Tel Aviv, Israel.[10]Little is known about his family background, though musicianship was not a common pursuit in his immediate family.[11]Growing up in Tel Aviv, he was immersed in the city's vibrant electronic music scene from a young age, with genres like trance and progressive house permeating local culture through radio and events.[1][12]At age 14, Guy J began producing tracks, and at age 15, around 2001, he started experimenting with DJing, drawn to the energy of electronic music and the communal atmosphere of Israel's dance culture.[1][12][3]This early passion for mixing tracks laid the groundwork for his professional pursuits in the mid-2000s.[1]
Career beginnings
Guy J made his entry into the electronic music industry in 2006 at the age of 20, releasing his debut "Never Say No EP" on the Israeli label Deep Focus. That same year, he collaborated with vocalist Sahar Z on the track "Hazui," issued on Electribe Records, which helped introduce his melodic progressive house sound to a niche audience.In 2007, at age 21, Guy J gained significant traction when John Digweed signed his track "Save Me" to the renowned Bedrock Records, releasing it alongside "Night Loss" as a pivotal single that showcased his emotive production style. This Bedrock association marked a turning point, earning early support from influential figures in the progressive house scene and establishing his reputation beyond Israel. He also collaborated with producer Chaim on the "Isreality EP" for Tiga's Turbo Recordings, further diversifying his early portfolio.[1][13]By 2008, Guy J had solidified his presence through a series of EPs on Bedrock, including "Geko," "Under Pressure," and "Fall Star / Lunar," which highlighted his evolving atmospheric and driving sound. His debut album, Esperanza, released that year on Bedrock, compiled many of these works into a cohesive full-length statement, receiving acclaim for its blend of progressive house and techno elements and cementing his role in the global electronic music landscape. These foundational releases laid the groundwork for his long-term progression toward label ownership.[14][15][16][17][18][19]
Label founding and relocation
Building on the momentum from his early career, Guy J released his second studio album, 1000 Words, in April 2011 on Bedrock Records, featuring a blend of progressive house tracks that showcased his evolving sound.[20]In July 2012, Guy J founded the independent record label Lost & Found, backed by British DJ and producer John Digweed as a sub-label of Bedrock Records, with a focus on progressive and deep house releases that emphasize uplifting, intelligent, and emotive electronic music.[21][22] The label debuted with Guy J's own single "Lost & Found," establishing a platform for curated, high-quality productions in the genre.[22]His third album, The Trees, The Sea & The Sun, followed in November 2015, also on Bedrock, marking a significant mid-career milestone with its expansive, atmospheric compositions released during the label's formative years.[23]In 2020, Guy J relocated from Tel Aviv to Gozo, Malta, where he has been based since, continuing to shape his creative output amid the island's serene setting while maintaining an active international touring presence.[24]Up to 2025, Guy J has sustained his career through ongoing releases on established labels including Bedrock and microCastle, with recent highlights encompassing EPs like A Moment of Clarity and preparations for Global Underground #48: Córdoba, a forthcoming mixcompilation set for November release.[5][8]
Musical style
Characteristics
Guy J's signature sound is characterized by sophisticated progressive house that emphasizes emotive melodies and intricate melodic journeys, often creating immersive, atmospheric experiences. His tracks blend elements of techno and electro to add depth and texture, resulting in a hypnotic quality that balances dancefloor energy with emotional resonance. This approach is evident in his ability to craft sensual, layered compositions that evoke a sense of wonder and introspection, drawing listeners into evolving soundscapes.[25][1]In production, Guy J prioritizes analogue warmth within predominantly digital workflows, utilizing hardware synthesizers like the Prophet 12 and Virus TI to infuse his music with organic, tactile qualities that counteract the sterility of software-based production. His tracks frequently feature gradual evolving builds that heighten tension and subtle breakdowns that provide moments of release, fostering a narrative flow reminiscent of a personal emotional arc. This technique underscores his focus on visceral, feeling-driven music rather than rigid structures.[25]Following the release of his 2015 album The Trees, The Sea & The Sun, Guy J's output shifted toward deeper, more introspective sounds, particularly through his Lost & Found label, where he explored expansive, ambient-influenced territories that prioritize subtlety and emotional depth over peak-time intensity. This evolution reflects a maturation in his style, moving from broader progressive explorations to more personal, meditative expressions while retaining his core melodic ethos.[1][26]
Influences
Guy J's primary musical influences include his Israeli contemporary Guy Gerber, whose early Transitions mixes inspired melodic progressions in electronic music.[3] He has also cited Richie Hawtin's sets for their precision in techno, emphasizing a structured yet immersive approach to mixing.[3]His early exposure extended to the broader electronic music landscape of the 1990s and 2000s, particularly trance and progressive house sounds from John Digweed's Bedrock label and associated radio mixes.[3] These elements, including psy-trance influences from his homeland, shaped his appreciation for narrative-driven tracks within global electronic scenes.[12][1]These inspirations contributed to Guy J's development of "journey-like" DJ sets that prioritize storytelling and emotional flow, a core aspect of his label Lost & Found's aesthetic.[3] This approach results in a sound characterized by seamless, evolving progressions that echo the immersive qualities of his influences.
Production and performance
Equipment
Guy J's production setup emphasizes a hybrid approach, blending digital software with analogue hardware to achieve the organic warmth characteristic of his progressive house sound. In the studio, he relies on Steinberg Cubase as his primary digital audio workstation (DAW), a tool he has used for over a decade to compose and arrange tracks, having evolved from earlier software like Impulse Tracker, Fruity Loops, and Reason.[25][27] He supplements Cubase with minimal software instruments, notably Spectrasonics Omnisphere for its expansive soundscapes and built-in effects, while avoiding extensive use of virtual synths due to his preference for tactile hardware.[25][28]As of the mid-2010s, central to his hardware arsenal was the Access Virus TI synthesizer, which he purchased as his first hardware synth and used extensively for its versatile digital-analogue hybrid tones. His collection expanded to include five key synthesizers: the Dave Smith Instruments Prophet 12 (his personal favorite for its rich polyphony), Poly Evolver, Nord Lead 4, and MFB Dominion 1, all selected for their analogue warmth and hands-on control that enhance emotional depth in his productions.[25] He has expressed a strong affinity for analogue gear, noting, "I’m addicted to analogue now. It’s hard for me to use software, maybe it’s the love of touching a synth and actually feeling the music," which underscores his shift from purely digital beginnings to this integrated workflow.[25] Additional outboard gear includes two Eventide H9 multi-effects units and a Strymon TimeLine delay pedal for processing, paired with an RME Fireface UFX audio interface and Audio Z headphones for monitoring (as of 2025).[25][29]For DJ sets and live mixing, as of 2025, Guy J uses CDJs with USB sticks and a power mixer, having transitioned from Native InstrumentsTraktor—a software he switched to from earlier use of Ableton Live, which he favored for its seamless looping and on-the-fly editing capabilities but ultimately replaced for superior sound quality.[3][28][29] He uses Pioneer HDJ10 headphones for DJing. This evolution—from initial digital tools in the early 2000s to a balanced analogue-digital hybrid by the mid-2010s, and further adaptations in live setup—supports his emotive style by allowing precise control over tonal warmth and dynamic builds.[25]
Live performances
Guy J is renowned for his long, immersive DJ sets that prioritize seamless flow and emotional depth, often creating "journey-like" experiences in club environments. His performances typically feature lower BPM ranges of 119-122 to allow for intricate builds and transitions, drawing heavily on his own productions to maintain a hypnotic, continuous energy through techniques like looping. Influenced by John Digweed's mastery of crowd reading and atmosphere building, J aims to connect audiences on a profound level, evoking the transformative vibe he first encountered at Tel Aviv's Love Parade.[3][29]J maintains regular tours across Europe and South America, where he delivers extended sets at prominent venues and festivals. Notable recent appearances include the Amsterdam Boat Party organized by WATT Events in April and October 2025, a sold-out daytime voyage on a floating club during Amsterdam Dance Event; a performance at Edge (Club Vaag) in Antwerp, Belgium, in September 2024; and a set at Las Palapas in Mendoza, Argentina, originally from 2022 but remastered and revisited in fan discussions in 2025. These events highlight his ability to adapt his immersive style to diverse settings, from intimate clubs to outdoor festivals.[30][31][32][33]His global reach is facilitated by bookings through Analog-A for worldwide and South American territories, and Liaison Artists for North America, enabling consistent international presence. In a major 2025 milestone, J releases Global Underground #48: Córdoba in November, featuring two curated mixes—a high-energy club version and a downtempo counterpart—preceded by the exclusive EP A Moment of Clarity in October. This project underscores his evolving performance narrative, blending unreleased tracks with selections that reflect Córdoba's vibrant electronicscene.[34][35][36][8]
Discography
Studio albums
Guy J's studio discography consists of four full-length albums (including one collaboration), each released on Bedrock Records except where noted, highlighting his development in progressive house production with intricate layering and emotive melodies.
Guy J's earliest extended play, Hazui, released in 2006 on Electribe Records in collaboration with Sahar Z, marked his debut in the progressive house scene with its deep, atmospheric soundscapes. Following this, he issued over 15 EPs and singles starting from 2007 across prominent labels such as Bedrock Records, his own Lost & Found imprint, and Anjunadeep, showcasing his evolving production style through intricate layering and emotive melodies; notable early examples include the Self Love EP on Proton Music in 2007 and the breakthrough Save Me / Night Loss EP on Bedrock Records in 2007.[14][13] These releases established his reputation for blending progressive elements with subtle techno influences, often featuring tracks that build tension through extended breakdowns.In his mid-period, Guy J continued to refine his signature sound with releases like the Seven / Milestone single on Lost & Found in 2013, which highlighted his ability to craft hypnotic grooves and melodic progressions that resonated in underground sets.[40] This era saw him experimenting with longer-form structures in EPs, maintaining a focus on emotional depth while expanding his catalog on independent labels.From 2020 to 2025, Guy J's output remained prolific, with standout EPs and singles emphasizing introspective and immersive themes. The Silver Lake / Evo single on Early Morning in December 2024 featured "Silver Lake" and "Evo," noted for their melodic depth.[41] The Everyday EP on Bedrock Records in February 2025 included the tracks "Everyday" and "Stranger In A Strange World," noted for their ethereal pads and driving rhythms that evoke a sense of otherworldly exploration.[42] Later that year, the Worlds Apart / Surreal EP on Early Morning in September featured "Worlds Apart" and "Surreal," drawing on trance-inspired echoes for abstract, narrative-driven compositions. His most recent release, the A Moment Of Clarity EP on Global Underground in October 2025, comprised "A Moment Of Clarity" and "No Drama," serving as a precursor to his full compilation and underscoring his ongoing innovation in melodic progressive house.[43] These works, released on labels including microCastle and Proton Music for select remixes and collaborations, contributed significantly to his diverse discography of original productions.[5]
Mix compilations
Guy J's most prominent mix compilation to date is Global Underground #48: Guy J - Córdoba, scheduled for release on November 28, 2025, by Global Underground. This double-disc set features a high-energy club mix on the first disc and a more atmospheric downtempo mix on the second, blending progressive house with exclusive unreleased tracks from the artist himself. The compilation highlights Guy J's ability to curate seamless journeys through electronic music, drawing from his global influences while incorporating fresh productions that were not available elsewhere.[8][44]In addition to studio-curated releases, Guy J has shared several live DJ sets online, capturing the improvisational essence of his performances. Notable examples include "Live from Amsterdam Boat Party by WATT," recorded in April 2025 and uploaded to SoundCloud, which showcases a fluid progression from deep grooves to uplifting peaks during the event. Other sets, such as "Live from Edge (Club Vaag) Belgium" and "Live From Las Palapas (Mendoza)," are also available on SoundCloud, offering fans extended mixes that reflect his on-the-fly mixing style in diverse international settings.[31][45]Guy J has contributed mixes and selections to prominent label series, particularly through his own imprint Lost & Found and the Bedrock Records catalog. On Lost & Found, he led the 2023 compilation We Are Lost, a nine-track collection featuring collaborations with label affiliates like Guy Mantzur and Khen, emphasizing the progressive sounds central to the imprint's identity since its founding in 2012. For Bedrock Records, his 2015 album The Trees, the Sea & the Sun includes continuous mixes that integrate his original tracks with remixes, contributing to the label's tradition of immersive electronic compilations. These efforts underscore how his mixes extend his production work into broader collaborative contexts.[46][47][48]