Hinder
Hinder is an American rock band formed in 2001 in Oklahoma City, Oklahoma, known for their post-grunge sound blending heavy guitar riffs with themes of relationships, partying, and heartbreak. The band rose to prominence in the mid-2000s with their debut album Extreme Behavior (2005), which peaked at No. 6 on the Billboard 200 and achieved triple-platinum certification by the RIAA for sales exceeding three million copies in the United States. Their breakthrough single, "Lips of an Angel," from that album, reached No. 3 on the Billboard Hot 100, topped charts in Australia and New Zealand, and earned 3× multi-platinum certification. Originally founded by drummer Cody Hanson and guitarist Joe "Blower" Garvey, who recruited lead vocalist Austin Winkler after spotting him at a local event, the band's early lineup also included bassist Mike Rodden. Hinder's follow-up album, Take It to the Limit (2008), was certified gold and featured guest appearances from Mötley Crüe guitarist Mick Mars, while subsequent releases like All American Nightmare (2010), Welcome to the Freakshow (2012), and The Reign (2017) maintained their presence in the hard rock scene. In 2013, Winkler departed the band for personal reasons, and Marshal Dutton, previously a producer and touring member, assumed lead vocals in 2015. The group was inducted into the Oklahoma Music Hall of Fame in 2007 and continues to tour actively, with their latest album, Back to Life, released on May 23, 2025.[1][2]History
Formation and Far from Close: 2001–2004
Hinder was formed in 2001 in Oklahoma City, Oklahoma, initially as a project by drummer Cody Hanson and guitarist Joe Garvey, who began collaborating on original rock material after discovering vocalist Austin John Winkler performing covers at a college dorm party.[3] Winkler, previously fronting a local cover band, joined the duo, shifting their focus from covers to songwriting energetic, party-themed rock songs co-penned primarily by Winkler and Hanson.[4] The trio quickly rehearsed and started booking local shows to build momentum in the regional scene.[3] By 2003, bassist Mike Rodden had joined the lineup, solidifying the core group as they honed their sound through consistent performances at Oklahoma City venues like The Blue Note club.[4] These early gigs helped fund the recording of their debut EP, Far from Close, which the band self-released that year on the independent Brickden Records.[5] The eight-track effort, featuring songs like "Paste" and "Lay Me Down," captured their raw post-grunge style and sold around 5,000 copies through local distribution and live sales, establishing a dedicated fanbase in the Midwest.[5] The success of Far from Close led to a re-release in the summer of 2004 to capitalize on growing demand. Still unsigned at the time, Hinder's regional buzz attracted interest from multiple labels, including Atlantic Records, Roadrunner Records, and Universal Records, culminating in their signing with Universal Records later that year.[6] This deal marked the end of their independent phase and positioned them for major-label production on their follow-up material.[7]Extreme Behavior and mainstream success: 2005–2007
Hinder's debut major-label album, Extreme Behavior, was released on September 27, 2005, through Universal Republic Records and produced by Brian Howes.[8] The record marked a significant shift from the band's independent efforts, featuring polished post-grunge tracks that captured themes of relationships and excess. It debuted at No. 6 on the Billboard 200 chart and quickly gained traction on rock radio, setting the stage for the band's breakthrough. The lead single, "Get Stoned," released in 2005, became a staple on mainstream rock stations, peaking at No. 4 on the Billboard Mainstream Rock chart in 2006. Follow-up "Lips of an Angel," issued in 2006, propelled the album to wider audiences with its music video receiving heavy rotation on MTV and radio airplay across formats. The track reached No. 3 on the Billboard Hot 100, No. 1 on the Mainstream Top 40 chart, and No. 4 on the Mainstream Rock chart, contributing to the album's commercial momentum. "How Long," another single from the album, followed in late 2006 and peaked at No. 6 on the Mainstream Top 40 chart, further solidifying Hinder's presence in pop-rock rotation. By December 2006, Extreme Behavior had been certified double platinum by the RIAA for shipments of two million units, reflecting its rapid sales growth.[9] Amid rising popularity, Hinder toured extensively from 2005 to 2007, opening for established acts like Nickelback on their All the Right Reasons Tour in 2006, which included arena performances across North America.[10] These shows helped build a dedicated fanbase, with the band progressing from clubs to larger venues. In recognition of their swift ascent, Hinder was inducted into the Oklahoma Music Hall of Fame as the 2007 Rising Star award recipient during a ceremony in Muskogee.[11]Take It to the Limit and touring peak: 2008–2009
Following the success of their multi-platinum debut album Extreme Behavior, Hinder released their sophomore effort, Take It to the Limit, on November 4, 2008, via Universal Republic Records. The album was produced by Brian Howes, who had helmed the band's previous record, and was recorded primarily at Van Howes Studios in Vancouver. It debuted at number 4 on the Billboard 200, moving 81,000 copies in its first week and marking a commercial step forward from their debut's peak position.[12] The record represented a stylistic evolution, leaning into a harder-edged rock sound with fewer power ballads and more aggressive riffs compared to the pop-inflected post-grunge of Extreme Behavior. Lead single "Use Me" exemplified this shift, peaking at number 3 on the Mainstream Rock Airplay chart and underscoring the band's push toward mainstream rock radio dominance. Subsequent singles "Without You" reached number 85 on the Billboard Hot 100, while "Up All Night" climbed to number 16 on the Mainstream Rock Airplay chart. Critical reception was mixed, with some outlets praising the increased heaviness and energy—such as the guitar-driven tracks "Loaded and Alone" and "Last Kiss Goodbye"—while others critiqued the album's formulaic songwriting and lack of innovation within the genre.[13][14] This period marked Hinder's touring zenith, as they capitalized on rising popularity with high-profile arena and amphitheater performances. In late 2008, the band headlined the Jägermeister Music Tour across North America, joined by Trapt and Rev Theory, playing over 30 dates in venues like the Pearl Concert Theater in Las Vegas and culminating in shows at major halls such as the Pepsi Coliseum in Indianapolis. Early 2009 saw them support Mötley Crüe on the Saints of Los Angeles arena tour alongside Theory of a Deadman, performing in large-capacity spaces like the Xcel Energy Center in St. Paul and Cox Arena in San Diego, which drew peak crowds for the group at the time. These outings solidified Hinder's live draw, blending high-energy sets of new material with hits from their debut to enthusiastic audiences.[15][16]All American Nightmare and lineup shifts: 2010–2012
Following the touring peak of their previous albums, Hinder released their third studio album, All American Nightmare, on December 7, 2010, through Universal Republic Records. The record was primarily produced by Kevin Churko, a veteran collaborator with artists like Ozzy Osbourne and Five Finger Death Punch, alongside band members Cody Hanson and Marshal Dutton, who contributed to engineering and production for a denser, more polished hard rock sound. Debuting at number 37 on the Billboard 200, the album sold approximately 35,000 copies in its first week, reflecting the band's continued appeal in the post-grunge scene despite a perceived sophomore slump from their prior release.[17][18][19] The album's lead single, the title track "All American Nightmare," arrived on September 14, 2010, capturing themes of reckless nights and fleeting regrets in the rock lifestyle, with lyrics drawing from frontman Austin Winkler's personal experiences of excess and consequence. Follow-up single "The Life," released in October 2011 as a promotional CD, delved deeper into the toll of constant touring and emotional isolation, emphasizing the highs and lows of fame through introspective storytelling. These tracks highlighted a shift toward darker, more autobiographical content compared to the band's earlier party anthems, underscoring struggles with identity and relationships amid rising success.[18][20] In support of the album, Hinder maintained strong touring momentum in 2011, joining Papa Roach, Buckcherry, P.O.D., and others on the Rock Allegiance Tour, as well as appearing at festivals like KATTFEST alongside Black Label Society and All That Remains. These performances reinforced their live energy and fanbase loyalty, with the stable lineup of Winkler on vocals, Garvey and King on guitars, Rodden on bass, and Hanson on drums navigating the period without major disruptions.[21][22]Welcome to the Freakshow and Winkler's departure: 2013
Hinder released their fourth studio album, Welcome to the Freakshow, on December 4, 2012, through Republic Records, with the record's promotional cycle and touring extending into 2013.[23] The album was co-produced by drummer Cody Hanson and bassist Marshal Dutton at their Back-Lounge Productions studio in Oklahoma.[24] It debuted at No. 65 on the Billboard 200 chart, selling 12,000 copies in its first week, and reached No. 14 on the Billboard Independent Albums chart. The lead single, "Save Me," was released in November 2012 and peaked at No. 15 on the Billboard Mainstream Rock chart in early 2013, marking the band's continued presence in the rock radio format.[25] The album's themes drew from personal struggles, including lead vocalist Austin John Winkler's experiences with substance abuse during its creation, as he entered rehab shortly after recording concluded.[26] Tracks like "Freakshow" and "Should Have Known Better" reflected introspective and relational turmoil, aligning with Hinder's post-grunge style while incorporating more ballad elements than prior releases.[27] In 2013, the band supported the album with extensive touring, but underlying tensions from the previous era's lineup shifts and Winkler's ongoing personal challenges began to surface publicly.[28] On July 10, 2013, Winkler temporarily left the ongoing tour to focus on recovery from substance issues, prompting the band to enlist fill-in vocalists such as Jared Weeks of Saving Abel and Dutton himself for select dates to avoid cancellations.[29] The group emphasized continuing performances to honor fans, stating their commitment to the music amid the uncertainty.[30] Winkler's departure became permanent on November 20, 2013, when Hinder announced via official statement that he had left the band for personal reasons tied to his substance abuse struggles, following his earlier rehab stint.[31][28] The split marked the end of Winkler's 12-year tenure as founding vocalist, during which he had shaped Hinder's breakthrough sound. In the immediate aftermath, the band canceled remaining tour dates to regroup and initiated a search for a permanent replacement, expressing support for Winkler's recovery while vowing to persist.[32]When the Smoke Clears: 2014–2015
Following Austin Winkler's departure from the band in 2013, Hinder's longtime bassist Marshal Dutton transitioned to lead vocals, providing stability during a period of lineup adjustment. Dutton, who had previously contributed as a co-writer and co-producer on earlier albums, brought a crisp, melodic tone to the group's sound while maintaining continuity with their established style. This shift paved the way for the band's fifth studio album, When the Smoke Clears, released on May 12, 2015, via The End Records.[33][34] The album marked Hinder's return to their hard rock roots, emphasizing anthemic choruses, driving guitar riffs, and themes of resilience and relationships, as heard in standout tracks like "Hit the Ground" and "Intoxicated." "Hit the Ground," released as the lead single on November 24, 2014, showcased Dutton's emotive delivery over a guitar-driven ballad structure, while "Intoxicated," issued on May 3, 2015, delivered a high-energy rock edge with introspective lyrics. When the Smoke Clears debuted at No. 119 on the Billboard 200, achieving modest commercial performance amid a shifting rock landscape but earning praise for its cohesive production and Dutton's seamless integration.[35][36] In support of the release, Hinder joined Theory of a Deadman as direct support on a 2015 U.S. tour, performing at venues like the Ogden Theatre in Denver and the Mississippi Coast Coliseum in Biloxi. Fans responded positively to the lineup change, with Dutton's performances noted for their energy and ability to connect during live sets, helping to reaffirm the band's viability post-transition. The tour highlighted tracks from the new album alongside fan favorites, fostering renewed enthusiasm among audiences.[37]The Reign and transitional period: 2016–2017
Following the lineup change in 2015, when Marshal Dutton assumed lead vocals, Hinder focused on stabilizing their sound and presence with the new configuration through consistent touring and new recordings.[38] In 2016 and 2017, the band maintained an active touring schedule, performing over 60 shows annually across the United States, including festival slots such as the Lapeer Days Festival in Michigan on August 19, 2017.[39][40] These performances helped reinforce fan engagement amid the ongoing transition, blending established hits with previews of upcoming material. Hinder's sixth studio album, The Reign, emerged as a key effort to cement this era, released on August 11, 2017, via The End Records.[41] Produced internally by drummer Cody Hanson and vocalist Marshal Dutton, the record marked their second full-length collaboration following Dutton's integration.[42] The album adopted a darker, heavier tone than prior releases, emphasizing raw emotional struggles through aggressive riffs and intense dynamics while retaining melodic hooks.[43] Promotion centered on the lead single "Remember Me," released in June 2017, which showcased the band's evolved aggression with its driving rhythm and anthemic chorus.[44] Tracks like "King of the Letdown" and "Might As Well" further highlighted this shift, contributing to the album's cohesive exploration of personal turmoil and resilience.[45] Despite the creative momentum, external challenges limited broader marketing push, reflecting industry shifts for mid-tier rock acts at the time.[38] By late 2017, The Reign underscored Hinder's commitment to the Dutton-led lineup, providing a platform for sustained live momentum and setting the stage for future endeavors.[46]Side projects, covers, and King's exit: 2018–2023
In January 2019, Hinder released the single "Halo," their first new original music since the 2017 album The Reign, produced by band members Marshal Dutton and Cody Hanson.[47] The track showcased the band's post-Winkler sound with Dutton on lead vocals, blending hard rock elements with introspective lyrics about judgment and self-perception.[48] During this period, band members pursued individual endeavors amid a stable core lineup from The Reign. Founding drummer Cody Hanson, through his co-owned production company Back Lounge Productions, continued writing and producing music for Hinder as well as other artists, leveraging his experience from prior albums to support emerging talent in the rock genre.[49] Meanwhile, former frontman Austin John Winkler, after a hiatus following his 2016 solo EP Love Sick Radio, resumed his independent career in 2021; between 2022 and 2023, he issued several singles under his own name, including "SuperJaded" in January 2022, "Carry On" and "American Dreams" later that year, and "The Dance Song" in 2023, exploring themes of resilience and nostalgia.[50] The COVID-19 pandemic significantly disrupted live music across the industry in 2020 and 2021, leading to widespread cancellations and postponements of tours and festivals that affected Hinder's performance schedule during this time.[51] In July 2019, prior to these interruptions, the band had released a cover of the Eagles' "Life in the Fast Lane," paying homage to classic rock while performing it live on subsequent tours.[52] (Note: While specific Hinder covers of Mötley Crüe tracks like "Home Sweet Home" were not verified in available sources for 2020, the band frequently incorporated covers into their sets, including Eagles material.) In December 2021, longtime rhythm guitarist Mark King departed the band after 17 years, citing a desire to prioritize his family and develop his solo project Caffeine Genius, which channeled 1990s alternative rock influences and had debuted material in 2020.[53] Hinder continued as a quartet with lead guitarist Joe Garvey handling additional guitar duties, maintaining their high-energy live shows. From 2022 onward, the band resumed touring with performances at events like Loon Fest in October 2022, where they delivered fan-favorite tracks in intimate settings that emphasized audience connection.[54] These outings, including select acoustic renditions of hits like "Without You," helped rebuild momentum and engage longtime supporters through closer interactions at mid-sized venues.[55]Creed tour, Back to Life, and recent activities: 2024–present
In 2025, Hinder joined the Summer of '99 Tour as support acts for Creed on select dates, including the August 23 show at the Soaring Eagle Casino & Resort in Mount Pleasant, Michigan, alongside Mammoth WVH, contributing to a renewed surge in the band's visibility among rock audiences.[56] This appearance marked a significant platform for the quartet, which has operated in its current configuration since rhythm guitarist Mark King's departure in 2021. The tour's extension into late summer highlighted Hinder's enduring appeal within the post-grunge and alternative rock scenes, drawing larger crowds and media attention to their live performances. Building momentum from these outings, Hinder released the lead single "Live Without It" on September 13, 2024, followed by "Everything Is a Cult" on November 15, 2024, both precursors to their seventh studio album.) These tracks showcased the band's signature blend of anthemic hooks and introspective lyrics, with "Live Without It" emphasizing themes of resilience and independence. The full album, Back to Life, arrived on May 23, 2025, via Evil Teen Records, marking Hinder's first release in nearly a decade and their inaugural effort without King's contributions. Produced with a focus on raw energy and modern production, the record received positive reception for revitalizing the group's sound while honoring their roots.[57] To promote Back to Life, Hinder issued additional singles "Bring Me Back to Life" on March 28, 2025, and "Bad Decisions" on April 25, 2025, the latter featuring punchy riffs and cautionary storytelling that resonated with fans ahead of the album drop.) These releases were accompanied by official music videos that amplified online engagement. In support, the band launched the Back to Life Tour in early 2025, featuring Saliva as co-headliners, with Kingdom Collapse and Kelsey Hickman opening on select dates across North American venues from February through March. The tour emphasized high-energy sets blending new material from Back to Life with Hinder's classic hits, fostering a sense of renewal and fan reconnection. Amid these developments, a February 8, 2025, Instagram photo posted by former lead vocalist Austin John Winkler showed him alongside current frontman Marshal Dutton in a recording studio, igniting fan speculation about a potential collaboration or partial reunion.) However, band representatives confirmed no lineup changes, with Hinder maintaining its focus on the current roster and forward momentum. As of late 2025, the group continues active touring and promotion, solidifying their position in the rock landscape.Musical style and influences
Musical style
Hinder's music is primarily classified within the post-grunge and hard rock genres, incorporating elements of alternative rock and sleaze rock.[58][59] Their sound features prominent guitar-driven riffs, powerful vocals, and an emphasis on emotional lyrics often centered on relationships and personal struggles.[60] Characteristic of their style are catchy, anthemic hooks and power ballads that blend melodic accessibility with rock intensity, as exemplified in hits like "Lips of an Angel" and "Better Than Me." The band's early output, particularly their 2005 debut album Extreme Behavior, leaned toward a pop-infused post-grunge aesthetic with polished, radio-oriented production designed for mainstream appeal.[61] By the late 2000s and into the 2010s, Hinder shifted to a heavier hard rock orientation, evident in All American Nightmare (2010), which debuted at number one on the Top Modern Rock/Alternative Albums chart and number three on the Top Hard Rock Albums chart, showcasing darker themes and more aggressive instrumentation.[13] Following the 2013 departure of original vocalist Austin Winkler, the band's production evolved toward a rawer, more versatile edge under new frontman Marshal Dutton, incorporating subtle electronic influences while retaining core rock elements in albums like When the Smoke Clears (2015). Subsequent albums like The Reign (2017) and Back to Life (2024) have maintained this versatile hard rock approach with high-energy anthems and ballads.[62][57] This progression has drawn comparisons to contemporaries like Nickelback, sharing a similar post-grunge foundation and commercial rock sensibility.Influences
Hinder's music draws heavily from the post-grunge and modern rock scenes of the 1990s and early 2000s, with prominent influences including bands like Creed and Nickelback, whose melodic hooks and anthemic choruses shaped the band's accessible, radio-friendly sound. Drummer Cody Hanson has acknowledged comparisons to these acts as a compliment, noting their shared emphasis on emotional, relatable rock that blends introspection with high-energy riffs.[4] Similarly, the grunge and post-grunge era's raw intensity from groups like Bush informed Hinder's gritty guitar-driven arrangements and vocal delivery.[63] The band also channels classic hard rock and glam metal from the 1980s, particularly Guns N' Roses and Mötley Crüe, whose rebellious party anthems and larger-than-life excess resonate in Hinder's high-octane tracks and themes of hedonism. In their 2010 single "Put That Record On," Hinder explicitly pays homage to these icons—alongside Led Zeppelin, the Rolling Stones, Aerosmith, AC/DC, and Kiss—through lyrical references celebrating the era's rock 'n' roll lifestyle.[64][65] Hanson's drumming style, rooted in classic rock influences like Aerosmith and AC/DC, adds a driving, straightforward pulse to the band's rhythm section, evoking the era's unpolished energy.[66] Early in their formation, frontman Austin Winkler performed in a college cover band focusing on 1980s hair metal and hard rock, which directly carried over into Hinder's initial jam sessions and set the tone for their revivalist approach.[3][7] These influences manifest distinctly in Hinder's songwriting: the ballad structures and soaring choruses of 1990s alternative rock appear in tracks like "Lips of an Angel," mirroring the emotional builds of post-grunge hits, while 1980s-inspired party anthems fuel upbeat numbers such as "Get Stoned," complete with raw riffs and celebratory lyrics.[4] Hanson's classic rock drumming further bridges these eras, providing a solid, groove-oriented foundation that enhances the band's blend of nostalgia and contemporary edge.Band members
Current members
The current lineup of Hinder consists of four members who have been instrumental in the band's evolution since the mid-2010s.[67] Marshal Dutton serves as the lead vocalist, having transitioned to the role full-time in 2015 after initially joining the band in 2013 to handle both vocals and bass duties following the departure of previous frontman Austin John Winkler.[68][69] Born in Oklahoma City, Oklahoma, Dutton previously fronted the rock band Faktion and contributed as a songwriter and producer for Hinder starting in 2009, co-writing tracks for their album All American Nightmare.[68] His dual role in the early transition period allowed the band to maintain continuity, and since assuming lead vocals exclusively, he has helmed performances on tours with acts like Creed and Three Doors Down in 2024.[67] Cody Hanson has been the drummer and a co-founding member since Hinder's formation in 2001 in Oklahoma City.[70] As the band's primary songwriter, Hanson has co-authored many of their signature hits, including "Lips of an Angel" from the 2005 album Extreme Behavior, and has driven the creative direction across their discography, from early post-grunge anthems to later releases like the 2025 album Back to Life.[67] Joe "Blower" Garvey is the lead guitarist and another co-founder, having joined in 2001 alongside Hanson.[70] Initially handling both lead and rhythm guitar, Garvey shifted to primary lead duties after lineup changes, contributing to the band's signature guitar-driven sound on tracks like "Get Stoned" and providing backing vocals in live settings.[67] His long tenure has made him a core architect of Hinder's hard rock style. Mike Rodden has played bass since joining in 2004, providing foundational support for the band's rhythm section.[71] Following Dutton's full shift to vocals around 2015, Rodden has taken on primary bass responsibilities in live performances, ensuring the low-end drive during tours such as the 2024 Creed outing and the band's 2025 headline dates.[67]Former members
Austin John Winkler served as Hinder's lead vocalist from 2001 to 2013.[72] As the original frontman, he contributed vocals and co-wrote much of the band's material for their first four studio albums, including the breakthrough hit "Lips of an Angel," which helped propel Hinder to mainstream success in the mid-2000s.[73] Winkler departed the band in November 2013 following a prolonged struggle with substance abuse that led to his leave during a tour earlier that year.[74] Mark King joined Hinder as rhythm guitarist in 2004 and remained with the band until 2021. He played a key role in the group's post-Winkler era, contributing guitar work to albums such as When the Smoke Clears (2015) and The Reign (2017), helping maintain the band's hard rock sound during the transition to new vocalist Marshal Dutton.[57] King's departure in 2021 marked the end of his long tenure, after which Hinder released their 2025 album Back to Life without him.[75] Among the band's early and brief members, bassist Cole Parker was part of the original lineup from 2001 to 2003, performing on their debut EP Far from Close before leaving the group.[5] Following Winkler's exit, Hinder relied on temporary vocalists during 2013–2014: Jared Weeks from Saving Abel filled in as a touring lead vocalist for several shows in 2013 while Winkler was in rehab, and Nolan Neal briefly served as lead singer from 2014 to 2015 before the band settled on Dutton.[31][76]Timeline
Hinder was formed in 2001 in Oklahoma City, Oklahoma, by lead vocalist Austin Winkler, guitarist Joe "Blower" Garvey, and drummer Cody Hanson.[3] In 2004, the band expanded with the addition of bassist Mike Rodden and rhythm guitarist Mark King, establishing the core quintet lineup. This lineup remained intact through the band's early success until November 2013, when Winkler departed due to personal reasons after initially taking a temporary leave from touring earlier that year.[31] In the interim period from late 2013 to early 2015, Hinder performed live with temporary vocalists, including Jared Weeks of Saving Abel and producer Marshal Dutton.[30] Dutton, who had previously collaborated with the band as a co-producer, was officially announced as the permanent lead vocalist in January 2015, with the lineup now featuring him on vocals alongside Garvey, Hanson, Rodden, and King.[68] The band continued in this configuration until 2021, when longtime rhythm guitarist Mark King left the group.[77] Since King's departure, Hinder has operated as a quartet comprising lead vocalist Marshal Dutton, guitarist Joe "Blower" Garvey, drummer Cody Hanson, and bassist Mike Rodden, with no permanent touring musicians added as of 2025.[78]Discography
Studio albums
Hinder's debut studio album, Far from Close, was released in 2003 on the independent label Brickden Records. The album sold approximately 5,000 copies but did not achieve major commercial success or chart on the Billboard 200.[79][80] The band's major-label debut, Extreme Behavior, arrived on September 27, 2005, via Universal Republic Records.[8] It peaked at number 6 on the Billboard 200 and was certified triple platinum by the RIAA for sales exceeding 3 million units in the United States.[81] Take It to the Limit, the follow-up, was released on November 4, 2008, also on Universal Republic Records. The album debuted and peaked at number 4 on the Billboard 200, selling 81,000 copies in its first week, and was later certified gold by the RIAA.[82][83] In 2010, Hinder issued All American Nightmare on Universal Republic Records. It reached number 37 on the Billboard 200, with first-week sales of 35,000 units.[84] Welcome to the Freakshow, released December 4, 2012, on Universal Republic Records, marked the band's fourth studio effort. The album debuted at number 65 on the Billboard 200, moving 12,000 copies in its initial week.[85] The fifth album, When the Smoke Clears, came out on May 12, 2015, through The End Records. It peaked at number 75 on the Billboard 200.[36] The Reign, the sixth studio album, followed on August 11, 2017, via The End Records. It reached number 159 on the Billboard 200.[36] Finally, Back to Life, Hinder's seventh studio album, was released on May 23, 2025, on Evil Teen Records.[86] It did not enter the Billboard 200.Singles and EPs
Hinder achieved significant commercial success with their early singles from the mid-2000s, particularly on rock-oriented charts, establishing them as a prominent act in post-grunge and mainstream rock. The lead single "Get Stoned" from their debut album Extreme Behavior (2005) marked their breakthrough, peaking at No. 4 on the Mainstream Rock Airplay chart.[25] This was followed by "Lips of an Angel" (2006), which became their signature hit, topping the Mainstream Rock Airplay chart for three weeks and reaching No. 3 on the Hot 100, while also charting at No. 1 in Australia and Canada.[25] These tracks exemplified the band's anthemic, radio-friendly style and drove over 3 million album sales. Subsequent singles from Take It to the Limit (2008) continued their rock chart dominance, with "Better Than Me" peaking at No. 2 on Mainstream Rock Airplay and No. 31 on the Hot 100, and "Use Me" hitting No. 3 on the same rock chart.[25] Later releases like "Without You" (2008) reached No. 85 on the Hot 100 but No. 32 on Mainstream Rock, signaling a shift toward more modest pop crossover success. From All American Nightmare (2010), singles such as "Up All Night" and "The Life" maintained presence on rock airplay but did not replicate earlier Hot 100 peaks. Post-2013, chart performance declined, with tracks from albums like Welcome to the Freakshow (2012) and When the Smoke Clears (2015) primarily appearing in the lower half of the Mainstream Rock Airplay chart. In the 2024–2025 period, Hinder experienced a resurgence on rock radio with singles from their album Back to Life. "Live Without It" (2024) debuted at No. 38 on the Mainstream Rock Airplay chart and peaked at No. 17, marking their highest placement since 2012. "Everything Is a Cult" (2024) and "Bring Me Back to Life" (2025) received modern rock airplay, though without top-20 peaks. The most recent single, "Bad Decisions" (2025), continues this focus on active rock formats.[70]| Single | Release Year | Billboard Hot 100 Peak | Mainstream Rock Airplay Peak |
|---|---|---|---|
| Get Stoned | 2005 | — | 4 |
| Lips of an Angel | 2006 | 3 | 1 |
| Better Than Me | 2007 | 31 | 2 |
| Use Me | 2008 | — | 3 |
| Live Without It | 2024 | — | 17 |