His 12 Greatest Hits
His 12 Greatest Hits is a compilation album by American singer-songwriter Neil Diamond, released in 1974 by MCA Records, featuring twelve of his most popular songs recorded between 1968 and 1972.[1] The album includes tracks such as Sweet Caroline, Cracklin' Rosie, Song Sung Blue, and I Am... I Said, many of which were originally released on Diamond's UNI Records albums during his rise to fame in the late 1960s and early 1970s.[1] Initial pressings incorporated live versions of Sweet Caroline and Holly Holy from Diamond's 1972 album Hot August Night, adding a dynamic concert energy to the collection, though later editions, including some CDs, reverted to studio recordings.[1] Upon release, His 12 Greatest Hits achieved commercial success, peaking at number 29 on the Billboard 200 chart in the United States and remaining on the chart for multiple weeks.[2] It has been certified quadruple platinum by the RIAA in 1993 for sales of four million copies in the US, reflecting its enduring popularity among Diamond's discography.[3] In the UK, the album was certified gold by the BPI for sales exceeding 100,000 units.[3] The track listing is as follows:- Sweet Caroline (4:15)
- Brother Love's Traveling Salvation Show (3:26)
- Shilo (2:59)
- Holly Holy (5:40)
- Brooklyn Roads (3:39)
- Cracklin' Rosie (3:00)
- Play Me (3:49)
- Done Too Soon (2:45)
- Stones (3:03)
- Song Sung Blue (3:15)
- Soolaimon (4:33)
- I Am... I Said (3:32)
Background
Development
Neil Diamond transitioned from Bang Records to Uni Records, a subsidiary of MCA Records, on March 18, 1968, following a series of lawsuits over his contract that had delayed the release of some of his early hits.[4] This move marked a pivotal shift in his career, allowing greater creative control and leading to a string of successful albums under the MCA umbrella from 1968 onward. By 1974, with Diamond's popularity surging from his MCA-era output, the label recognized the need for a retrospective compilation to showcase his burgeoning stardom and consolidate his hits for new audiences. The album's compilation process centered on selecting 12 key tracks drawn primarily from Diamond's early MCA albums, including Brother Love's Travelling Salvation Show (1969), Tap Root Manuscript (1970), Stones (1971), and Moods (1972).[1] These choices highlighted his evolution from folk-rock influences to more polished pop anthems, with several tracks like "Shilo" featuring re-recorded versions originally intended for Bang but released under MCA to avoid legal entanglements.[5] MCA executives played a central role in curating the collection, aiming to leverage Diamond's rising fame following the 1969 breakthrough hit "Sweet Caroline," which had solidified his status as a major artist. The focus remained on pre-1973 material to emphasize his foundational MCA period, excluding later recordings to maintain a cohesive narrative of his initial years with the label.[6] This strategic assembly not only capitalized on Diamond's trajectory toward superstardom but also addressed ongoing catalog management issues stemming from his Bang disputes.[5]Context in Neil Diamond's career
Neil Diamond achieved early commercial success as a songwriter and performer through his association with Bang Records, where he signed in 1966 and released several hit singles between 1966 and 1968, including "Cherry, Cherry," "Solitary Man," and "Girl, You'll Be a Woman Soon."[7] These tracks established his signature folk-pop style, blending introspective lyrics with accessible melodies, and helped him transition from a Brill Building songwriter to a recording artist in his own right.[8] However, creative disputes with Bang's producers, particularly over artistic direction and royalties, prompted Diamond to leave the label in 1968.[7] Seeking greater artistic control, Diamond signed with Uni Records, a subsidiary of MCA, later that year, allowing him to oversee his productions and song selections more directly.[7] This shift marked a pivotal moment, enabling the release of key albums that built on his Bang-era momentum, including Just for You (1967) on Bang with mature ballads like "You Got to Me," followed by Uni releases such as Velvet Gloves and Spit (1968).[7] By 1969, he issued Brother Love's Travelling Salvation Show, an ambitious concept album exploring themes of redemption, and Touching You, Touching Me, which delved into personal introspection with tracks like "And the Grass Won't Pay No Mind."[7] These works solidified his evolution from pop singles artist to a more narrative-driven songwriter. Throughout the late 1960s and into the early 1970s, Diamond's popularity as a live performer surged, with sold-out concerts drawing large crowds and emphasizing his charismatic stage presence, which influenced the selection of crowd-favorite hits for compilations.[7] His 1972 live album Hot August Night, recorded at the Greek Theatre in Los Angeles, captured this energy and became a bestseller, highlighting songs like "Sweet Caroline" that resonated strongly in performance settings.[9] The 1974 release of His 12 Greatest Hits arrived at a transitional juncture in Diamond's career, bridging his 1960s folk-pop foundations with emerging cinematic ambitions, exemplified by his 1973 soundtrack for the film Jonathan Livingston Seagull, which earned a Grammy and introduced orchestral elements to his sound.[7] This compilation thus captured the essence of his pre-1970s hits while signaling his readiness for broader, more expansive projects.[7]Release
Packaging
The original 1974 U.S. vinyl release of His 12 Greatest Hits was issued in LP format by MCA Records under catalog number MCA-2106 (March 1974).[10] The cover art consists of a black-and-white portrait photograph of Neil Diamond taken by Harry Langdon, capturing the singer in a contemplative pose looking to the side.[11] This image is presented on a standard jacket without gatefold elements, emphasizing the artist's introspective expression as the central visual focus.[1] The record labels feature MCA's black design with the distinctive rainbow logo, typical for releases from that era.[12]Promotion
MCA Records promoted His 12 Greatest Hits through a targeted radio airplay campaign, featuring the single version of "Cracklin' Rosie" (2:59) as the lead single released in 1974 to capitalize on the track's prior success.[13] This effort aimed to reintroduce Diamond's established hits to contemporary audiences via FM and AM stations.[1] The album's rollout coincided with Neil Diamond's extensive 1974 tour schedule, including a European leg that featured live performances of key tracks like "Sweet Caroline" and "Holly Holy" from the compilation, enhancing cross-promotion between the record and live shows.[14] These concerts, spanning countries such as Spain and Germany, helped sustain momentum for the release during the spring and summer months.[15] Advertising campaigns highlighted the album's status as a definitive collection of Diamond's "12 greatest hits," with print ads in industry publications like Billboard magazine, where the LP charted at No. 29 on the Billboard 200 in August 1974.[16] Internationally, variations included the UK edition on MCA Records (catalog MCF 2550).[17]Composition
Track listing
His 12 Greatest Hits is structured as a double-sided vinyl album, featuring six tracks per side drawn from Neil Diamond's earlier releases on Uni Records. All twelve tracks were written by Neil Diamond, with a total runtime of 42:11.[18] The track listing is as follows:| Side | Track | Title | Duration | Original album |
|---|---|---|---|---|
| One | 1 | "Sweet Caroline" | 4:15 | Hot August Night (1972, live version) |
| One | 2 | "Brother Love's Travelling Salvation Show" | 3:26 | Brother Love's Travelling Salvation Show (1969) |
| One | 3 | "Shilo" | 2:59 | Just for You (1967, 1970 re-recording) |
| One | 4 | "Holly Holy" | 5:40 | Hot August Night (1972, live version) |
| One | 5 | "Brooklyn Roads" | 3:39 | Brother Love's Travelling Salvation Show (1969) |
| One | 6 | "Cracklin' Rosie" | 3:00 | Tap Root Manuscript (1970) |
| Two | 1 | "Play Me" | 3:49 | Moods (1972) |
| Two | 2 | "Done Too Soon" | 2:45 | Brother Love's Travelling Salvation Show (1969) |
| Two | 3 | "Stones" | 3:03 | Stones (1971) |
| Two | 4 | "Song Sung Blue" | 3:15 | Moods (1972) |
| Two | 5 | "Soolaimon" | 4:33 | Tap Root Manuscript (1970) |
| Two | 6 | "I Am... I Said" | 3:32 | Stones (1971) |
Alternate versions
The 1974 compilation album His 12 Greatest Hits incorporates non-standard recordings for two tracks, diverging from the original studio singles to emphasize Neil Diamond's live performance charisma. Specifically, "Sweet Caroline" and "Holly Holy" appear as live versions drawn from the double album Hot August Night, which captured Diamond's concert at the Greek Theatre in Los Angeles on August 24, 1972.[19] These live renditions differ markedly from their studio counterparts through extended introductions that build dramatic tension, fuller band arrangements with improvisational flourishes, and integrated audience responses, including cheers and sing-alongs that infuse the tracks with communal energy absent in the controlled studio environments.[20][21] The Hot August Night recording, produced by Diamond and Armin Steiner, highlights his commanding stage presence during a sold-out ten-night residency, transforming the songs into dynamic anthems that extend beyond the concise pop structures of the originals.[22] By including these live cuts, the compilation enhances its overall energetic flow, bridging Diamond's studio hits with the immediacy of his 1972 Greek Theatre shows and appealing to fans seeking a more immersive experience of his rising superstar status.[23] All tracks on the album utilize stereo mixes, aligning with MCA Records' standard format for the era and excluding any mono presentations from earlier singles. Initial pressings featured the live versions, while some later editions, including CDs, use studio recordings.[1]Reception
Critical response
Retrospective assessments have solidified the album's status as a definitive early hits collection. AllMusic awarded it 4 out of 5 stars, describing it as a pure representation of Diamond's Uni Records era output from 1969 to 1972, superior to later compilations that dilute its focus by incorporating pre-Uni material from his Bang Records days.[18] The review praised its sequencing for illustrating Diamond's evolution from introspective folk influences in songs like "Shilo" and "Brooklyn Roads" to more polished pop arrangements in "Cracklin' Rosie" and "Play Me." However, critics have pointed to the track selection's omission of earlier hits such as "Kentucky Woman" as a notable gap, though this choice aligns with Diamond's deliberate distancing from his initial Brill Building-style recordings.[18] Overall, the album's commercial success, with over four million copies sold in the U.S., underscored its enduring appeal as a snapshot of Diamond's breakthrough period.Commercial performance
Upon its release in 1974, His 12 Greatest Hits achieved significant commercial success in the United States, peaking at number 29 on the Billboard 200 chart and remaining on the chart for a total of 32 weeks.[2] The album's strong performance was bolstered by Diamond's established fanbase and the enduring appeal of its tracklist, which included several of his earlier hits from the late 1960s and early 1970s. Internationally, the album also performed well, reaching number 25 on the Canadian RPM Top Albums chart, number 12 on the Australian Kent Music Report, and number 11 on the UK Albums Chart. [24] These positions reflected the album's broad appeal across markets, contributing to its sustained sales momentum. In terms of certifications, the Recording Industry Association of America (RIAA) awarded the album Gold status for 500,000 units shipped on October 8, 1974, followed by Platinum certification for 1,000,000 units on January 13, 1981, and ultimately 4× Platinum in 1993 for 4,000,000 units sold in the US.[3] The British Phonographic Industry (BPI) certified it Gold in July 1975 for sales exceeding 100,000 units.[3] The album's sales were further propelled by seasonal boosts during holiday periods, as tracks like "Holly Holy" resonated with festive audiences. As of 2023, global sales estimates for His 12 Greatest Hits exceed 7.9 million units, underscoring its role as one of Diamond's most enduring compilations.[25]| Country | Peak Position | Chart |
|---|---|---|
| United States | 29 | Billboard 200 |
| Canada | 25 | RPM Top Albums |
| Australia | 12 | Kent Music Report |
| United Kingdom | 11 | UK Albums Chart |