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Hopeless Records

Hopeless Records is an American independent record label founded in 1993 by Louis Posen in Van Nuys, California, initially established to release a seven-inch EP by the punk band Guttermouth.^[1] The label, inspired by Posen's diagnosis of retinitis pigmentosa and a book on running indie labels from SST Records, began as a hobby project while Posen studied film at California State University, Northridge (CSUN), and quickly grew into a key player in punk, pop-punk, metalcore, and alternative rock scenes.^[2]^[3] Over its more than 30 years of operation, Hopeless has signed and developed influential artists including early punk acts like 88 Fingers Louie and Mustard Plug, legacy bands such as Taking Back Sunday, Yellowcard, New Found Glory, Thrice, and Avenged Sevenfold, and contemporary groups like All Time Low, Neck Deep, The Wonder Years, Waterparks, and Scene Queen.^[1]^[2] The label has achieved commercial success with several Billboard top-ten albums and over 15 million records sold worldwide, establishing itself as one of the largest independent labels globally.^[1]^[3] Hopeless emphasizes artist career support, emotional fan connections through music, and a positive community impact, guided by principles of inclusivity for women, LGBTQ+ individuals, and people of color in the industry.^[1]^[2] In 1999, it launched Sub City, a nonprofit imprint that has raised over $3 million for more than 50 causes, including mental health, suicide prevention, gun violence prevention, and blindness awareness, through artist-fan initiatives like the Songs That Saved My Life series started in 2018.^[1]^[3] The label's enduring legacy was honored with a special exhibition at the Rock and Roll Hall of Fame in 2024, alongside a traveling 30th-anniversary showcase that debuted at the Valley Relics Museum in Van Nuys.^[4]^[2] In July 2025, Hopeless acquired the catalog of punk label Fat Wreck Chords and forgave $3.5 million in artist debt as part of the deal.^[5]

Company Overview

Founding and Leadership

Hopeless Records was founded in 1993 by Louis Posen in a garage in Van Nuys, California, with the initial purpose of releasing a seven-inch EP by the punk band Guttermouth.^[1] The label's name, "Hopeless," was inspired by the title track "Hopeless" from that Guttermouth release, reflecting the DIY punk spirit of starting small amid industry challenges.^[6] Posen, then a film student at California State University, Northridge, was a passionate music enthusiast but lacked any prior professional experience in the record industry.^[6] Motivated by a dare from Guttermouth during the filming of their music video, he invested $1,000, purchased a guidebook titled How to Run an Independent Record Label, and launched the venture without a formal business plan or distribution network, embodying the grassroots punk ethos of self-reliance and community-driven creativity.^[7] Under Posen's continued leadership as founder, president, and CEO, Hopeless Records has evolved while maintaining its independent roots, with strategic hires bolstering operations.^[1] In the early 2000s, Eric Tobin joined the team, initially focusing on sales and distribution before advancing to executive vice president of A&R and business development, helping navigate the label's growth in alternative music.^[8]

Location and Core Operations

Hopeless Records is headquartered at 15918 Arminta Street in Van Nuys, California, a location that serves as the central hub for its daily activities and creative endeavors.^[9] The office setup is designed to support a collaborative atmosphere, with hands-on internships and team brainstorming sessions that immerse staff in active artist campaigns, fostering an environment where innovation in alternative music thrives.^[10] This setup enables the label to nurture emerging talent while maintaining close ties to its punk and alternative rock roots, emphasizing emotional connections between artists and fans.^[1] The label's core operations encompass artist and repertoire (A&R), marketing, and distribution, handled by a dedicated team including EVP of Business Development and A&R Eric Tobin and VP of Marketing Erin Choi.^[11] A&R focuses on scouting and developing young, genre-diverse artists, while marketing leverages influencer promotions and user-generated content to build authentic fan engagement. Distribution has evolved from early partnerships with Caroline Distribution to a long-term alliance with Alternative Distribution Alliance (ADA), a Warner Music Group division, since 2005, ensuring wide reach for physical and digital releases.^[12] Post-2010, the label adapted to digital streaming by integrating platforms like Spotify and TikTok for artist discovery and promotion, shifting from physical sales to sustainable streaming models that prioritize long-term career growth.^[13] As an independent label, Hopeless Records operates on an artist-friendly business model that prioritizes equitable deals, long-term partnerships, and direct-to-fan strategies to empower creators.^[13] This includes flexible contracts allowing artists creative control and revenue shares, alongside initiatives like merchandise sales through its online store and tour support to strengthen fan communities.^[14] The label maintains in-house facilities such as Sub City Studios in Los Angeles, which provides recording and production support funded by Hopeless, enabling both youth programs and artist sessions to enhance production capabilities.^[15]

Historical Development

Inception and Early Years (1993–1999)

Hopeless Records was established in 1993 by Louis Posen, a film student at California State University, Northridge, who launched the label as a personal project to release a 7-inch single by the Orange County punk band Guttermouth, inspired by their track "Hopeless." With no prior experience in the music industry, Posen funded the initial pressing of 1,000 copies of Guttermouth's 11 oz. EP using a $1,000 loan from his brother and guidance from a book on running an independent label. Operating initially from his parents' garage in Van Nuys, California, the label quickly sold out its first run, signaling early grassroots interest within the local punk community.^[16]^[17]^[18] The label's early growth centered on signing and releasing music from emerging local Los Angeles-area punk acts, capitalizing on the 1990s resurgence in pop-punk, ska-punk, and hardcore subgenres. Key early releases included works by bands such as 88 Fingers Louie, whose debut album Behind Bars arrived in 1995, and Mustard Plug, with their ska-infused Evildoers Beware! in 1997, helping to build a niche catalog of affordable, high-energy punk records. Samiam's signing culminated in the 2000 release of Astray, a pivotal album that blended melodic punk with introspective lyrics, further solidifying the label's reputation among underground enthusiasts. These efforts aligned Hopeless with the DIY ethos of the era, including informal ties to events like the inaugural Vans Warped Tour in 1995, where acts from similar punk circles gained exposure through skate-punk and hardcore alignments.^[17]^[1]^[16] Despite its momentum, the label faced significant challenges in its formative years, including limited funding and distribution networks typical of small independent operations, which restricted reach beyond mail-order and local record stores. Posen's 1995 diagnosis with retinitis pigmentosa, a degenerative eye condition that ended his filmmaking career, forced a pivot to full-time label management but also underscored the precarious nature of indie ventures. To navigate these hurdles, Hopeless prioritized cost-effective formats like vinyl 7-inches and cassettes, which appealed to punk fans' preference for tangible, collectible media over emerging CD dominance. By 1999, the label had amassed a catalog of over 50 releases, establishing its credibility as a cornerstone of the underground punk scene through consistent output and artist development.^[18]^[16]^[17]

Expansion and Mainstream Breakthrough (2000–2009)

During the early 2000s, Hopeless Records expanded its roster by signing influential acts in the alternative rock and emo scenes, including Thrice in 2000, whose debut full-length album The Illusion of Safety was released in 2002 through the label's Sub City imprint.^[4]^[19] This signing marked a pivotal shift toward broader genre exploration beyond punk roots, with Thrice's blend of post-hardcore and melodic elements helping to propel the label's visibility in the burgeoning emo revival.^[20] The label's growth aligned with the early 2000s emo and pop-punk surge, fueled by cultural shifts and media exposure, as acts like Thrice achieved critical acclaim and toured extensively, contributing to Hopeless' reputation for nurturing breakthrough talent.^[4] By mid-decade, Hopeless signed All Time Low in 2005, releasing their debut album The Party Scene that year, which captured the pop-savvy emo sound gaining traction on platforms like MTV and radio, amplifying the label's mainstream reach.^[21]^[20] Similarly, Avenged Sevenfold's 2003 release Waking the Fallen on Hopeless exemplified the label's foray into metalcore, blending heavy riffs with emotional intensity to resonate within the alternative scene.^[22] Business expansion during this period involved strategic distribution partnerships that enhanced national and international accessibility, allowing Hopeless to scale operations while maintaining independence.^[17] The activation of Sub City Records, launched in 1999 as a nonprofit imprint, became operational in the 2000s, focusing on charity-driven music projects and compilations to raise funds for social causes, ultimately generating over $3 million for more than 50 nonprofits through artist-driven compilations and tours.^[23]^[24] By 2009, Hopeless had solidified its status with over ten gold and platinum certifications across its releases, including the RIAA gold accolade for Avenged Sevenfold's Waking the Fallen, underscoring the commercial impact of its 2000s signings amid the shift toward digital media and broader alternative rock popularity.^[22]^[17]

Contemporary Evolution (2010–2025)

In the 2010s, Hopeless Records navigated the rise of digital streaming by prioritizing early partnerships with platforms like Spotify, becoming one of the first independent labels to engage directly with the service's New York office to secure playlist placements for its artists.^[20] This strategy proved effective, as veteran acts on the label achieved tens of thousands of weekly streams, while newer signings like Neck Deep, who joined in August 2013, amassed tens of millions of streams annually through targeted curation.^[20]^[25] Similarly, the signing of The Wonder Years in May 2010 bolstered the label's pop-punk offerings, with the band's releases benefiting from social media-driven fan sharing on platforms like MySpace and later TikTok, where community loyalty amplified organic reach without heavy reliance on paid promotion.^[26]^[20] These efforts allowed Hopeless to sustain growth amid shifting consumption habits, emphasizing artist-fan connections over traditional radio dominance. As major labels consolidated power through acquisitions and streaming monopolies, Hopeless maintained its independence by focusing on long-term artist development in niche genres like punk and emo, which majors often overlooked in favor of viral pop trends.^[13] Founder Louis Posen highlighted the label's commitment to risk-taking and emotional storytelling, critiquing the volume-based streaming model that disadvantages smaller acts and advocating for artist-centric reforms to better monetize dedicated audiences.^[13] This stance was underscored in 2025 when Hopeless joined over 200 independent executives in opposing Universal Music Group's proposed takeover of another indie, reinforcing its role in preserving diverse voices against industry homogenization.^[27] The label marked its 30th anniversary in 2023 with a series of retrospective initiatives, beginning with an invite-only event at the Valley Relics Museum in Los Angeles on December 8, featuring memorabilia and artwork from its history.^[28] Celebrations extended into 2024, including the release of the compilation album Hopelessly Devoted To You: 30th Anniversary on December 6, 2024, which featured modern Hopeless artists covering iconic tracks from the label's catalog, alongside a photobook and documentary chronicling three decades of punk evolution.^[29] A major milestone came in July 2025 with the acquisition of Fat Wreck Chords' catalog, a landmark partnership that forgave $3.5 million in unrecouped artist debts and integrated punk legacy acts like NOFX into Hopeless' ecosystem, ensuring their continued cultural relevance without disrupting Fat's branding for future projects.^[30]^[31] This period of evolution culminated in September 2025 with the signing of emo-rock band Like Roses, a Berkeley-based group whose addition signaled Hopeless' ongoing investment in the punk revival among emerging talent. In November 2025, the label signed pop-rock band Lake Drive, further expanding its support for rising acts.^[32]^[33] By late 2025, the label had achieved roster stability, supporting over 20 active artists across punk, emo, and alternative genres, from established names like Neck Deep and Taking Back Sunday to newcomers like Scene Queen and NOAHFINNCE.^[34]

Artist Roster

Current Artists

Hopeless Records' current artist roster as of November 2025 reflects the label's enduring focus on pop-punk, emo, and alternative rock, blending veteran acts with fresh signings to sustain its signature energetic and emotionally resonant sound. The label has demonstrated strong artist retention, with several groups from the 2000s era remaining active and contributing to ongoing tours and releases, underscoring a culture of loyalty and long-term support. All Time Low, pop-punk staples signed to the label since 2005, continue to define the genre with their high-energy anthems and relatable lyrics. Their 2015 album Future Hearts, released via Hopeless, marked a commercial peak and remains a cornerstone of their catalog. As of 2025, the band is actively touring and announced their tenth studio album, Everyone's Talking!, highlighting their sustained partnership and influence on the label's sound.^[35] Neck Deep, modern pop-punk leaders signed in the mid-2010s, embody the label's evolution with their melodic hooks and introspective themes. Their self-titled 2024 album, reissued as the deluxe Dumbfuck Edition in September 2025, features additional tracks and live recordings, solidifying their role in contemporary pop-punk. The Welsh band is currently touring extensively, including European dates.^[36] The Wonder Years, evolving from emo roots to acoustic-infused storytelling since their 2010s signing, offer emotional depth to the roster. Their tenure includes key releases like No Closer to Heaven (2015), and in 2025, they celebrated its 10th anniversary with a special edition vinyl box set, while preparing acoustic sets for upcoming tours.^[37] The Used, post-hardcore trailblazers signed in the early 2000s, contribute visceral energy and genre innovation. Albums such as The Canyon (2017) exemplify their Hopeless output, and in 2025, they continue touring and teasing new material, reinforcing the label's post-hardcore legacy.^[38] Bayside, alternative rock stalwarts since the mid-2000s, blend punk and indie elements in their catalog. Their 2025 re-release of Devotion and Desire celebrates 20 years with updated tracks, while the band supports it through U.S. tours, showcasing sustained creativity.^[39] New Found Glory, pop-punk longevity experts signed in the 2010s, uphold the label's foundational sound with upbeat, resilient anthems. Releases like Forever + Ever x Infinity (2021) define their era, and in 2025, they are actively touring major festivals, including dates with The Offspring.^[40] Newer signee Like Roses, an emo rock outfit who joined in September 2025, inject fresh vulnerability into the roster. Their debut Hopeless contribution includes an October 2025 cover of Cher's "Believe" for the Songs That Saved My Life series, with touring plans underway to build on their rising profile.^[41] Lake Drive, a rising pop rock band from Milwaukee signed on November 16, 2025, adds to the roster with their debut single "Tell Me About It," blending emotive lyrics and catchy melodies. The band is gearing up for initial tours to promote their Hopeless debut.^[42]

Former Artists

Hopeless Records has nurtured over 150 artists across its history, many of whom have transitioned out to pursue major label deals, independent paths, or creative independence while leaving lasting impacts through their time on the label.^[4] Notable former acts often cite expanded distribution, financial opportunities, or artistic control as reasons for departure, yet the label maintains strong ties with alumni via dedicated profiles and collaborative anniversary projects. By 2025, these former artists numbered over 50, contributing to Hopeless's reputation for launching influential voices in punk, metalcore, and alternative rock. Avenged Sevenfold joined Hopeless in early 2001 during their metalcore origins, re-releasing their self-titled debut Sounding the Seventh Trumpet in 2002 and dropping the breakthrough album Waking the Fallen in 2003, which blended aggressive riffs with melodic elements and sold over 200,000 copies.^[43] The band's tenure ended in 2004 when they signed with Warner Bros. Records to access major promotion and resources for mainstream success, leading to their self-titled platinum album in 2007. Thrice signed to Hopeless's Sub City imprint in 2000, issuing their debut Identity Crisis that year and the critically acclaimed The Illusion of Safety in 2002, the latter earning praise for its experimental post-hardcore sound and emotional depth.^[44] Seeking wider reach, they departed in 2003 for Island Records, a major label under Universal Music Group, to support their evolving style on albums like The Artist in the Ambulance.^[45] Alkaline Trio's early association with Hopeless began in 1999 with the release of their single "Goodbye Forever" on the label, capturing their raw punk energy amid the late-1990s scene.^[46] The band shifted to Vagrant Records from 2001 to 2009 for key releases like From Here to Infirmary, prioritizing a dedicated emo-punk platform before going independent to regain full creative control. Guttermouth holds a foundational role as the label's first signing, releasing the EP 11oz. in 1993, which kickstarted Hopeless's focus on irreverent Southern California punk with tracks like "Hopeless."^[1] Their relationship remained sporadic through the 1990s, with additional output on the label amid a broader catalog on independents like Dr. Strange, reflecting the fluid punk affiliations of the era.^[47] Pennywise appeared on the 1995 Hopeless compilation Punk Sucks with their track "Slowdown," aligning with the label's early emphasis on West Coast hardcore acts despite their primary home at Epitaph Records.^[48] These and other alumni, such as Yellowcard and Taking Back Sunday, frequently collaborate on Hopeless initiatives like the 2024 Hopelessly Devoted to You compilation, where current artists cover former acts' tracks, underscoring enduring goodwill and occasional re-releases of catalog material. Sum 41, punk rock veterans who released their final album Order in Decline on Hopeless in 2019, contributed to the label's punk heritage through legacy projects and live performances before transitioning.^[29]^[49]

Business and Impact

Key Partnerships and Acquisitions

In the label's formative years, Hopeless Records formed pivotal distribution partnerships to amplify its reach beyond independent channels. By the 2000s, Hopeless shifted to a partnership with Fontana Distribution, part of Universal Music Group, which provided enhanced marketing resources and broader access to major retailers, facilitating mainstream success for albums by Thrice and [Avenged Sevenfold](/page/Avenged Sevenfold). In 2022, the label transitioned to AMPED Distribution for its current operations. A notable internal expansion came in 1999 with the launch of Sub City Records, a nonprofit imprint under Hopeless dedicated to raising funds and awareness for charitable causes through music-related initiatives. Over time, Sub City has channeled proceeds from releases to non-profit organizations while supporting artist development.^[23] The label's most transformative acquisition to date occurred in July 2025, when Hopeless Records acquired the entire catalog of Fat Wreck Chords, the legendary independent punk label founded in 1990 by NOFX frontman Fat Mike. The deal encompassed master recordings from cornerstone artists including NOFX, Lagwagon, and the Bouncing Souls, significantly bolstering Hopeless's punk rock holdings.^[30]^[50] Central to the agreement's artist-centric structure was the forgiveness of $3.5 million in unrecouped advances owed to Fat Wreck artists, eliminating long-standing debts and allowing creators to retain full ownership of their future work. Hopeless assumed control of distribution, marketing, and operational management for the acquired assets, while granting Fat Wreck semi-autonomy to focus on legacy support without pursuing new signings. This partnership underscores Hopeless's commitment to ethical business practices in the indie sector, preserving the autonomy of punk's DIY ethos amid industry consolidation.^[31]^[51]

Philanthropic Efforts

Hopeless Records established Sub City Records in 1999 as its dedicated charity arm, aimed at raising funds and awareness for nonprofit organizations through music-related initiatives.^[23] Since its inception, Sub City has raised over $3 million to support more than 50 causes, including efforts addressing homelessness among LGBTQIA+ youth via partnerships like ProjectQ and music education programs such as Sub City Studios, which provides free recording sessions and instruction for under-resourced youth in collaboration with New Directions for Youth.^[23] Benefit compilations have been a cornerstone of these efforts, with projects like the Songs That Saved My Life series directing proceeds to mental health and suicide prevention organizations, including the Crisis Text Line and The Trevor Project.^[23] Complementing Sub City's work, Hopeless Records launched the Cause of the Month program, through which the label selects a different nonprofit each month to spotlight and support.^[52] Proceeds from merchandise sales, streams, and optional purchase round-ups on the label's webstore are donated directly to these causes, with past beneficiaries including Homeboy Industries for rehabilitation services and the Immigrant Defenders Law Center for legal aid to immigrants.^[23] This ongoing initiative embodies the label's integration of philanthropy into daily operations, allowing fans to contribute effortlessly while amplifying diverse social issues.^[52] Hopeless Records has partnered with events like the Vans Warped Tour through charitable compilations and artist involvement. Complementing this, Sub City and Hopeless launched the Take Action Tour in 2002, a dedicated charitable tour featuring benefit performances and donation drives for nonprofits focused on social causes, with annual compilation albums continuing into the 2000s. In celebration of its 30th anniversary in 2023–2024, the label hosted fundraisers and exhibitions that highlighted mental health support in music communities, including expanded promotion of the Songs That Saved My Life project to fund artist-led campaigns for suicide prevention and wellness resources.^[29] These philanthropic endeavors reflect the punk rock ethos of activism ingrained in Hopeless Records' operations, with employees actively managing Sub City initiatives and artists participating in campaigns that connect music to real-world change.^[23] By prioritizing community involvement and targeted giving, the label has fostered a legacy of cultural impact that extends beyond commercial success, encouraging fan participation in causes like youth empowerment and crisis support.^[53]

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